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Archive for the ‘Craig Northey’ Category

SOUNDTRACK: DEATH LURKS-“Happiness Pie” (1996).

After Grivo took GLeeMONEX, he went from being a dark man embracing darkness into a happy man who loves happiness.  In pie form.

What’s in this pie?

Two cups love
A cup and a half of understanding
a tablespoon of good old-fashioned compassion
sugar to taste
and the ovens … are our hearts

This song, like the other Death Lurks songs was written by Craig Northey of Odds.  And while the lyrics are deliberately over the top treacle, the song is top-notch.

The jangly guitars sound just right and you can easily start to sway along.

Much like this movie was all about drugs, this song is like a gateway into pop music.  You listen because it is so silly and easy to mock.  But you slowly start to get into it because the music s really catchy.  And soon enough you like pop music as well!

True story.

[READ: January 20, 2020] “Another Castle: Grimoire”

This story was written by Andrew Wheeler and illustrated by Paulina Ganucheau. It was published as a five issue arc and collected in this one volume.

In the Kingdom of Beldora a heart finch appears on a branch outside the window of princesses Artemisia (Misty).

Her lady in waiting is thrilled at the good omen, but he princess recognizes that it is not actually a heart finch.  She realizes it as a spy and puts a pair of scissors through it and it immediately disintegrates.  Then the princess if off to defend the kingdom–Shadelings are spying on them.

The Shadelings are run by Lord Badlug.  It has been ten years since he’s done anything to their kingdom, but hey can’t forget his treachery.

Misty’s father tells her to settle down and go back to her friends.  But Misty knows what she is doing.  She runs up to the throne and grabs The Leveler–the only sword that can kill Lord Badlug. (more…)

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SOUNDTRACK: TOOL-“Some Days It’s Dark” (2007).

I recently learned that Tool performed this cover of a song from The Kids in the Hall: Brain Candy live.

In the movie Bruce McCullough’s character Grivo’s band Death Lurks plays this very heavy song (written by Craig Northey and performed by Odds).  Lyrically it’s amusingly Dark

Some days it’s dark
Some days I work
I work alone
I walk aloooooooone.

Tool is considered to be one of the most intense metal bands out there with fans taking them very Seriously.  So the fact that they covered this song (in Toronto) is fantastic.

The cover is great (of course).  They get the sound of the original right on, especially when the big heavy part kicks in.  The only problem I would say is Maynard’s delivery.  It’s a little too deadpan,  I’d like it to be a but more over the top.  But maybe that wouldn’t be Maynard’s way.

You can hear it (no video) here.

There’s no word on if they also played “Happiness Pie.”

[READ: January 27, 2020] Extra Credit

When a beloved (and award winning) series nears its end, it is time to put out early and special features collections.  Usually they come once the series has ended, but this one has come early.  Whereas Early Registration was a good collection of early material, this collection is a bit more haphazard.

It collects some Christmas specials and some early “comic strips” from Allison.  Given this seeming completest nature of this collection, I can’t imagine that there’s another volume planned.

The first story is called “What Would Have Happened if Esther, Daisy and Susan Hadn’t Become Friends (and it was Christmas).”  It’s the 2016 Holiday issue drawn by Lissa Treiman.

We zoom in on DAY-ZEE on “the edge of the boundless sweep of space” as she zooms in one the title question.  [It’s important to read Early Registration first as this story references that story].

Esther didn’t help Daisy move in on that first day.  Esther was immediately grabbed by the popular girls.  They are sitting under a tree playing music on their phones which wakes up Susan who curses them out. (more…)

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[ATTENDED: November 6, 2019] Steve Page Trio

I saw the Steven Page Trio about a year ago in Philadelphia.  When he announced that he was touring some more and coming to Bethlehem, I grabbed tickets for me and S. right away.

S. doesn’t really know his solo stuff at all, but she is a fan of BNL and has always said how much she liked his voice, so I thought it would be a fun, relaxing, seated event.

We were so close, we were literally right next to the stage.  When you’re standing, its a coveted spot, but when you’re seated, it’s terrible!  Luckily, they moved Dean Friedman’s giant monitor out of my way so I could actually see them all.  But in hindsight, sitting a few seats back would have been far preferable.

