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Archive for the ‘Julien Baker’ Category

Julien Baker / Lucy Dacus / Katie Malco (Brooklyn Bowl, Brooklyn NY, October 8, 2024) [DID NOT ATTEND]

Posted in Brooklyn Bowl, Brooklyn, NY, Julien Baker, Katie Malco, Lucy Dacus, New York City, Webster Hall on October 8, 2024| Leave a Comment »

[DID NOT ATTEND: October 8, 2024] Julien Baker / Lucy Dacus / Katie Malco

My daughter and I saw Julien Baker at Webster Hall on Sunday night, the night that Julien got sick and left early.  

She immediately announced a new show two nights later in Brooklyn.

We would have loved to have gone to this show but there were a few reasons we couldn’t.  My wife and I had tickets to see Kishi Bashi and we were pretty excited to go to that one.  Plus, Brooklyn is much harder for us to get to than NYC (which is much more challenging to get to than Philadelphia).

So, we missed out on this show which featured a “surprise” set from Lucy Dacus.  My daughter and I assumed that Lucy would be the surprise, and yeah we’re bummed we missed the show, but at least we got to see some of Julien on the first night.  (Plus, a video that I saw made it sound like the crowd was really noisy and rowdy–and consequently very distracting).

And, most likely we would probably have been too late to see Katie Malco, just like Sunday.

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Julien Baker (Webster Hall, New York City, NY, October 6, 2024)

Posted in Julien Baker, Katie Malco, Lucy Dacus, New York City, The Ophelias, Webster Hall on October 8, 2024| Leave a Comment »

[ATTENDED: October 6, 2024] Julien Baker

My wife and I saw Julien Baker open for The Decemberists back in 2017.  I had liked a few songs on her album and I was happy she opened.  Then she announced a headline tour the following year and we grabbed tickets.

We left that show unsettled and I assumed I’d never see her again.

Then she joined boygenius and I found myself enjoying her third of the trio more than the other two who I liked better before the trio formed.  My daughter became a massive fan of all three of them and Julien in particular.  

So when she announced a few shows in New York, and my daughter found resale tickets for shockingly cheap, we decided to go to the Sunday night show.  

After The Ophelias, we were all set for Julien.  We assumed we’d be getting home pretty late since she wasn’t going on until pretty late already.  And just as the show started and we had a decent view, two people on the side of us pushed in front of us and proceeded to get all handsy.  Which is just weird and distracting.  And the one person was tall and the other person moved their head around a lot basically obscuring the stage for my daughter.

So Julien came out and I was surprised how much the show rocked.  There were flashing lights, a full band (kicking drums) and a huge sound.  Remember the last time I had seen her it was just her and a guitar and for a few songs, a violin.  So this was a massive departure, and I really liked it. (more…)

[ATTENDED: October 6, 2024] Julien Baker

My wife and I saw Julien Baker open for The Decemberists back in 2017.  I had liked a few songs on her album and I was happy she opened.  Then she announced a headline tour the following year and we grabbed tickets.

We left that show unsettled and I assumed I’d never see her again.

Then she joined boygenius and I found myself enjoying her third of the trio more than the other two who I liked better before the trio formed.  My daughter became a massive fan of all three of them and Julien in particular.  

So when she announced a few shows in New York, and my daughter found resale tickets for shockingly cheap, we decided to go to the Sunday night show.  

After The Ophelias, we were all set for Julien.  We assumed we’d be getting home pretty late since she wasn’t going on until pretty late already.  And just as the show started and we had a decent view, two people on the side of us pushed in front of us and proceeded to get all handsy.  Which is just weird and distracting.  And the one person was tall and the other person moved their head around a lot basically obscuring the stage for my daughter.

