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Archive for the ‘Funny (ha ha)’ Category

SOUNDTRACK: AGAINST ME!-New Wave (2007).

I’m not sure why I never listened to these guys before. I’m not crazy about the band’s name: it makes sense, but it’s awkward to work with. And I think I lumped them in with the whole emo scene, which I was pretty well done with. Anyhow, I read a review of New Wave recently and decided they might be worth checking out.

New Wave is an astonishingly refreshing and heartfelt album. It’s fairly short, as the songs are fairly short, and they pack a lot of punch. In fact, I’ve been singing this great, catchy chorus all morning: “Protest Songs in a response to Military Aggression. Protest songs to try and stop the soldier’s gun.”

The songs are great: really diverse for what is essentially a punk album. And the topics are protestations that I haven’t heard in a while (at least not in such a catchy style): Lack of originality in the mainstream. (“New Wave” & “Up the Cuts”), Drug Addiction (“Thrash Unreal,” the latest single that I’ve heard). “Stop” is a change of pace mid-album, with a catchy chorus and an almost dance feel. “Piss and Vinegar” is a plea for honesty. And possibly the strangest item on the disc: the song “The Ocean.” One doesn’t expect a punk band’s verse to start like this: ” If I could have chosen, I would have been born a woman. My mother once told me she would have named me Laura” and it continues on in that vein. What a shockingly honest (presumably) lyric in a song.

The only thing I don’t like about the album is…the singer’s voice. I just can’t get past it, and I’m not sure what it is I don’t like about it. He sings on key, his voice is strong and impassioned. There’s just something about it I don’t like. Of course, I also don’t like the singer from Social Distortion either. I guess I’m more of a high, whiny voice than a gruff aggro voice. Despite this, whenever the band does harmonies, they sound great! All of the choruses have nice harmonies somewhere in them, and they really make the songs. Plus, there’s a song called “Borne on the FM, Waves of the Heart” which is a duet with Tegan from Tegan and Sara, and it’s really fantastic. They are a perfect match for each other. Normally, not liking the singer would make you not like a band. (How many people can’t get into Rush because of Geddy Lee’s voice?). And yet, I still think the album is great. I’m certainly going to check out some past records as well. I’m especially intrigued by this album title: Reinventing Axl Rose.

[READ: June 25, 2008] Special Topics in Calamity Physics.

I heard about this book when I was scanning the NPR stations and there was a story about authors/publishers making great websites to accompany books. Two of the ones they mentioned sounded pretty interesting, so I jotted them down and checked them out. This was the first one, Special Topics in Calamity Physics. The site was pretty neat, but I didn’t spend much time there, as I was at work. I checked that we had the book and took it out that day. (more…)

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SOUNDTRACK: LCD SOUNDSYSTEM-Sound of Silver (2007).

When this album came out it was hyped as a great dance record. I ordered it on Amazon, but there was some kind of problem (I ordered the import by mistake) and it wasn’t going to be shipped for months. So, I ordered their first album instead (and reviewed it way back when). I finally got this one, and even though I liked quite a few of the songs, I’m not sure that I’d need another LCD record. But we’ll see.

As for this one. The songs are typically dance in style (lots of repeated beats, perfect for dancing, and quite long…7 or 8 minutes). So, really it’s the lyrics that you want to listen for. And for the most part they are surprisingly good. I’ll mention this first as an example and an exception: the title song’s entire lyrics are “Sound of silver, talk to me, makes you want to feel like a teenager, until you remember the feelings of a real live emotional teenager. Then you think again.” Pretty funny stuff. And yet it’s 7 minutes of the same thing over and over. Phew.

“North American Scum” on the other hand, has great, funny, diverse lyrics. And, “All My Friends” is another single-worthy song. “Watch the Tapes” has a fun shouted chorus of “read all the pamphlets and watch the tapes.”  Depending on your mood and/or your current situation, the repetition is either fun to sing along to or tedious. Let’s hope it catches you in the right mood.