The weirdest thing is every time he picked up or put down his water bottle I thought he was going to talk to me (he didn’t).

I love being up close, the angles were just all wrong.  Any pictures I took were going to be of Steven’s crotch (!).   Fortunately, the vocals sounded fine.

I have learned from past experiences that seeing an artist a few months apart often means the same or a similar setlist.  And that’s what happened here.  Although when I look at other recent shows I see that he seems to have a kind of rotating setlist of some of the songs.  I saw that the night a few nights before us was amazing with “Alternative Girlfriend” (the song I really wanted to hear!) and “Someone Who’s Cool” an Odds cover!  They also played “Manchild,” my favorite new song of his and “Break Your Heart” both of which I have heart before but, come on, they are awesome.  Incidentally Odds opened for Steven Page in Canada.  Once again I wish I was above thee border not for political reasons. (more…)

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[ATTENDED: September 24, 2018] Steven Page Trio

I’ve seen Barenaked Ladies countless times.  I saw them when Steven Page was with them.  I’ve seen them after he left.  BNL is always fun even without Steven.

But Steven Page’s voice is awesome and he is definitely missed in the band (even though his solo albums are better than recent BNL albums).

This is actually the third time I have seen him since he left BNL and all were within the last three years.

The first time (also with Craig Northey) was when they and the Art of Time Ensemble performed Sgt Pepper’s Lonely Heart’s Club Band.  The second was earlier this year when Steven did his Songbook–singing (mostly) other people’s songs.

These were both great but, man, I wanted to hear him sing his own songs.  So I was psyched when he announced a new tour with a trio playing his own music (and a new album).

The trio included Craig Northey on guitar and Kevin Fox on cello.  And it was awesome. (more…)

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[ATTENDED: February 2, 2018] Steven Page

I was thrilled to see Steven Page play with Art of Time Ensemble back in 2015.  When I saw that he was playing (somewhat) locally again, I was really excited to get tickets.  It wasn’t until much later that I realized that he was doing a Songbook tour with the Art of Time Ensemble and not playing songs from his (excellent) solo albums.

That was fine, because I loved his Songbook release with AoT, but as always, I’d much rather see someone sing his or her own songs than covers. But Page had picked great songs for his album with AoT and he picked an even better selection for this show.

The ensemble came out on stage followed shortly after by Page.  Steven explained that the purpose of the evening was that these songs were designed to have their vocal melodies remain largely unchanged but for the arrangers to push the boundaries of what  these songs could sound like.  To go as far as possible without going too far.  He thought many people wouldn’t a lot of the songs but that this might inspire them to check out the originals. (more…)

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SOUNDTRACK: ART OF TIME ENSEMBLE-Sgt. Pepper’s Lonely Hearts Club Band (2012)

The Art of Time Ensemble does many things although my exposure to them is through their string performances of rock songs

Led by Artistic Director Andrew Burashko, Art of Time Ensemble transforms the way you experience music. Fusing high art and popular culture in concerts that juxtapose the best of each genre, Art of Time entertains as it enlightens, revealing the universal qualities that lie at the heart of all great music.

Sarah and I saw a live show of this tour.  And this recording is pretty much the same (I’m sure there’s some variations).  It is more than just a symphonic version of the record.  The Art of Time Ensemble created new arrangements of the songs.  Purists might hate this, but it is lovingly created and made with a few extra orchestral moments thrown in.

This disc was recorded live in concert May 31, June 1 & 2, 2012 at the Enwave Theatre in Toronto

The disc opens, of course with “Sgt. Pepper’s Lonely Hearts Club Band.”  Steven Page sings the song with rocking guitars and horns.  There’s cool a capella moment with them all singing the “it’s wonderful to be here” moment.  Before allowing the next song to start the band does the slow orchestra rise of notes at the end of the album.  Clearly showing that while hey are staying somewhat faithful to the record, there will be surprises.

“With A Little Help From My Friends” has gentle swirling orchestral notes as John Mann (from Spirit of the West) sings.  This song seems to be all about the orchestra as they take many liberties with the melodies and soloing moments.