So Julien came out and I was surprised how much the show rocked.  There were flashing lights, a full band (kicking drums) and a huge sound.  Remember the last time I had seen her it was just her and a guitar and for a few songs, a violin.  So this was a massive departure, and I really liked it. (more…)

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The Ophelias (Webster Hall, New York City, NY, October 6, 2024) [JULIEN BAKER]

Posted in Julien Baker, Katie Malco, New York City, The Ophelias, Webster Hall on October 7, 2024| Leave a Comment »

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

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Katie Malco (Webster Hall, New York City, NY, October 6, 2024) [JULIEN BAKER]

Posted in Julien Baker, Katie Malco, New York City, The Ophelias, Webster Hall on October 6, 2024| Leave a Comment »

[ATTENDED: October 6, 2024] Katie Malco

My daughter has become a huge fan of boygenius.  We didn’t get to see them (well, we saw them at a festival) so when Julien Baker announced that she was playing a few shows my daughter really wanted to go.  I’m loathe to go to NYC for shows these days because of the massive hassle, but I made an exception for this (especially since there were only shows in NYC).  It turned out we were able to get surprisingly cheap resale tickets (I can’t imagine why) for the Sunday night show (the middle of three).

We left absurdly early and traffic was a nightmare!  I assumed it wouldn’t be on a Sunday but I was wrong.  I had imagined that we would get into the city an hour before doors opened and grab a bite and then mosey into the show and be maybe close to the stage.  Instead, by the time we parked (if only I had remembered that street parking was free and ample on Sundays) and walked the several blocks to Webster Hall, we were stupidly late.

We had to stand almost as far back as was possible and we had missed all but one or two songs of the Katie Malco set. (more…)

[ATTENDED: October 6, 2024] Katie Malco

My daughter has become a huge fan of boygenius.  We didn’t get to see them (well, we saw them at a festival) so when Julien Baker announced that she was playing a few shows my daughter really wanted to go.  I’m loathe to go to NYC for shows these days because of the massive hassle, but I made an exception for this (especially since there were only shows in NYC).  It turned out we were able to get surprisingly cheap resale tickets (I can’t imagine why) for the Sunday night show (the middle of three).

We left absurdly early and traffic was a nightmare!  I assumed it wouldn’t be on a Sunday but I was wrong.  I had imagined that we would get into the city an hour before doors opened and grab a bite and then mosey into the show and be maybe close to the stage.  Instead, by the time we parked (if only I had remembered that street parking was free and ample on Sundays) and walked the several blocks to Webster Hall, we were stupidly late.

We had to stand almost as far back as was possible and we had missed all but one or two songs of the Katie Malco set. (more…)

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Tiphanie Yanique-“God’s Caravan” (New Yorker, November 4, 2019)

Posted in Adele, Anderson .Paak, Anderson .Paak & The Free Nationals, Andrew Bird, Barbara Hannigan, Bernie and the Believers, Bible, Blue Man Group, Brandi Carlile, Café Tacvba, CHAI, Dan Deacon, Dirty Three, Dr. Dog, Fragile Rock, George Li, Gogol Bordello, H.E.R., iLe, Jorge Drexler, Juanes, Julien Baker, Laura Gibson, Lizzo, Mac Miller, Marbles, Martin Luther King, Memphis, TN, Michael Jackson, Mitski, Mon Laferte, Monsieur Periné, Mucca Pazza, Natalia Lafourcade, Neko Case, New Yorker, Noname, NPR/PRI/PBS, PJ Morton, Preservation Hall Jazz Band, Racism, Red Baraat, Religion, Rev Sekou and the Seal Breakers, Short Story, Superorganism, Tamino, Tank and the Bangas, Tedeschi Trucks Band, Thao Nguyen, The Cristina Pato Trio, Tiny Desk Concert, Tiphanie Yanique, Tom Jones, Vic Chesnutt, Yusuf on November 4, 2019| Leave a Comment »

SOUNDTRACK: TINY DESK PLAYLISTS (2019).

As on October 1, NPR has started the Tiny Desk Playlist page.

As of today there are 9 Playlists on the page.  I’m not going to comment on them, as I’ve already posted about all of these shows (except CHAI as of now).  I might disagree with some of these lists, but whatever the case they are a good introduction to Tiny Desks if you haven’t already seen one.

