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Archive for the ‘Film & TV’ Category

SOUNDTRACK: SILVERSUN PICKUPS-Live on KEXP, May 11, 2012 (2012).

Following the other day’s review of Silversun Pickups, I have this more recent show.  In this one, only two members of the band are here–singer/guitarist Brian Aubert and bassist Nikki Monninger for a stripped down acoustic show.

This set is much more enjoyable than the older set.  The songs are certainly stronger, especially “Bloody Mary” and “The Pit.”  But there’s also something refreshing about hearing this band who is usually so fuzzed out sounding clean and simple.  I wouldn’t want an entire acoustic album from these guys, but it’s so dynamic in this version.  You can really hear the construction of the songs in this simple setting.

And the rapport between Brian and DJ Cheryl Waters is relaxed (they are very funny) and engaging–I really want to like these guys.

It’s interesting that in the five years from the previous set the Billy Corganisms have not gone away at all, but I guess one can’t help what one’s voice sounds like.  It’s kind of hard to get past that, but it’s not impossible, and the songs are so good, you can overlook it.  This makes me want to check out their latest album.  You can hear it here.

And for  those who watch TV, Silversun Pickups were on Up All Night this week (in a very weird mash up of pop culture).  Is that how lesser known bands get publicity, or was that meant to be a draw for the show (I don’t know how popular they are–Sarah had never heard of them).

[READ: October 18, 2012] Marshall McLuhan: You Know Nothing of My Work!

I had not heard of this book until I saw it in my local library.  I wasn’t prepared to read another biography of Marshall McLuhan, and indeed, this isn’t one.  This is the American edition of Extraordinary Canadians: Marshall McLuhan with a spiffy new title.  And it is virtually identical.

There are several things that were in the Canadian edition that were left out of the American edition (although they did leave in all of the “u”s in words like “colour”).

The things that were left out are: (more…)

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[ATTENDED: October 3, 2012] Vanya and Sonia and Masha and Spike

Berlind Theater is on the back side of the McCarter Theater on Princeton University’s campus.  I’ve seen a number of shows at McCarter, but none at Berlind.  Berlind proved to be an even smaller and more intimate venue than the gorgeous McCarter.

What better place to see Sigourney Weaver and David Hyde Pierce in starring roles?  Especially when I managed to get $20 seats that were in row K.  That’s right, Row K, as in 11 rows from the stage.  All for $20 and free parking…suck it, Broadway!

Sorry, that was very unclassy.  Let me start again.

Christopher Durang wrote the play Vanya and Sonia and Masha and Spike as a kind of loving nod to Chekov’s Uncle Vanya.  The booklet that came with the play is very funny in which Durang interviews himself and gets most of the details wrong (he keeps calling it a parody of Uncle Vanya, which he explicitly states it is not).

The play is set in Bucks County, PA (just a hop skip and a jump from Princeton).  David Hyde Pierce played Vanya, an older man who lives with his sister Sonia.  Sonia, who is played by Kristine Nielsen, was adopted as a little girl.  Their parents loved Chekov and named them after the characters in Uncle Vanya.  And when thy became infirm, Vanya and Sonia stayed in their childhood home to take care of their ailing parents.  Now Vanya and Sonia are much older, unemployed and curmudgeonly.  She and Vanya have a hostile, co-dependent relationship.   (more…)

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[WATCHED: October 10, 2012] Close Personal Friend

While I was browsing Coupland’s bibliography on Wikipedia I saw this movie: Douglas Coupland: Close Personal Friend.  There is no information on Coupland’s site about it and there is precious little information about it anywhere else, frankly.  However, it has been uploaded to YouTube!

It’s a 24 minute film made for commercial TV.  It was made in 1996 and is very much of that time.  I’m not sure if Coupland was working on Girlfriend in a Coma at the time, but ideas in the film inform that book as well.

Basically it has Coupland, looking very clean-cut and smart–suit, skinny tie, hair parted hard–sitting in a white chair (a rounded chair that swivels–very “futuristic” looking).  He is sitting in front of  a white  background so his chair disappears from time to time (I’m willing to accept that that could just be the effect of a poor video transfer though).

There is an interviewer who asks him puffball questions, because it’s basically a chance for Coupland to talk about the his views of the late nineties and the future.  For instance: Do you consider yourself a citizen of the late 20th century?  (That’s just a weird question).  She asks him what the two dominant activities will be 20 years from now (which would be 2016).  His answer? Going shopping and going to jail.   Not too far off.