“Lucy In The Sky With Diamonds” Craig Northey sings this classic which is quite understated, especially in the chorus, when he sings falsetto and there;s minimal accompaniment.  However, those three thumps before the chorus are as loud as anything.

Andy Maize’s gruff, weathered voice sounds great for “Getting Better.”  But it’s Page’s harmonies in the chorus that make this song transcendent.  “Fixing A Hole: is the first song that really changes the original.  It has a kind of Kurt Weill cabaret/circus vibe with John Mann hitting some challenging notes.  But the music is so sinister, it’s quite interesting.

“She’s Leaving Home” is achingly, beautifully sung by Steven Page.  The backing vocals are perfect, too.
“Being For The Benefit Of Mr. Kite!” has a few strange moments in which the bulk of the music cuts out for pizzicato strings or when the middle section features an extended waltz for Mrs K to dance.  Craig Northey sounds like he’s singing through a megaphone but that seems unlikely.  By the end, Northey also seems to be talking Mr. Kite down from his foolish behavior (“Oh, he;s falling”).

“Within You Without You” is the other song that Andy Maize takes lead on.  On the original, the song is done in Indian classical style.  This version has strings filling in with repeated melodies.  Indian hand drums are used at the end and while I’m not certain, I think there was no sitar used, but the melodies on violin and voila do a great job of representing that sound.

“When I’m Sixty-Four” is very string-heavy and takes a bit before it gets the bouncey feel of the original.  John Mann does a nice job with the song and the backing singers do a great job too.  I’m only bummed that there’s no musical punctuation on Vera Chuck and Dave.

A long piano intro opens “Lovely Rita” before Steven Page takes lead vocals–a song well suited to him.  The big surprise comes in the middle when there’s a lenghthy big band dance section including a muted trumpet and a real nor jazz feel.  After the nifty trumpet solo there’s a clap along for the ending chorus.

The members all greet each other “Good Morning” before “Good Morning Good Morning” starts up, sung by Craig Northey.  It’s one of the more rocking songs.  At least until the swirling heavy guitars that open “Sgt. Pepper’s Lonely Hearts Club Band (Reprise).”  There is a chorus of vocals singing with vamping from Steven Page.

The disc ends with “A Day in the Life” with Andy Maize on the first section (squeaking out that House of Lords line) and Craig Northey taking the faster part.  Since the orchestra already did the end of the album much earlier the end of the concert is quiet, much more subtle.

The album is over but there are two bonus Beatles songs.  “Penny Lane” sung by Steven Page might be noticeable for the trumpet getting the solo perfect.

The whole show ends with “All You Need is Love” with everyone getting a verse.  There are a number of Beatles’ lines thrown in during the outro, like Page singing “I should have known better with a girl like you” and “All I’ve got is a photograph” (from Ringo).

This is a fun take on a classic album.  And while I’ll always prefer the original, it’s nice for a change of pace.

[READ: April 11, 2016] “Soldier’s Joy”

I don’t quite understand the title of this story, but that doesn’t detract from my enjoyment of it.

The story is about a woman, Nana, and her much older husband.  It opens with her relating to him a dream she had.  In the dream, he sent her a love letter in which he stated how lucky he was “that you still want to live with me.”  He laughs and says he is quite humble isn’t he.

In his dream he imagined that their friend Helen, a “preposterously impossible person,” was pregnant.  Helen had hosted them the previous evening and her husband had been drunk and flirted with Helen’s nineteen year old daughter .

Later Nana called Helen to apologize for her husband and to commiserate about what they should wear to the next function at Libby’s house.   Helen says not to worry sabot it, that all girls flirt.  And of course, Nana remembers how she and Helen flirted with their college professor when they were in school and how, of course, he is the man who Nana ultimately married. (more…)

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[ATTENDED: November 22, 2015] Art of Time Ensemble

aotWhen I saw that the Art of Time Ensemble was coming to RVCC I was crazy excited.  Especially when I saw that Steven Page and Craig Northey would be singing with them.  I didn’t even care what it was they were doing, but when I saw that they’d be playing Sgt. Peppers Lonely Hearts Club Band, I immediately got seats (3rd row!) and then tried to explain to Sarah what we’d be seeing.

