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Archive for the ‘Ghosts’ Category

Mindy Kaling–Is Everyone Hanging Out Without Me? (And Other Concerns) (2011)

Posted in 30 Rock, Books about writers, Brazil, Consumerism, Essays, Fantasy, Food, Funny (ha ha), Ghosts, Humiliation, Marriage (Happy), Memoirs, Michael Nyman, Mindy Kaling, Monty Python's Flying Circus, New Yorker, Paul Rudd, Saturday Night Live, The Divine Comedy, The Office, The Sopranos, Tina Fey on December 29, 2011| 2 Comments »

SOUNDTRACK: THE DIVINE COMEDY-BANG goes the Knighthood (2010).

I’ve really enjoyed The Divine Comedy since their earliest Michael Nymanesque music.  I loved the orchestral pop that Neil Hannon seemed to effortlessly create.  His last few records have been less exciting to me.  He has toned down the orchestration and made his songs more subtle.  They’re still beautiful but they’re not always as immediately arresting.  I thought that was true of this album as well, although I found that when I sat down and really listen to the music and words together (what a novel idea) the music played so well with the lyrics that the album overall is easily one of his best.  Although I still prefer the pomp and full orchestration of the earlier music, this newer stuff is very interesting. An artist has got to grow, right?

The new sound is more Tin Pan Alley.  It’s piano with guitars and occasional horns–very limited strings are present at all.  And, as any fan knows, Neil writes wonderful songs about love, and the songs on here are some more great love songs.  The non-love songs span the gamut of ideas–from emotionally wrenching to downright silly.  Neil is definitely a “get to know him” kind of songwriter.  And it’s rewarding when you do.

“Down in the Street Below” is a piano based song that morphs into a jaunty little number after some quiet verses.  It features yet another of his great melodies.  “The Complete Banker” is a jaunty piano song that mercilessly mocks the banking industry.  Not terribly original but certainly fun and lyrically it’s quite clever.  “Neapolitan Girl” is a faster song (reminds me of a Broadway musical or movie instrumental) which is (as they all are) very fun to sing along to).  “Bang Goes the Knighthood” is a musical hall song that is really quite funny despite the somber sound of the music (it’s about a knighted man who indulges in certain proclivities that might cost him what he has).

“The Indie Disco” is the exact opposite, it’s bouncy and shuffly and yet understated as only an indie disco can be (this may be the softest, least excited “yea!” in any song ever.  Name checking Morrissey may not be original but it would be a less real picture without him.  The songs he mentions are kind of dated, but are probably pretty accurate to what gets played in an indie disco these days.  “Have You Ever Been in Love” could be used in any rom-com film montage.  Although maybe it’s too obvious?  Sweetly filled with strings (yes strings).

“Assume the Perpendicular” is a slightly faster song, as befits lyrics, “I can’t abide a horizontal life while “The Lost Art of Conversation” is another bouncy tune with a whistle for an ending!

“Island Life” is one of the first duets I can think of from the Divine Comedy–it sounds like something out of the movie Brazil.  “When a Man Cries” is an emotionally wrenching song.  It seems somewhat out of place for Hannon’s usual topic, but it’s quite beautiful.  The silly fun of “Can You Stand Up on One Leg” is the perfect antidote.  Each verse provides something that’s harder to do than you think.  The final verse offers, “can you hold a singing note for a stupidly long time…. Let’s see how long you can hoooooooooo….oooold on to a note.” For the record, Neil’s note is 29 seconds long….stupidly long!  Is that really him holding that high note for 29 seconds?

The final song “I Like” is a wonderful poppy ditty, in which the full band rocks out (more or less) to another great melody.  It’s a perfect love song (even modernized to include a kind of rhyme with sexy and texting).

Initially I was a little disappointed by this disc, but it really proved to be fantastic.  More, Neil, more!

[READ: December 28, 2011] Is Everyone Hanging Out Without Me?

Is Mindy Kaling a big enough celebrity to write a book (memoir or otherwise?).  To use her own in-book comparison, she’s nowhere near Tina Fey’s level of fame, right? (although I actually think she is funnier).  I mean, she’s a minor character on a popular show.  True, she’s also a writer and producer, but that’s not going to lead you to fame or anything.  The more I read about her in the book, the more I wondered exactly who would know her aside from fans of The Office.

None of that is to say that Kaling isn’t awesome.  She is.  She’s funny and talented and I am thrilled she wrote a book–sometimes within an ensemble your individual voice will get lost.  But I have to wonder how much name recognition she has.  And the book doesn’t do a lot to dispel this sense for me.  I mean, she tells about everything she’s done, and really all she had done was write Matt & Ben (which sounds awesome and which I remember hearing about back in the day) and work (a lot) for The Office.  Not minor accomplishments by any stretch, but not a fame-inducing resume.  Nevertheless, good for her that someone was interested in letting her write a book.  And good for us who read it.  If you are amused by the use of the subtitle of the book (which I am) you will like enjoy the humor here.

