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Archive for the ‘Film & TV’ Category

Will Ferguson–Why I Hate Canadians (1997)

Posted in 19th Century, Canadian Content, Canadian Music, Consumerism, Corner Gas, Corporate skewering, Craig Northey, Funky Web Sites, Funny (ha ha), History, Memoirs, Mike Bullard, Northey Valenzuela, Odds, Political Humor, The New Odds, War, Wikipedia, Will Ferguson on September 24, 2008| 2 Comments »

SOUNDTRACK: THE NEW ODDS-Cheerleader (2008).

Craig Northey, singer of the Odds has written some great songs by himself and with a slew of other projects.  But most notably, he did the theme songs (opening and closing) for Corner Gas.  At last, “My Happy Place” the Closing Credits song has now been released on this disc by The New Odds.  (The Opening Credits song “Not a Lot Goin On” is available on the disc that Northey made with Jesse Valenzuela, cleverly titled Northey Valenzuela.  I mention Corner Gas aside from the fact that it’s a great show, because I mention it in the book write up below as well.  But back to the Odds.

The Odds had a minor hit in 1993 with “Heterosexual Man” (which we all thought was hilarious).  I didn’t really think much about them until my friend Amber from Vancouver sent me a tape of Bedbugs.  I was surprised how much I liked it and how, although the band was funny, they weren’t a novelty act at all.

I’ve enjoyed the Odds very much since then, they’ve appeared on a number of soundtracks, and released four solid albums, especially 1996’s Nest.

The New Odds are, as you might guess, the Odds, only new.  3 of the 4 original members are back, and aside from updating their sound to the twenty-first century, the band isn’t radically different. They play what used to be called college music, but which really is more or less alternative or even just rock music.

As with previous Northey output, the lyrics are witty and clever, with some wordplay in evidence.  There’s a pretty diverse collection of sounds on the record, yet they all stay within the range of alternative guitar pop.  One or two songs rock harder than the others, “Leaders of the Undersea World” sounds like a dose of heavy metal in comparison to the rest of the record.  “Write it in Lightning” is also a pretty good song, and “I Can’t Get You Off” has a wonderfully catchy hook to it.

Northey’s voice is easily described as inoffensive, and the music is catchy but not stick-in-your-head catchy.  It’s not a ringing endorsement, but it’s also not a put-down.  Like meat and potatoes, it’s a good staple to any alternative fans’ collection.

[READ: August 28, 2008] Why I Hate Canadians

I bought this book several years ago, probably in 2000, when I was visiting Montreal.  I remember being very excited to visit Chapters and to see what kind of books they had that weren’t available down south.  I was especially interested in the humor section as I had just started watching Mike Bullard, and I knew he wasn’t available in the States.  I found Bullard’s book as well as two books about Canada by the Fergusons. Why it took me 8 years to read them, I don’t know.

This book is listed as a humour book; the copyright page has it listed as 1. Canada-Humor 2. Canadian wit and humor (English).  But the thing is that the book isn’t very funny.   Even with an outrageous title like that, it’s not very funny.  It is however, a fantastic introduction to the history of Canada written in a style that is (yes) funnier than your average textbook.

DIGRESSION: I will state that I realize that Will Ferguson has a perspective, and quite often he’s very vocal about his perspective.  Most good history is written with an acknowledged bias–trying to hide your bias makes for dull (or hypocritical) history.  So, Ferguson’s history of Canada may not be Accurate, (especially if you are a Quebecois) and of course, I’d be interested to hear from those who disagree with him; however, to an American who is not well versed in the history of Canada, it was pretty enlightening. (more…)

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Joshua Ferris–“The Dinner Party” (New Yorker, August 11 & 18, 2008)

Posted in Edward Albee, Eyes Wide Shut, Funny (ha ha), Joshua Ferris, King's X, Marriage Trouble, New Yorker, Pregnancy, Religion, Short Story on September 13, 2008| 2 Comments »

SOUNDTRACK: KINGS’S X: Faith Hope Love (1990).

When Faith Hope Love came out, I was once again blown away by King’s X.  This album actually diverts quite a bit from the heaviness of the previous two albums.  This is their most prog rock sounding release, introducing all kinds of new instrumentation, including Doug’s by now standard 12 string bass guitar (I got to try one of these at Sam Ash a few years back and it sounds amazing).

