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[ATTENDED: December 17, 2017] Darlingside

We saw Darlingside at XPNFest in 2016.  The outdoor setting and our wilty family led to a less than stellar experience despite the amazing sound of the band.  How can four guys with one mic sound so good in an outdoor festival?

Well, when I heard they were coming back around, I was super excited to get tickets at Bethlehem Steel Stacks–the day they went on sale I bought a ticket right in front of the stage.  And then we couldn’t go.  A commitment came up, I got rid of the tickets and then we wound up not even going to the commitment. Ugh.

But it was all fine because they had announced a show at SOPAC and I still got second row seats.

The band sounded amazing in this small venue–which had wonderful acoustics.  And they were charming and funny as well. (more…)

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SOUNDTRACK: YOU sleigh ME: Twelve songs from Twelve Atlantic artists for the twelve days of Christmas (1995).

This is one of the first “alternative” Christmas albums I bought.  At the time, I bought it for Tori Amos and Juliana Hatfield.  But this disc has not held up very well and collections have gotten so much better.

Between the poor song choices and the rather bland recordings, the whole things is kind of tedious.

MARY KARLZEN-“Run Rudolph Run”
I’ve said before that I don’t really like this song.  This version chugs along just fine.  The one thing it really has going for it is that she plays with the genders of the kids so that it’s the girl who wants the electric guitar. That’s cool.

COLLECTIVE SOUL-“Blue Christmas”
I don’t really love this song either, although surprisingly this is probably one of my favorite versions so of it.  The rhythm is a weird shuffle, almost like the hand-jive but I like the heavy guitars at the end of each verse.  Weird that his delivery is almost like Elvis though.

TORI AMOS-“Little Drummer Boy”
I can’t imagine when she would actually have sung this live (for it is a live recording). Typical Tori, her voice sounds great and it’s before she started singing in a weird style.

DONNA LEWIS-“Christmas Lights”
No idea who Donna Lewis is.  This song is a mild, inoffensive Christmas song that I can’t say much more about.

BILLY PILGRIM-“The First Noel”
I have no idea if this band is still around or even who was in them, but this version of the song is quite nice.  There’s pretty folk guitar and some great harmonies.  I can nit-pick about the No-ell-ell part but overall this one’s a keeper.

JULIANA HATFIELD-“Make It Home”
As I said, I bought this disc for Tori and Juliana.  This song is pretty, but it was used in My So-Called Life so it’s not special at all.  Boo.

JILL SOBULE-“Merry Christmas from the Family” (NSFC)
I’d always assumed that Jill wrote this song, although I see now that it was written by Robert Earl Keen.  This song is hilarious and mostly inappropriate.  And yet it also has a lovely sentiment (if you can get past the drunks and family problems).  It’s my favorite on this disc to be sure.

DANIEL JOHNSTON-“Rudolph the Red-Nosed Reindeer”
I just don’t understand why people listen to Johnston.  His voice is not compelling, and this sounds like someone making fun of the song.

DILLON FENCE-“Christmas”
This is a slick song that is about Christmas in some way.  It’s sort of blandly inoffensive jangle pop.

JAMES CARTER-“White Christmas”
This is an interminable 8 minute jazz sax solo version of the song.  Wow, it never ends.

VICTORIA WILLIAMS-“Have Yourself a Merry Little Christmas”
Victoria Williams also has a take-it-or-leave-it voice.  I used to like her more than I do now, bu that could change any minute.  This song is faithful to the original and pretty if you like her singing.

EVERYTHING BUT THE GIRL-“25th December”
Another bland folky song.  The chorus is catchy, but I can’t be bothered to figure out what it has to do with Christmas.

Overall this is a disappointing disc and there are far better options.

 

[READ: December 17, 2017] “Last Woman”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

I enjoyed this piece for the way it juxtaposed a woman living by herself with the last woman left alive in a video game. (more…)

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SOUNDTRACK: SHE & HIM-Christmas Party (2016).

