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Archive for the ‘Cate Le Bon’ Category

Cate Le Bon (Union Transfer, Philadelphia, PA, October 6, 2022)

Posted in Cate Le Bon, Philadelphia, PA, Union Transfer on October 7, 2022| Leave a Comment »

[ATTENDED: October 6, 2022] Cate Le Bon

Cate Le Bon has been on the top of my “bands to see list” for a few years now.  I have tried to see her a bunch of times to no avail.  In 2019, I sold Phish tickets so that I could see her at Boot & Saddle, but i was too burnt out to go.  Then in 2020, she was supposed to play with Kurt Vile, but that got cancelled twice.  She was scheduled to play Philly for a benefit show, but I didn’t want to see her in that kind of setting.  So, although I guess it has not been that long that I’ve wanted to see her, but prior to 2019, the last time she’d played Philly was 2017, and I feel like I found out about her right around that time. 

Whatever the case, I’d heard her shows were amazing and was really looking forward to it.

I went into the show not knowing her music all that well.  I knew a few albums and had listened to Pompeii (the new album which I knew she was touring), but I expected to be blown away by the performance.

And I wasn’t.

The whole show was fine.  The band (Euan Hinshelwood on sax, keyboards and guitar; Toko Yasuda on bass; Dylan Hadley on drums; and Alex Morrison on keyboards and guitar) were all very good.  There was a little too much sax for my liking, although I did enjoy the way Hinshelwood distorted the sound so it sounded like a guitar at times.  Toko Yasuda on bass was the highlight for me.  Her bass sounded great–ever fluid, deep and rumbly and just a nice low comforting presence amid all the rest of the higher notes.

I enjoyed the stage set up with Cate on a slightly raised platform off to the side (although I had adjusted myself to perfectly see the center microphone and there was a larger guy now blocking my view of Cate).  She mostly played a day-glo orange guitar shape as a sort of pentagon.

I think what it comes down to is that I think that Cate is pretty weird.  And I expected this concert to be weird in a wonderful way.  And really, it was just fine.  The lighting was muted colors.  Her voice is soft and chill.  It was all very laid back and mellow.  And that is simply not what I thought we’d be getting.

Obviously, this is my fault for having the entirely wrong expectations.  Not to mention her newest album Pompeii is pretty different from her weirder earlier stuff–the stuff that I was more familiar with.

Sometimes, you need to see an artist right when you first wanted to.

SETLIST

  1. Miami √
  2. French Boys
  3. Pompeii
  4. Daylight Matters √
  5. Moderation
  6. Running Away
  7. Typical Love *
  8. Mother’s Mother’s Magazines √
  9. Magnificent Gestures √
  10. Rock Pool ®
  11. Sad Nudes √
  12. Mug Museum ϖ
  13. The Light √
  14. Home to You √
  15. Remembering Me
    encore
  16. Harbour 
  17. Dirt on the Bed
* single (2022)
¶ Pompeii (2022)
√ Reward (2019)
® Rock Pool EP (2017)

ϖ Mug Museum (2013)

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A. Savage (Union Transfer, Philadelphia, PA, October 6, 2022) [CATE LE BON]

Posted in A. Savage, Cate Le Bon, Parquet Courts, Union Transfer on October 6, 2022| Leave a Comment »

[ATTENDED: October 6, 2022] A. Savage

A. Savage is the main voice behind Parquet Courts.  His deadpan deep voiced delivery is pretty recognizable.

As a solo artist, he plays slightly quirky folk songs.

I knew this show wasn’t going to sell out, so I didn’t buy tickets ahead of time.  I actually had tickets to see Turnstile this even in Asbury Park, but I didn’t feel like that kind of show.  So I blew that off and came to see Cate.

Traffic was a little heavy and I wound up arriving midway through A. Savage’s first or second song.

I had listened to his solo album earlier in the week and I knew pretty much what to expect.  And that’s what I got.  Enjoyable enough folkie kinds of songs.

He is a funny performer with good banter.  After the first song I saw he said something like By the way this is it–just me and the guitar–nothing else is going on.

I really like Parquet Courts for how weird they are.  But this show was not weird at all (except for some of his lyrics).  He is a great guitar player.  Nothing fancy, no solos that I recall, but very solid rhythm with the ability to make the songs feel really full even though it was just him.

