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Archive for the ‘Patton Oswalt’ Category

SOUNDTRACKPHISH-“Shipwreck” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

The story behind “Shipwreck” is that you are on a holiday cruise when you encounter a dense fog.

“Shipwreck” was similar to other songs performed during the set as it started with a spoken word soundtrack from the original album as the zombiefied actors danced around stage and led into original music. This time around, the quartet unveiled a dreamy progression.

The song is slow and trippy, like a slow sea journey.  And then the samples come in: “Are you too near the shore?” (played forwards and backwards).  Then repeats of “jagged rocks jagged rocks.”

Phish followed the spoken word section with a gorgeous piece of ambient music that was reminiscent of studio jams of the late ’90s.

There’s a kind of threatening low keyboard note while Trey was playing feedback noises.  Then page started a series of fast keyboard trills with many sound effects.

[READ: October 21, 2017] “Savory, Sage, Rosemary and Thyme”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I though that this story took a really long time to get where it was going, but once it got there it was really interesting. (more…)

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SOUNDTRACKPHISH-“Your Pet Cat” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“Your Pet Cat” was a funk workout with a “Tube”-like beat from Fish and staccato synth stabs from McConnell as the sounds of cats shrieking poured out over the PA.

The announcer says, “From the time of the ancient Egyptians until today, many people have been cat fanciers.”

With a screeching cat sound and a repeating keyboard motif Trey plays five chords in rapid succession with a little air to breathe.  There’s a funky bass from Mike and some grooving from Page.

The song came to a climax when Trey played some wild solos and adding some cat-like noises of his own to the mix.

[READ: October 16, 2017] “Pumpkin Head”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I really enjoyed this story although there were so many elements that just seemed so wrong (in 1982!). (more…)

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SOUNDTRACKPHISH-“Timber” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

This song is not to be confused with “Timber Ho!” the wonderful cover of the Josh White and Sam Gary song.  That one is also known as “Timber (Jerry)” and “Timber (Jerry the Mule).”   This new song is a chilling thrilling track in which “you are an expert woodsman.”  You climb up the branches of a tree and you begin to saw

“Timber” was another guitar-heavy rocker.  It uses the back-and-forth of the saw to set the beat before stating a five note guitar/bass riff with echoes attached on the piano.   The shriek of the plummeting woodsman is added from time to time for dramatic effect.  There’s some good soloing from everybody here, especially when Page and Trey trade off on leads.

[READ: October 16, 2017] “The Pear-Shaped Man”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I have not read anything by George R.R. Martin (surprisingly).  So I don’t know how this fits into his general oeuvre.

I actually thought it might be a recent story (I don’t know why I though that).  But there were two things that made it feel dated.  It had a casual sexism that made me bristle.  Nothing too over the top, but just a mild amount that I was surprised by (and which I don’t think I see too much recently) and the guy plays the “new Linda Ronstadt album” (that dated it even more to me).

So this story is long (unsurprisingly). The plot is actually quite simple and easy to encapsulate in a shorter story  But Martin does wonders with ambiance and tension. (more…)

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SOUNDTRACK: PHISH-“The Dogs” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

A little over ten minutes into the set, after the explosion, the walls of the Haunted House were exposed to show the band dressed in white tuxedos with zombie makeup.

Phish’s contribution to “The Dogs” was a catchy arena rock progression.  This song opens with the narration that as a child you were frightened by a huge snarling dog.  And as the dogs start barking, the band starts rocking.  It’s a big riff jam with some funky bass moments and rollicking piano.

But this is  rocking guitar song with raw chords that really move along and a great solo from Trey.

It ends with the squeaky door closing and a scream.

[READ: October 16, 2017] “N0072-JK1”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

This was the least satisfying story in the collection.  I read it twice and I still don’t really “get it.” (more…)

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SOUNDTRACKPHISH-“The Very Long Fuse” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

That same creaking door leads to a more upbeat major-key section on “The Very Long Fuse.”  I love that on the original, the whole track is just the sound of the fuse going off.

For their version, it’s primarily a synth jam.  It’s a rather upbeat jam with a kind of staccato guitar riff and a groovy melody.

You can see a fuse lit and crackling across the front of the building.

Midway through the “narrator” says it’s almost gone out and she’ll blow it to life.  The end says “You though there was going to be a huge explosion, didn’t you.”  And then there is one (although it’s pretty quiet).

Then the top half of  walls crash down and the band is suddenly visible.  That’s a pretty cool live moment.

