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Archive for the ‘Blink 182’ Category

[ATTENDED: October 15, 2026] Lauren Ash

I have enjoyed Lauren Ash as an actress for a pretty long time–since I first saw her on Super Fun Night, and then of course on Superstore.  I had no idea she had put music out.  Indeed, I found out that Lauren Ash put out a record when I saw this show listed at Kung Fu Necktie.  So I had to look her up.  And she has an album out.  And I really liked it–90’s era pop punk, funny lyrics and catchy as anything.

I thought it would be interesting to see her, but I had a ticket to see The Dillinger Escape Plan that evening–quite a different sound.

The more I looked into the DEP show, the less I was interested in seeing the first two bands (no offense to them, I just didn’t think I could handle a full on heavy night), so I decided to do something wacky.  The Lauren Ash show started at 7.  What if I went to the Lauren Ash show at Kung Fu Necktie, and when she was done, I could drive to Underground Arts and see just DEP.  I had tried a similar plan a few times before with varying results.  But I assumed that Lauren’s show would be fairly short and that all would work out.

Here’s some deets on Lauren’s music career

She exploded onto the music scene in 2023 with her pop punk single “Now I Know” (which debuted at #1 on the Canadian iTunes rock chart and #5 on Billboard’s Alternative Download Chart). Her debut album “Call Me When You Get This” released in September 2025 featuring her single “Whiplash” which was nominated for a “Hollywood Independent Music Award” for best rock/pop song. She performed her single “Sad This Christmas” on “The Kelly Clarkson Show” and spoke about her music on “Jimmy Kimmel Live”.

I read some reviews of her UK shows and they were all positive, so I was in.

After The Droogettes set, her stage was set up wit a TV and a telephone.  When 9PM came around, the phone rang.  After several rings, Lauren’s voice said, can someone answer that please?  A woman answered it and Lauren thanked her and then asked if that person would start the TV.  Which she did.  And what played was a series of well wishes and teases from just about everyone from The Superstore cast as well as other folks (Cobie Smulders).  It was really funny and set a great tone for how the show might go.

Lauren’s band (a guitarist and drummer) came out on stage and then Lauren ran out to the stage.  She was psyched to be there and psyched to be playing music.  She brought an incredible energy.

The biggest surprise for me both on record and live is how high her voice is.  She has a pretty deep authoritative voice on her shows, but she was up an octave for these songs.  Of course I had to wonder if her higher voice had anything to do with her weight loss–I wouldn’t think so, but what do I know.

She started with Dumpster Fire and was clearly having a blast–jumping around stage and emoting the lyrics.  I enjoyed it a lot that she was snarky in her delivery when necessary–it added a lot to the presentation.  I know the album pretty well, so I was surprised when she played some songs I didn’t know.  Like The One Who Got Away (a 2024 single) and Now I Know (a 2023 single).

Lauren played guitar for a couple of songs and talked about how excited she was to be in a band. (more…)

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[ATTENDED: October 24, 2021] Sydney Sprague

I have come to really hate the Starland Ballroom.  I can’t believe how long it takes them to get people inside.  One shouldn’t arrive fifteen minutes before show time and miss the opening band’s first two songs.

And that’s what happened with Sydney Sprague.  The people behind me were particularly looking forward to her too, particularly the song she opened her set with.  So I felt bad for them.

I hadn’t heard of Sprague, but she was getting some good press and I was looking forward to her set.

After missing the first two songs, I pushed my way in to an intensely crowded Starland Ballroom.  It was hard to find a good spot, but by the time I settled, Sprague was steadily rocking along.  Her songs were really good–rocking and catchy.

In fact I think her live set was more rocking and intense than her album. (more…)

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SOUNDTRACK: D12-“Bizarre” (2001).

Hornby said that this track, a skit on the D12 album, was “I think the single most dispiriting moment of my professional life so far this millennium.”  Which meant I had to see what was so horrible.

I didn’t want to listen to the whole D12 album because I basically agree with his sentiments, I just think he;s way over the top into curmudgeonland.

