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Charles Dickens–The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New One In (1844)

Posted in 19th Century, Charity, Charles Dickens, Christmas, Christmas Album, Death, History, It's a Wonderful Life, My Morning Jacket, Short Story, Supernatural on January 1, 2015| Leave a Comment »

books SOUNDTRACK: MY MORNING JACKET-Does Xmas Fiasco Style: We Wish you a Merry Christmas and a Happy New Year! (2000).

mmjxmasWe heard a song from this on WXPN the other day and Sarah bought it for me for Christmas.  I have really liked My Morning Jacket’s newer music, and I like their earlier stuff, but a little less.  This seems to fall somewhere in between.

This also seems to be about the worst actual Christmas album that I like very much.  There is virtually no Christmas feel to it, even if many of the songs feature the word Christmas somewhere.  Basically My Morning Jacket are doing their own thing, and they sound great–lengthy jams of acoustic alternative rock and Jim James’ soaring vocals.  It’s a lovely piece of music, it just doesn’t feel like Christmas (so it was nice to end the Christmas music posts with it).

There are six songs “Xmas Curtain” would be released on their second album the following year (so they made this after releasing one album!).  It is a cool song although it seems to be more about criminals than Christmas.  There are lovely harmonies and a strange steel drum sound for the melody.  “I Just Wanted to Say” is a slow guitar picked song.  It does reflect holiday sentiment: “wishing you happy holidays.” Once again gorgeous chorus and harmonies.  Although there’s a long instrumental section at the end which kind of makes it lose the Christmas spirit (the song is over 6 minutes long).

“Christmas Time is Here Again” is really the first explicit Christmas song. It’s a lovely song and kinda feel Christmasey.  Of course, if they  wanted a nice simple Christmas song it should end at 3:40.  But rather they tack on a lengthy (very pretty) instrumental section. I love what they play, but it make you lose sight of the earlier part of the song even if the lyrics do repeat again. The bells are nice at the end.

“New Morning” is a Nick Cave song, not exactly Christmasey but very pretty.  The other very Christmasey song is “Santa Claus is Back in Town.”  This is apparently an Elvis song (the backing vocals of “Chris-mussss”) give it a very fifties sound.  This could also easily end at 4 minutes, but they tack on a bunch of guitar nonsense at the end for an extra minute and a half.  These little flourishes aren’t bad, and this is clearly a fun fan record, but you’re not going to get on a Christmas compilation with all that extra business.

The final song is a “hidden track.”  It is the lengthy instrumental from “Christmas Time is Here Again” but played by itself (with the whole band).  As I said, it’s lovely.  Of course it’s fades after 2 minutes, but then gets louder and runs a total of 7 minutes–those jokesters.

[READ: December 10, 2014] The Chimes

I didn’t know this story at all.  It turns out to be more of a New Year’s story than a Christmas story, despite it being in the Christmas Books book.

The story is centered around Toby Veck, known as Trotty because of his usual walk.  Trotty is a messenger.  But his main feature is that he is obsessed with the chimes, the Bells, at the churchtower.  He believes that they speak to him.  It sounds like he sleeps out under the bells, but I gather that he actually just spends most of his time outside so he can be a messenger to others.

It is a cold cold New Year’s Eve night.  His daughter, Meg, brings him a large feast of tripe (she drags out his trying to guess what it is).  He is thrilled at the boon of such a feast.  While he is enjoying the food, she reveals that she is going to get married to her fiancee Richard the next day. Trotty seems concerned by this but before he can say anything, he is interrupted by Alderman Cute and his associate Mr Filer.  The Alderman basically gives them all a hard time.  He criticizes Trotty for eating tripe (which he says is the most wasteful of all foods?!), he criticizes the poor in general (and talks about arresting just about everyone) and he criticizes Meg and Richard for planning to get married.  He says that Richard could do much better and that if they do marry they will just wind up poor with unwanted children.  What a dick. (more…)

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Alessandro Baricco–The Barbarians: An Essay on the Mutation of Culture (2006) [translated 2013]

Posted in Alessandro Baricco, Books about music, Christmas Album, Culture Shock, Decadence, Essays, History, Johann Sebastian Bach, Ludwig van Beethoven, Short Books, Soccer, Stephen Sartarelli, Technology, The Future, Translation, Travel, Wolfgang Amadeus Mozart on December 31, 2014| Leave a Comment »

barbariabnsSOUNDTRACK: ULTRA LOUNGE: CHRISTMAS COCKTAILS Part Three: Yule Tide Cheer Through the Year (2005).

xmastails3The final part of the Ultra Lounge Christmas set certainly sees them running out of steam.  There’s far fewer songs and the total running time is nearly 20 minutes shorter.  But that doesn’t mean there aren’t some great tracks here.

