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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: April 28 & 29 2023] Restorations / Space Cadet / Orbit

Restorations was scheduled to pay one Philly Date (hometown date) in 2020, which was cancelled.  These two shows aren’t exactly rescheduled shows, but they kind of are.

And, I didn’t hear a single thing about them until long after they were sold out.

I saw them open for Band of Horses six years ago, and they were great.  Like with many opening bands, I thought it would be great to see them headline (especially in a small place like Johnny Brenda’s).

I would have absolutely gone to one (or both) of these shows.

The first night was billed as New and Old Songs.  The second night was billed as LP2

For the first night, they played songs from LP2, LP3, LP 5000 and Restorations as well as some new songs.

The second night they played all of LP2 and some other new songs.

They haven’t really done anything since 2019.  I’m not sure if it was a hiatus or what, but it sure seems like they are back.

Space Cadet is from Massachusetts.  It’s a little hard to find details about them.  But this review from Geoff Wilbur Music is pretty succinct

The songs on Space Cadet‘s Lion on a Leash (available digitally and on vinyl) recall the jangly, energetic radio-friendly rock of Harvey Danger and Semisonic. Vocalist Matt Hock and guitarist David Walsh were two-fifths of punk rock outfit The Explosion, and a bit of that frantic punk energy can be found powering Space Cadet’s songs, as well.

They play catchy pop rock with an edge.

Orbits (not to be confused with about six other similarly named bands (they are not The Orbits, Orbit, Orbital or Atom & the Orbits) are from Philly and Cleveland.   Clevescene says

With Orbits, Toby Reif (the Sidekicks) and Maxwell Stern (Signals Midwest, Timeshares, Meridian) expand upon the music they explored with their previous bands. And yet, Orbits’ densely layered vocals, down-tuned guitars, synthesizers, and odd timings position the record as “a unique vessel for exploring ideas well outside the realm of their past output,” as it’s put in a press release.

The guitars are loud and a little sloppy (not exactly sloppy, but noisy and unpolished).  The vocals are too (with cool loud harmonies).  The songs are short.  It’s a fun record and probably a fun live show.

 

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[DID NOT ATTEND: April 27, 2023] Fucked Up / Gnawing / Restraining Order

I saw Fucked Up back in July of last year and never thought they’d be back again so soon.  Of course they are super prolific, so why shouldn’t their touring schedule be, too.

I was really excited to see them again because the last show was intense and a ton of fun.

But I wound up doing a ton of yard work during the day (I had taken the day off from work).  And by the time it was time to go out, I was exhausted.  I even felt asleep during the show hours, so it’s probably best I wasn’t driving.  But it sounds like they’ll be back soon enough.

Gnawing describes themselves as a loud rock and roll band that wishes they were a country band.  They come across as more of a sloppy indie rock band from the 90s and there’s nothing wrong with that.

Restraining Order is pretty much straight up hardcore punk.  They would have been a fun opener.

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[DID NOT ATTEND: April 26, 2023] Bailter Space / Eight

Bailter Space are legendary, although I never really got into them for some reason.  They play a noisy shoegaze/distortion-fueled type of music that I really like.

I was surprised to see that they were touring (I’s assumed they’d broken up years ago–and they had).

They put out 7 albums up until 1999.  Then they disappeared only to resurface in 2012 and 2013 with records.  More recently, they released an album in 2021.

But man, I had something like five shows this week and it’s just too much.

For a scathing review of their last show in New Zealand (in 2018), check out this review.

And here’s a summary of the show the night before this one: “There were real highlights, times when it all gelled like a thousand horse hooves in a rendering plant, but times when it just smelled like a rendering plant.”

Eight is the recording project of Mimi Gallagher, based in Philadelphia. Delight in Eight is the debut record, assembled from recordings done at home and at the Bunk with a revolving door of friends — anchored by the core trio of Mimi Gallagher, Cat Park, and Pat Brier.

I listened to a few songs from the album and I really like it.  It has a Julian Hatfield (circa 1995) feel–gentle vocals over some good old fuzzy guitar rock.

I probably should have gone to this show.  But at least I learned about this band.

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[DID NOT ATTEND: April 26, 2023] 100 gecs / Machine Girl

Back in 2021, 100 gecs played Union Transfer.  Two nights.  Both sold out.

I barely know them but I enjoy their hyperactive pop.

Here it is two years later and they have moved up to Franklin Music Hall.  I still think they would be fun to go see, but I  imagine I would be an old age minority at this very young person’s show.

Still sounds like fun.

Machine Girl is described by Pitchfork as Relentlessly smashing together bits of punk, grindcore, rave, industrial, and more, the Pittsburgh duo’s maximalist music echoes the cruel momentum of the modern world.

Which sounds about right for this tour.  The show must have been exhausting.

 

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[ATTENDED: April 24, 2023] Charly Bliss

This was my third time seeing Charly Bliss.