The first She & Him Christmas album was a little flat, a little dull.  So I wasn’t that excited to get a new one.  But this one is so much more fun than the first.

Zooey Deschanel feels much looser and freer and the music is more lush and not so restrained.  It’s still not anything like the craziness that Zooey Deschanel is capable of. In fact, there’s a lot of restraint.  But some fun is certainly have, mostly as little asides.

“All I Want for Christmas Is You” starts the album and you can hear the big change.  There’s a choir singing behind her which sounds huge (in comparison) and Zooey puts a nice vibrato on her voice.  There’s drums and a bouncy beat.  This album feels very much alive compared to the first one.

“Let It Snow” slows things down.  But it’s and jazzy very appropriate to the song.

“Must Be Santa” is a silly fun track.  This one has accordion and a bouncy backing chorus.  Like in the Dylan version, they list the presidents along with the reindeer.  But it hurts a lot that after the first batch of presidents, they tack on Barack Obama and Hilary Clinton, which hurts a lot.

“Happy Holiday” has a pretty, echoey guitar and Zooey really shows off her voice nicely.

“Mele Kalikimaka” is a favorite Christmas song.  This version is a little delicate compared to the more rocking version, but it does capture a Hawaiian spirit.

“Christmas Memories” is a bit too slow for my liking but it is a pretty song.

“Run Run Rudolph” M sings lead.  This song is kinda dumb when you actually hear the words.  I’m surprised they didn’t upend gender stereotypes on this one like they did on “Baby, It’s Cold Outside.”

“Winter Wonderland” a duet with Jenny Lewis.  It’s fun to hear another voice with hers.  There’s a goofy moment where Jenny sings, “we can pretend he is Jerry Brown.”

“The Coldest Night of the Year” is a nice sweet duet.  When the chorus comes in with Ward in the backing vocals it sounds really great.

“A Marshmallow World” is perfect for her.  Fun and bouncey and surprisingly restrained for what it could have been.

“The Man with the Bag” is pretty and old-fashioned-sounding.  Zooey does this style very well.

“Christmas Don’t Be Late” This normally hyperactive song is almost like a dirge.  I don’t know why the excitement has been removed from it.  It’s a bummer way to end the record.

[READ: December 1, 2017] “Eva”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This story is really wonderful.  It’s sad and strange and powerful.

It opens with a man visiting “the hairy child” in Quetzalenango.  The girl is Eva.  Her mother hopes this man is a doctor.  But he is not.  He is a representative of Doña Teresa de Miraflor, a Cuban heiress who was setting up the Society of Scientific Knowledge in Havana. (more…)

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SOUNDTRACKSHE AND HIM-A Very She & Him Christmas (2011).

I don’t really know all that much about She & Him.  I know it’s Zooey Deschanel and M. Ward.  I don’t really know M. Ward at all and I know Deschanel from New Girl (which we love) and because she is in Elf.

I loved how quirky and weird she was on New Girl and how she sang a lot (in the beginning).  She has a wonderful voice (as evidenced in Elf).  I assumed this would be a kind of quirky, retro-feeling Christmas album.

But it isn’t.  It’s not quirky at all.  The instrumentation is incredibly sparse, sometimes shockingly quiet.  Deschanel displays her voice well.  But the whole thing feels kind of stiff and tightly compressed.  It’s pretty but not really inviting.  Occasionally the album gets bigger with M. singing a few backing vocals and even a lead.

Most surprising is that I didn’t  even know the first two songs on the record.  I didn’t expect non-standards.