CARMEN McRAE-“Baby It’s Cold Outside” a fun opening with some talking before the song between Carmen and Sammy Davis Jr.  Davis is really silly through the song (and she seems to be laughing him).  BING CROSBY-“Frosty The Snowman” wonderful.  LENA HORNE-“Santa Claus Is Comin’ To Town” a trippy opening in which Horne was “in the milky way.” Then the song kicks in—a fun version overall. Strangely she switches “bad or good” into “good or bad.”  JOHNNY MERCER-“Jingle Bells” a fun hopping version with plenty of swing.  There’s even extra lines (“there’s nothing new about jingle bells”).

WAYNE NEWTON-“Let It Snow! Let It Snow! Let It Snow!” Female vocalists again (I thought Newton was a singer?), but nevertheless, it’s a fun version.  NANCY WILSON-“That’s What I Want For Christmas” a pretty song, that I didn’t know before.  I really dig Nancy Wilson.  DEAN MARTIN-“Winter Wonderland” delightful, I do love the Deano.  BILLY MAY-“Do You Believe In Santa Claus?” – Billy May’s deep dark rather scary voice presents this weird song.  It’s funny and a little spooky what  with the crazy way it ends.

PEGGY LEE-“White Christmas” this version is too for me.  AL MARTINO-“Rudolph, The Red-Nosed Reindeer” this is a nice version, though.  RAY ANTHONY-“A Marshmallow World” a lovely version of this fun song.  LOU RAWLS-“Have Yourself A Merry Little Christmas” Rawls has finally won me over.  I like this song by him.  JULIE LONDON-“I’ve Got My Love To Keep Me Warm” slow and jazzy but too slow for me.  NAT KING COLE-“Buon Natale (Means Merry Christmas To You)” a fun song quaint and cute and one you don’t hear very often.  JUNE CHRISTY-“Sorry To See You Go” I don’t know this song, it’s more of a New Year’s song. Swet and bouncy. Although not my favorite ending to the discs.

So that’s the Ultra Lounge mixes, easily my favorite way to spend a holly day.

[READ: December 24, 2014] The Barbarians

This was the final Baricco book I planned to read this year and it’s a good way to end the year–reflecting on the past but planning to move forward.

It’s nonfiction so I didn’t really know what to expect.  But I certainly didn’t expect the story in the beginning of the book.  Baricco explains that he really wanted this book to be translated into English (especially for the American market where he felt it would be particularly on target) but he couldn’t find anyone to publish it.  And he didn’t want to go self publishing.  He ultimately found a friend in New York, owner of Eataly who agreed to foot the cost.  They did the work and then Random House distributed it.

So Stephen Sartarelli translated it.  The book is a fun and interesting look at the barbarians who are ruining our culture and destroying our soul.  But Baricco is very careful to point out that just because they are ruining things, it doesn’t mean that they are making things worse or doing it maliciously.  He uses several specific instances in which the barbarians have changed something held sacred and made it, if not better, then different and often more enjoyable.

This book was originally written as a series of newspaper articles in 2006 (not sure exactly when).  He says it was fun to see feedback as he was writing each installment (each “chapter” is about four pages). (more…)

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Charles Dickens–A Christmas Carol: In Prose: Being A Ghost Story of Christmas (1845)

Posted in 19th Century, A Christmas Carol, Charity, Charles Dickens, Christmas, Christmas Album, Danú, Ghosts, History, Marriage (Happy), Marriage Trouble, Patrick Kavanagh, Short Story, Supernatural on December 25, 2014| Leave a Comment »

books SOUNDTRACK: DANÚ: An Nollaig in Éirinn: Christmas in Ireland Live in Concert (2010).

danu cdWe saw Danú perform a Christmas show last year.  The show was wonderful, so we bought the CD.

The CD is a live show much like the one we saw, so not only is it a Christmas album, but it’s a nice memento of the show.  Muireann Nic Amhlaoibh’s voice is beautiful–a soaring, angelic sound and the performance of the band is amazing.

The disc is a mix of beautiful ballads (Irish specific and those familiar to all) and rollicking instrumentals.  The ballads, most sung by Muireann include “The Wexford Carol” (a traditional song); “Angels We Have Heard on High” (gorgeous–with audience participation); “Le Coinnle na nAingeal” a lovely, slow ballad about putting candles in the window

n Irish and English) and “Le Coinnle na nAingeal.”  She even got the audience to sing along to some of the Irish words in “The Boys of Barr na Sráide” and, of course, we all chimed in on “Angels We Have Heard on High.”

The rollicking numbers include “The Slide Set” (Scartaglen Slide and two reels: “The Hunters Purse” and “The Reconciliation”); “Round the House Set” (some fun dance numbers); and “The Polkas.” “Apples in Winter/The Frost is All Over” is a charming instrumental, the second half of which is all about the button accordion (amazing playing!).

