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  grant7SOUNDTRACK: VOIVOD-The Outer Limits (1993).

voivodouterAfter Angel Rat, original bassist Blacky left the band.  That’s never a good sign.  After the tour for this album, original singer Snake left the band.  That’s an even worse sign.  I still can’t quite figure out exactly why Snake left (personal problems) but he went on to form the band Union Made.  For a very detailed history of the band, check out this very cool timeline at Voivod dot net.

The Outer Limits got a pretty big release.  I have an original copy that came with 3D glasses and all of the illustrations in 3D. But I was a little disappointed in Angel Rat and I don’t think I gave The Outer Limits much of a chance.  It was no Nothingface.  But the band was always morphing.  Since Angel Rat went very commercial, this album brought things back into the prog realm (with a 17(!) minute song) but also had a lot of commercial songs.

The album opens with “Fix My Heart” which starts out much heavier than anything on Angel Rat. It’s also got some metal guitar pyrotechnics (squeaks and harmonics).  Snake’s voice isn’t quite as pretty as on Angel Rat either—he growls a bit, but maintains his nicer voice overall.  Nevertheless, “Fix My Heart” is a pretty commercial enterprise (as the title might even suggest).  There’s some good “spacey” guitars sounds which bode will for the sci-fi angle of the album (and there’s some cool effects that reward headphone use).  “Moonbeam Rider” starts with a very classic rock sounding riff and then morphs into a kind of pretty, mellow verse.  But the interstitial guitar is all speed.  It’s a nice mix of fast and slow.  This song features some interesting bass work—nothing fancy but for the slow parts it is actually keeping the beat instead of the drums.  The bassist was a studio musician for this album.  There’s also what sounds like a bong during the pre-guitar solo section (the solo is fairly traditional).

“Le Pont Noir” is a mellow, slow guitar song with a very cool delay effect and Snake’s whispered vocals.  The bridge gets heavy with a wonderfully weird Piggy guitar riff.   It’s one of my favorite songs on the album.

Then the band’s second Pink Floyd cover appears. This time it’s the even more obscure “The Nile Song.”  They have rather heavied this one up with crunching guitars and Snake’s distance screaming filling in the void (although in fairness the original vocals are also screamed). It’s not as dynamic or exciting as “Astronomy Domine,” but it’s still a cool cover.  “The Lost Machine” starts off heavy with Away’s double cymbal work (a noisy splash and a fast ride cymbal). Then Piggy’s guitars have a slight delay on them which makes the opening chords sound especially odd.  The bridge is a place for Piggy to show off some more weird spacey chords and some very cool guitar riffs. There’s even a spoken word narrator in the middle of the song that explains the “mission” “Time Warp” opens with a very bright and up beat sounding verse.  But it quickly disintegrates into (intentional) musical chaos as the narrator gets lost in space.

This all leads up to the 17 minute “Jack Luminous.”  If anyone doubted their prog rock leanings, this should dispel that immediate.  17 minutes, multiple parts, a sci-fi epic, it is prog (but heavy prog) at its finest.  There are some incredibly catchy parts as well as some less catchy parts, and sections seem to change every two minutes or so.  The slow down at 10 minutes is very cool—different guitar effects and the suspenseful bass line.  There’s repeated sections as well, which means if you like some guitar line (the spacey part near the end) it comes back!  It’s not quite as dynamic as say 2112, but it’s a very successful sci-fi epic.

“Wrong Way Street” returns to the normal and more conventional.  The bass that opens the song sounds great and the chords are fairly conventional–the chorus is even really catchy.  “We Are Not Alone” is a break-neck metal song, The drums are super fast, the guitars are relentless and the chorus even has an echoed “Hey!” that gets you to sing along.  The song also features a cool slow, almost jazzy bass and drum section that lets Piggy throw some soloing in before returning to the fast paced verses.

There’s lots of theories about what happened to Voivod after this album.  The success they had achieved earlier was now gone and the band seemed like they couldn’t decide to be metal or prog or is they should go for more pop music.  The problem of course is that they were too weird to get mainstream acceptance anyway.