I had read some excerpts from the book so I assumed it was all funny essays and whatnot, but it’s not.  It’s actually a memoir with funny essays mixed in.   Of course, Mindy’s life before Matt & Ben isn’t really very “interesting” (the book is very funny during this time of her life, even if she really didn’t do much more than babysit for rich folks and watch Comedy Central).

In the Introduction, Mindy provides a FAQ about the book.  One of the questions is if she is going to offer advice and she says yes.  And here’s the thing, Mindy’s advice is outstanding.  She offers advice about many topics and I don’t think I disagreed with her about anything (except maybe pea coats).  She’s like the voice of reason in a world gone mad and an excellent role model for anyone. (more…)

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Zsuzsi Gartner–All the Anxious Girls on Earth (1999)

Posted in Advice, All Songs Considered, Books about writers, Boredom, Canadian Content, Culture Shock, Death, Funny (ha ha), Ghosts, Gogol Bordello, Pranks, Short Story, The Pogues, The Walrus, Zsuzsi Gartner on July 14, 2011| Leave a Comment »

SOUNDTRACK: GOGOL BORDELLO-Trans-Continental Hustle (2010).

When I first heard Gogol Bordello, they were touring for this album (thanks NPR).  Consequently, I knew this album pretty well when I bought it.  At first I felt that it didn’t have the vibrancy of the live show (how could it?).  But after putting it aside for a few weeks, when I re-listened, I found the album (produced by Rick Rubin) to be everything I expect from Gogol Bordello: loud, frenetic fun, a bit of mayhem, and some great tunes that sound like traditional gypsy songs, but which I assume are not.

While I was listening to the album, I kept thinking of The Pogues.  They don’t really sound anything alike but they have that same feel of punk mixed with traditional music.  For The Pogues, it’s Irish trad, and for GB it’s a gypsy sound–I’m not sure if it is attributable to any specific locale.  But they have a common ground in a kind of Spanish-based trad style.  From the Pogues, you get a song like “Fiesta” which is overtly Spanish.  From GB, you get songs like “My Companjera” or “Uma Menina Uma Cigana.”  Singer/ringleader Eugene Hutz has been living in Brazil, and he has really embraced the culture (and the accent).  He also sings in a kind of drunken tenor (his accent is probably more understandable than MacGowan’s drunken warble, but not always).

I’m led to understand that previous albums were a bit more high-throttle from start to finish.  This disc has a couple of ballads.  At first they seem to not work as well, but in truth they help to pace the album somewhat.

It’s obvious this band will not suit everyone’s tastes, but if you’re looking for some high energy punk with some ethnic flare, GB is your band (and if you like skinny guys with no shirts and big mustaches, GB is definitely your band.  It is entirely conceivable that Hutz does not know how to work a button).

[READ: June 20, 2011] All the Anxious Girls on Earth

I’ve really enjoyed Zsuzsi’s stories in recent issues of The Walrus.  So much so that I wanted to get a copy of her new book.  It wasn’t available anywhere in the States yet, so I went back and got her first collection of short stories.

This collection felt to me like a younger, less sophisticated version of Zsuzsi’s later works that I liked so much.  This is not to say that I didn’t like them.  I just wasn’t as blown as w.

“How to Survive in the Bush”
I had to read the opening to this story twice for some reason.  The second read made much more sense and I was able to follow what was going on (I think there were a few terms that I didn’t know–a 1941 Tiger Moth, East Kootenays–that were given context after a few pages.  It transpires that this is a story o a woman who has given up her life to move to the boonies with/for her husband.  The whole story is written in second person which while typically inviting, I found alienating.  It made the story harder to read for me, but once I got into the groove of it I found it very rewarding. (more…)

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Demetri Martin–This is a Book by Demetri Martin (2011)

Posted in "Weird Al" Yankovic, Consumerism, Corporate skewering, Death, Demetri Martin, Funny (ha ha), Ghosts, Humiliation, Marriage Trouble, Meta, New Brunswick, NJ, New Yorker, Saturday Night Live, Sex, Short Books, State Theatre, Technology, Weekend Edition on June 10, 2011| 1 Comment »

ATTENDED: WEIRD AL YANKOVIC-Live at the State Theater, New Brunswick, NJ May 19, 2011 (2011).