Some other songs include “A Christmas Childhood” is a spoken poem by Patrick Kavanagh set to a piano melody.  “The Boys of Barr na Sráide” is an anthem from Kerry in which boys hunt for a wren on the feast of St Stephen. It is a slow song and the was much audience participation when we saw them.  “Miss Fogarty’s Christmas Cake” is a very funny tale about a deadly Christmas Cake–a fun sing along with silly lyrics.

The show and disc end with “Oíche Chiúin/Silent Night” a lovely rendition that segues into an amazing bodrhan solo (Martin O’Neill is fantastic–the sounds he gets out of this one drum are staggering).  It ends with a whooping song called “Contradiction.”  The encore is a beautiful duet called “The Parting Glass” and, since no Irish set should end in a mellow way, “The Christmas Eve Reel” ends with a wonderful stomping song.

The show was fantastic and the CD is great too.  There’s no between-song banter, which is a shame, but which also keeps the set a reasonable length.  It’s a wonderful way to celebrate Christmas, even if there’s not many familiar Christmas songs.

[READ: December 10, 2014] A Christmas Carol

Obviously, I know A Christmas Carol.  Scrooge, Tiny Tim, Jacob Marley, the Ghosts of Christmas past, present and future etc.  I have seen the play, I have listened to Patrick Stewart’s reading and I’ve seen nearly every movie and TV version. But I have never actually read it.

I found the story to be really enjoyable.  And for Dickens, the story is pretty compact. There are few moments where he throws in a lot of extra bits and pieces, but the action moves pretty swiftly.

I think one thing that I was surprised by was that Scrooge is moved by the very first spirit that comes along.  In my memory he isn’t that impressed by the first one, but in the story he is ready to give in after his trip to his childhood.  I was also surprised to see that Scrooge’s nephew plays a pretty big role at the end. In my memory (or maybe in condensed versions—or the Grinch, anyhow), Scrooge eats with the Cratchits.  But no, he sends them the goose with no word given (and we never see their reaction) and then has dinner with the nephew who invited him early in the story (Dickens is nothing if not tidy in cleaning up loose ends). (more…)

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Charles Dickens–The Cricket on the Hearth: A Fairy Tale of Home (1845)

Posted in 19th Century, Charity, Charles Dickens, Christmas, Christmas Album, History, Marriage (Happy), Marriage Trouble, Short Story, Supernatural on December 23, 2014| Leave a Comment »

books SOUNDTRACK: STARS OF CHRISTMAS (2008).

starsxmasI believe that I bought this collection because it was cheap–a new disc of interesting mixes for Christmas  Well, given the artists on the cover (my cover is actually different, but similar), I had no idea that I was in for a largely classic/formal collection of songs.  True I probably should have looked at the list, but for a cheapie Christmas CD it seemed safe.

The first several tracks are done is very operatic style.  Many other tracks are done in an almost church-like atmosphere.  Nothing inherently wrong with these versions, indeed, many of them are quite lovely but they’re not what I like in Christmas songs and, frankly there’s too much of it on this disc (it’s nearly an hour long).

MARIO LANZA-“I Saw Three Ships” and SERGIO FRANCHI-“It Came Upon a Midnight Clear” Operatic and JOHN DAVIDSON-“Hark! The Herald Angels Sing” are all very formal and operatic.  ED AMES-“Joy to the World” is also operatic and it adds a backing vocal chorus.

Somewhat less operatic but still formal are PERRY COMO-“God Rest Ye Merry, Gentlemen” and ANDY WILLIAMS-“Angels We Have Heard on High.”  This all makes sense as these are religious Christmas songs.  Even the CAROL LAWRENCE and ROBERT GOULET version of “Carol of the Bells” features Goulet’s ponderous voice.  (It’s a nice version, but Lawrence can’t quite match him).

After these, the mood lightens somewhat.  DANNY KAYE-“Deck the Halls” is a bit more fun (as Danny Kaye would be).  And then comes the big WTF moment–AIR SUPPLY? doing “The First Noel.”  Their version is fine and doesn’t sound too out of place here.

Changing the tone somewhat, JULIE ANDREWS-“Patapan” I don’t really know this song very well.  Andrews does a lovely version of it.  It’s strange that there are two Christmas songs about drums.  And THE LENNON SISTERS, who I quite like, do “Silent Night.”  Their version is sweet and relaxing and reminds me of the singers from O Brother Where Art Thou?  JOSE FELICIANO-“The Cherry Tree Carol” is another song I don’t know.  This version is weird here since it’s on acoustic guitar with Feliciano’s delicate voice.