So Snake left and then there were only two original members.  The next step would be a drastic one.

[READ: July 9, 2013] Grantland #7

This issue seemed to come hot on the heels of #6.  But I enjoyed it just as much.  A few notes: no Jeremy Lin in this issue.  Lots of LeBron James, three articles about soccer!  And a few pop culture moments that I had forgotten about.

REMBERT BROWNE AND DUSTIN PARKER-“The Jeopardy! Teen Tournament JUST. GOT. REAL.
Leonard Cooper didn’t know the final Jeopardy answer but he still won and he made a hilarious joke at the end (in cartoon format);

BILL SIMMONS-“Daring to Ask the PED Question”
Simmons talks a lot about PED’s in this forum.  Of course, to me PED is my initials.  For him (and sports fans) it is performance enhancing drugs.  He asks why sports doesn’t do more about it.  There are so many people who do it that every time we see someone who might be doing it or who suddenly has a good season, we assume they are doing them too.  It would be a service to the players and the fans to have rigorous testing or none at all.

CHRIS RYAN AND ROBERT MAYS-“The NFL Coaches Family Portrait By the Numbers”
A silly analysis of a photo of NFL coaches.

WESLEY MORRIS-“Jodie Foster’s Big Night”
What exactly did Jodie Foster say at the Golden Globes? (This was in January and everybody talked about it and now it’s September and I’ve completely forgotten about it—funny ephemera of pop culture).

JONATHAN ABRAMS-“Out of Africa”
A serious look at trying to bring basketball to Africa. How the culture and language problems make it very difficult to establish any real cohesion in the diverse country.  But there are a few examples of boys coming from Africa and benefiting from host families and then heading back to help those who love basketball back home.  The main focus is on a 15-year-old Alexis Wangmene who came to the States (and left his family!) to try to gain an education and basketball skills.  It’s a heartfelt story.

MOLLY LAMBERT-“Modern Love”
About the show Catfish which just goes to show we can sink even lower as a culture.

CHUCK KLOSTERMAN-“Mental Health Protocol”
About Royce White again.  Last time there was a lengthy look at him.  Now we get to hear that he thinks that everyone has some kind of mental health issue.

ANDY GREENWALD-“Eat Bray Love”
How cooking shows have gone from educational to crazy and annoying. He dislikes Top Chef and the new Anthony Bourdain show The Taste (which he says is awful) but he likes a decent show called Chopped.

ZACH LOWE-“The Fragile Science of Basketball Chemistry”
Sure the Heat were great this year, but it’s the way they evolved as a team, creating chemistry, that is so impressive.

RAFE BARTHOLOMEW-“The Pariah”
Timothy Bradley beat Manny Pacquiao in a disputed judges call.  Instead of rising to fame, he has been avoided like the plague.

BILL SIMMONS-“The All-Manti Te’o Mailbag
Remember that crazy story about the football guy with the dead girlfriend who turned out to be fake?  I never really understood the story and while they spend a lot of time talking and theorizing about it I still don’t get it.  Did they ever find out the truth about it?

CHRIS BROWN-“Speak My Language”
When you play for the Patriots, you learn their way of doing things—it is simple and efficient, a streamlined version of what other coaches try to do.

KIRK GOLDSBERRY-“The Evolution of LeBron James”
Using diagrams, we see how much of a different player James is in just the last few years with The Heat.  This article has made me want to watch James in a game while he is at his peak.  So, Heat vs Bulls at the end of October, you’re on my schedule.

SEAN McINDOE-“The Non-Hater’s Guide to the NHL”
Even people who hate everyone in the NHL (which is everyone) can agree that there are some players who are universally admired: Martin Brodeur, Pavel Satsyuk. Teemu Selanne, Jarome Iginla, Jonathan Toews, Martin St. Louis, Gabriel Landeskog, Patrick Elias (Devils get two!), Ryan Smyth, Steve Sullivan, Saku Koivu, Henrik Lundqvist.