I’ve seen “Weird Al” live three times now and I have never been disappointed by the show.  The first year my friend Matt and I waited out by the bus and got the bands’ (minus Al’s) autograph.  The second time we waited even longer and Al had an autograph (and picture taking) session in the theater after the show (how cool is that?).

This year, Sarah and I didn’t wait around afterwards (kids at home) but the show was still great.  Al made a joke after the first song thanking his opening act, Technical Difficulties. (There were indeed 45 minutes of technical difficulties before the show, but Al’s joke made us quickly forget it–and, kudos to the State Theater: I ordered my tickets online from their site and the day after the concert, the theater owner sent an email apologizing for the delay. Classy!).

Sarah had never seen him perform before, so she was pleasantly surprised by the set selection.  I was also surprised by the set selection because he pulled out a few older, more obscure tracks (“Frank’s 2000″ TV” (!), “You Don’t Love Me Any More”–complete with Al smashing a guitar!).  But he also dazzled with some new tracks from his forthcoming album.

The set opened with the polka medley (“Polka Face”).  This is the first polka medley that I didn’t know any (well almost any) of the sped up songs, but it’s always a treat to watch them play it live.  The one complaint with the show was that the sound in the theater wasn’t very good (which is surprising given that it’s an old theater) so it was hard to make out a lot of the words, especially to the new songs–and what’s Al without the lyrics?).  But his new song “I Perform This Way” (parody of Lady Gaga’s “I Was Born This Way”) was fantastic (Al was dressed up like a cartoon peacock).

Yes, costume changes.  One of the most entertaining things about Al’s shows is the costume changes.  For all of his big video hits, he comes out dressed like the video (the band does as well, although it’s a bit more subtle).  So, we get the Amish garb in “Amish Paradise,” the Michael Jackson red jacket for “Eat It”–(another surprise) and, my personal favorite, the fat suit from “Fat.”  One of the funniest costume changes was for a song that will sadly not be released on the album (but you can hear and download it here), “You’re Pitiful,” in which he wore multiple T-shirts (about 5) which all expressed some kind of funny comment (anyone know who was the face on one of the shirts?) and finally ended in a Spongebob Squarepants shirts and tutu.

So how does he do all of these costume changes? In between songs, when the band runs offstage, they play wonderful video clips.  Some of the clips are from his TV shows, some are faux documentaries, and the best are interviews that Al splices together (you can see a whole bunch here) which are hilarious and surprisingly mean-spirited.  I wish he would release them (and any other AlTv segments) on DVD, but I imagine that no one would ever give permission for that–check out the Kevin Federline one, for instance.  But they’re all pretty great.

The crowd was also totally into it (including the guy behind us with an Al wig (and a Harvey the Wonder Hamster).  And the age range was fantastic–from kids to grandparents.  My only hope is that my kids are old enough to come to a concert next time he comes around.

Oh and a brief word about his band.  He’s had the same four guys with him for years and years and years.  Rubén Valtierra is the newest member of the band and he’s been with them since 1991.  Jim West (guitar), Steve Jay (Bass) and Jon “Bermuda” Schwartz (drums) have been with Al since 1980.  They are tight as a drum, can play incredibly diverse styles at the drop of a hat (check out “CNR” which sounds exactly like The White Stripes) and they all seem to have a lot of fun on stage (see them jump in the air on “Fat” or the crazy vocal-only solo at the end of “Yoda”

–which I think is longer than ever and totally mind-blowing).

[READ: May 21, 2011] This is a Book

I recently read Martin’s “This is Me” in the New Yorker. “This is Me” is, along with about 100 other things in This is a Book.  I also heard Demetri Martin on NPR a few Sundays ago and he read a few short things from This is a Book.  And they were quite funny.

Indeed, the funny things in this book are really very very funny.  It seems to work that the shorter the item, the bigger the laugh.  Conversely there are a number of longer, extended jokes which just go on and on, like a Saturday Night Live sketch that just won’t end.  Those quickly lose their humorous value.  Fortunately  there aren’t too many of those in here.

What makes me smile a lot about the book are the jokes he plays with book conventions.  So the title page says “This is a book by Demetri Martin called This is a Book by Demetri Martin.”  Or the previous page:

Also by Demetri Martin

*

*Nothing yet.  This is his first book.

The book opens with “How to Read this Book.”

If you’re reading this sentence then you’ve pretty much got it.  Good job.  Just keep going the way you are.