Coupland has always been concerned with the future (or more specifically, the millennium–I’m not sure how he has wrapped his head around the 21st century).  As I mentioned about his short story yesterday, he is very like-minded with Vonnegut about the state of humanity as we reach the millennium.   So he talks about lot of different topics including: individuality (and how we have lost it–he talks about a flock of birds seeing a group of people and finding them indistinguishable); the idea of not having a life–this was interesting, because as he points out even 20 years ago (1976), that expression would have been meaningless; consumerism; the uselessness of pop culture (how reading about Burt and Loni uses brain cells that could have been used to cure cancer).  And how technology can dehumanize us. (more…)

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SOUNDTRACK: ANIMANIACS-Wakko’s 50 State Capitals (1995).

To the tune of “Turkey in the Straw,” Wakko teaches you all of the capitals of the 50 States.   I suspect that if I had the energy, I would try to remember this (as many commenters on YouTube say they’ve done).  While I know most of the capitols, I certainly don’t know them to a  catchy tune.

This song is not as explicitly insane as the countries of the world song, but it’s still pretty awesome.  Thank you, Animaniacs for being this generation’s School House Rock!

[READ: July 2012] Chi’s Sweet Home 9

Volume 9 of Chi’s Sweet Home has just come out and the whole family was excited to read it (Clark grabbed it first!).

I don’t know how long the series is going to run, but if anyone thought it was winding down with Book 8, nothing could be further from the truth.

As the book opens, Chi is wearing her Elizabethan collar to protect her from her injuries (I actually don’t recall what injuries they were).   But she soon gets that off and her family realizes that since she couldn’t go outside with the collar on, maybe they should make her an indoor cat after all–she’ll certainly be safer!

And so begins Chi’s frustration–unable to get outside and nobody helping her out!  And she had promised Cocchi that she would met him at the fountain   For the first time in the series (as far as I can remember) another character gets an entire strip to himself: poor Cocchi, the naughty stray cat feels sad and lonely as he waits for Chi who promised she’d be back to play today.   If you think it’s frustrating to wait for people  imagine being a cat and having no way to communicate! (more…)

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SOUNDTRACK: ANIMANIACS-“Nations of the World” (1995).

I was a little too old for Animaniacs when it was first on.  And boy am I mad I missed it then, because it is hilarious.  And, astonishingly, educational.

Check out the countries of the world as sung by Yakko.

Genius lies within.

Incidentally, this isn’t the cleanest version of the video I’ve seen, but it has closed captioning so you can see all the countries!  For a clearer picture click this link.

[READ: September 2012] Spiros the Ghost Phoenix

After reading Book 12, Clark noticed on the back cover of the book that there was a cover for a book we hadn’t read yet.  So I looked it up and it was this one, a Special Edition.  There are several Beast Quest Special Edition books just like in the Droon series.  I never quite understood the purpose of the Special Editions in Droon–they were bigger, but you had to read them in sequence or the series didn’t make sense, and if you skipped them, you missed out on a huge plot development, so it was just an odd thing to do.

So I wasn’t surprised to find out that there were Special Editions in Beast Quest  but I was surprised to find out that the Special Edition has no relation to the sequence at all.  Indeed, they work fine as introductions to the series. (more…)

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SOUNDTRACK: DEERHOOF-Live at CMJ Gibson Showroom (2008).

I don’t know much about Deerhoof (I certainly didn’t know they’d been around over a decade).  I heard them on Pitchfork TV (they had two videos on it about two years ago which I rather liked).  This set was recorded live at CMJ by KEXP.

The DJ is very familiar with the band, and the repertoire is casual and funny (although the Gibson joke falls flat).  They play four songs and each one is virtually an instrumental.  The voice is mixed so low on “Blue Cash,” I didn’t even realize she was singing until the third time I listened, so I don’t know which songs have words.  “Tears of Music and Love” is a bit wilder (with some great crazy drumming in the middle).  “Fresh Born” has a bit more of a sinister edge what with the intense riff and the scratchy feedbacky bridge.  It’s my favorite song of the set.  “Basketball Get Your Groove Back” sounds a bit like “Roadrunner” so it’s less than thrilling end to the set.

I expected the band to be a lot weirder than this, I admit, but it’s still a good set.  You can listen here.