5 Tiny Desk Concerts That Will Literally Make You Cry
• Julien Baker (read more)
• Yusuf/Cat Stevens (read more)
• Bernie and The Believers (read more)
• Rev. Sekou and The Seal Breakers (read more)
• Barbara Hannigan (read more)

The 5 Most Uplifting Tiny Desk Concerts
• Lizzo (read more)
• Superorganism (read more)
• Fragile Rock (read more)
• Dan Deacon (read more)
• Mucca Pazza (read more)

The 5 Wildest Tiny Desk Concerts
• Gogol Bordello (read more)
• Red Baraat (read more)
• The Cristina Pato Trio (read more)
• George Li (read more)
• Dirty Three (read more)

The Best-Sounding Tiny Desk Concerts, Vol. 1 [selected by “the guy mixing the performances and bopping his head along just off (and sometimes on) screen” Josh Rogosin].
• Monsieur Periné (read more)
• Andrew Bird (read more)
• Nick Hakim (read more)
• Tedeschi Trucks Band (read more)
• PJ Morton (read more)

The Best Of The Very Beginning Of Tiny Desk Concerts
• Laura Gibson (read more)
• Vic Chesnutt (read more)
• Tom Jones (read more)
• Thao Nguyen (read more)
• Dr. Dog (read more)

The 5 Best ‘Before They Were Stars’ Tiny Desk Concerts
• Brandi Carlile (read more)
• Anderson .Paak & The Free Nationals (read more)
• Adele (read more)
• H.E.R. (read more)
• Mitski (read more)

Tiny Desk Trick Or Treat: Our 5 Favorite Concerts In Costume
• Neko Case’s Halloween Special (read more)
• Blue Man Group (read more)
• Mucca Pazza (read more)
• CHAI (read more)
• Preservation Hall Jazz Band (read more)

#ElTiny: The Best Latinx Tiny Desk Concerts, Vol. 1
• Natalia Lafourcade (read more)
• Jorge Drexler (read more)
• Juanes & Mon Laferte (read more)
• iLe (read more)
• Café Tacvba (read more)

Lianne La Havas’ 5 Favorite Tiny Desk Concerts
• Tank And The Bangas
• Anderson .Paak & The Free Nationals
• Noname
• Tamino
• Mac Miller

[READ: October 28, 2019] “God’s Caravan”

This story opens with boys crouching in the dirt shooting marbles.  I assumed it was set in the 1950s, so I was surprised to see that the boy knew of Michael Jackson’s moonwalk.  But it is set in Memphis, Tennessee–“Soulsville the black part.”

Earl was kicking butt and winning marbles left and right when the boys heard an ice cream truck trundle up.  But this was no ice cream truck.  Rather it was a van and it was playing “I’ve come from Alabama with a banjo on my knee.”  On the side of the van, painted in “blood of Jesus” red were the words “God’s Caravan.”  The speakers then broadcast “When I say, ‘Ride or die’…you say ‘Amen.'”

The voice said “Ride or Die” and Earl and the other boys all shouted back “Amen.”

The door opened and there was the pastor, dressed in black judge’s robes.  He said he had sweets for their hearts. (more…)

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Andrea Lee–“Brothers and Sisters Around the World” (New Yorker, February 7, 2000)

Posted in Better Oblivion Community Center, Boygenius, Conor Oberst, Julien Baker, Lucy Dacus, Madagascar, New Yorker, Phoebe Bridgers, Sex, Sexism, Short Story, Tiny Desk Concert, Vacation on April 25, 2019| Leave a Comment »

SOUNDTRACK: BETTER OBLIVION COMMUNITY CENTER-Tiny Desk Concert #844 (April 24, 2019).

This Tiny Desk Concert marks another one of those rare occasions where I’ve seen a band live BEFORE their Tiny Desk.

I saw BOCC on April 2.   I assume that this Tiny Desk was recorded around that time (bands usually play DC right before or after Philly), but it takes a week or so to get online.

I really enjoyed the BOCC concert, which rocked more than I thought it would.

But I enjoyed this Tiny Desk even more than that because Conor Oberst and Phoebe Bridgers are having so much fun with this show.  Truth be told they had a lot of fun at our show too, but they experiment more here.  They also have lots of experience at the Tiny Desk.