I’m not going to spoil the rest of the book (or talk about each piece).  But I will mention some real highlights: (more…)

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The Best American Comics 2006 (2006)

Posted in Africa, Alex Robinson, Alison Bechdel, All Songs Considered, Anarchy, Ander Nilson, Ben Katchor, Books about music, Books about writers, Boredom, Bust, Canadian Content, Chris Ware, Collecting, Consumerism, Corporate skewering, Culture Shock, David Heatley, David Lasky, Death, Depression, Dreams, Drinking, Drugs, Esther Pearl Watson, Excerpt, Funny (ha ha), Funny (strange), Ghosts, Gilbert Shelton, Graphic Novel, HOB, Ivan Brunetti, Jaime Hernandez, Jesse Reklaw, Joe Sacco, Joel Priddy, John Porcellino, Jonathan Bennett, Justin Hall, Kim Deitch, Kurt Wolfgang, LGBTQ, Lilli Carré, Lloyd Dangle, Lynda Barry, Military, Olivia Schanzer, R. Crumb, Rebecca Dart, Rick Geary, Seth Tobocman, Sex, Short Story, Sonic Youth, Supernatural, Tom Hart, War, World Cafe Live on April 20, 2011| 1 Comment »

SOUNDTRACK: SONIC YOUTH on World Cafe, August 21, 2006 (2006).

Travelling back even further on the NPR timeline, Sonic Youth appeared on World Cafe in 2006 to promote Rather Ripped.

This is a brief session (only three songs) but as with the interview with Thurston Moore, David Dye does another great interviewing the band here.  Although it must be said that saying the band is once again a four piece (when clearly there are five people in the picture and in the studio and when he later says two guitars, two basses and drums–which I also think is incorrect, as I’m pretty sure Kim switched to guitars at this point, although I don’t know if she did during this set) is not a great way to start the interview.

Facts aside, the interview is informative and interesting and provides a glimpse into the band’s psyche all these years into their career.

The set is also good (although Thurston’s voice sounds a little off on the opener “Incinerate”).  The surprising thing about the set is that even with the five of them, the feeling is one of restraint. True, the songs on Rather Ripped are not as noisy as previous records, but this feels like they are trying not to wake anybody up the NPR folks.  It’s a weird feeling for a Sonic Youth set, but the plus side to it is that you can really hear everything clearly.

The other two songs are sung by Kim: “Jams Run Free” and “What a Waste” (why do they never promote any of Lee’s songs??).  And there’s the very amusing comment that the first time they played “What a Waste” Thurston and Kim’s daughter said it sounded like the theme from Friends.  Ha!

[READ: April 15, 2011] The Best American Comics 2006

I just recently learned about this series from The Best American line of books.  I had known about the Best American Short Stories and Essays and even Non-Required Reading (which I have not yet read).  But once I found out about the best comics, I knew I had to check it out.

The first issue came out in 2006.  The series editor is Anne Elizabeth Moore and the Guest Editor for this volume was Harvey Pekar.  Each of them has an introductory essay in the book.  To me the amazing thing about Pekar”s essay is how aggressively defensive he sounds (a sort of, “you may not like this one, but try this one” attitude) about these comics and comics in general.  I don’t know much about Pekar’s work.  I know he’s a kind of underground icon, but I seem to have missed him.  My impression of him is that this sort of antagonistic/defensive attitude seems to go along quite well with his comics, so I guess that makes sense, but I didn’t find it very welcoming.

But that’s okay, because I really enjoyed the comics.  And quite a few were by artists that I had never read before, which is even better! (more…)

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Robert Coover–A Child Again (2005)

Posted in Art, Darkthrone, Death, Dreams, Fables, Fantasy, Fears, Ghosts, McSweeney's, Plague, Political Humor, Robert Coover, Sex, Short Story, Threats, Unlikable main character, Unreliable narrator, Until the Light Takes Us, Violence on April 8, 2011| 2 Comments »

SOUNDTRACK: DARKTHRONE-“Kathaarian Life Code,” (1992), “Sacrificing to the God of Doubt” (2004), “Canadian Metal” (2007).

After watching Until the Light Takes Us, I wanted to check out some of Darkthrone’s music.  According to their Wikipedia page, over the years the band who pioneered black metal has morphed away from the sound.  They’ve added elements of punk and speed metal to their bludgeoning sound.  In the movie Fenriz says that he listens to all kinds of music and is very open-minded.

“Kathaarian Life Code” is a ten minute dirge of black metal.  It opens the band’s second album (considered to be a black metal classic) with chanting and guttural spoken words.  Then it blasts forth with the jackhammer style of drums that is now standard in black metal.

It slows down from time to time, allowing for the really heavy parts to blast through the chaos of the fast parts.  It’s pretty intense and not for the faint of heart.  You can hear occasional guitars screaming through the din, but the production is intentionally murky, dark and noisy.  As they say in the movie, the bands intentionally recorded on the shittiest equipment they could find.