The best song on the disc is ARTHUR FIEDLER-“Sleigh Ride”.  This is the classic instrumental with strings and sleigh bells.  I’m surprised by the instrumental version of “Jingle Bells” by CHET ATKINS.  It’s guitar based and slightly countryish, but there’s no way to guess it’s from him.  EDDY ARNOLD-“Jolly Old St. Nicholas” is a song I vaguely know.  It also has country tinges.  It’s an unusual song what with asking Santa what he;s going to give you.

JIM REEVES-“O Come All Ye Faithful” changes the tone again.  This song is done on pipe organ.  It sounds like it was recorded in a church (which makes sense).  LORRIE MORGAN-“O Holy Night” I dislike this version quite a lot.  It feels rather pretentious and she does some weird melodies at times.  BURL IVES-“O Little Town of Bethlehem”  I like Ives, but not on this song.  It’s too slow or something.

The final two songs are just awful to me (which I know people will yet at me for saying)  GLADYS KNIGHT & THE PIPS-“Away in a Manger” and ARETHA FRANKLIN-“Ave Maria.”  I’m not a big fan of Knight as it is, although I do usually like Aretha.  But man this version of “Ave Maria” is dreadful.   She starts wailing, horrible trills that are way out of place on this song.  And it’s nearly 7 minutes long.  Gah, what a dreadful way to end the album

So, there’s a few good songs here.  There’s a couple of nice version that might fit on a mix and then there’s some horrors.  Probably worth the $1.99 I paid for it.

[READ: December 10, 2014] The Cricket on the Hearth

I was unfamiliar with thsi story before reading it.  The author of the introduction to the book (Eleanor Farjeon) says she likes it better than “A Christmas Carol.”  I can see some reason for liking it more, but it’s not quite as impactful.

It’s a strange story with hidden identities, true love, fake love and crickets.

The story begins at John Peerybingle’s house.  He is a carrier, basically a mailman.  He is married to Dot and they have a new baby boy.  Their nanny, Tilly Slowboy (Dickens is none to subtle about names, eh?), is a simple girl who seems to have a knack for either smashing the baby’s head on things or just barely missing his head when she turns around.  When the story starts, John has just returned from his latest travel, and he is happy to be home.

Dot talks about the cricket that is chirping so loudly at the hearth (there’s a question from the narrator as to whether the cricket or the kettle made the noise first, and he maintains that it was the cricket).  Dot thinks fondly of the cricket, especially when John is away. She imagines that the cricket is looking over them every time it chirps. (more…)

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Charles Dickens–Christmas Stories [1-6] (1850-1853)

Posted in 19th Century, Charity, Charles Dickens, Christmas, Christmas Album, History, Marriage (Happy), Marriage Trouble, Set at School, Short Story on December 22, 2014| Leave a Comment »

storiesSOUNDTRACK: CHRISTMAS: 16 Most Requested Songs (1992).

16This album features 16 “most requested” songs, but I don’t believe that they are the most requested versions of these songs.  These versions come from Colmbia’s back catalog and as such, none of them features any of the real Christmas heavy hitters.  Not that the version are bad, they’re pretty much all really good, they’re just not the “classic” versions.  Well, except for one or two.

GENE AUTRY-“Rudolph the Red-Nosed Reindeer” Starting with the “You know Dasher and Dancer” verse, this is a nice, traditional version of the song and one I don’t hear as much as I’d think I would.  DORIS DAY-“Here Comes Santa Claus” Opens with a nice booming Ho Ho Ho from Santa. I like that there are ample sleigh bells in the song, even if the words are vaguely menacing (somehow even more so in this version). I’ve also always found the aggressively religious aspect of the song about Santa to be a bit peculiar.  JIMMY BOYD-“I Saw Mommy Kissing Santa Claus” This is an inherently goofy song and I don’t care for the “serious” rendition this is given.  I also don’t care for songs sung by “kids.” Although I do admit to thinking this song was cute when I was a kid.  ROSEMARY CLOONEY-“Winter Wonderland” This version is a little too precious for my liking.

GENE AUTRY-“Frosty the Snowman” This is another straight reading of this silly song—very children friendly and a good version.  JOHNNY MATHIS-“I’ll Be Home for Christmas” I don’t care for Mathis’ voice so I don’t like this version.  THE RAY CONIFF SINGER-“Silver Bells” This is ajoyful, sweet rendition of the song, even if it is extremely uptight sounding. (it evidently comes from “The Lemon Drop Kid”).  ROBERT GOULET-“Have Yourself a Merry Little Christmas” (from “Meet Me in St. Louis”).  Goulet’s voice is pretty magnificent, it might even be a little too much for this little song.  PATTI PAGE-“Santa Claus is Coming to Town” This is a version with kids singing along. And with Patti telling them to behave, it also has a menacing feel to it. I guess Santa really could be kind of a nasty guy huh?  MITCH MILLER & THE SING-ALONG GANG-“The Twelve Days of Christmas” It’s hard to make this song not sound really tedious, but these guys do it pretty fast and in a very specific, marching style. It’s almost military in it’s seriousness, which does take some of the romance out of the song, but I like it nonetheless.