When this fabulous new duo arrived for their Tiny Desk, it felt like old friends coming home. Both Conor Oberst and Phoebe Bridgers are Tiny Desk alum. Conor’s first Tiny Desk Concert came in 2014. Phoebe has come by twice in the past few years, first as a solo artist in 2017 and then as part of another creative and collaborative endeavor with Lucy Dacus and Julien Baker as boygenius in 2018. So, unlike the bundle of nerves that often come with an appearance at the NPR offices, this one was fun and, at times, silly, like when Conor Oberst sang into a fake rubber microphone on the other end of a chopstick that was sitting on my desk. But there was nothing trivial about the songs or the collaboration.

The first song starts off fairly seriously.  They play their (only?) hit, “Dylan Thomas” with Conor on electric guitar and Phoebe and backing guitarist Christian Lee Hutson on acoustic.  It sounds great–possibly even better than the record.

when their voices intertwine, there’s a radiance that often feels joyful even while singing words like the ones on their opening number, “Dylan Thomas.”

“I’m getting used to these dizzy spells
I’m taking a shower at the Bates Motel
I’m getting greedy with this private hell
I’ll go it alone, but that’s just as well”

For the second song, “Exception to the Rule,” Conor and Phoebe put down their guitars and simply sing (Conor into that fake microphone).  Christian plays guitar and Emily Retsas plays an omnichord.  As Emily sets up the “toy” Phoebe says, we’re going to set it to avoid choreography.”  Their voices really do sound great together, even with this ultra-minimal backing music.  The chorus is catchy, too!

For the final song, “My City” Bob Boilen himself comes out swinging a plastic whistling tube.

So I was whipping a corrugated, ribbed plastic hose over my head, creating a high pitched siren sound, trying to blend in with Christian’s electronics on “My City.” It was my Tiny Desk performance debut, and I was thrilled to be part of this magical act.

Conor and Phoebe pick up acoustic guitars and Christian plays a pocket piano (I gather).  This song feels the most like a folk song and again, they mostly sing together.  But Phoebe gets a solo verse near the end and that little change make a big difference in the overall flow of the song.

For the most part this is a quiet song, but the buildup for the end is pretty great.

[READ: April 20, 2019] “Brothers and Sisters Around the World”

This story is set in Madagascar.  Michel is a French-Italian white man who is married to the narrator–an African American woman.  They live in Cannes where it is always sunny.  But on vacation they travel the world to get hotter and wilder.  Islands are what Michel prefers.  “Any place where the people are the color of different grades of coffee.”

She says he loves her for all the wrong reasons.  He thinks she has some of that island wildness inside of her, but she grew up in Massachusetts and has a “steely Protestant core.”  Her parents never thought it would last.  But they have been together for eight years and they have a child.

As the story opens, he is telling her about how he drove “those two little whores” on the Zodiac.  “You should have seen their titties bounce!”

She admits:

It’s no surprise to me when Michel tries to share the ribald thoughts that run though the labyrinth of his Roman Catholic mind.  He doubtless thought that I would get a kick out of hearing about his boat ride with a pair of African sluts.

(more…)

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Dana Spiotta–“Jelly and Jack” (New Yorker, December 14, 2015)

Posted in All Songs Considered, Boygenius, Dana Spiotta, Julien Baker, Lucy Dacus, New Yorker, Phoebe Bridgers, Phones, Short Story, Tiny Desk Concert on December 14, 2018| Leave a Comment »

SOUNDTRACK: boygenius-Tiny Desk Concert #805 (November 16, 2018).

boygenius have been getting a ton of absolutely deserved press for combining the amazing talents of Julien Baker, Phoebe Bridgers and Lucy Dacus.

I wasn’t that upset when I read that the three weren’t touring near me (the tour was Lucy, Julie, Phoebe and then boygenius) because I had seen all three of them fairly recently.

In fact, I saw Phoebe in July, Lucy in April and Julien a few days after Lucy (as well as in April 2017).  But then I heard exactly how the tour was structured and that the boygenius part at the end was just stunning.  My only (sort of) consolation, was that they didn’t tour anywhere near me, so it’s not like it was my fault I didn’t go.

And I first heard about all three of them from Tiny Desk Concerts.