“Sacrificing to the God of Doubt” is a later song, taken from what is considered their final album in the black metal style.  The band was turning away from the traditional black metal sound, and there are elements of punk (guitar riffs that are audible, and a sound that is less bass heavy) present.  And the production, while still mired by noise is relatively cleaner.

“Canadian Metal” is from their third most recent album, after the shift from black metal was more or less official.  It sounds more like an early death metal song.  There’s low tuned notes, audible vocals (growled, but you can actually hear words) and a kind of headbanging aspect to it.  The album is called F.O.A.D. which was a song by Venom (and others, obviously), and this track reminds me of Venom somewhat.  I wouldn’t say that the band has sold out because there’s no way anyone is playing this on the radio, but it’s interesting to see how a band has managed to change things up and add new elements to its sound even though they were the forerunner and grandfather of a scene.

[READ: February and March 2011] A Child Again

This is a collection of short stories from Robert Coover.  There is a kind of theme throughout (most of) the stories about returning to childhood.  But the overall sense is one of despair, sadness, pointlessness and sex.  Lots and lots of sex.  And the sex is usually as vulgar and nasty as the tone of the book suggests it would be.  It’s a little off-putting, actually.

I was planning to say that I didn’t like this collection at all because I really didn’t enjoy the first half-dozen or so stories.  I continued because Coover has a great reputation that I didn’t want to give up after a few misfires.

The real disappointment came because the stories seem so promising: many of them are a kind of retelling of classic fairy tales that looks at “what happened afterward.”  However, and this was true for almost all of them, Coover tries to do two contradictory things with the stories.  He is playing with fairy tales but he is also writing stories that are completely unlike fairy tales.  By that I mean, Coover’s stories are long and very detailed, they bring far too much information to the story.  And a fairy tale is almost by definition short.  I mean, “Puff the Magic Dragon” is a song that’s about five paragraphs long.  But Coover’s “Sir John Paper Returns to Honah-Lee” is 26 pages long.  So instead of playing with the original, it feels like an original story that uses someone else’s characters.  It’s unsettling and unsatisfying.

It’s also not very funny.   And I’m not sure fit’s supposed to be.  But with a title like “Sir John Paper Returns to Honah-Lee” you expect the funny.  And there are funny moments.  I mean the whole premise is that little Jackie Paper has grown up into Sir John Paper.  He’s now an old Knight and he is sent to slay the dragon (Puff) who is plaguing the city.  Even though that is a tragic story, it is also inherently humorous.  And there are laughs when they reunite.  But it gets so bogged down in details, that the essence of the story seems to get lost.  Perhaps I’m just disappointed because it (they) turned out so unlike I wanted them to be. (more…)

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Ransom Riggs–Miss Peregrine’s Home for Peculiar Children (2011) [prepub]

Posted in All Songs Considered, Anachronisms, Culture Shock, Death, Demons, Dreams, Fears, Fleet Foxes, Ghosts, History, Mental Floss, Nazis, Oddities, Photo Essays, Quirk Books, Ransom Riggs, Supernatural, Time Travel on April 5, 2011| Leave a Comment »

SOUNDTRACK: FLEET FOXES-Live at The Black Cat, Washington, DC, July 7, 2008 (2008).

I still love the Fleet Foxes debut album, and I listen to it quite often.  One of the most impressive aspects of the band is their amazing harmonies.  So how does a band that is so vocal-centric perform live?

In an interview included with the concert, Bob Boilen asks that question.  They explain that the bigger venues are a bit harder because they have to crank up their monitors.  They also try to stay close to each other to be able to hear the harmonies clearly.  Well, they did something right because the harmonies sound very impressive here.

The main problem comes because lead singer Robin Pecknold is sick.  As in, just getting over a major cold, sick. As in, he admits that their last few shows were something of a rip off for the attendees.  Tonight’s show, he says is half a ripoff.  And that is most evident in my favorite Fleet Foxes song, “Mykonos” in which Pecknold’s voice cracks with abandon.  I would feel bad for the audience if the band wasn’t so personable and friendly and generally cool.  They make the best of a rough situation, and again, the backing vocals sound fantastic.

There are also a ton of delays in this show.  Most of them seem technical, although there seems to be a lot of tending to Pecknold’s voice, too.  But as I said, the band is engaged with the audience, telling stories (someone in the band is from DC and he asks if anyone went to high school there), and generally keeping everyone entertained.  It’s probably not their best show ever, but it still sounds great.  You can listen and download at NPR.

[READ: March 27, 2011] Miss Peregrine’s Home for Peculiar Children

Quirk Books, publishers of mash-ups like Pride & Prejudice & Zombies (as well as many other, well, quirky, titles) has published this fantastically exciting novel.