ANDY WILLIAMS-“Sleigh Ride” Andy Williams has a quintessential Christmas voice.  I’m glad Columbia has him for this collection. It’s fast fun and joyful. ANGELA LANSBURY, FRANKIE MICHAELS, JANE CONNELL and SAB SHIMONO-I love that Lansbury has such a great singing voice since in my mind she’s only ever been Murder She Wrote. And she wails this. (This version comes from “Mame.”  I didn’t know it came from a musical.  And I love th eline that I never noticed before: “But it’s one week past Thanksgiving Day now”).  MEL TORME-“The Christmas Song” The Velvet Fog’s version is quite nice, but doesn’t quite match Nat “King” Cole’s for pure classicness (although, huh, Torme wrote the music for this song).  TONY BENNETT-“White Christmas” I’m not a big fan of Tony Bennett and I don’t like this version of this song—it’s too spread out.  JULIE ANDREWS-“Silent Night” a very pretty and pure version of this song. Although I don’t find it as moving as other versions.  MAHALIA JACKSON-“Joy to the World” I know she’s a legend, but I really don’t like Mahalia’s versions of songs—she’s a just too over the top for me.

So, overall, this is a good, if safe collection of Christmas songs. Not my favorite bunch but a lot of good versions here, and one or two great ones.  And there are even a couple of under-played ones.

[READ: December 8, 2014] Christmas Stories

I intended to read A Christmas Carol last year during Christmas time but since we saw the play, I decided not to.  So this year I figured I would read as much of Dickens’ Christmas Books as I could during the month of December.  Then I misplaced Christmas Books, so I picked up Christmas Stories.

Christmas Stories does not include “A Christmas Carol.”  Rather, it includes 21 “stories”  ranging from a few pages to over a hundred pages long.  They appeared in Household Works, a publication which Dickens created to “bring himself even closer to his many followers.”

I chose to write about these first six together because they are the shortest pieces in the book and they can kind of be lumped together.  These are strange pieces because they are not really stories.  They are more like nostalgic or even moralistic moments in which Dickens conveys the Christmas spirit through some characters.

For frame of reference Dickens was born in 1812.  He wrote Oliver Twist around 1839 and “A Christmas Carol” in 1843. (more…)

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Rod Spike (Ed Piskor)–Hip Hop Family Tree #300: Hip Hop/Comic Connection Pt. 2 (2014)

Posted in Books about music, Easy E, Ed Piskor, Graphic Novel, History, Rick Rubin, Rob Liefeld, Rod Spike, Spike Lee on November 30, 2014| Leave a Comment »

300SOUNDTRACK: HOSE-Mobo (single) (1981).

hoseHose was Rick Rubin’s first band and this single was the first release on Def Jam records.  Rubin is on guitar.  I would never have known of this release if it weren’t for the Hip Hop family Tree.

This three song single is a noisy slab of art punk.

The first side “Mobo” is a fairly conventional punk song.  There’s a loud fuzzy bass riff.  The drums are surprisingly tame (although I understand it may have been recorded on a boombox or something).  The guitars are mostly noise.  And the vocals are pretty clean (if bizarre).  It seems to be a part of (and maybe even precursor to) the sludge punk movement of the early 80s.

The B-side included 2 songs.  “Girls” which is 20 seconds of pure hardcore (the only word is girls).  As the song feedbacks out, they begin to do a crazy slow nonsensical cover of “We’re Going to the Zoo” (for over 3 minutes!).

Hose also released an album (called Hose) which I can’t even find online anywhere.  Guess Rubin’s not so proud of this.

[READ: November 24, 2014] Hip Hop/Comic Connection Pt. 2

This supplement to Hip Hop Family Tree was created by Rod Spike (think anagram). It shows the early connections for him between comic books and hip hop.

The book talks about the way that these two loves of his life merged in the 1990s.

We begin with Spike Lee in his early days (making the video for “White Lines, for instance).  Then we meet cartoonist and illustrator Rob Liefeld, doing work for Marvel.