[READ: October 16, 2017] “Born of Man and Woman

Just in time for Halloween. from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

This story was quite a change from the other two. (more…)

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SOUNDTRACK: PHISH-“The Haunted House” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

After playing the spoken narration from the record, “You are a bold and courageous person afraid of nothing…” the band plays a fast thumping melody as the song builds in intensity.  It’s a bit dark and eerie with staccato piano and a slow, menacing riff.  It feels very zombie-like (on stage zombies came out from behind the gravestones).

There’s a slow menacing solo played over the top of the (over the top) screams and moans from the record.  It ends with a gong.

[READ: October 16, 2017] “The Night Wire”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order

This story seems like it may have been the template for many stories that followed.  Which means to a reader nearly 100 years later it’s not that suspenseful or spurring.  But at the time it was probably pretty awesome. (more…)

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SOUNDTRACK: PHISH-“Intro” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

When the lights went down for the second set, attendees witnessed a crazy scene on a stage set up to look like a graveyard. During the intro, a Haunted House was pushed out by stage hands as dancers dressed in ghoulish attire paraded around. It soon became clear the band was setup within the Haunted House and just like the famed Storage Jam from the group’s Super Ball Festival, the crowd couldn’t actually witness Phish performing.

Opening with a few spooky synth notes, a guitar and drum melody rises out of the waves.  It is spookyish, but feels more comically spooky–just like the Disney record..

After nearly a minute Trey begins his solo which feels less spooky and more like an introduction to some thing epic.  This intro piece lasts about two minutes before an exaggerated squeaking door sound and the narration for the second song began.

[READ: October 16, 2017] “The Clock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order

This was a good story to start with.  Not super scary, but nicely creepy. (more…)

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[ATTENDED: July 7, 2017] MST3K Live

I first discovered MST3K when I lived in Boston (on The Comedy Channel) in 1992 (just before it merged with Ha! and became Comedy Central).

Holy cow, did I love that show.  I eventually watched every episode and had every episode on tape.  I even made and sold (at break even price), audio tapes of all of the “songs” in the episodes.  It was a time-consuming labor of love (I wonder how hard it would be to convert them to CD), but I was a fanatic.

I could never choose between Joel or Mike because I liked them both for different reasons.  I admit that by the last few seasons I didn’t enjoy the scenes with the Mads as much, but the movie jokes never wavered.

And then the show was over in 1999.  And we all wept.

Well, 16 years later in December 2015, we were all blown away when we saw that Joel was going to try to resurrect the show.  Of course I pledged on Kickstarter (but still haven’t been able to watch any episodes for various reasons).  I was happy to be part of the new experience.

But I was even more excited when in May (after all of the new episodes had aired) it was announced that there would be a LIVE TOUR!  And that my location would get not only the announced show  ‘Eegah’ but also a “secret surprise film.”

Eegah! happens to be one of my all time favorite MST3K movies, so I was thrilled to hear that that was the movie they would do.  And I was even more thrilled to hear that they were making all new jokes (no mean feat).  But then to get a “Secret surprise film” never before seen by MST3K?  That was spectacular.

Some of the reason why I hadn’t watched the new episodes is because I didn’t want to ruin my awesome memories of the old episodes.  What if the new stuff wasn’t as good?  And who were all of these new people anyway?  Obviously I knew who Patton Oswalt and Felicia Day were, but I’d not heard of Jonah Ray or Hampton Yount (Crow) or Baron Vaughn (Tom Servo) or Rebecca Hanson (Gypsy).

I was a little nervous when I got to the theater–would it be good?  Would it be fun?  Would I actually enjoy watching this with other people?

Well, it was a blast. (more…)

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1985SOUNDTRACK: JOAN SHELLEY-Tiny Desk Concert #473 (September 25, 2015).

joan When I first started listening to this Tiny Desk Concert, I thought Shelley was going to be singing more of a country music style.  But more careful listening revealed an early British Folk songwriting style.  Because I’d heard Richard Thompson talking about Sandy Denny recently, I  thought of her.  So I was pleased to see that the blurb (and Shelley herself) references Sandy Denny as well.

The Concert is Joan on acoustic guitar and Nathan Salsburg (she describes him: “my band, we are Joan Shelley”) on the second guitar.  They play beautifully together.

The songs, like “Easy Now,” are really pretty with a delicate finger-picking style from Shelley and fairly complex finger-picking soloing/accents from Salsburg.  But the best thing is her voice.  Clear and powerful–no warbling or hesitation, just clear beautiful singing.