ALEX PAPPADEMAS-“God Needs a Hobby”
A look at Dan Harmon and his podcast Harmontown.  Harmon seems like he might be a crazy alcoholic, but he’s also pretty darn funny.

MARK TITUS-“Duke’s Ignominious Son”
Everybody hates Christian Laettner, but that’s only because he’s pretty and he made The Shot

MARK LISANTI-“Three Days in Austin”
Dealing with the craziness of the South by Southwest film festival.  Sounds awful.

HUA HSU-“The Alien Has Landed”
Soccer legend Ronaldo returns to Old Trafford

BILL SIMMONS-“The Greatest Action Franchise That Ever Was”
Live blogging the Fast and Furious 6 trailer.  I admit I may have to see these films after reading this.

ZACH LOWE-“Lights, Camera, Revolution”
There’s some kind of new technology that will change the NBA forever.  I pretty much don’t care.

TESS LYNCH-“Nostalgia Bites”
Watching old Real World episodes shows how much things have changed in reality TV, but also how much certain behaviors are not new.

BRIAN PHILLIPS-“Maradona, Then and Now”
Maradona was an amazing kid—at 15 he was remarkable at his ball control.  Now at 52 he’s a crazy loon. What exactly happened in between?

ANDY GREENWALD-“From Big to Small, From Movie to TV”
Why not make Men in Black into a TV show—with some other film recommendations.

AMOS BARSHAD-“How Soccer Explains Israel”
I didn’t expect to enjoy this but I found it very interesting.  An Israeli soccer team has signed two Muslim players and it has caused incredible animosity and even arson.  How this look at a team is like a microcosm of the whole Israeli situation.

LOUISA THOMS-“Back to School”
Missy Franklin won a  ton of medals in the Olympics.  And then she went back to high school.  What’s it like to be on her team at Regis Jesuit?

WESLEY MORRIS-“Run, Frank, Run”
Frank Ocean apparently wasn’t as huge as I thought he was.

MALCOLM GLADWELL AND CHUCK KLOSTERMAN–“The Lies He Told”
More about Manti Te’o. This discussion was a bit more helpful about what happened and how crazy it is.

CHRIS RYAN AND REMBERT BROWNE-“A List of Possible Reasons for Rob Gronkowski’s Arm Infection”
Hypothetical humor.

JORDAN CONN-“The Invisible Man”
Marc Gasol is extremely respected by scouts and agents, but the fans all think of him as Pau Gasol’s chubby little brother.

REMBERT BROWNE-“French Quarter Lessons”
While in New Orleans for the Super Bowl, Browne decided to go to a bunch of used bookstores.  This is very funny and enjoyable.

JAY CASPIAN KANG-“Fiercely Disputed”
Mike Tyson’s one man show is weird and strangely affecting.

KATIE BAKER-“Do Svidanya to All That”
Several NHL players went to Russia’s KHL during the lockout.  And some don’t want to come back.

CHRIS RYAN-“The All-Star Circus”
NBA All-Star weekend is a crazy circus (and sounds worse than the above SXSW festival).

CHUCK KLOSETRMAN AND ALEX PAPPADEMAS-“The Nobituary”
There was a serious rumor that David Bowie was on death’s door.  Klosterman and Pappademas imagine writing his obituary.

DAVID SHOEMAKER-“Glenn Beck vs. WWE”
The WWE has always had racists as part of the act.  What happens when some goons start acting like the Tea Party?

DAVID JACOBY-“The Pure Heart Meets The Bachelor
Jacoby’s grandmother watches The Bachelor and he feels badly for her.

STEVEN HYDEN-“Is This It?”
The Strokes’ fifth album had just come out [really?].  It could be their last, but Hyden thinks their last two have been quite good.

BILL SIMMONS-“The Heat in Hindsight”
The Miami Heat came close to breaking the longest winning streak in the NBA.  Simmons looks at the fallout and who “wins” and “loses” in the effort.