The cover depicts a creepy girl who is hovering off the ground.  But the girl herself is SO creepy that I didn’t even notice the hovering part.  She is just one of the peculiar children within the book.  And this picture is one of 50 included within the book (I’m only bummed that two pictures were not available in my copy).

So the story opens with Jacob Portman talking about his grandfather.  His grandfather (Abe) was a young boy in Poland during the 1940s.  When the Nazi’s invaded, his family was killed and he was sent to Wales, to the titular Miss Peregrine’s Orphanage (not widely known as a home for peculiar children).  But as details emerge from his grandfather’s version of the tale, things seem not right.

Abe talks about the monsters that chased him out of Poland–but he wasn’t describing Nazis, he was describing actual monsters, with multiple tongues and horrifying faces.  They followed him to Wales and were actually chasing him to that very day, in America.  And when he talked about Miss Peregrine’s house, he talked about the special kids who live there: the girl who could call forth fire out of thin air, the girl who could levitate, and the boy who had bees living inside of him.

Of course, that was all nonsense, just post traumatic stress from being attacked by Nazis, right?

That explanation works until the night that Abe is murdered.  He calls Jacob for help (they think he is going senile).  When Jacob gets to his house, he finds the screen door torn open and Abe missing.  The follow a trail and find Abe, bleeding in the woods.  Jacob thinks he can see the same kind of monster that Abe had always described lurking right nearby in the woods.  Although Jacob’s friend (who drove them to Abe’s house), didn’t see anything.

And now, Jacob’s dreams are plagued by scary monsters.  And he can’t get his grandfather’s cryptic last words out of his head.  Time to see a therapist, obviously. (more…)

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Paul Murray–Skippy Dies (2010)

Posted in Big Books, Books about music, Boredom, Death, Drinking, Drugs, Dublin, Ireland, Funny (ha ha), Ghosts, History, Humiliation, Irish Writer, Marriage Trouble, Military, Outer Space, Paul Murray, Pugwash, Set at School, Sex, Smarty Pants, Supernatural, Technology, The Beach Boys, The Divine Comedy, The Duckworth Lewis Method, Violence, Virginity (Loss of), Wikipedia, XTC on October 18, 2010| Leave a Comment »

SOUNDTRACK: THE DUCKWORTH-LEWIS METHOD-The Duckworth Lewis Method (2009).

This is a CD released by the combined forces of Neil Hannon of The Divine Comedy and Thomas Walsh of Pugwash.  And if that weren’t enough of a sales pitch, the title of the band is a method of calculating cricket scores!  And even more…in concordance with that, this CD is largely about cricket.  Huzzah!  Buncha sellouts.

I don’t know a thing about cricket, but I know about great orchestral pop, and this disc has it in spades.  Some of the more obvious cricket songs are even understandable to non cricketers (the themes of “Jiggery Pokery” are familiar to anyone who has failed in a sport–and musically it sounds like a silent film soundtrack).

“The Age of Revolution” begins with an olde-fashioned soundtrack as well (jazz swing, including tap dancing) but quickly jumps into a dancey discoey verse (the two soundtracks blend surprisingly well in the chorus).  And the revolution?  Well, it has something to do with cricket.  Next, “Gentlemen and Players” is a wonderfully Divine Comedy-esque track complete with harpsichords.

“The Sweet Spot” is another discoey dancey track with some funky bass work (and innuendo whispered vocals).  And “Rain Stops Play” is a fun musical interlude.

“Mason on the Boundary” is the first track that seems distinctly Pugwash-y.  Hannon and Walsh have similar singing styles, and I find it hard to know who is who sometimes.  But this track is clearly Walsh’s and it’s very nice indeed.  Similarly, “Flatten the Hay” has that distinct Pugwash XTC/Beach Boys vibe and it’s quite good.

“The Nighwatchman” is also a very DC type song (it even sounds a bit like “The Frog Princess” but pulls away before being a repeat of that great single by introducing some very 70s sounding strings).  The rest of the disc follows in this same wonderfully orchestrated pop feel.  This a great record that, as far as obscure bands that get no statewide attention go, is top notch.

Oh, an it’s even more fun with headphones!

[READ: October 9, 2010] Skippy Dies

Wow, there’s a lot going on in this book.  It’s exhausting just trying to think of all the topics covered: boarding school life, failed romance (two big ones), life as a teacher, the appeal of pop singer Bethani, the Catholic priest sex scandal, drugs of all kinds, sneaking into a girls’ school, World War I, institutional cover ups, M-theory–which is pretty much the entire universe, and donuts.

But let’s start at the beginning.  Yes.  Skippy dies.  In the first couple of pages.  And what’s fascinating about this is that we don’t care.  I mean, in the scene where he dies, he’s not even the major character.  But then Skippy turns out to be more or less the glue of the book once the story proper begins.