I didn’t think I knew Joan Shelley, but “Stay on These Shores” sounds incredibly familiar to me.  She says that she is from Louisville Kentucky so it doesn’t make sense to her that she would write songs about the ocean.  She attributes it to the Sandy Denny lineage.  The way she sings the first line of this song is just hauntingly beautiful.  I really love this song a lot.

In “Not Over By Half” it is almost uncanny how much she sounds like a 1960s British folksinger.  Her delivery and phrasings are just amazing.  This is another beautiful song, all three of which came from her album Over and Even.

Shelley is an amazing force in folk music.

[READ: August 31, 2016] The Complete Peanuts 1985-1986

Schulz had been writing Peanuts for about 35 years when these strips came out.  Wow. It’s interesting to see how many themes have stuck around and how many have gone away or come back and been updated. I also love seeing the few pop culture references that he deigns to throw into his strips–things that he assumed would be eternal, I guess, or maybe things so ubiquitous he had to mention them?

Snoopy’s brother Spike is on the cover of this book.  I am somewhat surprised at how much attention he gets (especially since I don’t remember him at all).  The problem is that almost all of his jokes are about cactus.  I feel like Schulz was going for a loneliness angle, but it all seems to involved cactus “arms” or thorns.

The year starts off great for Patty because she won an essay contest on what she did during her Christmas vacation (she got a D- on the paper in school, however).  She even gets to read it out loud (where things don’t go so well).  Of course, she continues to get D miuses and in July 1986 she even get a tutor. He is quite snarky with her and she calls him Joe Sarcasm.  (There have been dozens of Joe ____ characters, although almost all of them have been aliases of Snoopy, this is one of the few for someone else).  Then she calls him Captain Tutor.  He shouts that his name is Maynard.  So Patty calls up Marcie to say she should meet him–he’s just her type…weird.  It turns out that Maynard is Marcie’s cousin (ha). Eventually Patty just throws him out.

For Valentine’s Day in 1985, Charlie has Snoopy pretend to be the little red-haired girl and Snoopy puts on a curly wig–is that the first insight into the girl’s appearance?  That week people are all hit by lost love.  It seems like an unusual and very specific emotion for Schulz to deal with–something he never really talked about before.  He’s certainly talked about lost loves, but never so directly.

Marcie continues to be one of my favorite characters.  Especially the way she picks on Patty.  Patty is still falling asleep in school all the time.  In Feb 1985, Marcie puts a binder on the back of her head, walks her up in front of the class and then shows off a “full-scale model of the human head” to the class.  Genius.  Patty doesn’t even wake up.

Linus decides that building a rock wall is good therapy.  It is suggested that he can do this instead of needing his blanket.  But let’s not go crazy.  Later, Linus tries to do his own laundry and Lucy catches him trying to stuff his shirt into the laundry detergent bottom

Every once in a while there’s a really wordy strip that I find very funny.  In March of 1985, Charlie is telling Sally a story from his grandpa about WII: “all the enlisted men were issued two pairs of shoes, but a lot of them men wore only one pairs so they could keep the other pair shined and looking nice under their bunks.  Battalion headquarters decided that the men should alternate shoes each day and to make to sure they did, the men had to lace their shoes on a certain way.  One day they had to wear the shoes which had the laces crossed and the next day they to wear the shoes which had the laces going straight across.”  Sally sensibly asks,. “How did they ever win the war?”

Sally is always asking her big brother for homework help, which he tends to refuse.  In March she says if he helps, he’ll get her everlasting gratitude.  When he doubts she knows what that mean she says “’til I ask you again.”

Sally has also been doing a lot of handwriting practice over the last few years.  Mostly it’s different pieces of punctuation (with funny comments about them).  In May 1985 she works on commas and possessives and quotation marks.  After telling Charlie all about it she says “stay tuned for the inside story of what goes on in the glamorous world of punctuation.”

And in some wonderful Sally mistakes that make me laugh: “behind the barn the farmer had a pastor” or “the walls were covered with naughty pine.”  For this one, she looks at Charlie and says “You looked like you were going to say something” and he wisely says, “not for anything in the world.”

In the realm of deliberate puns, Snoopy tells Woodstock to get a  job in a tree “you could be a branch manager.”  Sigh.