CHARLES P. PIERCE-“Bleu, Blanc et Rouge
I had no idea that Charlie Pierce was a Canadiens fan!

KATIE BAKER-“The Ethics of a Family Plan”
Is it ethical to pretend that you are married to your roommate to get a family discount a ta gym?  Hell yes.

EMILY YOSHIDA-“A Dark Force”
J.J. Abrams is going to direct the next Star Wars films.  Why, when sci-fi is so multifaceted and so different is everything coming down to J.J. Abrams?

SEAN FENNESSEY-“The Case Against Justin Timberlake”
Timberlakes’s previous album was amazing.  Then he took years off to make (bad) film and (good) TV.  His star would only continue to rise if he stopped making music and only hinted that he would make another album.  But the release of his new album (which isn’t that good) can only hurt him.

BRYAN CURTIS-“Waiting for Bettman”
While many New Yorker’s didn’t care about the NHL strike, Canadian writers camped out waiting for Bettman to announce the strike was over.

WESLEY MORRIS-“30 Rock Landed on Us”
30 Rock was many things, but it dealt with racial issues (at least between blacks and whites) better than any show.

RANY JAZAYERLI-“Fall of the Evil Empire”
The New York Yankees look like they won’t make the playoff this year (this was written in March and as of my writing this they have a slim chance at getting the wild card slot).  It will be the firs time in a while, perhaps, just perhaps, it’s the start of a new drought for the Evil Empire.

BILL BARNWELL-“The Master Raven”
Ozzie Davis knows how to pick players for the Baltimore Ravens.

REMBERT BROWNE AND DUSTIN PARKER-The Best Chappelle’s Show Sketches of All Time”
Done as a series of cartoons (by Parker); Browne picks his eight favorites:

  1. Charlie Murphy’s True Hollywood Stories: Prince
  2. Wayne Brady’s Show
  3. Charlie Murphy’s True Hollywood Stories: Rick James
  4. Black Bush (especially now that Obama is president)
  5. Clayton Bigsby: Black White Supremacist
  6. Making the Band (P. Diddy)
  7. The Racial Draft (Tiger Woods Now 100% Black)
  8. The Niggar Family (uncomfortable and hilarious no matter how many times you watch it).

Once again, there’s another great issue of Grantland.  Once again, I wish they would follow up on some of their speculative stories.  But it’s fun to have a time capsule of events that occurred just a few months ago and yet which I have totally forgotten about.

And here’s the cover of The Outer Limits in non 3D style (which I haven’t see before)

voivodouter2

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aug2013SOUNDTRACK: DAVID LYNCH-“Crazy Clown Time” (2012).

lynchIt’s hard for me to divorce this song from the video, because the video is so…David Lynch.  Even though it pictures the lyrics literally, there’s so many weird little Lynchisms that it’s an art unto itself.  Imagine David Lynch directing a rocking music video, but of a song he wrote.  Wow.  But I’m not going to talk about the video.

Musically, his song is a fairly simple construction–it’s primarily drums with some echoing guitars (with no real melody) and other crazy noises.  Over the rhythmic cacophony, we get David Lynch’s bizarre falsetto/spoken words.  Lyrically the song seems to be describing a party that gets pretty out of hand (and the video certainly shows that).

Lyrics include: Paulie he had a red shirt; Suzy, she ripped her shirt off completely; Petey set his hair on fire. And then the chorus: It was crazy clown time.  It was real fun.

Lynch’s voice sounds like an excited child (or demonic clown) as he talks about certain details of this party.  This is definitely a song that people will ask you “what are you listening to?”  There’s very few who will want to listen to this, although I’ve found that after three listens, it makes a kind of twisted sense.

If you dare, watch the NSFW video

[READ: September 10, 2013] Animal Instincts

I very rarely talk about reviews of TV shows–that’s a slipper slope if ever there was.  But I like Lorrie Moore and I like Jane Campion and I hadn’t heard about Campion’s show called Top of the Lake  Moore suggests is the best show on TV.  It aired on the Sundance Channel but was originally a BBC production.  Like Campions’ other works, it is set in New Zealand and the location and cinematography are part Deliverance, Road Warrior, Winter’s Bone and Hobbit.