I’m saving the last song for its own review, as it is so different. “New York, I Love You But You’re Bringing Me Down” is a beautiful piano ballad sung with a mournful, cracking voice. It lists valid complaints about the state of New York City these days. The lyrics are here. It’s a weird song to end a dance disk with, but it’s really great and ratchets the whole proceedings up to a new plateau.

[READ: June 31, 2008] “Animal Tales”

I loved Simon Rich’s Ant Farm. He does comedy in short burst that never overstay their welcome. This piece is a really fun, short collection. It is about how animals see the world. He could have easily included 100s of animals, and who knows maybe he will, or maybe he exahusted the topic. In this one he has three animals: (more…)

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SOUNDTRACK: PAUL F. TOMPKINS-Impersonal (2007).

Since the book had no words, I figured I’d review a record with no music. We heard Paul F. Tompkins on some random NPR show one night during dinner. They played the “Peanut Brittle” skit and Sarah and I were in tears. The kids must have wondered what was going on. We could barely eat; for six minutes we ignored all but Paul.

I tracked down the CD and it is very funny. Tompkins has a wonderful delivery and a way of making asides that keep the joke going longer than it should, but still staying funny. The very premise of the first joke is seeing a goth girl running, which is funny in and of itself, but he takes it in a new direction and turns it back against himself. Some other great tracks include the hilarious “Elegant Balloons” “Genetic Engineering” (house bears!), and the so true it hurts “Letters to Magazines.” Oh, and “Jazz” is also very funny, and I even like jazz.

It is clearly impossible to describe a comedy album without retelling the jokes, but I will say that Sarah and I had both listened to the CD individually, and then on the way back from the airport we listened to it together and were in tears yet again. Now we even get to make a few remarks just to relive the hilarity.

A little research uncovers that Tompkins was a player and writer for Mr Show as well as the Tenacious D series. And, in fact he is bubbling under in many venues. I guess don’t read credits well enough to have remembered him. So, good for him, and thank you NPR.

More research uncovers that this NPR shows was The Sound of Young America. Diligent readers will know that I discovered Simon Rich on this show as well. So I have listened to this show twice and come away with new material both times. I should make this a regular listen. You can hear an interview with Paul here.

[READ: June 21, 2008] Superbad: The Drawings

Now this book has nothing to do with the Ben Greenman books I mentioned earlier. This is a collection of 90 some pages of phallohgraphics (ie drawings of penises). If you’ve seen the movie Superbad, and who hasn’t, you’ll know there’s a story about the Seth character drawing penises and getting into trouble. Well, this is the collection of all the penises that the cowriter’s brother David Goldberg drew for the movie.

What can one possibly say about this except that the book is hilarious, childish and totally obscene. From an artistic standpoint, the drawings are first rate. Somehow, he was able to draw penises that look just like McLovin, Seth and Evan. Why on earth would anyone buy this? Beats me. I know I did. I’m sure I’ll peruse it from time to time and then hide it when my kids get old enough to browse the bookshelves.

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SOUNDTRACK: BAD RELIGION-The Empire Strikes First (2004).

I’ve been a fan of Bad Religion for ages. And then a few years back they reissued all of their old CDs, and I got BR overload. I didn’t listen to them for a while. Then recently, I decided to check out their newest CD, and was delighted to find that I’d only missed this one in the interim.

So, Bad Religion writes eloquent, fast punk songs. They are typically political, anti-religion, anti-war, anti-Republican. And main lyricist Greg Graffin has a PhD in what is essentially evolutionary biology. So, basically, Graffin is well-read (the lyrics have footnotes!) and knows big words. All of this in a two minute punk song.