Overall this album plays with the softer side of King’s X (although this is contrasted by “Moanjam” a six- minute, guitar-wailing freakout, and the great shouting sing along “We Are Finding Who We Are” showing that the band hasn’t lost their hard edge even if they ware willing to play with different textures).  But the diversity of sounds on the record is what really impresses.  You get a song like “The Fine Art of Friendship” which has so many layers of things going on, it’s hard to absorb on the first listen.

I’ve been reading some different reviews of this album, and it’s amazing how people single out songs as being particularly religious.  “Six Broken Soldiers” is mentioned as being Christian.  Now here’s the lyrics, I personally don’t even know what they mean, much less whether they are Christian

i don’t care if you’re sick
what can i possibly do with an American library
and a contract on you
I’ve got six broken soldiers in the trunk of my car
two of them speak; four go to bars
rods in the closet a six shooter in hand
a caged up gorilla and three local bands
fluently the parrot speaks
six languages not known to men
a sixpence and a quarter
as the audience he scan.

But aside from that, the album isn’t preachy about its beliefs, and frankly, it’s easy enough to forget what the songs are about, since the melodies are so infectious.  And, I didn’t even mention one of the greatest alt-rock singles of the 1990s: “It’s Love.”  It’s an amazingly catchy and infectiously happy song.  The harmonies are just stellar.

This is the last King’s X album to dabble in these prog-stylings.  The next bunch are really heavy affairs, quite a departure from this one.

[READ: September 07, 2008] “The Dinner Party”

I enjoyed this story very much.  It felt like a contemporary update of Who’s Afraid of Virginia Woolf with a twist. (more…)

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Alice Munro–“Face” (New Yorker, September 8, 2008)

Posted in Alice Munro, Buffy the Vampire Slayer, Canadian Content, King's X, New Yorker, Short Story on September 9, 2008| Leave a Comment »

SOUNDTRACK: KING’S X-Gretchen Goes to Nebraska (1989).

I loved Out of the Silent Planet and never thought there’d be anything better.  But then just a year later, King’s X put out Gretchen Goes to Nebraska.  It ranks up there with Buffy the Vampire Slayer in terms of weird titles the belie how wonderful the contents really are.  I still have no idea what the title actually means, but that’s okay.  I put on the disc, and relish the music.

The opening is as otherworldly as the cover.  It starts with a sitar chord that plays long and slowly fades…into a great high pitched bass line.  And, then comes the dissonance once again.  The dissonance isn’t quite as harsh this time around, but it plays off the other instruments even more.  And just as the dissonance ends, you get the harmonies.  All of the elements of King’s X are back, and even better!

The next song, “Over My Head” is just an amazing bit of music.  It incorporates everything: gospel sing- alongs, great guitar riffs, he even mentions his grandma!  Fabulous.  “Summerland” may even top “Goldilox” in terms of fantastic ballads.  The harmonies on it are simply through the roof.

I’m going through the song list and there’s not a bad song to be found.  There’s still overtones of Christian rock in evidence, but the message becomes even more about spirituality than simple Christianity as on “Mission”: “What’s the mission of the preacher man, some are true, some do lie.”  There’s also the great “Pleaides” a song not sung by Doug Pinnick, which allows Ty to let his voice shine through.  The disc ends with “The Burning Down” a song that encapsulates the mellower side of King’s X, including an extended instrumental denouement which plays more with fun instrumentation (and shouts of Ow Sigh Planet).

Brilliant.

[READ: September 7, 2008] “Face”

I’ve talked about Alice Munro a few times lately, so I’ll skip any introduction and get to the heart of the matter.  This story concerns a young man born with an enormous birthmark on his face: the entire side of his face is covered with the  purplish mark.  His father is utterly repulsed by him, and as far as the narrator can recall, only looked him in the eye once when he was born, and that was it.  His mother tried to protect him by home schooling him until he was old enough to go to college.  By the time he went to school, he felt he was old enough to withstand any of the abuses that would be hurled at him.  Although, frankly, the disdain of his father was worse than anything the kids could dole out. (more…)

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Joe R. Lansdale–“Steppin’ Out, Summer ’68” (1992)

Posted in Bubba Ho-Tep, Canadian Music, Craig Northey, Funny (ha ha), Funny (strange), Joe R. Lansdale, Sex, Short Story, Stripper's Union, The Kids in the Hall, Violence, Yuck! on September 3, 2008| Leave a Comment »

SOUNDTRACK: STRIPPER’S UNION-Local 518 (2005).