The show sound very dark, but as soon as Moore started describing it I couldn’t help but think of Twin Peaks.  And indeed, there is a David Lynch nod within the show (girls say they are reading Blue Velvet for their book club). (more…)

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aug2013SOUNDTRACK: JIM GUTHRIE-Tiny Desk Concert #294 (August 10, 2013).

jimgI was unfamiliar with Guthrie before this set and I almost didn’t play it because of his mustache–he just looks so country to me.  But then I read that he and his band drove 9 hours from Ontario just to do the show (which is 11 minutes long, so that’s pretty crazy).  But the set is really good.

The three songs come from Guthrie’s new album Takes Time (his first solo album in ten years).  And I was hooked…not right from the start, but 15 seconds into “The Difference a Day makes” when the guitar plays the chorus riff.  There is something so… Canadian about the melody line.  It reminds me of Neil Young, Sloan, Rheostatics, even Kathleen Edwards, all of these great Canadian songwriters who play with slightly different melodies.  The fact that he sings “doubt” and “out” with an Ontario accent solidifies it.  It’s one of my favorite mellow songs of the year.  “Before & After” sounds a bit like  Barenaked Ladies mellow song, like something  written by Kevin Hearn.  I tend to not like the Hearn songs, but I thin kit’s that I don’t like Hearn’s voice, because I like this song quite a lot.

Guthrie has a delicate but strong voice–I can’t imagine him screaming, but he conveys a lot.  Especially in the final song, the more mellow (and minor key) “Like a Lake.”  I’ve heard Tiny Desk shows that go on for five or six songs.  I wish that Bob and Robin had let them play for ten more minutes. Now I’m off to find his records.  Check it out.

[READ: September 10, 2013] 3 book reviews

Tom Bissell reviewed three new books in the August 2013 issue of Harper’s.  I like Bissell in general and since I’ll probably wind up writing about these when they get collected anyway, why not jump the gun here.  Especially when there’s three good-sounding books like these.

sagamoreThe first is Peter Orner’s Last Car Over the Sagamore Bridge.  I know Orner from McSweeney’s mostly, where I’ve read a few of his things  But one of the stories that Bissell mentions from this short story collection sounds familiar and yet it doesn’t seem to be something I’ve read.  Hmmm.  Well anyhow, he says that Orner’s previous book (with a title that Bissell assumes he had to fight to keep–The Second Coming of Mavala Shikongo) was a great piece of fiction about Africa, and that his previous collection Esther Stories was also very solid.

This book is a little stranger—bundled into 4 sections, it includes more than fifty “stories” and is all of 200 pages.  (Sounds like just the kind of thing I can get into).  Bissell suggests that the stories have a layer of remove, like someone telling a story about someone telling a story.  Or, if they were about a bank robbery, the story would actually be about someone describing having once met the guy who sold the robbers their ski masks.  But the real selling point for me was this pithy description of the collection: imagine Brief Interviews with Hideous Men written by Alice Munro.   That sounds hard to pass up. (more…)

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CV1_TNY_09_09_13McCall.inddSOUNDTRACK: BABY ISLAND-“King’s Crossing” (2013).

Ibabyisland have no idea where I downloaded this song from.  I assumed NPR but I can’t find it there.  So, I’ll just have to direct the reader to their bandcamp site where you can stream and order the whole album.

The song opens simply enough with two chords played in 4/4.  Then the vocals come in and they are gentle and slightly echoed (making them very soft).  The chorus has multilayered vocals and a beautiful melody line and a whole lot of oooohs. It has a feel like the jangly pop of the sixties (I mean, look at the cover), but the song is not terribly jangly and that angular guitar really distinguishes it from the bands that they sound like.