“Christmas Waltz” is her singing to quiet jazzy guitar.  It’s possible that since I don’t know the song, I feel like it didn’t set up the album well.
“Christmas Day” has her voice heavily echoed with even gentler guitar.  Although near the end of the song, the full backing vocal (all Zooey, I think) helps her out.
“Have Yourself A Merry Little Christmas” is finally a song I know and I feel like she does a great job of it with a smokey delivery.
“I’ll Be Home for Christmas” also works very well, even if it’s kind of weird to have the jazzy acoustic guitar playing on this relatively emotional song.
“Christmas Wish” is a duet it feels incredibly loud compared to the earlier songs.  There’s even drums.  It’s just kind of surprising to hear M.’s voice five songs in.  I wish he had been introduced earlier.
“Sleigh Ride” also works pretty well.  The music is kind of countryish, but the two of them together make it work well.
“Rockin’ Around The Christmas Tree” has piano and electric guitar and backing vocals.  It doesn’t really rock, but at least the guitar is electric.
“Silver Bells” is her on a ukulele and she accompanies herself perfectly.  It’s a bit spare, but the song is quite lovely.
“Baby, It’s Cold Outside” is wonderful for the way it twists the gender roles.  But I feel like the song might be too fast–Zooey in particular seems kind of rushed singing it.
“Blue Christmas” is a song I don’t really like, but her version of just her and the acoustic guitar is very pretty.
“Little Saint Nick” brigs back the ukulele with lots of echo on her voice.  It’s bright and happy.
“The Christmas Song” is too slow and stiff and kind of a sad way to end the record.

This album is fine for a safe Christmas record.  It’s just not that inspired.

[READ: December 13, 2017] “Secondary Memory”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

Some of the stories in this collection have been pretty dark, so I enjoyed the relative lightness of this one.  “Relative” because although it starts as kind of a funny anthropomorphized laptop story, there’s some interesting things going on underneath the frame.

It takes about a paragraph to reveal that the narrator s a laptop.  Its owner, Vicki is “experiencing a runtime error…in your language she is little uptight.”  They are out and about.  It assumes they are going to the cafe (where the laptop sees its usual and preferred table).  But they walk past the cafe–are they going to the greasy spoon (the laptop would have shown its displeasure by not connecting to the Wi-Fi).  But no.  It’s even worse. (more…)

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[ATTENDED: December 12, 2017] Groovy Movies

I had never been to The Black Box before. It is a smaller club inside the already small club Underground Arts (the main room is cordoned off).  The setting is intimate and cozy with couches and a tiny bar.

When I got there, there were seven people waiting for the show to start.

I felt bad about that.  I love a show to be not too crowded, but that was uncomfortably empty.

Groovy Movies, a Philly band, came out and did their opening set.  And they were terrific.  Dressed all in white, they played the greatest not-exactly-Beatles music I’ve ever heard. (more…)

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SOUNDTRACK: STARBUCKS Hi-Fidelity Holiday (1998).

This is one of my favorite Holiday CDs.  Say what you will about Starbucks (and I know you will), they know their audience (even if I don’t drink coffee).  Almost the entire CD is excellent, or at least in that groovy Hi-Fi style.  There are a few songs that don’t quite fit with the others, but overall, this is a keeper.

ESQUIVEL-“Jingle Bells”
I love Esquivel, and this space age jingle Bells is just the most fun.  You look ravishing tonight.

KEB’ MO’-“Jingle Bell Jamboree”
Keb’ Mo’ is a great performer, but this song doesn’t quite fit on this CD.  Especially after Esquivel.  Maybe if it was a little later in the sequence?  But the song itself is great and should be heard more at Christmas time.

COCTEAU TWINS-“Winter Wonderland”
I have loved Cocteau Twins for decades.  This version of “Winter Wonderland” has been a perennial favorite.  I love what they do with the song and how they keep it faithful but make it their own.  This should have followed Esquivel.

DEAN MARTIN-“Baby It’s Cold Outside”
This song is problematic for many reasons.  But if you can get past the creepiness, Dean’s version is fun.  It’s interesting that the female singers are practically a chorus of voices.

COMBUSTIBLE EDISON-“Sleigh Ride”
I’ve pretty much forgotten about Combustible Edison, but I love this swinging instrumental version of this song.  It’s totally terrific.