And it’s the poppiness that surprises. BR have always given credit to the “oozin ah’s” on the records, and there are always lots of ooh’s and ah’s in the background. The choruses are catchy as all get out. And the songs are over in under three minutes. Actually, it’s when the songs go past 3 minutes that they tend to get into trouble. Fortunately that doesn’t happen too often. I’m not sure why, but the record seems to be lined up almost in order from short to long songs. So you get suckered into these great under two minute songs and then they pile up the long ones at the end. But that’s okay too, as some of the longer ones do add nice complexities to their arrangements.

There’s not a lot one can say about Bad Religion albums from one to another. Either you like the style or you don’t. However, for a bunch of old men, they rock pretty hard and they rock pretty well. And yet for all of their aggression (“Social Suicide” “Atheist Peace” “Sinister Rouge”) they are often uplifting and get you to sing along (“Live Again”). With a little less guitar these might even be chart toppers (perish the thought!).

[READ: June 30, 2008] “Antiheroes

I recently flew to California. I brought all of the back issues of magazines that have been piling up in my house. For some magazines it was four or five months! I didn’t finish them all but I knocked a good three or four pounds off of my carry on luggage by the time I arrived. (more…)

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SOUNDTRACK: PETER, BJORN & JOHN-Writer’s Block (2006).

My friend Eugenie told me about these guys: 3 Swedish songwriters whose names are, indeed Peter, Bjorn and John. This is their 3rd CD and I’m not even sure what I thought they would sound like except that Eugenie has great taste. I think I thought they would be a bit more synth poppy (I guess the Abba connection is pretty strong) but instead, they write wonderfully poppy songs, but they are more folky, or alt-rocky. I was really pleasantly surprised by how much I liked this CD.

All three guys sing. Peter sings most of the songs and he sounds like a combination of John Lennon and Michael Penn…his voice varies quite a bit between songs. Bjorn sings two of the songs. His voice is quite different…deeper and more stark, and it’s quite a nice change from Peter’s (not that there’s anything bad about Peter’s). John sings one song, and his voice is fairly similar to Peter’s. But they all do harmonies, so you hear them all the time.

It took me about three listens to fall in love with this CD. There’s a couple of songs that are immediately gratifying; however, the rest really reward multiple listens. Interestingly, it’s the two Bjorn songs that are immediately catchy. “Amsterdam” and “Let’s Call It Off” (which gets a remix on the album too). “Amsterdam” (interestingly, Guster have a fantastically catchy song called “Amsterdam” which this song is not) has this immediately striking whistle (as in a person whistling) as its opening motif. It is stark and haunting, and will have you whistling it for days. “Young Folks” is a duet with Victoria Bergsman (not sure who she is) and has a deliriously catchy chorus. “The Chills” has this great shh-shh-shh sound that is at once chilly and interesting and reminiscent of The Cure’s “A Forest.” As you might guess, the CD covers some pretty different styles and genres, yet the album is not a mishmash. There’s a consistent PB&J sound that unifies the record and leaves you wanting to hit play again after it’s over.

The Swedish music scene has just been exploding lately…The Hives, Dungen, Jose Gonzales, Jens Lekman and PB&J are all adding to the (sadly seen as one-hit novelties) wonderful Cardigans.

[READ: January 2008] Sister Bernadette’s Barking Dog

For Christmas, Sarah’s mom gave her this book, not knowing that she missed the intended target by mere inches. As soon as I saw the book I immediately had to read it. Diagramming sentences was always a guilty pleasure of mine, and I am saddened to hear that kids don’t do it anymore. (more…)

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SOUNDTRACK: DROPKICK MURPHYS-The Meanest of Times (2007).

