Feeds:
Posts
Comments

Archive for the ‘Beck’ Category

[DID NOT ATTEND: July 25, 2024] Beck with the Philadelphia Orchestra / Molly Lewis

My wife and I have seen Beck three times now and his shows are always fun.

I more or less felt like I’d always see him when he came around.  And typically, an orchestral show promises an interesting performance.

But given Beck’s past history with making orchestral music, I wondered if this show would be really mellow and not all that much fun.  I mean, sure, Beck would make it fun, but, well, it just didn’t seem worth the drive to the Mann.

Looking at the setlist, I see that he played six songs from Morning Phase and five from Sea Change.  Just not my type of show, really.  But here’s some excerpts from the WXPN review:

Last night at The Mann Center, Beck took the stage with the 80-piece Philadelphia Orchestra and his Sea Change album band. This allowed him to perform songs that he usually does not get a chance to perform: cuts from Sea ChangeMorning Phase and Mutations, as well as sneaking in his big hits such as “Devil’s Haircut” and “Loser,” which got the intently listening crowd to their feet. It was a truly incredible sound. He referred to playing with the orchestra as “$100,000 karaoke.”

With lots of wit and funny commentary, Beck also talked a lot about his influences such as Serge Gainsbourg and Francoise Hardy, whom he dedicated a song to. He played songs that he “selfishly wanted to sing with an orchestra, now that they were on stage” with him, such as “It’s Raining Today” by Scott Walker. He also mentioned that his very first concert was Brazilian musician Antônio Carlos Jobim.

After the 90-minute set with the Philadelphia Orchestra, they left the stage, leaving just Beck and his band on stage. Beck walked and climbed around the seats on stage having the spotlight follow him as he performed the encore, and left everyone wanting the show to go on longer.

(more…)

Read Full Post »

[ATTENDED: September 8, 2023] Beck

My wife and I have seen Beck three times now and his shows are always fun.

It’s interesting that his shows tend to be pretty short–he does a lot of co-headlining tours.   He also doesn’t tour that often–3 tours in 9 years.

Beck has put out a couple of albums in the last decade or so, but he didn’t play anything from his most recent album (Hyperspace) or the mellow Morning Phase.  And only one song from Colors.

The show focuses a lot on Modern Guilt and Odelay–he told us that this was the first tour that the Odelay band had played together since that album: guitarist Jason Falkner (who played on the last tour andwas amazing), bassist Justin Meldal-Johnsen and drummer Joey Waronker (were both new to me). On the top row was longtime keyboardist Roger Joseph Manning, Jr. and percussionist Ian Longwell (new to me and excellent).

The set was a mix of big hits and some weird older cuts.  This being the third time we’ve seen him, this show was almost like a mashup of the last two tours.

Like the first time we saw him, he opened with Devil’s Haircut followed soon after with The New Pollution.  Notable was that bassist Meldal-Johnsen was a maniac, adding in all the weird backing vocals and deep growls.  He also bounced around and was having a great old time.

On the way home I told my wife that I was so happy for her because he played just about everything she wanted to hear–not always the case with concerts. (more…)

Read Full Post »

[ATTENDED: September 8, 2023] Phoenix

Wolfgang Amadeus Phoenix is a fantastic album–wonderful French synth pop with insanely catchy choruses.

When they were announced as  co-headliner with Beck, I was pretty excited to check them out.  I didn’t know anything about their live show, but I figured I’d know a bunch of songs.

We arrived at the Mann Center and got to our seats about three minutes before Phoenix came on.  And what timing because they opened with the amazingly catchy “Lisztomania” which got everyone on their feet and singing along.  This pairing seemed to work really well as it felt like people were there for both bands and not just one or the other.

The stage was set up like a frame.  And as soon as the song kicked in, the frame was revealed to be a digital screen.  And Phoenix had a ton of fun with this setup.  Each song had a video or a scene behind it.  And most of them looked completely realistic.

So the band was playing in an opulent room, or on a classical ruin or a deserted wasteland.  Or, there were optical illusions floating around behind them.  It was amazing.  And it looked incredible.

I was also surprised at how many songs I didn’t know.  I just assumed it would be hit after hit.  And maybe it was an I just don’t know the hits.  But they played three songs from their debut album United which I had never heard of.