The Art of Time Ensemble does many things although my exposure to them is through their string performances of rock songs

Led by Artistic Director Andrew Burashko, Art of Time Ensemble transforms the way you experience music. Fusing high art and popular culture in concerts that juxtapose the best of each genre, Art of Time entertains as it enlightens, revealing the universal qualities that lie at the heart of all great music.

This show was a string and brass (and piano, guitar, drum and possibly sitar) version of the classic Beatles album.  But it was more than just a symphonic version of the record.  The Art of Time Ensemble created new arrangements of the songs.  There were enough changes that it wasn’t always evident what song was being played–even though they played the album start to finish. (more…)

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Beloved Canadians The Kids in the Hall who were hilarious for five years on their skit show (and who ended their reign while still being very funny) have returned to TV after a sixteen year hiatus (not including their underrated movie Brain Candy and their awesome live tours, naturally).

I was beside myself with excitement when I found out about this show (and I’m rather vexed that I didn’t hear about it until it showed up on IFC recently.  Although I suppose if I had known about it sooner, there’s no way I could have watched it anyhow).   I was also kind of surprised at how little I knew about the show before it started.  How many episodes were there for instance?

So, the details (now that the show has finished its run on IFC, with repeats to come, no doubt): It is an 8 episode mini-series.  All of the Kids are in the show, and they each play multiple roles (although the opening credits and promo stuff suggest that they each play one character).  They play:

Bruce:  Mayor Bowman, “Big City” Lawyer (one of my favorites on the show), and Ricky (an obese man).
Dave: Mrs Bowman, Levon Blanchard (news producer), Dr Porterhouse (The town abortionist), and a wonderfully ambiguously accented, where-the-hell-is-she-from? nurse (my favorite minor character by far).
Kevin: Marnie (a forgetful, middle aged woman), Shaye (the news teams’ sound guy and hipster) and Sam Murray (depressed cat loving DA).
Scott: Crim Hollingsworth (1/16th Native and a great performance by Scott), Heather Weather (the TV weather woman), and Dusty Diamond (town coroner).
Mark: Corrinda Gablechuck (anchorwoman), The Judge, and the titular Death.
Bruce & Mark also play cops, like in the old series.

There are also other actors in the series, and (according to post show interviews) a lot of the locals from Shuckton, Ontario (which is really North Bay) were used as extras.

I admit that I was a little disappointed in the first episode. After the non-stop hilarity of the skit show, this one took some time to get going.  Exposition is a bitch.  But there’s enough humor (the opening with Bruce’s CGI bid for the 2028 Olympics, Death’s arrival on a kids’ bicycle (with a motor), and Dave as the drunken mayor’s wife) to keep the show interesting.

Once the exposition is out of the way though, the story is just fantastic and very funny. (more…)

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SOUNDTRACK: Odds-nest (1996).

My friend Amber from Vancouver copied this disc onto cassette for me sometime around when it came out.   I had heard “Heterosexual Man” when it was a minor novelty hit in the early 90s, but Amber wanted me to hear more from this Vancouver band.

Since the Odds dissolved, Craig Northey has become a proficient soundtrack man (Corner Gas, Kids in the Hall, and much more). But back in the 90s, Northey was simply put, a great pop songwriter (his bandmate Steven Drake was no slouch either).

“Someone Who’s Cool” is a fantastic song that should have been huge: powerful pop with a hint of 90’s rock added to keep it from being treacly.  And, of course, Northey’s voice is great.  There’s nothing particularly notable about it: it’s not whiny or deep or twangy or anything, it’s just a good singing voice (which is kind of unusual these days).

“Make You Mad” and “Hurt Me” have really catchy opening guitar riffs (and are a bit heavier than “Cool,” and yet they feature choruses that are full of harmonies and sing alongs.

“Tears & Laughter” has a jagged, wild guitar sound that, while not overtly heavy or anything, really rocks on this disc. “Nothing Beautiful” should have been a huge indie rock hit, but maybe it was too polished for indie cred.  It’s a great minor key song with, yes, a very catchy chorus.

This was the final Odds record.  It’s a solid collection of songs.  Of course, the band has recently sort of reunited as the New Odds, so we’ve not heard the last from them.