Spike had made some big time commercials at this point and was ready to make one for Levis.  Liefeld submitted his name to be cast in the  upcoming Levis commercial.  Lee picked him and they made the commercial together (the comic version of Liefeld in this book is done in the style of Liefeld’s work, so he is crazy and creepy whereas in real life he’s a pretty normal looking kid). (more…)

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Ed Piskor–Hip Hop Family Tree 1981-1983 (2014)

Posted in Afrika Bambaataa, Bad Brains, Black Flag, Blondie, Books about music, Charlie Ahearn, Chic, Chuck D, DJ Kool Herc, Double Dee & Steinski, Doug E. Fresh, Dr. Dre, Easy E, Ed Piskor, Fab Five Freddy, Funky Four Plus One, G.L.O.B.E. & Whiz Kid, Grandmaster Flash and the Furious Five, Graphic Novel, Henry Rollins, Herbie Hancock, History, Hose, Ice-T, Jean-Michel Basquiat, Keith Haring, Keith LeBlanc, Kool Moe D, Kraftwerk, Kurtis Blow, Malcolm McDowell, Melle Mel, Michael Viner's Incredible Bongo Band, New Edition, Queen, Rammellzee, Rick Rubin, Run D.M.C, Soul Train, Spectrum City, Spoonie Gee, Sugarhill Gang, The Cold Crush Brothers, The Fantastic Five, The Furious Five, The Hellers, The Jonzun Crew, The Treacherous Three, Too Short, Violence, Whodini, Wild Style on November 29, 2014| Leave a Comment »

hhftSOUNDTRACK: G.L.O.B.E. & WHIZ KID-“Play that Beat Mr DJ” (Double Dee & Steinski Payoff Mix) (1985).

doubledeeThe original of this song (1983) was simply the drums and simple keyboard riff.  The “Payoff Mix” done by Double Dee & Steinski added the incredibly dense layer of samples that really make this song interesting (actually the samples are more interesting than the rap).

The samples included:

  • Adventures of Grandmaster Flash on the Wheels of Steel by Grandmaster Flash and The Furious Five
  • Play It Sam…Play “As Time Goes By” (Avalon/As Time Goes By) by Humphrey Bogart (dialogue spoken from the movie Casablanca)
  • That’s the joint – Funky Four Plus One
  • Take the Country to N.Y. City by Hamilton Bohannon
  • Don’t Make Me Wait (Acapella) by Peech Boys
  • Stop! In The Name Of Love by Diana Ross and the Supremes
  • Rockit by Herbie Hancock
  • Situation 12″ by Yazoo
  • Starski Live at the Disco Fever by Lovebug Starski
  • World’s Famous, Hobo Scratch, D’Ya Like Scratchin’ and Buffalo Gals by Malcolm McLaren
  • Apache by Incredible Bongo Band
  • Tutti Frutti by Little Richard
  • Last Night A DJ Saved My Life by Indeep
  • I’ll Tumble 4 Ya by Culture Club
  • Speech by Fiorello La Guardia from Reading the Comics – July,1945

Double Dee & Steinski went on to make some other great mashups (and these sound amazing since they were done circa 1985).  I particularly like Lesson 3.

Here’s the one that made them famous:

[READ: November 23, 2014] Hip Hop Family Tree 2

This volume picks up right where the previous one left off in 1981.

First we meet Doug E. Fresh who, devoid of records, starts the trend of beatboxing.  We also see The Sugarhill Gang doing a rap over the song “Apache” (while dressed like Native Americans).

The book bounces back to California (Oakland this time) where we meet Too Short, a great high school rapper who is interested in making money from his skills.  We also see a young Ice-T doing his gangland thing

Then it jumps back to Rick Rubin whose love of punk and metal (these goings on are happening at the same time as Black Flag is trying out a young Henry Rollins, and Bad Brains are in high gear–and often times the crowds mix amiably) fuses with his love of rap.  he really wants to be able to capture the rawness of the live sounds of both types of music onto a record (enter the Beastie Boys).  And, strangely enough (although perhaps it should be expected), Malcolm McDowell enters the picture.  We also see Fab Five Freddy making “Change the Beat” which includes a since-very-heavily sampled “Freshhhhh” (more…)

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Ed Piskor–Hip Hop Family Tree 1970s-1981 (2013)

Posted in Afrika Bambaataa, Blondie, Books about music, Charlie Ahearn, Chic, Chuck D, DJ Kool Herc, Ed Piskor, Fab Five Freddy, Funky Four Plus One, Grandmaster Flash and the Furious Five, Graphic Novel, History, Jean-Michel Basquiat, Kool Moe D, Kraftwerk, Kurtis Blow, Melle Mel, Michael Viner's Incredible Bongo Band, Queen, Rick Rubin, Soul Train, Spoonie Gee, Sugarhill Gang, The Cold Crush Brothers, The Fantastic Five, The Furious Five, The Hellers, The Treacherous Three, Violence on November 28, 2014| Leave a Comment »

hhftSOUNDTRACK: “The Adventures Of Grandmaster Flash On The Wheels Of Steel” (1981).

grandThis track was one of the first records to mix songs from other artists (yes, we call it sampling now).  It was a chance for Grandmaster Flash to show off his mad mixing skills.  He used three turntables, samples from the movie Flash Gordon (nice) and this songs:

Chic – “Good Times” ; Blondie – “Rapture” ; Queen – “Another One Bites the Dust” ; Sugarhill Gang – “8th Wonder” ; The Furious Five – “Birthday Party” ; Spoonie Gee – “Monster Jam” ; Michael Viner’s Incredible Bongo Band – “Apache” ; Grandmaster Flash and the Furious Five – “Freedom” ; Sugarhill Gang – “Rapper’s Delight” ; The Hellers – “Life Story”

It’s really impressive and it sounds seamless.