The band was set up so that on the ground level there were four of them: Thomas Mars – lead vocals ; Deck d’Arcy – bass, keyboards ; Laurent Brancowitz – lead guitar, keyboards ; Christian Mazzalai – guitar.  Granted I’m not sure who was who–I don’t think I’ve ever even seen a picture of them before.  On the upper level were the two touring musicians: Robin Coudert – keyboards, percussion ; Thomas Hedlund – drums.  These two were amazing to watch, especially Hedlund who was an absolute maniac on the drums.  In fact, I tend to think of Phoenix’s music as being not all that interesting drumwise–it’s pretty standard beat-keeping for the drums.  But Hedlund was great–fills, standing up and crashing the drums.  And when Coudert played snare along with him it was so loud!

They did an amazing job of mixing up the setlist.  With several songs from Wolfgang up front including in a mashup with a United song, Too Young/Girlfriend.

Phoenix has a new album out with some great songs on it, and they waited before playing them.  It took five songs to bust out “Alpha Zulu” Ooh ha, saying Hallelujah!   Followed soon after by “After Midnight.”  Then they moved on to “Armistice” (yet another song from Wolfgang).  The slow repetitive middle was a perfect lead in to the following song which I understand is a Phoenix live favorite

It is known as “Sunskrupt” and it’s a mashup of “Love Like a Sunset” from WAP and “Bankrupt” from Bankrupt.  The video behind them was incredible.  It started with a man lying on a grassy spot.  The camera then zoomed out and the distance was listed on the side (10,000 meters, 100,000 meters). It continued to pull back, into outer space, through the milky way to over a million light years away.  The the song hit a climax and the song picked up with the camera zooming back in, all the way to the man again and then closer and closer–.o1 millimeter down to millionths of an ångstrom, where I’m assuming we could see a red blood cell?  It was amazing.

Someone had been holding up a sign for “Funky Squaredance,” an early song that I didn’t know.  Well, they played a medley of that with another early song.  On stage came a personification of death who Mars sang to.  When the song ended, death was holding his head! Crazy

They played the super catchy “Tonight” from the new album and then one more new song before playing another medley from Bankrupt and then getting the entire crowd psyched for a terrific sing along of “1901.”

It was fantastic.

And just when we thought the show was over, the band started playing an instrumental (Identical) and Thomas Mars headed out to the audience.  I assumed he would stop before he got to us, but he climbed over the seat back, literally right next to my wife (we were both too surprised to get any good pictures).  Then he climbed all the way to the back of the seated area and walked around up there until he came back down the other side and then climbed on some people’s shoulders in the main front area.

What a show.  I can’t imagine the stops they pull out of they are the headliners!

 

  1. Lisztomania ψ
  2. Entertainment $
  3. Lasso ψ
  4. Too Young µ / Girlfriend ψ
  5. Alpha Zulu @
  6. Ti Amo
  7. After Midnight @
  8. Armistice ψ
  9. Sunskrupt! **
  10. If I Ever Feel Better µ / Funky Squaredance µ
  11. Tonight @
  12. Winter Solstice @
  13. Rome ψ
  14. Trying to Be Cool $ /Drakkar Noir $
  15. 1901 ψ
  16. Identical (reprise) @

ψ Wolfgang Amadeus Phoenix (2009)
µ United (2004)
@ Alpha Zulu (2022)
$ Bankrupt! (2013)
♥ Ti Amo (2017)
** Mashup of “Bankrupt” and “Love Like a Sunset”

Read Full Post »

[DID NOT ATTEND: September 8, 2023] Weyes Blood / Sir Chloe

When this show was announced, I was really excited for it.  Beck always puts on a good show and Phoenix have some really fantastic songs.

I saw that our opening acts were going to be Weyes Blood, whom I heard put on a great live show and Sir Chloe, who I knew a little bit.

Well, it turns out that this show was scheduled to start at 5:30.  On a Friday.  In Philadelphia.

So, yea, there was no way were going to see Sir Chloe.

And then the forecast was so ugly!  Thunderstorms near us and in Philly.  The Mann Center closes or postpones if there is lightning.  So we weren’t even sure if we were going to go at all.

I was pretty sure we would not see Weyes Blood either, but by the time we left (and made sure that we weren’t going to drive all the way there and then find out it was cancelled), I realized we would be lucky to make the beginning of the Phoenix show.

I like to blame the Mann Center for any delays when I go to shows there. But there was no fault of theirs tonight.  Parking was even (relatively) easy and unlike at Phish shows, the line to get in wasn’t very long at all.  In fact, no complaints about the Mann in any way.  It has made me rethink my overall desire to not go there for shows.  Maybe I just need to go to less popular shows. (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: January 22, 2022] In Beta_

I saw this book at work and was grabbed by the cover (yes, clearly covers do signify something about the book).  I decided to read it before reading much about it.  I didn’t understand the accolades until I read the acknowledgments at the end.  The book was self published through Inkshares, but it then went on to win (or at least do very well in some Nerdist/Inkshares Contest.  Which I guess is a big deal, maybe.