There’s also a keyboard that throws delicate melodies and riffs over the top of the confection as well.   It is a perfect folk rock pop song—reminiscent of Teenage Fanclub (and the sixties bands that they sound like of course).  It’s a very pretty, mellow song and I like it quite a lot.

[READ: September 12, 2013] “Walking Normally: The Facts”

I don’t always like Ian Frazier’s works, but man, this one was so funny (if you are a parent of a young child), that I not only laughed out loud, I had to immediately share it with Sarah (who also laughed out loud).

The set up is simple.  A Claim is made and the Claim is followed up by a Fact which disputes the Claim.

The first claim: “When we are at the mall you say that you have walked so much that you need to be carried, because your legs are ‘all stretched out.’”

The Fact: While hyper extension of muscles, tendons, and joints is a real and serious problem among certain demographics…it is rarely seen in anyone four and a half years old.

So you see, this is a dad talking to his son.  And each claim is very representative of a four year old’s (or even an eight year old’s) concerns.  And some hit uncannily close to home. (more…)

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CV1_TNY_09_02_13Viva.inddSOUNDTRACK: TYPHOON-“Artificial Light” (2013).

typhoonartSince I mentioned “Artificial Light” the other day, I thought I’d link to it today.

The song opens with a pretty guitar melody punctuated by horns.  The singer’s vocal style is dramatic and often unexpected–especially the way he gets louder mid sentence and then drops to a whisper at other times (reminds me a bit of Wolf Parade or perhaps even Modest Mouse).

There are very pretty moments in the song (especially when the orchestration fills in).  But the horns also give it a kind of Spanish feel, which rides on top of the heavier guitars in the verses.

At about two and a half minutes, the song drops out completely.  It is picked up by some gentle guitar and horns as it builds back up.  By the end the chorus of voices builds the song to new heights and widths.

It’s interesting what you can do with so many band members in five and a half minutes.  This song really runs a breadth of ideas but remains quite pretty throughout.

[READ: September 12, 2013] “The Colonel’s Daughter”

The Kids in the Hall once made a sketch in which there was no beginning or ending, just a middle.

In the sketch, a man in a tutu slaps a man in a scuba diving suit saying.  “Stop it. stop it. I’ve got to stop you and your revolutionaries from taking over this country.”

This story is like the inverse of that sketch.  It has a beginning and an end but no middle.  Interestingly, since it is also about revolutionaries taking over a country, I now just insert that sketch into the story (I’m sure that makes Coover very happy.  I wonder if anyone else mentions this sketch in the review of this story).

I have mixed feeling about Coover’s work in general.  It often feels more style over substance.  And I fear that this one may have been playing with that somewhat. Interestingly as well, there is a lot of substance, but it is played in such as way as to make it almost seem meaningless—unless you are willing to really unpack it (which I wasn’t).

So, the Colonel is intent on overthrowing the President (the country is unnamed).  He has chosen the group of men sitting in the room with him.  Some of them know each other but not all do.  They look around and size each other up.  Indeed, 5/6 of the story is the men sizing each other up.  To me, the men are interchangeable.  I don’t know if that is lazy reading on my part or if it is indeed on purpose.

Each man gets a brief biography—the Deputy Minister, the Police Chief, the biplane pilot, the business man, the professor, the doctor and possibly someone else.

We learn a little about each man and why the Colonel would have chosen him.  We learn about his fears about the mission and who he mistrusts the most.  We also learn that one of the men is a double agent, working for the President.  Like a game of Clue, pieces of information are given that would let you know who the man is, but again, I didn’t feel like doing the work to figure it out.  I am curious to know if you can tell who it is from the story, but not curious enough to do the work (so I should not be rewarded). (more…)

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lp8SOUNDTRACK: CHASTITY BELT-“Black Sail” (2013).

noregerstChastity Belt are notorious for their band photo.  And the fact that their album is called No Regerts (sic).  By rights they should play ugly abrasive punk or something weird and edgy and probably a little scary.

So imagine the surprise when “Black Sail” opens and sounds like a Guster song–simple chords with a very catchy melody (it reminds me of a rawer version of “Architects and Engineers”).