I happened to not love his slow delivery, though, so the set was just okay for me.

  1. Unknown new song
  2. Buffalo Calf Road *
  3. Pulcinella (Parquet Courts cover)
  4. Wild, Wild, Wild Horses * 
  5. Winter in the South *
  6. Elvis in the Army
  7. Unknown (new song)
  8. Phantom Limbo *
  9. Minor Strummer
  10. Ladies from Houston *

* Thawing Dawn 

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Built to Spill (Musikfest Cafe, Bethlehem, PA, September 4, 2022)

Posted in Bethlehem, PA, Blood Lemon, Built to Spill, Cate Le Bon, Daniel Johnston, Musikfest, Prism Bitch, Union Transfer on September 6, 2022| Leave a Comment »

[ATTENDED: September 4, 2022] Built to Spill

I know that a Built to Spill show is going to be great.  But sometimes the crowd makes it hard to enjoy.  I was fairly sure this show would be poorly attended, and yet there were a lot of (drunk) people who knew Built to Spill very well.  Are they more popular than I realize?

I had seen them just four months earlier, but the opportunity to see them again at the reasonably close SteelStacks in Bethlehem meant that I was going to see them again.  I enjoyed his new lineup.  This is the third, possibly fourth lineup I’ve seen play with Doug.  Melanie Radford is now on bass (she also plays in Blood Lemon) and Teresa Esguerra on drums.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry.

I hadn’t really gotten to see Radford much during Blood Lemon, but she totally let loose with Built to Spill.  Her bass playing was great and her sound was outstanding.  She also seemed to create some of the second-guitar melodies (instead of the bass lines) to make the songs sound even fuller. And then she would jump back with her hair flying a smile on her face.

I had seen Esguerra with Prism Bitch, but she was even more impressive tackling songs that I knew.  She was fast and powerful and seemed to be the engine pushing the songs forward not just keeping pace with them. (more…)

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Japanese Breakfast / Yo La Tengo / Cate Le Bon [A Make the World Better Benefit] (The Dell Music Center, Philadelphia PA, July 23, 2022) [DID NOT ATTEND]

Posted in Cate Le Bon, Chris Forsyth, Dell Music Center, Garcia Peoples, Japanese Breakfast, Johnny Brenda's, Make the World Better, Philadelphia, PA, Purling Hiss, Yo La Tengo on July 23, 2022| Leave a Comment »

[DID NOT ATTEND: July 23, 2022] Japanese Breakfast / Yo La Tengo / Cate Le Bon

Everything about this show was geared for me to enjoy.

I love Japanese Breakfast and have seen them twice (the las time was fantastic).

I have been a fan of Yo La Tengo for years but have never seen them live.

I have wanted to see Cate Le Bon for a few years now and have had a few shows cancelled on me.  [Although I will be seeing her in October].

Plus, this is a benefit show for Make the World Better.

Their motto is “A park should be a place where you see joy every single day. That’s what we’re trying to do.” — Connor Barwin

We believe community-based redevelopment projects have a unique ability to strengthen neighborhoods by creating a sense of ownership over public spaces. We engage residents in all phases of a project, from concept to construction to ongoing programming and upkeep. We design with and for the community—pushing beyond typical play space design: we’ve built community garden plots and a media lab; we have painted murals and all of our projects have included green stormwater infrastructure.

However, we had tickets to Beach House and all four of us were going, so this show was shut out.

I’ve never been to the Dell Music Center.  It’s an outdoor venue near The Mann Center which probably means parking sucks.

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Built to Spill (Union Transfer, Philadelphia, PA, May 11, 2022)

Posted in Blood Lemon, Built to Spill, Cate Le Bon, Daniel Johnston, Philadelphia, PA, Prism Bitch, Union Transfer on May 13, 2022| Leave a Comment »

[ATTENDED: May 11, 2022] Built to Spill [rescheduled from July 30, 2020]

I feel like I have seen Built to Spill a million times, but this was my fifth show.