This is a collaboration between Craig Northey from The Odds, and Rob Baker from The Tragically Hip.  Really, it comes across as a showcase for Craig Northey because, and I mean no disrespect, I’m not sure that Rob Baker has a very distinctive guitar style.  Or, put it this way, I couldn’t pick Baker’s guitar our of an audio line up.  And I don’t think that’s necessarily a bad thing.  I think it really highlights his wide range of skills.  This is evidenced also by how different The Hip sounds on different albums.  Their last 3 are vastly different.

And so, this collection allows Baker to showcase his varying styles, and probably some things he doesn’t do in the hip, and it allows Northey to sing in some styles that he doesn’t always use.  Basically, it’s a good chance for both guys to stretch out.

My first thought when listening was that the album was just a collection of good rock songs.  But as I’ve listened more, I find quite a lot of fun and interesting things going on.  The two opening tracks are pretty rocking, with “Full Flow Angry Boy” being a good shout-along.  The album changes as it moves along: “Bullet Proof White Limo” is a smooth, almost creepy song.   “Give up and Go Away,” co-written by Kid in the Hall, Dave Foley, has some great shouted “Hey’s” which always make a song fun to sing along with. “The Radio (foggy hill)” is one of those songs that seems simple and is easy to ignore, but once it gets inside of you it sticks (Imagine a droning singalong of “Na-na-na-na-na-na-na goes the radio”).

In general, Northey is a witty lyricist, and this album is no exception. The lyrics aren’t always easy to hear, but some of my favorites include:

Gang vocal with the fist up, into German porn; Peter Band caught fire, warming up for Korn.

We did 22 bucks a head; That’s better than the Grateful Dead; They picked our stock of swag so clean; As they raged against the old machine.

When I was born your time was through, now it’s my generation too; I care so I rehearse, cause everybody knows the words.

You don’t get a sense for the catchy melodies with these snippets but you do get a sense for the tone and themes.  There’s a lot of songs about being in a band, but they aren’t really navel gazing.  I mean, I’ve never been in a band, but I enjoyed the lyrics.

Any fan of The Odds or The Hip should track this down, but really, anyone looking for a diverse collection of well-crafted songs should really give this one a try. You can check out the disc from Maplemusic. There’s even a band website (which hasn’t been updated in over two years!)

[READ: August 19, 2008] “Steppin’ Out, Summer ’68”

My coworker recommended this story to me, as one of the only stories that ever made him laugh out loud (he claims he has no sense of humor). (more…)

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Terry Moore–Echo [Issues 1-5] (2008)

Posted in Adventure, Funny (ha ha), Funny (strange), Graphic Novel, Knocked Up, Loudon Wainwright III, Marriage Trouble, Military, Pregnancy, Sci-fi, Supernatural, Technology, Terry Moore, Threats, War on August 21, 2008| 3 Comments »

SOUNDTRACK: LOUDON WAINWRIGHT III-Strange Weirdos: Music from and Inspired by the Film Knocked Up (2008).

I can’t say I really noticed Loudon’s music during the movie.  Of course, when I read about it later, it turned out that the versions in the movie were instrumental.  Ahhh.  So, this “soundtrack” contains the instrumental tracks from the movie with words added (which is how they were originally recorded, so all is right once again).

This collection of songs is, to my ears, Loudon’s least funny collection.  Which is fine.  There are a few turns of phrase that raise a smile, but mostly the songs are thoughtful and thought-provoking.  They work very well with the theme of the movie: parenthood, children, relationships, love.  (Even though the movie is funny, these songs aren’t).

The collection is certainly one of Loudon’s strongest.   Many of Loudon’s musical partners in crime are here: Richard Thompson, Patrick Warren, Van Dyke Parks and, special guest Joe Henry (who I don’t know too much about, but who plays a lovely guitar).  The first three songs, “Grey in L.A.” “You Can’t Fail Me Now” and “Daughter” are possibly three of Loudon’s strongest songs in years (He didn’t write “Daughter” but he sings it wonderfully…and I think better than the original, which is a bit too jazzy for my tastes.)  The rest of the album continues in that vein: mellow folk music but with enough of an edge to keep it from sounding monotonous.  Loudon is releasing another new album this month, and I hope he keeps up this high quality!