LEONARD COHEN-“Hallelujah”
This is not a Christmas song.  At all. It is also so over played that I never really want to hear it again.

XTC-“Thanks for Christmas”
I love this song.  It’s bright and happy and the XTC voices and guitars are just perfect.

EL VEZ-“Christmas Wish”
I have a soft spot for El Vez, but man I don’t care for this version of this song.  It’s not bad, but I kept thinking it was some B list actor form a 1950s rock n roll film (like Arch Hall).  I suppose if it was more in the El Vez spirit I’d enjoy it more.

JAMES BROWN-“Merry Christmas, Baby”
I like this song except it always bugs me that there’s a line about not being drunk but being all lit up like a Christmas Tree.  James seems a little not into this recording, to be honest.

THE ALARM-“Happy Christmas (War is Over)”
This song bugs me.  I think it’s the obnoxious (but well meaning) idea that war can be over if we want it.  But whatever.  This version is kind of flat, which is springing given The Alarm is all stadiumed out most of the time.

THE TEMPTATIONS-“Little Drummer Boy”
This song is tough to pull off.  The Temptations were a little flat at first I thought, but they pulled through to the end and won me over.

PEGGY LEE-“I Like a Sleighride (Jingle Bells)”
This song is weird and fun.  The “I like a sleighride” chorus is weird and kind of creepy, but it’s got a real fun feel overall.

ROBBIE ROBERTSON-“Christmas Must Be Tonight”
So I listened to this song and had literally no recollection of ever hearing it before–even though I have listened to this disc every year for a decade.  And even now, I have no recollection of it either.

THE BLUE HAWAIIANS-“We Four Kings (Little Drummer Boy)”
Is it because I have heard every Christmas song a million times that I gravitate to the oddball recording?  Probably.  I love this surf guitar instrumental version of “We Three Kings,” it brightens my day.

BOBBY DARIN-“Christmas Auld Lang Syne”
This is a classic.  It used to bug me that he goes so over the top with the LOOOOOOORD business at he end, but it doesn’t bug me much anymore–its makes me smile.  I really like the melody and the way the songs are conflated.

Overall this is a great collection of songs.  It’s not all as groovy and space-age as it appears, but it’s still good holiday fun.

[READ: December 1, 2017] “Skinks”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

This story is told by a little boy, Wendell, who wants to be called Dilly.  He tells us that Jesse doesn’t like it when he calls him Dad.  Jesse always says “Two things.”  Like “One, your dad left a long time ago and two, although you don’t want to say he’s your dad, he still is.  I’m not.  Clear?

Clear.  Clear as mud, he says.

Jesse is now in the hospital and the boy has been talking to his mom a lot.

When he goes into Jesse’s room the pastor is in there.  “He thinks all the answers are in that book,” his mother says to him.  She then says to the pastor, “I know it’s serious, but that was years ago when you both loved getting into trouble.  He’s different now.”

The pastor bristles at this and says “some of us know better than to get into fights over things people say.”

There’s a lot of observations from the boy about his mother (and what both she and Jesse say about women in general)

And sometimes he just goes in and talks to Jesse, which he thinks is weird, but he does it anyway.  When he heard there was skink in the hospital he knew Jesse would want to see it. “It’s a weird word but I like it.”

But mom and a police officer enter and Dilly hears the officer say, “I’m sorry, but things have changed.”  Before he can leave the room he sees that Jesse is now restrained.

The pastor comes out while Dilly is outside and asks Dilly what he’s doing.  When Dilly mentions the skink, the pastor gives him some suggestions about bait and ways to catch them.   During this brief conversation, a lot of truths come out.  About Jesse, about Dilly’s father and about the pastor.

But I feel a little too much like Dilly in this story–like everyone is talking around me.  There’ a few too many gaps that I can’t fill in to fully get what happened.

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SOUNDTRACK: JOHN DENVER & THE MUPPETS-A Christmas Together (1979).