This was their first headlining tour in three years.  It made me wonder what they’ve been doing, but I see they have been playing shows in the meantime.  Nevertheless, this one sold out immediately.

The last time I Saw them, I marveled at Eva Hendrick’s energy–she pogoed throughout so many songs.  The whole band was great and that was the case at this show as well.

They played a kind of greatest hits.  Six songs from their debut and six from their follow up.   The rest of the set was filled out with an oldie and four brand new songs.

Spencer Fox on guitar also seems to really enjoy himself–doing fun poses and dances while playing.

He and Eva also have an amazing rapport, especially when she plays guitar and they jam with each other.

Drummer Sam Hendricks is spot on, keeping these songs moving perfectly and bassist Dan Shure contributes lots of keyboards to flesh out the songs.

But really all eyes are on Eva.  She is a bundle of energy–in the way she sings so intensely and the way she dancey and smiles when she’s not singing.

Her outfits are often very interesting too.  Last time I saw the, she was wearing a skirt made of feathers.  This time it was a kind of Chain Mail made of little rubber (?) tchotchkes.   I saw kitty cats and dogs and letter and all kinds of things.

They seemed super psyched that we came out for (and sold out) the show.  She said she wasn’t sure if anyone still cared about them.  But we sure did.

For an encore, they showed their appreciation the only way they knew how–by playing a cover song t hat everyone knew but me: A Thousand Miles by Vanessa Carlton whom I’ve ever heard of. But the song was fun anyhow.

They ended with “Julia” and with Spencer and Eva on their knees on the floor totally jamming out.

It was a ton of fun.  And I’m glad I was able to get a ticket.

April 24, 2023 November 14, 2019 October 8, 2018
Urge to Purge $$ Capacity ¥ Westermarck ⊗
Capacity ¥ Hard to Believe ¥ Scare U ⊗
DQ The Truth ¥ Heaven $
Westermarck ⊗ Threat $ Gatorade ⊗
Chatroom ¥ Glitter Ruby ⊗
Nineteen ** Supermoon $ Supermoon
Percolator Camera ¥ Percolator ⊗
Heaven $ Ruby DQ ⊗
Ruby Heaven $ Black Hole ⊗
Black Hole ⊗ Under You ¥ Glitter ⊗
Boyfriend  ** Hurt Me ¥
UDK ** Bleach ¥
Calling You Out ** Blown to Bits ¥
Hurt Me ¥ Young Enough ¥
Hard to Believe ¥ Chatroom ¥
Fighting in the Dark (whole band) ¥ encore
Young Enough ¥ Percolator

encore

A Thousand Miles [Vanessa Carlton cover]
Julia ⊗

*2018: they played everything but “Totalizer” and “Julia” from Guppy.
*2019: they played everything but “Fighting In the Dark” from Young Enough.

** new songs (2023)

$ = Supermoon EP (2019)
¥ = Young Enough (2019)
⊗ = Guppy (2017)
$$ = Soft Serve EP (2014)

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[DID NOT ATTEND: April 25, 2023] Overcoats / Halima

I saw Overcoats twice back in 2018 and I was really quite taken with their music and their friendship.

Over the years I’ve cooled on them somewhat.  I’m not sure why, exactly, but I wasn’t interested in seeing them again.  So, that’s okay.

Halima’s bio says

Raised by her mother between Lagos and London, and now based in Brooklyn, Halima draws from a tri-continental well. …  From early explorations of folk and piano to later studies of jazz and R&B, Halima’s career has evolved, making pit stops in pop-punk, neo-soul, and electronic along the way. Now, her sound pulls unapologetically from a broad musical spectrum, nodding sonically to those defining experiences and pushing forward toward a more pointed exploration of self.

I listened to one song and only heard R&B and didn’t like it.

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[ATTENDED: April 24, 2023] 2nd Grade

I could have seen 2nd Grade play with Kiwi Jr. last month.  But I went to a different show that night instead.

Originally, Gladie was supposed to open this show.  But at the last minute, 2nd Grade took their place.  I had been looking forward to seeing Gladie again as I thought they were great.  But I was happy to see 2nd Grade since when I looked them up last time I found

They are a gentle boppy indie pop band.  Super catchy and poppy with delightful harmonies and a childlike quality (as befits their name).  Most of the songs are around two minutes.

And that’s how they played fourteen songs in some 30 minutes.

“Favorite Song” is a fun song about how people’s favorite songs changed during their relationship.  “W-2” is, as he said, a song about taxes.

They have some fun titles.  “Dennis Hopper in Easy Rider” is super catchy with lyrics that are not challenging.

The band is lead by guitarist and vocalist Peter Gill (who actually played bass at our show).  Catherine Dwyer played second guitar and had a nasty word for the PPA who had recently thrown “3 hour limit” parking signs all over the area.  The applause wasn’t as strong as it could have been, probably because most people walk there.  But for me, I was 100% in agreement.