The group is new, but all of the members of boygenius — Julien Baker, Lucy Dacus and Phoebe Bridgers — are Tiny Desk Concert alumae. In fact, Julien has been behind my desk twice before. So when the usual nerve-racking session was over and I shouted out, “So, is it any easier the second or third time?” I had to laugh when I got a resounding “No!” from all of them.

Boygenius only has six total tunes, all from their just-released, self-titled EP, and here they perform half of that catalog. What you get at the Tiny Desk is a frailer version of these more fleshed-out songs from a band that is likely quite temporary.

All three songs are delicate and lovely–somewhat belying at least Lucy and Phoebe’s ability to totally rock out

“Souvenir” opens with Julien singing the first verse while she gently plays mandolin.  Phoebe plays guitar and sings the second verse.  Lucy (no instrument) sings  a wonderful harmony with Phoebe in the second part of her verse and then sings the end solo.  All three sing the end.  It’s amazing how wonderful their voices sound together–they fit like a practiced team.

Bob asks if they have a joke.  Lucy attempts a cupcake joke and messes it up.  “I shouldn’t have gotten into that.  You baited me.”  Phoebe asks where the king keeps his armies (I’m not giving that away) and no one laughs (although I thought it was great).  Lucy says Jokes are not our forte.  To which Phoebe corrects her, It’s totally my forte, Lucy.

On the second song, “Me & My Dog” Phoebe (whose speaking voice is so much deeper than her singing voice its uncanny) sings the first verse and plays guitar.  Julien is on piano.  There’s gorgeous oohs from Lucy and Julien and then all three of them harmonize on the chorus.

For their closing tune at the Tiny Desk, “Ketchum, ID,” Julien, Phoebe and Lucy each take a verse.

Only Phoebe plays guitar on this one.  And they harmonize beautifully on the chorus.

Lucy’s verse ends the song with the line, “Let’s dissolve the band, move to Idaho.” And the chorus to the song, in stunning harmony, echoes the mileage of the lifestyle, how they live and how they met: “I am never anywhere / Anywhere I go / When I’m home I’m never there / Long enough to know.”

This trio is a special gift to us all in 2018.

There is a part of me that thinks it would be best if they simply made this lovely EP, did some shows and dissolved.  What a great stamp to make on music.

And yet I can’t help but think that we all need more from them.  We should just be grateful we got what we did.

Also, listen to their interview on All Songs Considered for more insight and a full retelling of the muffin joke.

[READ: December 14 2015] “Jelly and Jack”

This story is set in 1985, which is what allows its simple premise to be executed so well.

Jelly is a woman who calls men.  Not as a job or for sexual gratification, exactly.  But just to talk to  them.

The details are a little sketchy about who she calls, but it appears to be people she doesn’t know herself but knows about because of other men.  Some of the men are annoyed by her calls.  Some are angry, some even curse at her.  But others are willing to talk to her. (more…)

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Julien Baker (White Eagle Hall, Jersey City, NJ, April 17, 2018)

Posted in Jersey City, NJ, Julien Baker, Tancred, The Decemberists, White Eagle Hall on April 17, 2018| Leave a Comment »

 [ATTENDED: April 17, 2018] Julien Baker

We saw Julien Baker open for The Decemberists almost exactly one year ago.  I knew her music (and that she was a quiet singer) but Sarah and I were really blown away by her live performance.

So when I saw that she was playing again, this time in a venue we’d never been to before, I thought it would be a fun birthday present for Sarah.  An opportunity to see this artist as a headliner when the crowd was there for her (we felt the Philly crowd was a bit rude for this quiet singer).

White Eagle Hall proved to be a gorgeous venue, both in appearance and sound quality.  Baker was an excellent first show to test out the acoustics because it was incredibly quiet and her voice and guitar rang out beautifully.  Although it must be said having the bars right on the floor did make for some unexpectedly loud bursts of noise. (more…)

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Tancred (White Eagle Hall, Jersey City, NJ, April 17, 2018) [JULIEN BAKER]

Posted in Jersey City, NJ, Juliana Hatfield, Julien Baker, Letters to Cleo, Now, Now, Tancred, White Eagle Hall on April 17, 2018| Leave a Comment »

[ATTENDED: April 17, 2018] Tancred

When I saw the name Tancred a while back I imagined a kind of Middle-Eastern-sounding band.  I had a very specific idea in my head.  So I was really quite surprised to discover that they are actually a 90s-sounding alt rock band created (more or less exclusively) by Jess Abbott (who was in Now, Now for a time).