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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Kurt Vile / Cate Le Bon / Stella Mozgawa (White Eagle Hall, Jersey City, NJ, September 4, 2020) [rescheduled date–CANCELLED]

Posted in Cate Le Bon, Coronavirus, Courtney Barnett, Jersey City, NJ, Kurt Vile, Postponed, Quarantine, Stella Mozgawa, Warpaint, White Eagle Hall on September 4, 2020| Leave a Comment »

[CANCELLED: September 4, 2020] Kurt Vile / Cate Le Bon / Stella Mozgawa [rescheduled from April 23].

indexI was very much looking forward to this show.  When it was postponed to September, I figured that was okay.

But then on June 8 the show was officially cancelled. That’s a bummer.  I hope it just means he’s cancelling it so people get their money back and he will try again next year.

I saw Kurt Vile at White Eagle Hall two years ago and his show was really great–more complex and interesting than I thought it would be (I imagined a lengthy chill out jam, which it was, but it was much more).

S and I also saw him tour with Courtney Barnett which was a totally cool show.

S. has been enjoying Kurt a lot this past year so I decided to get us both tickets to this reasonably close show.

I was actually quite excited that Cate le Bon was opening or playing with him or however that was going to work.  I have wanted to see the quirky Welsh singer for some time.  I was supposed to see her last summer but my plans changed and I couldn’t go.  I assumed that Cate would play first and then Kurt and they’d probably play some together.

Stella Mozgawa is the drummer for the band Warpaint.  She has also played drums for Kurt Vile and Cate Le Bon’s last couple of albums.

I’m not sure what she was going to do, but I sure how she is going to play with them in September.

UPDATE: On June 8, the show was formally cancelled.

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Kurt Vile / Cate Le Bon / Stella Mozgawa (White Eagle Hall, Jersey City, NJ, April 23, 2020) [POSTPONED/CANCELLED]

Posted in Cate Le Bon, Coronavirus, Courtney Barnett, Jersey City, NJ, Kurt Vile, Postponed, Quarantine, Stella Mozgawa, Warpaint, White Eagle Hall on April 23, 2020| Leave a Comment »

[POSTPONED: April 23, 2020] Kurt Vile / Cate Le Bon / Stella Mozgawa [moved to September 4 which was CANCELLED on June 8].

indexI saw Kurt Vile at White Eagle Hall two years ago and his show was really great–more complex and interesting than I thought it would be (I imagined a lengthy chill out jam, which it was, but it was much more).

S and I also saw him tour with Courtney Barnett which was a totally cool show.

S. has been enjoying Kurt a lot this past year so I decided to get us both tickets to this reasonably close show.

I was actually quite excited that Cate le Bon was opening or playing with him or however that was going to work.  I have wanted to see the quirky Welsh singer for some time.  I was supposed to see her last summer but my plans changed and I couldn’t go.  I assumed that Cate would play first and then Kurt and they’d probably play some together.

Stella Mozgawa is the drummer for the band Warpaint.  She has also played drums for Kurt Vile and Cate Le Bon’s last couple of albums.

I’m not sure what she was going to do, but I sure how she is going to play with them in September.

UPDATE: On June 8, the show was formally cancelled.

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Royden Lepp–Rust: Volume 2: Secrets of the Cell (2017)

Posted in Archaia, Blindness, Canadian Content, Cate Le Bon, Children's Books, Death, Graphic Novel, Parenting, Robots, Technology, The Future, Trains, Uncut, Violence, Wilco on February 7, 2020| Leave a Comment »

SOUNDTRACK: CATE LE BON-“Company in My Back” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Cate Le Bon is a fascinating character, an esoteric Welsh singer who experiments with interesting sounds.  I don’t know that there’s many people like her.  I’m looking forward to seeing her live with Kurt Vile in a couple of months.

Her take on this familiar song is pretty simple—she sings with a kind of deadpan delivery which really accentuates the words.  The verses are a sort of repetitive sound that sounds like a full-sized toy piano with some cool bass lines throughout.

When the chorus kicks in there’s all kind of unexpected horn sounds flitting about.

It’s pretty far from the original but is really fun.

[READ: February 2, 2020] Rust Vol. 2

Volume 2 resumes right where the last book left off.  We’re at the Taylor farm and Roman is looking at the pitchfork that Jesse used to stop the machine that was heading toward the farm.  But Roman has more questions about the pitchfork than the machine.  After inspecting it he decides that only Jesse’s grandfather, Mr. Aicot could have made a pitchfork that could stop a machine like that.