[READ: August 14, 2008] Echo

When Strangers in Paradise ended, I was quite sad.  One of my favorite comics by one of my favorite artists was now out of my life.  And slowly, I forgot about Terry Moore, and moved on to other things (like the Buffy Season 8 comic).  Well, while I was at ALA this year, Michele Gorman, the wisest person in the graphic novelverse, asked me how I liked Terry’s new book.  Wha?? I said.  She said, it’s called Echo, and it’s fantastic.  And, so I got home, looked it up online and immediately subscribed and got the back issues.  1-4 came right away and #5 just arrived.  And I’m all caught up. (more…)

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Adam Gopnik–“The Real Work” (New Yorker, March 17, 2008)

Posted in Adam Gopnik, Alex Stone, Arrested Development, Bullshit!, Essays, Harper's, Illusion, Led Zeppelin, Magic, Magicians, Matt Pinfield, New Yorker, Paul Quarrington, Penn & Teller, Pink Floyd, Plasmatics, Radio, Set in New Jersey!, Smarty Pants, Supernatural, WRXP 101.9 FM--New York on August 13, 2008| Leave a Comment »

SOUNDTRACK: WRXP, 101.9 FM, New York City (45 days later).

The past two weeks I have been listening to this station more because I have been doing work in the garage (building a chicken coop).  Without going into my neurotic music listening, I’ll just say that I listen to the radio rather than CDs when I do noisy work.  And so, WRXP.

I haven’t listened that much since my last post, but the most dramatic difference to me is that they seem to have real commercials now.  Wal-Mart seemed to be advertised a lot, and there were one or two other name brand items (with effective ads obviously).  They still have all of those weird ads for services rather than products (in fact if you need full term life insurance, just listen in for 20 minutes and you’ll hear that one).  But I guess they must be doing well if the real companies are showing up.

They still play way too many commercials.  But heck, that’s commercial radio for you.

They also seem to rely a lot on a few bands that surprise me: Dave Matthews in particular.  I’m not a big fan of his, so I’m surprised to hear him so much; however, overall I think their selection is quite good.  They seem to be off Pink Floyd and on to Zeppelin now, which, frankly would be a neat idea for this station: pick a classic rock artist that you will overplay for a week, and then move on.   What a cool thing: you could do all kinds of back catalog stuff, and less popular songs and then, just as people got sick of them, switch to someone else, and repeat.  Genius!

Anyhow, the other thing I wanted to mention is that the only person with any credibility to ever be on MTV, Matt Pinfield, is a morning DJ on the station.  He and his co-jock do a bit too much DJ banter for my liking, but mostly he’s just a dude who loves music and will tell you more or less fascinating stories about whoever he’s going to play, and then play good stuff.  I heard a fun interview with Supergrass the other morning, which was good.  Pinfield also knows his music enough to ask good questions and still be fun.

Hilariously, he also committed the hilarious gaffe that I used to commit in high school: pronouncing the Police album: “Outlandos DE Amoor” rather than the more accurate Outlandos Damoor (surely he must know that by NOW).  (Like pronouncing the Plasmatics album COOP DE AY-TAT, rather then Coo DAY TAH (I’m guilty of that too).  And, I found out that he grew up in East Brunswick, NJ, merely a few miles from where I now work.  So, Matt, if you ever used the North Brunswick Library, well, you should come back and see how nice we look now.

[READ: August 13, 2008] “The Real Work”

This piece was recommended by two people who commented on my post about Alex Stone in Harper‘s Magazine. They both said that this was a far better, far more appreciative article about magic.  And they were right.  I won’t really compare it to Stone’s except to say that Stone’s piece (whatever his credibility may be) was designed as a suspenseful tale following the events and the winner of “The Magic Olympics.” He also gave away some secrets to some of the tricks he did and saw there.