When I first heard “Bed Case” I was totally psyched.  It pushed all of the buttons I have for 90s female-led alt-rock.  I mean, holy cow.  There’s a total Letters to Cleo/Juliana Hatfield vibe but with a modern sensibility of not following exactly the 90’s rules.

I was super duper psyched that they were opening for Julien Baker.

Incidentally, Tancred (1075 – December 5 or December 12, 1112) was an Italo-Norman leader of the First Crusade who later became Prince of Galilee and regent of the Principality of Antioch…. thanks Wikipedia. (more…)

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Suzanne LaFluer–Threads of Blue (2017)

Posted in Alternate Reality, Art, Bombs, Children's Books, Death, Fears, Friendship, Futility, Games (Non Video), Julien Baker, Propaganda, Short Books, Suzanne LaFluer, The Decemberists, Threats, Tiny Desk Concert, War on January 13, 2018| Leave a Comment »

SOUNDTRACK: JULIEN BAKER-Tiny Desk Concert #690 (January 10, 2018).

Julien Baker joins a handful of artists who have now made a second appearance at a Tiny Desk Concert.  (If they start inviting artists back regularly, they’ll never get ANY work done at the NPR offices).

I was quite enamored with Baker when I watched her first Tiny Desk Concert.  And I was totally smitten with her when I saw her open for The Decemberists.

Julien plays three songs here.  I’m intrigued that in the blurb Bob says “I reached out to ask if she would be willing to do something different this time around.”

It makes it sound as if she’s going to do some kind of dance/electronica show.  But I guess the difference is that last time, she just played electric guitar and this time she mixes up instrumentation and adds a violinist.

The first two songs, “Hurt Less” and “Even,” were accompanied by Camille Faulkner, with Julien on piano for the opening tune and acoustic guitar on the second.

If Julien Baker sounds delicate with just her electric guitar, she’s twice as delicate on piano.  But her voice sounds exquisite–powerful, honest and a little raspy, adding a slight edge.

I love seeing her sticker-covered acoustic guitar as she sings on “Even”:

Putting my fist through the plaster in the bathroom of a Motel 6 / I must have pictured it all a thousand times / I swear to God I think I’m gonna die / I know you were right / I can’t be fixed, so help me

She tends to play her guitar a little louder than the piano, so this one is a bit more dynamic.  The violin adds some aching sounds over the top.

I love that she plays each song in a very different style:

For the final song, Julien put together an arrangement of “Appointments” that begins on electric guitar, which then was looped as a backdrop to her on piano and voice.

It’s always fun watching someone loop guitar melodies.  And I like that she continues to loop long after it seems like the looping is done.  This allows for some of her gorgeous ringing chords.  They continue to ring out as she plays the piano.  It’s even cooler that she can stop parts of the guitar looping while she is completing the song.

All along her voice, which seems so delicate when she starts proves to be really powerful, especially during “Appointments” when she builds to a powerful high.    When I saw her live, she held a really long note that was quite impressive.  Don’t be fooled by the quietness of her music, Julien Baker rocks.

[READ: October 27,2017] Threads of Blue

This is the sequel to Beautiful Blue World, a book I really enjoyed.

In the first book, Mathilde’s country of Sofarende was being attacked by Tyssia.  She was sent to a special location to work on the war effort–they needed precocious children and she was picked for her empathy.  As the book ended, Mathilde followed her empathy and, while their encampment was under siege, released a teenaged prisoner of war because she felt that he was a good person who was just caught up in the war.

This act caused her to leave her group (and her best friend Megs) and to miss the conveyance to safety.

As this book opens, Mathilde wakes up on a boat that is bringing her to the country of Eilean.  She has secret documents and an order to be secretive.

The book picks up right where the previous one left off (I could have used a slight refresher, honestly). (more…)

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