Roman fixes up the machine so that it will repair his truck.  But it seems to go after Jesse–it stops short of doing anything to her but it sure gives her the creeps.  This is a good point to say how cool these machine robots are.  Their faces are essentially a triangular Venetian blind look.  Horizontal lines with a pointed front (like a nose).  They are dressed in long coats and look incredibly menacing.

Meanwhile Jet is feeling weaker and weaker.  Oz is spying on him and sees Jet remove his power cell–Oz realizes that jet is a robot!  This freaks him out.  He bikes to Mr Aicot’s house and reveals the secret.  Mr Aicot says that he knew already, but he never said anything to anyone because no one would believe him,

Then he has some things to show Oswald. (more…)

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Carrie Brownstein–Hunger Makes Me a Modern Girl: A Memoir (2015)

Posted in 7 Year Bitch, All Songs Considered, Bikini Kill, Books about music, Boredom, Carrie Brownstein, Cate Le Bon, Cats, Corin Tucker, Depression, Dogs, Eddie Vedder, Excuse 17, Feminism, George Michael, Heavens to Betsy, Janet Weiss, Madonna, Mötley Crüe, Mecca Normal, Memoirs, Pearl Jam, Pets, Portlandia, Record Labels, Regrets, Riot Grrrl, Sleater-Kinney, The Byrds, The Gossip, The White Stripes, Tiny Desk Concert, Wild Flag, Yeah Yeah Yeahs on July 21, 2016| Leave a Comment »

carrieSOUNDTRACK: CATE LE BON-Tiny Desk Concert #337 (February 18, 2014).

cateCate Le Bon has a very interesting style of singing–it reminds me of Grace Slick in her enunciation, but also like someone whose speaking accent is very strong and is somewhat masked by her singing (like the way she sings “reason” as “ree-sun” as opposed to “reezun”).

The blurb explains that her “phrasing is completely tied to her Welsh dialect — in fact, her first record was in Welsh…. The enunciation is completely tied to the loneliness and the questioning.”

 For this concert it is just her and her fellow guitarist H. Hawkline (both wearing super cozy sweaters).  They share the guitar licks very nicely–it’s not always clear who is playing what–with her sometimes finishing his lines (I believe).

“Are You With Me Now?” has a very catchy chorus (with an “ah ha ha ha ha” part that makes it sound like an olde English ballad).

“No God” plays with very simple guitar lines (chords played very high on the neck of her guitar and a simple accompanying riff).  Hawkline plays keys (and sings some great falsetto backing vocals) to flesh out this song.  Everything is so clean you can hear each note from the guitar and her voice.

“Duke” opens with some interesting slightly off sounding from Cate while Hawkline plays a simple chord pattern (his fingers are enormous, by the way).  Hawkline’s falsetto is almost as engaging as the vocal lines that match the guitar line which Cate plays.  And when she says “I’ll see you here” in that unexpected pronunciation, it’s totally captivating.

I like Le Bon a lot and want to hear what she wounds like on record.

[READ: May 18, 2016] Hunger Makes Me a Modern Girl

After finishing Bob Boilen’s book and thinking about how I don’t really love music-based books, I immediately read Carrie Brownstein’s book.  Carrie Brownstein is one of the two guitarists in Sleater-Kinney and Wild Flag.  She is also one of the leads (writer and actor) on Portlandia.  And she wrote for NPR for a while, too.  Basically, Carrie is the shit.

One thing I took away from this book is that I’ve read a few musician memoirs (Mötley Crüe and Marilyn Manson to name a few) and this is the first one I’ve read that was filled with so much sadness.  Not “I was stoned and regret sleeping with that person with an STD sadness,” but like, real family problems and even a dead pet.  And, as Carrie herself jokes, her stories of being on tour and ending up in the hospital are not based on drugs or other debauchery, but on anxiety and even worse, shingles.

The beginning of the book starts in 2006, around the initial break up (hiatus) of Sleater-Kinney.  Carrie is in pain–emotional and physical–and she can’t take much more.  She starts punching herself hard in the face. (more…)

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