Gopnik’s piece is more of a loving appreciation for magicians and their work. (more…)

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Joshua Bearman–“The Perfect Game: Five years with the master of Pac-Man” (Harper’s, July 2008)

Posted in Essays, Contests, Harper's, Joshua Bearman, King of Kong, Pac Man, Donkey Kong, Gnarls Barkley on July 24, 2008| Leave a Comment »

SOUNDTRACK: GNARLS BARKLEY-The Odd Couple (2008).

So “Crazy” was Gnarls Barkley’s ubiquitous and fantastic single from 2006. The rest of St. Elsewhere was nowhere near as catchy, although it was all quite good. It was funny to see the backlash for this record because there was no “Crazy” on it. And yet, the rest of the album is not too different from the rest of St. Elsewhere. The same themes are there: lunacy, insecurity. And the production feels kind of claustrophobic like the first one did.

“Crazy” was a great single because Cee-Lo was able to unleash his mammoth voice. There are a couple of songs on The Odd Couple where Cee-Lo gets to unleash: “Surprise,” and “Neighbors.” But they’ve also got some great, subdued songs as well: “Blind Mary,” “Who’s Gonna Save My Soul.”

The music from Danger Mouse seems to be busier and more complex on this one, too. There’s all kinds of samples on the record, but they are hard to distinguish from the original music: a true sign of great sampling. There’s a background chorus of some sort on “Surprise” that is just fantastic, and I can’t tell if it’s the sample or not (since I’ve never heard the original).

Perhaps it’s because The Odd Couple is fresher in my mind, by I think I like it better than St. Elsewhere, even without “Crazy.”

[READ: July 1, 2008] “The Perfect Game”

As I said, I don’t usually review articles in magazines. This one, however, had special resonance. (more…)

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Marisha Pessl–Special Topics in Calamity Physics (2007)

Posted in Against Me!, Books about writers, Corporate skewering, Funky Web Sites, Funny (ha ha), Gilmore Girls, Marisha Pessl, Mystery, NPR/PRI/PBS, Rush, Set at School, Smarty Pants, Social Distortion, Tegan and Sara, Unreliable narrator on July 21, 2008| 1 Comment »

SOUNDTRACK: AGAINST ME!-New Wave (2007).

I’m not sure why I never listened to these guys before. I’m not crazy about the band’s name: it makes sense, but it’s awkward to work with. And I think I lumped them in with the whole emo scene, which I was pretty well done with. Anyhow, I read a review of New Wave recently and decided they might be worth checking out.

New Wave is an astonishingly refreshing and heartfelt album. It’s fairly short, as the songs are fairly short, and they pack a lot of punch. In fact, I’ve been singing this great, catchy chorus all morning: “Protest Songs in a response to Military Aggression. Protest songs to try and stop the soldier’s gun.”

The songs are great: really diverse for what is essentially a punk album. And the topics are protestations that I haven’t heard in a while (at least not in such a catchy style): Lack of originality in the mainstream. (“New Wave” & “Up the Cuts”), Drug Addiction (“Thrash Unreal,” the latest single that I’ve heard). “Stop” is a change of pace mid-album, with a catchy chorus and an almost dance feel. “Piss and Vinegar” is a plea for honesty. And possibly the strangest item on the disc: the song “The Ocean.” One doesn’t expect a punk band’s verse to start like this: ” If I could have chosen, I would have been born a woman. My mother once told me she would have named me Laura” and it continues on in that vein. What a shockingly honest (presumably) lyric in a song.

The only thing I don’t like about the album is…the singer’s voice. I just can’t get past it, and I’m not sure what it is I don’t like about it. He sings on key, his voice is strong and impassioned. There’s just something about it I don’t like. Of course, I also don’t like the singer from Social Distortion either. I guess I’m more of a high, whiny voice than a gruff aggro voice. Despite this, whenever the band does harmonies, they sound great! All of the choruses have nice harmonies somewhere in them, and they really make the songs. Plus, there’s a song called “Borne on the FM, Waves of the Heart” which is a duet with Tegan from Tegan and Sara, and it’s really fantastic. They are a perfect match for each other. Normally, not liking the singer would make you not like a band. (How many people can’t get into Rush because of Geddy Lee’s voice?). And yet, I still think the album is great. I’m certainly going to check out some past records as well. I’m especially intrigued by this album title: Reinventing Axl Rose.