[READ: November 23, 2014] Hip Hop Family Tree 1

This book came across my desk at work and I was really excited to read it.  I thought I didn’t know all that much about the origins of hip hop.  And while I was largely right, I was also pleased that I knew so many of the big names.

So this is a graphic novel done by Ed Piskor.  Piskor’s style is familiar (it looks like old school indie comics, even though he was born in 1982). Now, I already said I don’t know all that much about hip hop history, so I can’t vouch for the veracity of this family tree (and I certainly suspect that Piskor likes some people and dislikes others), but I assume that this is a pretty accurate story about how hip hop came to be.

It all starts in the 1970s with DJ Kool Herc in the South Bronx.  He spins discs at parties and is hugely successful.  He starts looping records to extend the drum breaks.  His popularity inspires Grandmaster Flash who tries new techniques and Afrika Bambaataa who plays the most obscure records he can find (Kraftwerk, for instance).  Bambaataa was once a gang leader but he channeled his music into a more peaceful gang–Zulu Nation.  This group leads to some other early hip hop groups: The Treacherous Three, The Cold Crush Brothers, Funky Four Plus One (the first of the groups to feature a woman) and The Fantastic Five, (more…)

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The Greatest Albums You’ll Never Hear: Unreleased Records by the World’s Greatest Musicians (2014)

Posted in Beastie Boys, Beck, Books about music, Bruce Springsteen, Buffalo Springfield, Canadian Music, Danger Mouse, David Bowie, Deftones, Drinking, Drugs, Foo Fighters, Frank Zappa, Green Day, History, Jeff Beck, Jeff Buckley, Jimi Hendrix, Neil Young, Pink Floyd, Record Labels, Sex Pistols, The Beach Boys, The Beatles, The Kinks, The Rolling Stones, The Who, U2, Van Halen, Weezer, Wicked Lester on November 25, 2014| 1 Comment »

greatestSOUNDTRACK: PINK FLOYD-“The Hard Way” and “Wine Glasses” (1974).

glassThis book informed me about these two unreleased Pink Floyd songs (there’s a Wikipedia site that lists some fifty more !).  While the were unreleased in 1974 (from the abandoned Household Objects album), they were eventually released in 2011 on expanded versions of albums.

“The Hard Way” features some “percussion” that sounds like someone taking steps.  There’s a bass riff which I gather is from rubber bands (but very well tuned).  There’s clocks ticking and chiming and tape being unspooled.  It’s a neat idea and while it is absurd to think you could make a whole album with this kind of stuff (in 1974), it’s a surprisingly good sounding track.

“Wine Glasses” was apparently made with wine glasses.  It is all of 2 minutes long.  It was designed to be a full song but was eventually used in the introduction to “Shine on You Crazy Diamond.”  I never really considered that there were wine glasses making the sounds (and clearly there are synths added on top), but yeah, so that ‘s kinda neat.

[READ: November 25, 2014] The Greatest Albums You’ll Never Hear

I found this book at work and knew I had to read it.  I was actually surprised at how long it took me to read (there’s a lot of entries).

The title and subtitle pretty much say everything you need to know about this book (and if you need to read it or not).  This book collects a series of writers who give a brief history of some of the more famous (and some not so famous) albums that were never released.  It explains (as best they can) why the albums weren’t released and even gives a percentage chance of likelihood of the album ever seeing the light of day (interestingly, most seem to be a 3/10–they may have been able to use a 5 point scale).

I knew some of the records they talked about (The Beach Boys’ Smile, Neil Young’s Chrome Dreams), but was ignorant of quite a lot of them. And while big fans of the artists may know all of the details about their favorite lost album already (these are sketches, not exhaustive research), there will certainly be some new information.  For instance, I’m a huge Pink Floyd fan but had no idea about the two shelved works mentioned here.

I liked the way the book was done chronologically and grouped by decade.  It was also interesting to see how the “reasons” for the non-release morphed over the decades from “the record label didn’t like it” to “it was leaked online.”