[READ: September 20, 2012] How to Be Black

Karen at A Just Recompense posted about this book a little while ago and after just a few lines, I had to stop reading her post so I could get the book.  I had no idea who Thurston was before I read the book, but it sounded so good.  And it was.  Although it wasn’t exactly what I was expecting.

This book is a combination autobiography of Thurston and “how to” book.  Thurston went to a Quaker School and a black militant program at the same time and also went to Harvard before becoming a stand up comedian; he’s co-creator of Jack & Jill Politics and director of digital at The Onion (that’s some serious cred for a geek like me).  As I said, in addition to being his autobiography, this is also something of a how-to manual for being black.  It’s funny, but not cheesy-over-the-top funny (stereotypes are played with but also deconstructed), it’s “serious” funny, and it’s very enjoyable.  And it covers topics that one might not expect, like talking about the Nigerians he has met who are offended at his name.  Baratunde is a twist on a Nigerian name, although his family is not Nigerian, his mother wanted him to have a traditional African name.  And he is quite annoyed at the Nigerians who assume he doesn’t know what his named means.  He does (and the example he gives is very funny). (more…)

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SOUNDTRACK: CIRCLE TAKES THE SQUARE Live at Black Cat Washington DC, August 31, 2011 (2011).

I had never heard of Circle Takes the Square before seeing the link to this show on NPR (Thank you, Viking!).  I like the band name (Hollywood Squares reference), and couldn’t imagine what they sounded like.

Song titles like “In the Nervous Light of Sunday” and “We’re Sustained by the Corpse of a Fallen Constellation” and even “Non-Objective Portrait of Karma” lead one in many possible directions.  But it turns out that the band is sort of pigeonholed as screamo, a post-hardcore style that allows mostly for screamed vocals.  And yet these guys also incorporate intricate playing, odd time signatures and some beautiful instrumental passages.

Even though the band plays fast, they don’t play only short songs.  The shortest songs run about three minutes but they have two songs that are over 6 minutes, with several different sections.

I listened to this show a few times and I confess I never really got into it.  I liked some of it but I was never fully able to grasp what was going on.  It could have been the recording quality.  Usually NPR shows are crystal clear, but this one was a bit muddy–which may have been intentional from the band as they are pretty raw sounding.  I did like  the split male/female vocals which added a cool depth to the songs.  But mostly I was impressed by the kind and almost sweet attitude of the lead singer.  He was polite and thankful to the audience (thanking them for braving the weather–the show was during Hurricane Irene–thanking them for coming from both far and near and talking about how excited he was about Pg. 99, the headliners.  It’s funny to hear polite thankfulness and then screaming lyrics like: “Embrace the sweet sound of self-destruction.”

I’d like to hear a studio release before passing final judgment, because there was a lot to like here.

[READ: August 29, 2012] Habibi

I saw this book in a review by Zadie Smith in Harper’s a while back.  I didn’t realize at the time that the author was the same person who did the wonderful Blankets.

This book is an amazing piece of art.  And the story is very good too.

So this massive book (almost 700 pages) is the story of  a woman born into a fictional Middle Eastern country called where the Qur’an is studied and women are more or less chattel.  As the story opens Dodola is sold by her father to a wealthy man who becomes her husband.  The scene of her deflowering, while not graphic at all, is very disturbing nonetheless.  She is afraid of this man and cowers in the fear until they gradually start to see each other as human beings.  And although their age difference is substantial (and yes, gross), she learns to appreciate him.

Until he his killed by the king’s men and Dodola is taken away to the king’s palace to be sold as a slave–her hair is tied to another girl’s hair so they cannot escape.

Through a series of events, she does escape, and when she is hiding out she manages to save the life of a black baby named Cham.  She calls him Zam after the Well of Zamzam (Arabic: زمزم‎) in Mecca, the holiest place in Islam.  And while she is only 12, she takes care of this 3-year-old boy and raises him as her own child. (more…)

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SOUNDTRACK: RED HOT CHILI PEPPERS-“Magic Johnson” (1989).

Just before the Red Hot Chili Peppers totally took off and became stadium stars, they released Mother’s Milk.  It was a commercialized realization of their three earlier more raw sounding funk rock records.  It was one of my favorite records of the late 80s.

Since Flea is interviewed in this issue of Grantland, and since he’s still a fan of the Lakers, it seemed like a good time to mention this song.