[READ: June 25, 2008] Special Topics in Calamity Physics.

I heard about this book when I was scanning the NPR stations and there was a story about authors/publishers making great websites to accompany books. Two of the ones they mentioned sounded pretty interesting, so I jotted them down and checked them out. This was the first one, Special Topics in Calamity Physics. The site was pretty neat, but I didn’t spend much time there, as I was at work. I checked that we had the book and took it out that day. (more…)

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Robert Coover–“The Case of the Severed Hand” (Harper’s, July 2008)

Posted in 21 Jump Street, Agent Orange, Gangsters, Harper's, Mystery, Noir, Northern Exposure, Robert Coover, Threats on July 19, 2008| 3 Comments »

SOUNDTRACK: AGENT ORANGE on 21 Jump Street (1987).

Sarah and I are watching 21 Jump Street on DVD.  We were both fans of the show when it came out, but our only thought about it was to sing JUMP every once in a while.  So, we got Season One and have been very pleasantly surprised at how good the show is.  It holds up surprisingly well: the story lines are a bit over the top, and some very basic logical issues like: they go to a different high school every episode, just how many high schools are in this town?  And, what town in the world is as pervaded by so many different teen criminal masterminds?  But, once you get past that (and the egregious late 80’s fashion) the stories are really compelling.

Anyhow, the music on the original was very good, but like many DVDs, (Northern Exposure, I’m looking at you) the original scores could not be obtained so they have lame background music.  (Don’t even get me started on the bullshit factor of THAT).  But the last episode of Season One features music by Agent Orange (it’s about punks, you see).  I assume the band on screen is Agent Orange (although the singer isn’t the band’s singer, so maybe not).  Anyhow, there are several scene in a punk club, and the Agent Orange songs are really good.  I never got into them back in the day, probably because they only really put out two albums, but I am now intrigued enough to see what they were like.  I’ll likely be getting and reviewing their debut, which sounds very promising.

[READ: July 2, 2008] “The Case of the Severed Hand”

This was the only story out of all of the magazine stories I just read that I did not like. (more…)

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Alex Stone–“The Magic Olympics: with tricks explained!” (Harper’s, July 2008)

Posted in Alex Stone, Arrested Development, Essays, Harper's, Illusion, Jens Lekman, Magicians, Paul Quarrington, Swedish Music on July 16, 2008| 5 Comments »

SOUNDTRACK: JENS LEKMAN-Night Fall Over Kortedala (2007)

My friend Eugenie introduced me to Jens. She put a song on a mix CD for me, and I really liked it. I picked up his EP collection Oh You’re So Silent, Jens. And he just released Night Falls last year.

Jens’ voice is unique. He’s got a Swedish accent, and his sing-speaks quite softly, so some of the words are quite heavily accented. And, his songs are quite fantastic. The lyrics are bizarre and wonderful. While his songs aren’t funny, per se, there are a number of lines that are just hilarious, even on multiple listens. In the past his songs were more or less acoustic affairs. On this one, he expands somewhat with some brass on a few tracks, some hip-hop flavorings and well, just about everything else.

Lekman released a twenty minute DJ track on his website last year. And it’s clear that the mash up qualities of that release influenced his recording sessions for Night Falls. It opens with the orchestral pomp of “And I Remember Every Kiss,” and the catchy, if inscrutable “The Opposite of Hallelujah. ” This leads to the great “A Postcard to Nina” which provides Jens’ loudest moment of a screamed/sung “Oh God, what have I done! I just came here to have some fun.” There is no screaming on the simple, gorgeous “Your Arms Around Me,” even though he cuts of the tip of his finger in it. “Shirin” is all about his haircutter (hence the album cover) and the repeated name makes for a lovely chorus. And, I can’t not talk about the last song “Friday Night at the Drive-In Bingo,” one of his most rocking songs (rocking being relative). It has a thrown-together, raucous feel, getting faster as the song moves along. It also has this wonderfully bizarre clarinet/saxophone/something line over the top of it that perfectly recalls an old-timey mournful swing band that you might hear at a church bingo function from thirty years ago. The song is funny and silly, and wholly enjoyable. And I can’t think of another song like it anywhere.

[READ: July 2, 2008] “The Magic Olympics”

There are two reasons why I’m mentioning this article. (more…)

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