The book is set in a small town in the rural Pacific Northwest in 1993.  The town of Bickleton is boring.  Super boring.  There are like three businesses in town, one is a restaurant and grocery store together.  Everybody seems to work in the mines.  And there’s like a curse on the high school.  No a single person has ever gone to college.

And people aren’t exactly sure why–their grades are good, they just apparently aren’t good enough for even community college.

The main characters are Jay Banksman and his best friend Colin Ramirez.  They are nerdy boys who love video games and probably won’t be going to the prom.

Their school is a strange set up in which Jay and Colin and some of the other brainier kids are in a special classroom set apart from the rest of the school.  I have no idea if this is even remotely realistic, but who knows.  There was A-Court, the largest building which was close to the main parking lot and seemed to house all of the cool and popular people.  C-Court was smaller and shabbier and was where the dumber kids went–the burn outs.

Jay and Colin felt that A-Court was too vanilla and C-Court was too raw.  So they stayed in their trailer area called Tutorial.  Their teacher was Miss Rotchkey.  She had asked to teach these kids as a kind of experiment.  The school principal rolled his eyes at the whole thing but allowed it.  Miss Rotchkey was cool, teaching them existentialism and allowing them to use the school’s computer.  She was convinced that her class would be  the first to go to college.

But then came rejection day.  Everyone in the class was rejected from all of their schools, even their safeties.

Things were pretty much the same every day at school.  Then one day a rumor spread that there were Teenage Mutant Ninja Turtle pies in the A-Court vending machine.  And Jay wanted to get one.  So he and Colin snuck down to the A-Court and managed to evade detection from the jocks and the cheerleaders when suddenly there was Jeremy and the Johns.  Jeremy McCracken was the most popular boy in school.  A handsome jock and star of the baseball team.  The Johns were everyone else on the baseball team (I love this little joke that literally everyone else is named John with no last name just initials).

When they see Jay, they crush his pie and punch him in the face.  The principal sends Jay to the guidance officer because, hey sometimes life isn’t fair.

Jay’s only solace is in video games.  He gets a lot of video game and computer magazines and is always looking for new games to try out.  One day he gets a game called The Build.  When he puts t into the school computer, the graphics look like just like Bickleton.  It’s 8-bit graphics, but there he can see the whole town.  Including people walking around.  He mouses to his class room and when he raises his hand, the pixel version of himself raises its hand too.

He can’t believe this.  He tries to tell people about it, but every time he starts to talk about it to someone, they glaze over and seem to forget everything he just said.

Then things start to look up for him.  Liz Knight, the most popular girl in school (who he has known since like first grade when they were actually friendly–the held hands once) breaks up with Jeremy and asks Jay to the prom.

Liz’s best friends (who only like to talk about Beverely Hills 90210) don’t seem to be on board with this–they look down their noses at Jay like everyone else does.  So what gives?  Is it a prank?  It’s hard to know because Liz has been acting really strangely lately (in addition to asking him to prom that is).  Has she has a breakdown?  Or a breakthrough?

The next day Liz and Jay are talking when Jeremy approaches and asks her to go for a ride with him.  She does and Jay is very jealous.  He looks at The Build and sees the red Mazda Miata driving away with a little heart above it.  He clicks around the screen and sees a menu for disasters.  So he clicks on tornado.

And within minutes a tornado appears on the screen.  And in the town–a town  that has never had a tornado in its history.

There’s a lot going on in this story (although it’s a very fast read).  I don’t want to give any kind of spoilers away, but I do like to mention that Jay finds out his avatar’s stats: Strength; Speed;  Hit Points; Intelligence.  And at some point he moves them all up to ten.

This allows him to take sweet revenge on the Jeremys and to have access to intelligence and memories that he’s never known before.

The story sounds like an all boys story and it kind of is, but as the story moves along, two women become essential to the story.  There’s Liz of course, and there is also Stevie, a computer nerd who has mad programming skills.

Having the book set in the nineties means that Harvey overloads the book with 90s pop culture.  It goes a bit overboard.  He throws in some good music cues (Beck, My Bloody Valentine) and some bad ones (the bullies drive around playing Kriss Kross’ “Jump” all the time.  I’m also curious, since I didn’t go to school in the 90s, but would they have played Rage Against the Machine at a prom and would the kids have slam danced?  I cannot imagine.

So this was a fun story and one that I read very quickly.