Pop culture: in May 1985 it is revealed that Woodstock has a satellite dish.  In August 1985 Patty reveals that she and Marcie are “mallies” :  They go to the mall to hang out.  But Patty is distraught that Marcie actually buys something there.  They even meet “a punker” which is snoopy with a kind of mohawk.  In October 1985, Sally does a presentation on Halley’s Comet saying that the next time it comes by will be in 2062–we’ll all be 80 years old when that happens.  [It passed by us in Feb 1986].  In May of 1986, Lucy starts a “swimsuit issue” campaign for the school paper.  She gets all the boys to wear swimsuits.  And in June 1986 Charlie’s desk comes equipped with an airbag.

In August of 1986, Linus asks Snoopy (the attorney) is he thinks cameras should be allowed in the courtroom.

August 1986 has Sally saying “I’ve decided to embark on a program of serious discipline. I’m going to eat properly, sleep properly and exercise properly.”  Charlie asks, “Then what?”  She replies, “You’re right, forget it.”

April 1985 sees an Easter Beagle strip (not as many of these as you might think).

There’s always baseball, and in April 1985 Charles mentions the new commissioner of baseball Peter Uberrroth (he took over in 1984).

There’s a lot fewer hockey references these days although Rerun is riding on his mother’s bike with a helmet and says people confuse him with Wayne Gretzky.  A few months later in March 1986 he has a Baby on Bike sticker on his helmet (That was a huge fad in 1985).

There’s not that much about football this year, although Sally wants to know why the guy is always holding up John 3:16 and then says she assumed it had something to do with John Madden.

There’s some tennis but not as much.  In March 1986 Molly Volley returns for a brief run with Snoopy.

Schulz must have been displeased about technological advances: Charlie tells Sally “if we watch TV all the time, we won’t have to learn to read.  if we use word processors and calculators we wont have to learn to write or do math.  Pretty soon we wont have to know anything.”  Sally replies “That’s when I’ll fit in.”

On the environmental front, in November Sally does a paper that she ends with “This report was written on recycled paper… no trees were destroyed to make this report.”

Summer camp in June of 1985 is all rain all the time. The only thing worse than all the rain is the prospect of a sing-along.  Ha  In 1986, the kids go to a survival camp which is pretty funny: “there are people out there who want to destroy our way of life.”

In August of 1985 Charlie and Sally are told that they are going to start taking the bus to school.  I love the way the joke plays out that they decide to walk instead, but the computer says they are on the bus, so they get in trouble.

Last book, Patty an Marcie went to a lot of Tiny Tots concert (Patty hates being called that). They always see Peter and the Wolf.  I wish that my kids went to Tiny Tots concerts.  But anyhow, in June 1985, Patty saves her ticket stub in hopes they will have raffle at the end–maybe she’ll win a violin.  Later in August 1986, Patty shows off her musical knowledge by asking why it is called Mostly Mozart, why not “Regularly Rachmaninoff, Principally Prokofiev, Frequently Franck, Largely Lehar, Chiefly Tchaikovsky [my favorite joke],  Mainly Mussorgsky, Essentially Elgar, Supremely Schubert or Generally Gershwin”.

Every once in a while Charlie gets a small victory.  Like when Linus tells him that he knows Charlie would like to cry but that he’s too macho.   Charlie gets excited “I am?!”

There’s few jokes of Woodstock getting attacked by a can of worms.  And even though i like Woodstock as a character a lot, for some reason, it’s always funny seeing him getting beaten up.

The World War I flying Ace continues to appear.  In a new twist he often speaks to Marcie in French.  Although in 1985, instead of the ace, he pretends to be Charles Lindbergh, the “Lone Beagle.”

Lucy continues to be a voice for women’s rights.  When Snoopy is flying over No Mans Land she asks what about No Woman’s Land.  So he changes it to “No Person’s Land.”

In February of 1986 Sally believes that the LL on the elevator button in the library stands for Louis L’Amour “that’s pretty neat having your initials on an elevator button.”

Schulz also taught me something new.  A ganglion cyst is also called a bible bump.  It is a cyst that forms on your wrists and they say you should hit it with a bible.  I’d never heard of this, but apparently it is a thing and quite common.  Of course Schulz uses it as an excuse to make a joke about the different translations of the Bible.

In another funny sequence, Snoopy and his scouts get a cannon.  And they fire it!  But it destroys not only his dog house but also Lucy’s doctor booth and even Schroeder’s piano (over the course of several strips).

In May of 1986 they elect a May Queen.  In Charlie’s school, Lucy is elected (which makes Patty say that the school has low standards).  In Patty’s school… Patty is elected!

Sally gets a great joke in.  A speed limit sign says 25 When Children are Present.  She says, “I never realized we had so much influence.”

And the best one liner of all: Sally has to go to the dentist “I have to go have my teeth criticized.”