Ever since The Pogues, traditional Irish music has been matched to a punkish attitude. The Dropkick Murphys take this one step further in that they are pretty much a hardcore band, and yet they throw in heaps of Irish attitude, channeled through growing up in Boston, Ma. I got their first album when it came out because I was living in Boston at the time. Then I more or less forgot about them. But The Meanest of Times made some noise, so I checked them out again. Despite their ever changing lineup, the band hasn’t changed that much in all these years. They still write great, fast, beer-swilling sing-alongs. Their vocalist sounds like the gruff, ass-kicking younger brother of The Mighty Mighty Bosstones’ Dicky Barrett. There’s a second vocalist on this record too who is less gruff, but, I feel, less effective. He sings one or two songs, but he’s primarily background in nature. And they still throw in the occasional bagpipe, accordion and mandolin. They have diversified their sound a little bit now. There are a few slower (but no less raucous) songs and even a ballad.

Lyrically, they touch on a lot of “political” issues. Not as in day-to-day politics, but more as in a general outrage at injustice (priest sex scandals, children’s services in the state of Ma, violence and war etc). They also reinvent some traditional style songs. “(F)Lanigan’s Ball,” a remake sort of of “Lanigan’s Ball” and old trad song. And “Johnny I Hardly Knew Ye” is an update of “When Johnny Comes Marching Home” done as more of a sea shanty–a punk sea shanty.

I’m not sure why hardcore punk matches so well with traditional Irish jigs, but it really does. If you like your music fast and loud, The Dropkick Murphys throw in a few extra ingredients to diversify your portfolio.

[READ: May 28, 2008] Diary of a Wimpy Kid & Diary of a Wimpy Kid: Rodrick Rules.

A lot of kids come into the library looking for these books. When I finally looked at it, it looked pretty funny, so I picked it up. I’m going to review the two books together because the second one is basically a continuation of the first one, there’s not a lot of differences, but, since the books are pretty short, that’s not a problem. (more…)

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SOUNDTRACK: Sirius Radio-The Grateful Dead Channel

I’ve never been a big fan of the Dead (even though I like Phish quite a bit). I never really got into the subculture, and really the music seemed peripheral to their fanbase. I recall being very disappointed when I bought What a Long Strange Trip It’s Been back when I was a metal head and couldn’t believe that a band with that name and with skeletons all over the place was that wimpy.

Well, it turns out that Sarah was something of a fan, and, after all these years of listening to Phish, I’ve grown an appreciation for the Dead as well (and Cherry Garcia, of course).

So, as we have Sirius radio, we put on the Grateful Dead channel one night. It’s a fascinating channel, as it sounds like it’s some guy playing all of his Dead bootlegs. It was funny to not hear any LP tracks. I found the whole experience rather pleasant. It worked great as background music, and was utterly inoffensive (not exactly a ringing endorsement, I know but). I enjoyed the experience and would definitely do it again. Probably not anytime too soon, after all, that was a lot of Dead to ingest. But someday, I’m sure…

[READ: June 10, 2008] Zombies Calling

Aside from Oni Press, my favorite comics publisher is SLG, Slave Labor Graphics. They’re generally a little darker and weirder than the Oni stuff, so it suits my dark side when needed. (more…)

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SOUNDTRACKSIRIUS RADIO

We bought Sirius Radio for my mother-in-law a couple years ago. One day we found the radio safely unplugged and tucked away in the closet, so we took it home with us. We tune it in from time to time, and in general have found it to be quite enjoyable. I’ve made some very specific observations though:

1) Narrowcasting can REALLY limit your selection. Man, some of those stations you can hear the same artist 3 times in two hours. Not the same song, which is nice, but quite often the same artist. And, you can usually tell which artists were doing the ads for it way back when…hi David Bowie, I’m looking at you.

2) Sometimes the channels try to be so unique, that they’re actually just irritating. The Coffeehouse channel, which is overall pretty good, is constantly playing rare live versions or, worse yet, cover versions of the songs that you actually want to hear.

3) The Canadian channels are quite fun, especially The Iceberg. Its a good way to get exposure to bands that you don’t hear very often down here.

4) As with cable TV, there are hundreds of channels but almost none that I will listen to. There’s 10 program channels you can set, and we filled 9 of them. And yet, despite all the variety, there’s no prog rock channel! I put in a request for one, so we’ll see.