And, if you’re wondering, as I was, about its similarity to other popular culture books and movies, he says in the acknowledgments that he started it about a decade ago and was about a group o seventh graders who found a magic VCR that brought 80’s movie clichés to life.  While he was finishing it up, Ready Player One, The Lego Movie and Free Guy (I don’t know this last one) all came out.  So he changed his tactics a bit.

Read Full Post »

[LISTENED TO: November 2021] Girl in a Band

I didn’t really have that much interest in this book when it came out.  I love Sonic Youth, but I didn’t really think I cared all that much about their origin stories.  Then I saw that there was an audio book read by Kim and that sounded pretty cool.

I realized that I had no idea anything about Kim Gordon’s life and it was fascinating to learn just how much of a bohemian artist she was before she joined the band.

The memoir starts with the final Sonic Youth show.  Kim and Thurston’s divorce was already going to happen.  They simply wanted to finish out their final shows.  So Kim played while watching her disappointment of a husband absorb all the adulation.

But Kim’s book isn’t a salacious tell-all. It’s the story of her life and how she wound up where she did.  In fact, there’s very little about Sonic Youth (a lot more about the earliest records and then bits and pieces about the later records).  And, while she’s obviously pissed at Thurston for what he did, she’s restrained in her need to thrash the guy.

Perhaps the biggest take away from the book is that after thirty years of being in a rock band, she doesn’t consider herself a musician or a Rock Star (maybe a small letter rock star).  That eye opening statement is a kind of lead in to the fact that she has been an artist for most of her life–just not necessarily in music.

She moved to New York from California in 1980.  It’s crazy thinking that Kim was a California girl.

It’s even crazier thinking about her older brother Keller who was manipulative and mean and ultimate institutionalized. Kim idolized him and he abused her terribly (more than an older brother might normally do).  All of this made Kim into the shy and sensitive woman who you would never think was responsible for some of the most iconoclastic and then iconic music of the 20th century. (more…)

Read Full Post »

SOUNDTRACK: MARCO BENEVENTO-Me Not Me (2009).

This album (Benevento’s second) with the confusing title is actually a (mostly) covers album.  Marco takes some familiar (to me) and some unfamiliar (to me) songs and turns them into instrumental versions using piano (and more), bass (from Reed Mathis) and drums.

The first song is My Morning Jacket’s “Golden.”  The melody is instantly recognizable and bouncy and fun.  Matt Chamberlain provides drums, which are skittery and complicated but never loud. Until the end when the songs starts to float away with trippy synths and some wild drumming.

“Now They’re Writing Music” is an original piece that switches between synth and piano and features Chamberlain and Andrew Barr on drums.

“Seems So Long Ago, Nancy” is a Leonard Cohen song.  It’s produced as if it’s on an old scratchy record with echoing bass and drums over the scratchy piano.  Barr is on drums.

“Mephisto” is an original, a slow jazzy number with a hummable melody and Chamberlain on drums.

“Twin Killers” is a Deerhoof song.  Appropriately, it has some riotous drums (from Barr who is on the next two songs as well).  It’s longer than the original because it features a cacophonies middle section that is just insane.  But Benevento’s faithful reproduction of the melody line makes this really catchy.

“Call Home” is a pretty lullaby.  It’s an original with soft keys and a baby cooing.

“Heartbeats” is the Jose Gonzales/The Knife song.  The main low riff sounds like its on the bass and then Marco plays the familiar lead melody with all kinds of fuzz thrown over the song.

“Sing It Again” is a mellow song from Beck off of Mutations.  I don’t really know it that well but this version is very pretty and simple.

A highlight of the album is this really fun version of Led Zeppelin’s “Friends.”  It’s immediately recognizable and yet different somehow.  Its full of raucous paying from all three especially when Benevento ads the sinister synths near the end.  Chamberlain plays up a storm on the drums.

The final song is George Harrison’s “Run of the Mill.”  I don’t know the original, but this is a jazzy song with lot of piano runs from Marco and some restrained drumming from Chamberlain.

This is a pretty solid introduction to Benevento’s music, although his albums definitely get better once he starts writing his own songs with words.

[READ: March 14, 2021] “Surrounded by Sleep”

Ajay was ten years old.  His family lived in Queens (having moved from India two years earlier).  He and his older brother, Amam, were in Virginia visiting his aunt and uncle.  One morning Aman was swimming in the pool.  He dove in and hit his head on the cement bottom.  He was on the bottom of the pool for several minutes before anyone noticed.

His parents were not terribly religious, but as Amar lay in a coma in the hospital, his mother began to pray regularly.  She also prostrated herself and fasted.