[READ: September 11, 2010] “My Kushy New Job”

This article sees Wells Tower heading off to Amsterdam for a crash course in learning to sell drugs.  He is assigned a two-week job as a dealer in a Dutch coffeeshop.

I’ve been to Amsterdam and I checked out a coffeeshop while I was there, but this article provides more information than I ever knew about them (and suggests that they are trying to spruce up their image since then). It seems that the selling of pot in Amsterdam is still a nebulous area, legally.

Shops can only have a certain amount of supply on hand (which means that most stores have offsite premises where they keep their extra stash; they house more than the legal amount and are therefore illegal.  And, technically, the people who transport the stash from offsite to onsite can be arrested up until the moment they enter the shop.  Customers can only by a small amount at time and, strangely enough, coffeshops cannot advertise (more on this later).

Tower finds the whole experience to be far less “woah, cool man” than everyone who hears about the job thinks it will be.  First, he finds that the buyers are really intense (and don’t appreciate how long it takes him to measure a gram of hash).  But by the end, he finds most of them to be simply rude and a little dead inside. (more…)

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SOUNDTRACK: THE NEW ODDS-Cheerleader (2008).

Craig Northey, singer of the Odds has written some great songs by himself and with a slew of other projects.  But most notably, he did the theme songs (opening and closing) for Corner Gas.  At last, “My Happy Place” the Closing Credits song has now been released on this disc by The New Odds.  (The Opening Credits song “Not a Lot Goin On” is available on the disc that Northey made with Jesse Valenzuela, cleverly titled Northey Valenzuela.  I mention Corner Gas aside from the fact that it’s a great show, because I mention it in the book write up below as well.  But back to the Odds.

The Odds had a minor hit in 1993 with “Heterosexual Man” (which we all thought was hilarious).  I didn’t really think much about them until my friend Amber from Vancouver sent me a tape of Bedbugs.  I was surprised how much I liked it and how, although the band was funny, they weren’t a novelty act at all.

I’ve enjoyed the Odds very much since then, they’ve appeared on a number of soundtracks, and released four solid albums, especially 1996’s Nest.

The New Odds are, as you might guess, the Odds, only new.  3 of the 4 original members are back, and aside from updating their sound to the twenty-first century, the band isn’t radically different. They play what used to be called college music, but which really is more or less alternative or even just rock music.

As with previous Northey output, the lyrics are witty and clever, with some wordplay in evidence.  There’s a pretty diverse collection of sounds on the record, yet they all stay within the range of alternative guitar pop.  One or two songs rock harder than the others, “Leaders of the Undersea World” sounds like a dose of heavy metal in comparison to the rest of the record.  “Write it in Lightning” is also a pretty good song, and “I Can’t Get You Off” has a wonderfully catchy hook to it.

Northey’s voice is easily described as inoffensive, and the music is catchy but not stick-in-your-head catchy.  It’s not a ringing endorsement, but it’s also not a put-down.  Like meat and potatoes, it’s a good staple to any alternative fans’ collection.

[READ: August 28, 2008] Why I Hate Canadians

I bought this book several years ago, probably in 2000, when I was visiting Montreal.  I remember being very excited to visit Chapters and to see what kind of books they had that weren’t available down south.  I was especially interested in the humor section as I had just started watching Mike Bullard, and I knew he wasn’t available in the States.  I found Bullard’s book as well as two books about Canada by the Fergusons. Why it took me 8 years to read them, I don’t know.

This book is listed as a humour book; the copyright page has it listed as 1. Canada-Humor 2. Canadian wit and humor (English).  But the thing is that the book isn’t very funny.   Even with an outrageous title like that, it’s not very funny.  It is however, a fantastic introduction to the history of Canada written in a style that is (yes) funnier than your average textbook.

DIGRESSION: I will state that I realize that Will Ferguson has a perspective, and quite often he’s very vocal about his perspective.  Most good history is written with an acknowledged bias–trying to hide your bias makes for dull (or hypocritical) history.  So, Ferguson’s history of Canada may not be Accurate, (especially if you are a Quebecois) and of course, I’d be interested to hear from those who disagree with him; however, to an American who is not well versed in the history of Canada, it was pretty enlightening. (more…)

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