This is a strange recording.  Perhaps even more so nearly forty years past its release date when The Muppets are still beloved but aren’t hugely popular.  It’s strange because it’s quite an earnest record, and yet it is sung by puppets with weird voices.

So this album is not meant to be funny (with some exceptions), and yet it’s hard not to smile somewhat at the crazy voices involved.  But the songs aren’t played for laughs.

So if you can get past the fact that Rowlf the Dog is singing an earnest song, it’s quite enjoyable.  In fact, the whole disc is warm and inviting, nonjudgmental and really sweet–pretty much everything that John Denver and The Muppets are known for.

The album features of traditional Christmas carols and original songs.

“The Twelve Days of Christmas” (Denver with the Muppets).  This is kind of an unfortunate song to start with if only because it feels much longer than its 4 minutes (as this song always does).  Having a different Muppet sing each line helps though.  And there are some amusing moments (Beaker of course).  But it’s not really played for laughs, exactly.  Except maybe for Piggy’s “five golden ring” line, kind of.

“Have Yourself a Merry Little Christmas” (Rowlf the Dog and Denver).  Rowlf was always an earnest singer so this pairing makes sense.  But Rowlf’s voice is pretty weird.  “The Peace Carol” (John and Scooter with the Muppets). I don’t know this song, but it’s quite pretty and they have wisely picked the least strange-voiced Muppets to sing it with him.

“Christmas Is Coming” (Miss Piggy with Scooter, The Great Gonzo and Robin the Frog) This is a round with Piggy on lead and then each one repeating the one line.  I was unfamiliar with this song too.

Christmas is coming, the geese are getting fat / Please put a penny in the old man’s hat / If you haven’t got a penny, a ha’penny will do / If you haven’t got a ha’penny, then God bless you!

“A Baby Just Like You” (Denver with the Muppets) This is a very John Denver song, pretty and mellow.  “Deck the Halls” (The Muppets)  It’s nice to hear Kermit get a lead vocal.  Everyone sings this in turn and it’s quite nice.  “When the River Meets the Sea” (Robin and Denver with the Muppets)  It’s weird to have a Muppet sing this first verse, but it’s a gentle voice and works nicely with Denver.

“Little Saint Nick” (Dr. Teeth and The Electric Mayhem)  Okay, so hearing the Electric Mayhem is always fun.  I’m amused hearing all of the voices of the band (this is a song you can be silly with).  And of course having Animal shouting “Run! Run! Reindeer!” is pretty darn funny.

“Noel: Christmas Eve, 1913” (Denver) gentle and pretty.  “The Christmas Wish” (Kermit the Frog with the Muppets)  This is a very sweet song wishing love to all whether you believe or not.  Medley: “Alfie, the Christmas Tree” / “Carol for a Christmas Tree” / “It’s in Every One of Us” (Denver with the Muppets)  This is a strange story about a tree who loved Christmas.  And it’s narrated not sung.  This one is skippable.

“Silent Night, Holy Night (Stille Nacht)” (Denver with the Muppets) I was surprised that this was sung in German first.  Then Denver recites how the song was written, and it’s quite moving.   A very lovely rendition.  “We Wish You a Merry Christmas” (Denver with the Muppets) The disc ends with a bit of fun with the cast singing.  And there’s some good Muppets antics: they sing “figgy pudding”  Miss Piggy asks, “piggy pudding?”  “no, it’s made with figs.”  “oh”  “and bacon.”  And when they sing “we won;t go until we get some” Animal chants “won’t go! won’t go!”

All in all this is a delightful Christmas album.

[READ: December 1, 2017] “Aftermath”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

There’s a lot unspoken in this story, which is revealed in little snippets.

Genevieve moved back into the house on Monday.  But she decided that it needed a good cleaning first.  She called a company named Aftermath to go through the whole house–scour it and make it shine.  They asked if there was any kind of biohazard in the house and she said no.