Then the vocals come in and the singer sounds a bit like Jefferson Airplane-era Grace Slick–powerful but kind of slow.  It’s a very compelling mix.

Especially when things change in the chorus–a simple, pretty guitar riff leads us into the simple chorus “black sail, strong wind.”

The difference between the image and the music is so striking that i wonder if I’d have been as taken with the music with out the picture.  Was this a brilliant strategy or just a really bad idea (it has already made a list of unfortunate band photos).  You can decide for yourself, I’m including the picture at the end of the post.

And you can listen to the song on NPR or at their bandcamp site.

[READ: September 12, 2013] “Amaranth”

Amaranth is a 12-year-old girl who goes by the name Merry.  She is out driving with her father one night when he gets a call from his business partner.  Amaranth pretends to be asleep while her father goes to talk to the man.  But rather than a conversation, the partner, Otto, kills her dad.  And Amaranth saw the whole thing happen.

Amaranth is devastated.  But she is even more devastated when Otto starts coming around.  Like a remake of Hamlet, soon Otto and Amaranth’s mother are getting married.

Amaranth wants nothing to do with this; the rest of the story details the ways she rebels against the unpardonable acts.

First she begins starving herself.  She eats just enough to survive but her mother hates how thin she is getting. Eventually they send her to a place for girls with eating disorders.  She returns plumper, but with a new scheme.  This time her rebelliousness gets her put into a special hospital. (more…)

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lp8.1SOUNDTRACK: TYPHOON-“Dreams of Cannibalism” (2013).

typhoonNPR was steaming this album for a while.  Now they’re giving away this song.

Typhoon is yet another band that has a crazy amount of people in it (between 12 and fourteen) and they have a vast array of instruments in play at any one time (Horns, violins, xylophones, electric guitars and mandolins for example).

At the same time, Singer Kyle Morton’s vocals are distinctive enough and are used like an instrument as well as to deliver lyrics.  This gives them quite a unique sound.

The song opens with an array of horns slowly building to a simple guitar melody.  The verses are somewhat quiet with occasional punctuations of band (and great backing vocals).  But as the song progresses, more instruments kick in (horns adding a melody line).  I really like the way the end of the song shifts direction totally, bringing in a complex instrumental section with interesting time shifts and even better backing vocals..

I enjoyed the whole album while it was streaming.  And while I can’t say that this song stands out more than the other songs, (I think “Artificial Light” is probably the best,) it represents the sound of the band pretty well.

[READ: September 2013] Lucky Peach Issue 8

I haven’t been reviewing Lucky Peach issues in their entirety because they are mostly about food and cooking and recipes and I don’t really have anything to say about that (I enjoy the articles a lot, but I don’t need to comment on them).

But I wanted to bring special attention to this issue because of the way it is presented.  This is the Gender Issue.  It has two covers (see the “female” cover tomorrow) and the magazine must be flipped over to read the different genders.

It’s not often that I think of food and gender as being connected, but there are some really interesting articles in here that talk about not only food itself, but about the people who prepare it.  Like the fact that most big name chefs are men even though cooking has traditionally been “women’s work.”

The women’s side of the magazine has these interesting articles: (more…)

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aug2013

SOUNDTRACK: GWAR-“Carry on My Wayward Son” (A.V. Undercover, October 8, 2012).

gwarIf I thought Reggie Watt’s cover of Van Halen’s “Panama” was absurd, imagine my surprise when GWAR’s version of “Carry on My Wayward Son” proves to not only be not absurd but actually rather faithful.  Well, I mean Oderus Urungus is certainly not serious, but the band sounds amazingly tight–who knew they could play their instruments so well?

The opening is played very faithfully–solos and all–it’s quite impressive under all that foam.  The verses are played at breakneck speed (with Oderus barely singing and improving at times). The chorus is fascinating though as they slow it down quite a lot–with a different singer this might bring an extra gravitas to it, although this version assuredly does not.