It opens with some martial drums (from then new drummer Chad Smith) and band chanting about M A G I C.  The lyrics are sung very quickly (I’m not even sure what they say half the time).  About 80 seconds in some wild guitar work burst forth, but it’s largely a chanted song of bass and drums.  There’ s a brief jam at the end where Flea shows off some great basswork and John Frusciante gets to do his thing again.

I don’t think I’ve ever heard it played anywhere (maybe at Lakers games?), so here’s a chance to hear it:

[READ: May 8, 2012] Grantland 3

One thing is for sure, Grantland loves it some basketball.  Basketball is the most widely covered sport in the published Grantlands so far. (The first issue even looked like one).  Since basketball is such a pop culture-referencing sport it actually works pretty well as a subject–with lots of different angles–especially given the state of the NBA lately.  Some other things on the Grantland staff’s minds include–the dangers of football and inadequacy of helmets to protect kids and Tim frickin Tebow (still!).  I don’t think an issue has past without talking about him yet.  I realize that’s a function of the time of these publications but… ew!

Nevertheless, the writing remains exciting and interesting, even for a non-sports guy like me.

(more…)

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SOUNDTRACK: LUDWIG VAN BEETHOVEN-“Für Elise”

I didn’t know a lot of the music mentioned in this book, but like most people, I know and enjoy “Für Elise.”  It’s an interesting choice of music to end such a crazy chaotic story, although I suppose there are some less than peaceful moments ion the song too.  It’s a shame Bast never gets to play it.

I find the most engaging moments to be when the lone high note comes before the reintroduction of the initial melody.  The middle, minor key section that sounds kind of menacing is also neat–a big switch from the delicate opening.

Why not take 3 minutes and enjoy it now:

[READ: Week of August 20, 2012] JR Week 10

The end is here.  After endlessly interrupted conversations, the book has actually hit a period.

As the last week ended, Bast was being dropped off at the hospital by Coen.  And the bulk of the end of the book takes place in the hospital.  There are many similarities between this book and a big 60s/70s comedy romp, and here is another one–all the characters seems to pile into one location for a big finale.  (Technically the finale happens at Bast’s house, but you get the idea). (more…)

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SOUNDTRACK: “Neverending Afro Circus” (2012).

If you’ve seen the movie Madagascar 3, you’ll recognize this song as the earworm that you will be singing all the way home.  And that your kids will no doubt be singing for days.

I actually want to jump in and say that I saw Madagascar 3 without seeing Madagascar 2 and I was quite lost (and missed a lot of in-jokes, apparently) for the first 20 or so minutes.  Who would have guessed that a kids movie could do that to you?

Anyhow, back to this song.  C. and T. love it.  And it turns out that YouTube loves it too.  There are dozens of different videos of varying lengths (from 10 seconds to 59 minutes!!) repeating this wonderful nonsense.  But for real neverending Afro Circus, please visit AfroCircus.com and see how much you can stand.

For a measly ten minute loop, please enjoy this:

[youtube: http://www.youtube.com/watch?v=_aELcXyjpts%5D

[READ: July 2012] Danger Guys series

We loved Droon so much we had to see what else Tony Abbott had written.

Turns out that he has written a lot of books and a bunch of series.  In addition to Droon he has written four books that are not part of any series, a series called The Haunting of Derek Stone and a brand new series called UnderWorlds.  UnderWorlds looks like a great series for C., although Haunting and the stand alone books seem like they might be a little too old for him.  He also has some older series like Don’t Touch That Remote!, Goofballs, Time Surfers and The Weird Zone.  (I think that’s all of them).

He also has this Danger Guys series, which I believe comprised his first novels.

My major complaint about the series is…why is it out of print?  Why was it so hard for me to find?  I had to do an Inter Library Loan and the copies I received were so beat up that we may wind up being the last people to read them!  This is a real shame because these books were fantastic!  The series is about two boys Noodle (the smart one) and Zeke (the athletic one).  They are best friends and do everything together.  I’m not exactly sure how old they are…I’m guessing middle school?  In each book they get into an escalating series of adventures which can be resolved by logic, brains, strength and sometimes a little luck.  The books are mildly scary (the Halloween one is the most scary but even that…not really), they’re not violent or gross, but they are full of adventure and they’re very funny (an Abbott specialty).  There were several moments that C. was laughing very hard at these.

There are six books in total in the series.  And because the books aren’t radically different from each other, I’m only going to say a few lines about each. (more…)

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