Two new characters arrive in 1986.  One is a girl who is unnamed.  The joke with her is that Linus is two months older than her but she keeps referring to him as if he is an old man.

And in September 1986 we meet Tapioca Pudding.  Her dad is in licensing and she always talks about how her face is going to be everywhere.  Every time she talks to someone she introduces herself by her full name and everyone says “I know.”  Linus asks her out on a date (which makes Sally really jealous), but all she can talk about it herself and her licensing.  She asks Linus if she is boring him “No I always like to rest my face in a marshmallow sundae.”  Finally Snoopy the agent gets her a gig appearing at the Opening Ceremonies in the Olympic Game in L.A. (which were two years earlier).

In October 1986, Sally develops a new philosophy “Who Cares.”  From now on nothing bothers me.

When Patty wants to organize a football team, Marcie says the costumes aren’t feminine enough.  Then she wraps the football in a bow.  Patty gets mad and says she won’t kick a ball that’s wrapped in a bow, but Marcie says “The Icebox would”  Patty: “Refrigerator” Marcie: “Whatever.”

Lucy didn’t pull the ball away in 1985 (there was no mention of it).  But she does in 1986 with the excuse that it is a special moment to look forward to every year.  Then she pulls it away and sighs “it’s over before you know it.”  There’ also a Great Pumpkin joke in 1986.  Patty says she believes him about the Great Pumpkin.  And then jokes that “On Secretary’s Day the Great Secretary rises from her desk and rides through the city in a taxicab with notepads for all the secretaries everywhere.  And on Grandparents Day the Great Grandmother rises out of her condominium with cookies for all the grandchildren in the world.”

As 1986 draws to a close, Charlie gets up the nerve to wink at the red-haired girl. There is no reaction because she wasn’t in school that day.

And the musical jokes continue in December 19896 with Patty saying the enjoyed the concert because Marcie spent the whole time “Flauting with the flirtist.”

Patton Oswalt wrote the introduction.

He mentions how he bought the third Calvin and Hobbes treasury in 1988 and Schulz wrote the introduction to that.  Schulz’ introduction was full of praise for Watterson’s technical skill and all the wonderful details he put s into his strips.

Oswalt talks about how over the 35 years the strip went from kids writing with desktop inkwells and now he’s talking about answering machines.   Oswalt is dismayed that Schulz had to include an attorney as an imaginary Snoopy character–a sad reflection on our world

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onesummSOUNDTRACK: “WEIRD AL” YANKOVIC-”Foil” (2014).

foil;I wasn’t a huge fan of Lorde’s song “Royals.”  I liked it enough but it never really blew me away.  Al’s parody “Foil” seems obvious and yet it is such a wonderfully twisted take on the song that I think it’s just fantastic.

The video is set up like an infomercial (with Patton Oswalt as the director).  And it begins simply enough with all of the useful things you can do with aluminum foil (foy-ul).

What makes this better than a simple jokey song about using foil for your leftovers is that midway through the song, he tackles the more sinister uses of foil–keeping aliens out of your head.  The way the video switches from bright infomercial to sinister Illuminati conspiracy show is great.  And, amazingly enough he is able to keep the same bright Lorde-isms all the way through.

[READ: June 30, 2014] This One Summer

This One Summer is the second collaboration between Mariko and Jillian Tamaki.  In Skim, Jillian’s drawings reflected a very Japanese style of artistry, while in this book, the drawings are far more American/conventional.  This isn’t a bad thing at all, as they complement the story very nicely.

This is a fairly simple story (despite its length) about a family that goes to Awago beach “where beer grows on trees and everyone can sleep until eleven” each summer.  The protagonist is a young girl, Rose.  She is an only child and she looks forward to seeing her friend Windy there–they only see each other on these summer vacations.  Windy is a year younger, although she acts older and braver.  The girls are thrilled to swim, to watch horror movies and eat all the junk that they can.

But in this one summer things are not idyllic.  What I really liked about this story was that although nothing really happens to Rose or Windy, stuff happens all around them, and of course it impacts them as well.

The first thing is that Rose is finally interested in boys, specifically the boy who works at the convenience store in town, Duncan.  But Duncan is older–probably 17 and is dating a girl named Jenny. He teases with Rose and Windy but in a dismissive older brother sort of way–exactly the way that makes a crazy crush develop for Rose.  Windy and Rose are young, but are not that young–so they are full of misinformation.  And when they hear the older girls–Jenny’s friends–in town talking about things–abortions, oral sex–they learn more without learning everything . (more…)

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