When she returned, everything looked the same, although a little brighter. (more…)

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SOUNDTRACK: THE FLAMING LIPS-Christmas on Mars (2008).

Title aside, and despite the Lips’ love of Christmas, there is nothing Christmassey about this recording.

It’s a soundtrack to their film and it is composed of 12 instrumental pieces.  The disc (which is short) sounds like interstitial Flaming Lips pieces–songs that might appear at the end of or in between songs.

The tracks run the gamut from spooky outerspacey dirges to pretty choral numbers.  But the overall tone of the soundtrack is dark and foreboding (the movie isn’t very happy after all).

Some of the tracks (3 and 4 in particular) are prettier than other–with pretty harps and tubular bells.  But do not put this in your Christmas music rotation unless you really dislike Christmas music.

[READ: June 21, 2017] Adios, Cowboy

Hot on the heels of the depressing Sorry to Disrupt the Peace come this depressing story by Olja Savičević Ivančević (her full name according to Goodreads) translated from Croatian by Celia Hawkesworth.  In Peace, the narrator’s brother killed himself and the narrator wants to find out why.  In Adios, Cowboy, the narrator’s brother kills himself and she want to find out why.

The difference is that this book is set in Croatia, has multiple characters, multiple stories and a huge amount of confusion.

Dada (the narrator) lives in Zagreb, but she is called home to Old Settlement by her sister to help with their aging mother.  She is intrigued at the thought of going home  again after so many years.  But when she gets there, her mother has been taking all kinds of pills, her sister has pretty much given up as evidenced by her chain-smoking, their long-dead father’s shoes still lined up on the steps, and their dead younger brother’s cowboy posters of are still on the walls.  (The dead brother’s name is Daniel.  The fact that one of the characters in the previous book also about the suicide was also named Daniel really didn’t help this much). (more…)

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SOUNDTRACK: PUNK ROCK XMAS (1995).

Long before it was cool to make “punk” things for mass consumption, Rhino released this Christmas album.  I bought it because I was pretty tired of Christmas songs back in 1995 and this was a pretty good antidote.

Listening to it twenty years after it came out, I was surprised to hear how many songs would fit pretty nicely in a contemporary rocking playlist.  Although in the true spirit of punk, there are a number of songs that wouldn’t fit at all, either because of the very anti-Christmas sentiment or the bad language.  I have labelled those [NSFC] Not Safe for Christmas.