5) DJs on Sirius are just as irritating as on commercial radio. I’m glad they’re there, but why must they all be so vacuous? I mean, the cool alternative channel, which plays great music, actually gives us updates that it calls the “Daily DL.” Come on!

6) Overall, it’s a pretty good idea. But we listen to CDs and NPR (NPR on Sirius is just not the same) more often than not.

[READ: June 8, 2008] Lost at Sea

I received a shipment of comics from Oni Press. I don’t get to see many of their books at the store, so I have to order them online. Anyway, I was somewhat taken aback by how this shipment was filled with books that were so similar in style. I realized that I don’t typically judge a graphic story by the content but more by the art style…which may not be such a bad thing really. (more…)

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SOUNDTRACK: Sparks-Sparks (1972).

I first got into Sparks when I was working at Tower Records in Paramus, NJ. My coworker Tommy used to play Sparks’ then current album Plagiarism (an album of covers of their own songs!) and it was so weird and intriguing, that I bought it for myself. Since then I have been collecting their back catalog, which isn’t easy as many haven’t been released here.

So what do they sound like? Well, the singer Russel Mael has an astonishing falsetto. Making Rush’s Geddy Lee seem quite butch. Mael leads the band to crazy vocal extremes, making even a normal sounding song seem quite bizarre (This Town Ain’t Big Enough for the Both of Us, for instance). Russel’s brother Ron (known for his Chaplin/Hitler mustache is quite an accomplished pianist, and his sense of songwriting is, while unusual, certainly great. They were quite popular in the UK and Europe, so most people assume they are a Euro band but they hail from UCLA and thereabouts.

So, this album is their debut (when they were called Halfnelson). It was produced by Todd Rundgren (!) and is a bit more rock than their later new wave/disco hits. (And judging from the album cover photos, you can see that at the very least they’re trying to look like rock and rollers (all long hair and open shirts–even if Ron looks like Zappa). And so, this album pretty well lays the ground work for the Sparks of the future: weird, operatic and unexpected.

There are two songs that still make it onto “Greatest Hits” compilations: “(No More) Mr. Mice Guys” (in no way related to the Alice Cooper song, and “Wonder Girl.” Each one displays the signature style of future Sparks classics, but it still has a weird 1970s rock feel to it. It’s a pretty wacky beginning, but really it only hints at the fun to come.

[READ: Winter 2006] Nothing’s Sacred.

Like with Kate Clinton’s book, I found Lewis Black’s book while I was weeding the essay section of our library. I had no idea that Black had written a book, and since I love his rants on The Daily Show, I figured I’d give it a read.

My first surprise was that this was a memoir, not a collection of jokes. (more…)

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SOUNDTRACK: OLU DARA-In the World: From Natchez to New York (1998)

A friend of mine (Hi Jon!) made me a copy of this CD several years ago, and I just found it again and popped it in. I was delighted with how much I enjoyed it. I’d never heard of Olu Dara before, and I was quite pleased with the results. It’s a fun carribbean-esque/New Orleans jazz feeling CD. “Okra” and “Your Lips” are particularly fun. The only downside is “Jungle Jay” a rather uninspired rap. I just found that the rap is done by Nas, who is Dara’s son. I don’t know of Nas’s raps, but I assume they must be better than this one.

Overall, this record gives a nice upbeat feel of the heat in the summer time. Even though it has some raw sounding moments (his voice sounds quite vulnerable at times) it still maintains a good, solid sound. Knowing my tastes, I wouldn’t get more by Dara, and I wouldn’t listen to this all that often, but when the mood strikes, this will really hit the spot.

[READ: Winter 2006] What the L

I got tangled up in life, so I forgot that there were a number of books from a while back that I wanted to add to this blog listing. I’m going to intersperse them throughout here, but as you’ll see, some were read nearly two years ago, so I may not have all of my thoughts straight about them. (more…)

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