Skippy resides at Seabrook school in Dublin (the best, most prestigious Christian academy in the country–sorry Gonzaga).   His roommate is Ruprecht (perhaps the strangest major character name I’ve read in a long time).  Ruprecht is a large boy who is incredibly smart (he will single-handedly raise the school’s average on the year’s final exams).  He is a computer geek who is obsessed with aliens and SETI.  And he hopes to be able to communicate with the other world by using techniques suggested in M-Theory.  The book does an admirable job explaining M-theory and string theory.  I’m not going to take up space here, but there’s a fine description at Wikipedia (or, if you don’t like Wikipedia, here’s an academic explanation that is written for the lay person).

Anyhow, Skippy and Ruprecht are two of a few dozen boys who reside full time at the school.  (Most of the other kids are day students).  And they have a cadre of half a dozen friends that they hang out with who make jokes at each other’s expense.  It’s a very realistically written entourage.  Mario is Italian and claims to have had sex with many many women (thanks to his lucky condom which he has had for three years).  Dennis is the ballbreaker.  He’s the abusive one (but by most standards, he’s not a bad guy).  And a few other hangers on.

This story of dorm life is a good one.  The boys are funny, their stories believable, even if they are all eccentric in their own way.  And then, one day, Skippy sees a girl playing frisbee at the girls’ school across the way (Ruprecht has a telescope which he uses for the stars, while eveyrone else uses it for the girls’ school).  And Skippy winds up becoming rather obsessed with the unknown “frisbee girl.”

This girls’ school plays a part in the story in another way too.  Carl and Barry are the Seabrook’s thugs.  When Barry hits upon the idea of selling ADD meds to the locals (as diet pills), it’s the girls’ school that he mostly preys on.  For yes, this story is also about drugs. (more…)

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Anthony Doerr–The Shell Collector (2002)

Posted in Anthony Doerr, Fishing, Ghosts, Lucas, Marriage Trouble, Nature, Short Story, Squirrel Nut Zippers, The Real Tuesday Weld, Violence on September 1, 2010| Leave a Comment »

SOUNDTRACK: THE REAL TUESDAY WELD-“Cloud Cuckooland” (2007).

My friend Andrew linked me to the video for this song (after I showed him the video for “Lucas with the Lid Off.”   I’d heard of The Real Tuesday Weld, but never heard them, and I hope this is indicative of the rest of their (his?) stuff.

The video (which is hilarious and weird) supplies a wonderful videotrack to the music, but, unlike some other recent videos that I have watched, it doesn’t make a lame song seem interesting.

I likened this song to what I wanted the Squirrel Nut Zippers to sound like: playing old-timey music but with a real sense of silliness.  (The Zippers are great but are often too straight for me).  Rather than vocals, there’s a  sort of nonsensical sound-making.  And there’s some even some human beatbox in the track.

And it’s all over a very bouncy soundtrack that fits well with the black and white “movie” of the video.

It’s very cool.  Check it out here.

[READ: August 27, 2010] The Shell Collector

I have really enjoyed the two short stories that Doerr has written for McSweeney’s.  So much so that I decided to track down this collection of short stories.  And I’m delighted that I did.

Doerr’s stories are set all over the world (he himself has lived in Africa and New Zealand, although he is now from Idaho and grew up in Ohio) and there is so much diversity in this collection that I couldn’t believe he had this much information at his disposal.

One of the interesting things is that quite often the main character is named “The Shell Collector” of “The Hunter” while everyone else in the story has a name.  It’s an interesting conceit which brings at once a distance to the person and yet an immediacy to what he “is.”

“The Shell Collector” features a man who works with shells, specifically with the creatures that live in them (most of which are poisonous).  One day, a reporter is stung by a cone shell (that crawled from the ocean into his house) and goes into deathly coma.  The cone shell is a predatory sea snail called a geography cone has twelve kinds of venom in its teeth.  The woman was pronounced incurable, and yet twelve hours of catatonia later she emerged claiming to have had a religious experience.  From then on, the shell collector’s life is turned upside down. (more…)

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Stephen Fry in America: Fifty States and the Man Who Set Out to See Them All (2009)

Posted in Cars, Culture Shock, Essays, Fishing, Food, Fugazi, Funny (ha ha), Gangsters, Ghosts, Gods, Greed, History, Humiliation, Late Late Show, LGBTQ, Magic, Minnesota, Nature, Nostalgia, Oddities, Political Humor, Prison, Religion, Set in New Jersey!, South, Stephen Fry, Stephen Fry in America, Summer, Travel, Word usage, Yuck! on April 25, 2010| Leave a Comment »

SOUNDTRACK: FUGAZI-13 Songs (1990).