At first Ajay thought “her attempts to sway God were not so different from Ajay’s performing somersaults to amuse his aunt.”  Then Ajay knelt before the altar and drew in the carpet an Om, a crucifix, a Star of David and the Superman logo.

When his mother saw him praying, she asked what he prayed for.  He told her for a 100 on his math test. His mother said “What if God said you can have he math grade but then Aman will have to be sick a little while longer? …   When I was sick as a girl, your Uncle walked seven times around the temple and asked God to let him fail his exams just as long as I got better.”

Ajay replied, quite rightly, “If I failed the math test and told you that story you’d slap me and ask what one has to do with the other.” (more…)

Read Full Post »

SOUNDTRACK: THE ROOTS feat. JILL SCOTT-“You Got Me” (1999).

I’ve wanted to listen to more from The Roots ever since I was exposed to them on Late Night with Jimmy Fallon.  But as typically happens, I’m listening to other things instead.  So this seemed like a good opportunity to check them out (based on Samantha Irby’s rave below).

One of the best things about this recording (and The Roots in general) is Questlove’s drumming.  In addition to his being a terrific drummer, his drums sound amazing in this live setting.

Erykah Badu sings on the album but Jill Scott (Jilly from Philly) who wrote the part, sings here.

It starts out quietly with just a twinkling keyboard and Scott’s rough but pretty voice.  Then comes the main rapping verses from Black Thought.  I love the way Scott sings backing vocals on the verses and Black Thought adds backing vocals to the chorus.

Midway through the song, it shifts gears and gets a little more funky.  Around five minutes, the band does some serious jamming.  Jill Scott does some vocal bits, the turntablist goes a little wild with the scratching and Questlove is on fire.

Then things slow down for Scott to show off her amazing voice in a quiet solo-ish section.  This song shows off how great both The Roots and Jill Scott are.  Time to dig deeper.

[READ: November 1, 2020] Wow, no thank you.

This book kept popping up on various recommended lists.  The bunny on the cover was pretty adorable, so I thought I’d check it out. I’d never heard of Samantha Irby before this, but the title and the blurbs made this sound really funny.

And some of it is really funny. Irby is self-deprecating and seems to be full of self-loathing, but she puts a humorous spin on it all.  She also has Crohn’s disease and terribly irritable bowels–there’s lots of talk about poo in this book.

Irby had a pretty miserable upbringing.  Many of the essays detail this upbringing.  She also has low self-esteem and many of the essays detail that.  She also doesn’t take care of herself at all and she writes about that.  She also doesn’t really want much to do with children or dogs.  And yet somehow she is married to a woman with children.

From what some of these essays say, it sounds like she is married to this woman yet somehow lives an entirely separate life from the rest of the house.  It’s all rather puzzling, although I suppose if you are already a fan, you may know many of the details already. (more…)

Read Full Post »

[ATTENDED: December 12, 2019] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I got a ticket for the third night, not really knowing what to expect.

It turned out to be a fantastic night of music and togetherness.

I missed the next year but went last year to Winter Classic IV.  Which was also great.

There was no way I was going miss Winter Classic V.  This year I went for the first night of the three.

The other two shows had opening acts announced, but there was none announced for my night.

I didn’t think we’d get an extra long show (Tim doesn’t do extra long shows).  Instead we got a cool improv by his partner for the night, Mike “Slo-Mo” Brenner. (more…)

Read Full Post »

[ATTENDED: August 27, 2019] Mac Sabbath

When I saw that Okilly Dokilly was opening for Mac Sabbath I had to check out who this band was.  They’ve been around for a few years and this was their “American Cheese Tour” (that’s a good one).

And so basically, they are a Black Sabbath cover band, but all of their lyrics are about McDonald’s and the fast food industry in general.  So that’s pretty funny.  But that’s not all.  They have taken this concept to an absurd length.   Each band member is costumed or wears makeup.  And the costumes are phenomenal–not cheap little handmade things, but remarkably detailed and well constructed heads and bodies.  The attention to detail is really impressive.

The band members are also completely anonymous, which is also pretty funny.   And that is why they have such great band names:

The lead singer is Ronald Osbourne.
The guitarist is Slayer MacCheeze
The bassist is Grimalice (the least impressive name, it’s Grimace with an Alice in Wonderland hat on, but his other name is brilliant: “I Can’t Believe It’s Not Butler.”)
On drums is Catburglar or Criss Cut Fries (he is dressed like the Hamburglar with Peter Criss Makeup).

I didn’t really think too much about the music before the show, I just wanted to see the stage show. (more…)

Read Full Post »

Older Posts »