THE RAVERS-(It’s Gonna Be A) Punk Rock Christmas
This song is actually quite fun.  Santas’s gonna be a Sex Pistol for a Day and Farrah Fawcett is going to change her hair.
THE DICKIES-Silent Night
This is a fairly faithful rendition of the song, just done as a surf punk song with the nasal vocal delivery of The Dickies.  I’ve know this song for decades and have rocked out to it on many a non holiday eve.
SLOPPY SECONDS-Hooray For Santa Claus Theme From ‘Santa Claus Conquers the Martians’
This is a rocking cover of the hilarious song from Santa Claus Conquers the Martians.  I can’t even imagine how they know it as I only know the movie from MST3K.
FEAR-Fuck Christmas [NSFC]
This song starts off like a slow ponderous song and then it ends abruptly with a hardcore chant of the title.
THE GREEDIES-A Merry Christmas
This is a fairly straight punkish blend of Christmas songs, puts some pep in your ho ho ho.
THE DAMNED-There Ain’t No Sanity Claus
This song is just great, Christmas themes or no.  In fact I don’t even know what the rest of the words are and it could easily NOT be a Christmas song–except for Santa Ho Ho Hoing at the end.
PANSY DIVISION-Homo Christmas [NSFC]
Kudos to Rhino for adding this aggressively queer song to the mix.  But it is quite explicit.  Also, I never noticed before but the opening chords could easily have the harmonica solo form Blues Traveler’s big hit fit in there very nicely (and wouldn’t that be a hoot).
BOUQUET OF VEAL-It’s Christmas [NSFC]
This is a mildly inappropriate song about sex and drugs but it’s catchy and short.  You could probably slip it in without people noticing.  (That’s what she said).
THE CELIBATE RIFLES-Merry Xmas Blues
The Celibate Rifles were an Australian punk band.  I don’t really know them at all.  The verses of the song are fast and hard to understand but they’re darkly comic and the chorus is just a punk version of “We Wish You A Merry Christmas.”  The end is a fairly straight blues riff.  A fun addition to a party.
RAMONES-Merry Christmas (I Don’t Wanna Fight Tonight)
This song is pretty widely accepted as a classic Christmas song now.  Listening to it amid these other punk songs, it made me realize just how far the Ramones drifted away from their punk sound and into a more metal feel.
METAL MIKE, ALISON AND JULIA-Deck The Halls
This is a pretty goofy, sloppy, slurry version of the song.  There’s mention of a helicopter.  It’s a minute of fun.
EL VEZ-Feliz Navinada
This is one of my favorite Christmas songs.  A wildly buzzy guitar, fast chanting of Feliz Navidad and some serious Public Image Limited love thrown in.
HUMPERS-Run, Run Rudolph [NSFC]
This would be a pretty straight punk version of this Christmas song, fun for all, except for the “Check this shit out” comment before the solo.
TVTV$-Daddy Drank Our Xmas Money [NSFC]
This is a sad (funny) drunken tale of a drunk dad spending all of the Christmas money.  It starts out with a slow intro and then a fast punk conclusion.
THE FROGS-Here Comes Santa’s Pussy [NSFC]
 This is a slow creepy song that feels like it’s meant to be really naughty, but it’s just kind of dumb.
MOJO NIXON-Christmas Christmas [NSFC]
I just don’t really like Mojo Nixon (my store could use some fixin’).  I do, however, enjoy the idea that the chorus is done in the style of “Louie Louie.”  But the verses are a bit beyond the pale.
D.I.-Mr. Grinch [NSFC]
The song starts with the melody form the song “Black Sabbath,” but it soon becomes a more standard punk version of the song.  The biggest problem with the song is that it’s nearly 4 minutes long.  People will clamor for the original, which is more fun anyway.
STIFF LITTLE FINGERS-White Christmas
This is a sloppy but faithfully punk version of the song for the first verse.  The second time around is blistering sloppy noise punk.

[READ: December 12, 2017] “The Face”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This story is told in an interesting way.  It begins with a boy raking leaves in an old couple’s front yard. He’s making money and having some fun (he leaps in the pile and wrestles with the bags once they are full).  Then he sets the pile on fire.

While he’s watching it burn, the homeowner, an 80 year old man comes over to talk to him.  Mr Aurelius asks if was true that the boy had been to Hong Kong.  He had and he told the man some things he saw there (most of what he saw was ferries and dead animals). (more…)

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[ATTENDED: November 28, 2017] St. Vincent

Two summers ago St. Vincent co-headlined XPNFest.  Our seats weren’t great but her show was spectacular.  I was bummed that it was a co-headline, because she played five fewer songs than for her other shows, but it was still incredible.  I knew I wanted to see her again.

And then she went into a kind of hiatus–she appeared doing a few things, but no tour.  And  then she came back with a whole new campaign–fear the future.  Gone was the curly white hair and in was a whole new look.  It was very day-glo and very sexy.  Right down to the album cover of a woman’s ass bent over with her front end shoved through a wall.

It was a stunning visual campaign, with Annie doing filmed “interviews” while the “crew” of women walked around with their breasts and asses cut out of their body suits.  There was clearly a message, although I’m not exactly sure what the message was.  Or is.

And then I learned that her new tour was going to be just her on her (newly designed) guitar with backing tracks.  While I didn’t doubt her ability to play to a backing track (I’ve seen her play amazingly with no backing at all), I was afraid it would lose some of the looseness that I’ve loved about her shows.   (more…)

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