I was so blown away by that first Fugazi disc that I immediately ran out and got this collection of their first two EPs.

The strange thing to me is that even though I enjoy the disc, nothing on it really stands out as all that memorable.  I feel like Repeater was such a strong release that these earlier tracks pale somewhat.

I’ve listened to this disc a number of times over the last few days and nothing really stands up and grabs me like Repeater still does.

I wound up buying two more Fugazi discs after this, but I’m pretty sure the reason I stopped buying their music was from this same feeling: the songs were all good, rocking, indie music, but there was nothing terribly memorable about them.

[READ: April 15, 2010] Stephen Fry in America

I first heard about this book when Stephen Fry appeared on The Late Late Show.  This book was very casually plugged as Fry’s attempt to visit every State in the U.S.  It turns out that this book is the companion piece to a six part BBC TV series of the same title (which I have not seen).  Although the TV series makes the existence of this document much more understandable.  Because although everyone wants to travel to every state in the union, the only way it would ever be accomplished in the fashion is for a TV show (even a book wouldn’t get quite this treatment if there were no TV show).

Stephen Fry was almost born in America (in New Jersey, in fact, where he believes he would have been Steve, rather than Stephen).  And he has always felt a connection to the States.  So, Stephen Fry, (in my head the quintessential Brit) brings a film crew and his classic British Big Black Taxi to see all of the States.  He begins in Maine and travels in an interesting manner, zig-zagging across the country.   He tends to visit the places/events/sites that each state is known for.  And, like any good TV show, he participates in the activities (he lobsters, he rides horses, his deals blackjack) and makes a tit of himself. (more…)

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Michael Chabon–Maps and Legends (2008)

Posted in Adventure, Bon Iver, Book Reviews, Books about writers, Collecting, David Foster Wallace, David Lipsky, Death, Death Cab For Cutie, Demons, Essays, Fantasy, Ghosts, Gods, Golems, Graphic Novel, Grizzly Bear, History, Illusion, McSweeney's, Michael Chabon, New Moon, Radiohead, Religion, Research, Supernatural, The New York Review of Books, Thom Yorke, Word usage on April 24, 2010| 1 Comment »

SOUNDTRACK: New Moon Original Motion Picture Soundtrack (2010).

Back in the 90s, it seemed like every week there was a new soundtrack featuring an unreleased song from some great alt rock band.  This meant huge sales for soundtracks, even if for the most part they weren’t solid start to finish.  In fact, mostly you got three great new songs, three pieces of rubbish, one great song by a band you’d never heard before and two or three okay tracks.

The inclusion of a new Death Cab for Cutie song was the big news about this soundtrack.  And overall, the reviews were positive.  And I’m pleased to say there aren’t really any horrible songs here.  (I have no idea how the soundtrack fits in with the movie as I haven’t seen it and probably never will).

But as with that old soundtrack formula: we get a few good songs by reasonably well-known bands: Death Cab for Cutie, Thom Yorke, Bon Iver & St, Vincent, Muse, Grizzly Bear.  And then there’s a whole bunch of good rock songs.  The disc plays as something of a sampler of downcast, mellow alt rock. In fact, the back half of the disc sounds like a pretty decent alt rock radio station from the last decade or so.

Some of the tracks even sound like 90s alt tracks (Hurricane Bells, that song is 16 years old right?  And Sea Wolf, you’re channeling Peter Murphy, I know.)  The final two tracks are okay.  The Editors is kind of a Nick Cave via Joy Division sorta spoken word ballad.  And I admit I’m a little disappointed in the Lykke Li track–they got hyped beyond their ability.  The final track is a piano score, which is fine.

The biggest surprise to me is how much that Death Cab for Cutie songs sounds like a Rush song.  I’ve never considered that the bands sound anything alike before, and yet from the moment the song opens, that could be Geddy Lee singing, and that whole guitar structure is very Rush-like.  Maybe they should do a cover of it.

[READ: April 20, 2010] Maps and Legends

This is a collection of 17 non-fiction pieces by Michael Chabon.  The pieces cover everything from book reviews, essays about reading and writing, comic book and comic book artists and golems.

The opening essay is about the modern short story and it sets the tone for the entire book.  Interestingly, this essay talks about the state of entertainment and how “Entertainment has a bad name.  Serious people learn to mistrust and revile it.  The word wears spandex, pasties, a leisure suit studded with blinking lights. (13).  This very topic is at the heart of the David Lipsky/David Foster Wallace book (and in fact Chabon is mentioned in that book as well.)  Ah, serendipity. (more…)

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