The one major gripe I have with the book is that it is chock full of “imagined” album covers.  This in itself is okay, but it is not made explicitly clear that they are all imagined (credits are given at the bottom of each image, but it took me a few entries to realize these were just people’s ideas of what the covers could look like).  And most of them are gawdawful.  Just really lame and dull (as if they had 20 minutes to come up with an idea).  They mar an otherwise cool collection,especially since some of the unreleased records actually do have proposed covers (even if they were never released).  I see that there is in fact a paragraph about the covers in the front pages of the book, but it is almost hidden away.

In addition to the albums I’ve listed below, I learned some fascinating things.  That Bruce Springsteen has hundreds of songs that he wrote but never released for various reasons.  That Pink Floyd did try to make an album out of household objects (with no instruments).  That the Sex Pistols’ Never Mind the Bollocks was almost simultaneously released illicitly as Spunk.  And that Danger Mouse’s The Grey Album was recently remastered.

The end of the book includes two small sections: other favorites that were never released.  Not sure why they earned only a small column instead of a full entry, but that’s okay.  The second was albums that we eventually did see, like My Bloody Valentine’s MBV and Guns N’ Roses’ Chinese Democracy.

So if you ever wondered what happened to that long lost album, this may be the book for you.

A sampling of the unreleased records include:

  • The Beach Boys-Smile
  • Buffalo Springfield-Stampede
  • The Kinks-Four Respected Gentlemen
  • The Beatles-Get Back
  • Jeff Beck-The Motown Album
  • Jimi Hendrix-Black Gold
  • The Who-Lifehouse
  • Wicked Lester
  • Rolling Stones-American Tour ’72
  • CSN&Y-Human Highway
  • Pink Floyd-Household Objects (1974), Spare Brick 1982
  • Dusty Springfield-Longing
  • David Bowie-The Gouster (1975), Toy (2001)
  • Sex Pistols-Spunk
  • Neil Young -Homegrown (1975), Chrome Dreams (1976)
  • Frank Zappa-Läther
  • Beastie Boys-Country Mike’s Greatest Hits
  • Weezer-Songs from the Black Hole
  • Jeff Buckley-My Sweeetheart the Drunk
  • Van Halen-IV
  • Foo Fighters-The Million Dollar Demos
  • Green Day-Cigarettes and Valentines (the author doesn’t believe it was actually stolen)
  • Tapeworm (Trent Reznor and Maynard James Keenan among others)
  • Deftones-Eros
  • U2-Songs of Ascent
  • Beck-The Song Reader

 

 

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Daniel Mason–“The Second Doctor Service” (Harper’s, June 2014)

Posted in All Songs Considered, Daniel Mason, Descendents, Harper's, History, King Tuff, Mikal Cronin, Short Story, Surreal, Ty Segall, Unreliable narrator, WXPN 88.5 FM--Philadelphia, PA on November 22, 2014| Leave a Comment »

harpjuneSOUNDTRACK: KING TUFF-“Black Moon Spell” and “Eyes of the Muse” (2014).

tuffI first heard King Tuff on WXPN.  A few weeks later I heard two of his songs on NPR Music.  I’m including both of these because they’re from the same album and yet they are so very different.

“Black Moon Spell” has a stupid, great, heavy riff–it’s all distortion and garage rock.  And when the first verse starts, Tuff’s voice sounds very 60’s–whispered and trippy.  It’s a great contrast to the rocking riff that repeats in the chorus.  The second verse and the chorus sound pretty much the same, but they are so catchy it’s hard not to rock out to it all.  There’s a cool guitar solo and, perhaps most unexpected, female backing vocals as the chorus repeats in the outro.

It has a real classic rock sensibility but with modern elements.

“Eyes of the Muse” is also full of classic rock sensibilities but in a very different way.  This song is anything but heavy–it has jangly chords, and a pretty guitar riff.  The vocals are also higher pitched with a very sixties folky style.  And when the Boston-style guitars burst forth about half way through, you’d swear you’d heard it all before, and yet it is still different enough to be really enjoyable.

Ty Segall plays drums of “Black Moon Spell” and I can compare this record to him or to Mikal Cronin–simple familiar elements done in a novel and exciting way.  I’d definitely like to hear more from this record.

[READ: November 17, 2014] “The Second Doctor Service”

I didn’t think I’d read anything by Mason before, but I had.  I didn’t really like his previous story in Harper’s,(which was sort of a parody of Herodotus).  This one was written in an old style as well (although not a parody this time–if indeed the first one was supposed to be one).

Anyhow, this one opens like an old story (with county names given in this format: K— and S—).  At first I thought we didn’t really need a story pretending to be old like this, but Mason really mastered the style.  Not to mention a story with this content works much better as an old one (before “modern” science).

Essentially, the author is writing a letter to the Journal, in response to Dr Slayer’s study “On the So-called Cumberland Were-wolf.”  He has not encountered a were-wolf but he hopes that anyone reading the Journal might be familiar with his own unusual plight.  (more…)

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