So this skit starts with guys talking about hos and general sex ideas.  Then a guy introduces Bizarre (one of the D12) to Cindy.  She asks about Eminem (which is pretty funny) and he says he doesn’t know who that is.  He starts hitting on her and then farts very loudly.  When she protests, “the fuck you didn’t” he says, “Girl chill out, that shit came from my soul.” Which also made me chuckle.

Then he farts loudly again and asks for a kiss.  And that’s pretty much it.

It’s juvenile and light-hearted (which is probably necessary given how dark and misogynistic the rest of the album seems).  But I can’t imagine anyone wanting to hear it more than once if you were actually listening to the album.

Nevertheless, you have to be a real curmudgeon to not enjoy humor in music.  And, given his reaction to Blink 182, I’m guessing Hornby likes his bands to be Sophisticated, only.

[READ: September 10, 2020] “Pop Quiz”

I have enjoyed recent essays by Hornby in which he jokes about being a curmudgeon.  But boy was he ever a real musical curmudgeon in 2001.

He says that back in July 1971, the top ten list included Sticky Fingers by The Rolling Stones, Whats Going On by Marvin Gaye, a live album by CSN&Y and Aretha Franklin Live at the Fillmore East.  He says even the most curmudgeonly critics probably gushed over this list.  [Let’s gloss over the fact that there were a lot fewer albums released back in 1971 and that record sales were pretty well determined by radio airplay etc–so you had a pretty set idea of what would be popular].

But now there are many different top ten lists, probably because most critics don’t like what’s on the actual top ten list.  Many of those critics from 1971 are still critics today.

He says there is literary, critically approved pop–Wilco, Lucinda Williams, Nick Cave–none of whom trouble the Billboard statisticians much.

But he was unfamiliar with most of the people on the top ten on July 28, 2001.  So he decided to listen to them all (more…)

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SOUNDTRACK: Future Soundtrack for America (2004).

This CD came with the McSweeney’s Future Dictionary for America.  It was released on Barsuk Records (home of Death Cab for Cutie and other great bands) and it was compiled by Spike Jonze and one of the Johns from They Might Be Giants.

This is a solid compilation of indie rock tracks.  At the time of the release most of the songs were rare or hard to find (since then I’ve seen a number of these tracks elsewhere).

TMBG obviously include a piece (a rendition of the old political song “Tippicanoe and Tyler Too”).  Other featured artists include: OK Go, David Byrne, Jimmy Eat World (covering Guided by Voices), Mike Doughty (with a song called Move On, that I have to wonder if it was written for this compilation as proceeds went to MoveOn.org), Ben Kweller (great song title: “Jerry Falwell Destroyed the Earth”), Blink 182 (with the only song I know by them, “I Miss You” that reminds me When in Rome’s The Promise“), the much missed Sleater-Kinney, a remix by R.E.M., a great track from Nada Surf, a live piano version of “Yoshimi Battles the Pink Robots” from The Flaming Lips, a staggering song by Laura Cantrell (who I only know from her work with TMBG, this song is a cover of a John Prine song), Tom Waits’ amazingly powerful and very emotional “Day After Tomorrow,” and a rocking piece from Elliott Smith.

Proceeds for the disc went to MoveOn.org in an attempt to raise money to defeat Bush in the 2004 election. We know how that turned out.  But, as that is not relevant anymore, if you like your indie music good, this is a wholly worthy collection.

[READ: December 17, 2009] Maintenance Volume 1

Now this is a comic that I can get into.  And I’m already delighted to see that there are two more volumes out.

The premise of the comic is that the two guys on the cover, Doug and Manny, work as maintenance men for TerroMax, Inc., the world’s biggest and best evil science think tank!  Their work is sometimes scary, often disgusting and always interesting.

There are three stories in this volume.  In the first one, the guys encounter a ManShark.  In the second, they are sent back in time to the cavemen era (where they learn that a scientist has already visited them) and in the third, a minor character from the first story comes back to play a large role in an alien invasion. (more…)

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