I never knew Oderus’ mask fit so poorly before.  And I don’t believe I’ve ever really noticed the large green item hanging down between his legs.  See for yourself:

[READ: September 6, 2013] “Sleeping Together”

The final article of this forum about sleep is set in Tokyo.  Lewis-Kraus has gone to the first co-sleeping cafe. For about $30 for a membership and $30 for 40 minutes you can sleep with a woman.  Not sex–indeed, nothing sexual is allowed to happen. You just sleep.  Or more specifically, you lie next to a woman (seems unlikely that you could actually sleep).  You can also get options like staring into each other’s eyes, being petted on the head, spooning and resting your head on her lap.

There are, of course sexual cafes, as well. The kayabakura is a bit more explicit than the sleeping cafe–the women are all made up and act servile, but this is different.

The woman who the author sleeps with is Yukiko. Yukiko admits that most men don’t sleep, they talk.  She says that in their culture shame is very big, so men seek comfort and encouragement from women. (more…)

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aug2013SOUNDTRACK: REGGIE WATTS-“Panama” (A.V, Undercover, January 22, 2013).

reggiepanama This is from the A.V. Club’s third series of covers called A.V. Undercover.  In this series, the bands select what they are going to cover from a list (which gets shorter after each go).  I’ve been really enjoying Reggie Watts lately.  And I really enjoy this “cover” of Van Halen’s “Panama.”

In the pre-song interview he explains how he knows the guys in the band and that this version is a cover of an earlier demo version of the song.  Who knew the original content was so different

Check it out (and groove on the sweater).  “Oh woah, shipping canals!”

[READ: September 6, 2013] “Insomnia”

Solnit posits a wonderful idea–if only sleep could be hoarded and then accumulated or traded.  She has suffered from sleep deprivation off and on for decades–her mind just can’t turn off–like hamster on a wheel.  And like a hamster on a wheel, she is annoyed that all of the churning is so unproductive.

She talks about the two kinds of insomniacs–those who can’t fall asleep and those who wake up in the middle of the night (that’s me).  She quotes F Scott Fitzgerald who said “in a real dark night of the soul it is always three o’clock in the morning.”  Because as anyone who has woken up at that time knows, everything is overwhelming, arduous and against you.  “At that hour you could probably contemplate pancake recipes with terror.” (more…)

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aug2013SOUNDTRACK: REGGIE WATTS-Tiny Desk Concert #227 (July 12, 2012).

reggieI know Reggie Watts from Comedy Bang Bang, but his name sounds familiar, like he’s been around for a long time.  And he has, although not in ways that I am familiar.  He’s been in a million bands (none of which I’ve heard of) and done a number of short films and concerts (prominently as of 2004).  Interestingly he was born in Germany to French and American parents.  And, yes, he lived his early life in Montana.

In his early bands, Reggie sang (he has a beautiful voice).  In recent years he has become sillier, doing improv and a lot of looped vocals.  he also has a lot of funny comedic lyrics.  But not all of them.  In this Tiny Desk concert, Reggie does three songs (with funny intros).  The first one “Song #4” is a “proper” song.

The other two are improved.  The middle one, about NPR is very funny (if you know your NPR).  In all of the songs he samples his voice creating bass lines and whatnot (he does amazing beat box work).  The set is really impressive that one guy can make so much beautiful music.

Although normally I enjoy just listening to the Tiny Desk shows, this is one that demands watching, just to see how he does it all.

[READ: September 6, 2013] “Motherhood”

Manguso writes about being a mother and how sleep deprivation as a new mom is actually somewhat enjoyable (I suppose she means in retrospect).  She doesn’t say anything all that new about being a mom and the experiences of waking up at the slightest sound (or lack of sound) from your children.  Although of course it’s original to everyone when it is their child.

And she does make some interesting observations about how when the baby is first-born you rush to help him or her at the first cry but as they get older you feel even more protective of them.   I also enjoyed the idea that maternal love is in no way a softening or weakening force but is actually a courageous act–sacrificing yourself for someone else. (more…)

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