On lead guitar was John Samuels who also played at Johnny Brenda’s the night before with someone else.  His guitar was a little too loud (or I was standing too close to the amp), but his solos were interesting.

Gill had a good rapport with the audience (for a Philly band, they seemed largely unknown, although there were definitely some fans–one of whom even requested a song).  “My Bike” was supposed to come after Sharona but he said they were going  to skip it–you don’t want to hear that. But later on someone did request it, so they dropped the last song on the setlist “Work Til I Die” to fit it in.

They had fun with Controlled Burn which has a big chant at the end: “if you know the title “Controlled Burn” you can chant along.  Which we did.

Most of the songs were indeed under two minutes, with a couple running a little longer.  They were delightful pop nuggets that ricke da little harder than on record–but not much.  A delightful opening band.

  1. Favorite Song
  2. W-2
  3. Strung Out on You
  4. Dennis Hopper in Easy Rider
  5. Me and My Blue Angels
  6. Superglue
  7. When You Were My Sharona
  8. Controlled Burn
  9. Made Up My Own Mind *
  10. Velodrome
  11. Hands Down
  12. My Bike
  13. Shooting From the Hip
  14. As Long As We Can Talk About It


€ Easy Listening (2022)
∇ Hit to Hit (2020)

⊗ When You Were Here Tour Revisited (2018/2021)

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[DID NOT ATTEND: April 23, 2023] Nickel Creek / Gaby Moreno

Nickel Creek was one of the bands on my “really wanna see but they probably won’t tour” list.  So when they announced this tour I was pretty excited to see them.

I also grabbed a ticket for my wife, thinking we could spend a nice Sunday evening near her birthday at a show and maybe a dinner.

But I think she wasn’t especially interested from the get go.  Every time I mentioned it, there was no excitement.  By the time the show came around, I pretty much knew we weren’t going to go.

She encouraged me to go by myself, but it didn’t feel right.  So I’m guessing I never will see them after all.

Ironically, just a few days later, Nickel Creek had to postpone several of their dates because Chris Thile was sick:

“Nothing upsets us more than not being able to deliver a scheduled performance (which has happened just once before in our 34 years as a band), especially because as devoted concertgoers ourselves, we know how much goes into attending,” the band wrote. “We are deeply moved (and now further saddened) to see and hear the stories of how many of you were traveling/have travelled to join us at these shows, and will be doing EVERYTHING IN OUR POWER to make it up to you over the course of this year’s touring. We are so grateful for each and every one of you, and so, so, SO sorry about the news.”

They went on to describe the circumstances behind their postponements, sharing that Thile began the tour with a sinus infection, then caught the flu and did his best to power through it, which damaged his vocal chords. They went on to write, “[Thile’s] doctor, one of the country’s top voice specialists, says that he’d be risking far more serious damage if we proceeded and has prescribed a couple of weeks of rest and rehab.” They went on to thank everyone, including their fans, their crew and their management team – who are currently doing everything to make things amended as smoothly and quickly as possible and closed the message with hopes that they’ll be performing once again in late May.

I wondered if he wasn’t especially “on” for our show, but I’ll never know.

I know of Gaby Moreno from a Tiny Desk Concert which really impressed me.  She sings in both English and Spanish and brings a lot of her home country of Guatemala to her music.

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[ATTENDED: April 22, 2023] TWRP

Back in 2021, I saw an ad for TWRP playing at Underground Arts.  I didn’t know who they were, but I was immediately struck by their photo (see below).

I don’t know why I didn’t investigate them more, because when I saw that they were playing Union Transfer this time, I was all over finding out what the deal was.

TWRP were once known as Tupper Ware Remix Party (TWRP is much better).

They are from outer space (and Canada).  They are also from the 1980s (and the future).

They are a foursome. In order of the below photo they are guitarist Lord Phobos, bassist Commander Meouch, keyboardist and vocalist Doctor Sung and drummer Havve Hogan.

And yes, they look like this onstage.

They came out to rapturous applause.  The crowd was 100% into it.  Commander Meouch stood in front of us, lion hair blowing in the fan.  Lord Phobos was on the far side and Havve Hogan was in the back on the kit.

And then Doctor Sung came out and immediately got the crowd hyped.  He told us all about their high tech new stage manager, Grobb.  Grobb appeared on the side of the stage in a circle which previously said IBS (in the IBM logo style).  Grobb looked like a psychopathic Teletubby as he smiled and talked to us.

Grobb greeted us “Hello Tokyo” and then proceeded to count in the first song, the new “VHS” which had an appropriate chant along of V-H-S.

The thing about TWRP is that their music is really quite full of disco.  Some of the basslines that Meouch played were full on disco riffs (hard to play in a full costume, I’m sure).  There was lots of heavy snyth and Doctor Sung sang with a vocoder most of the time.  It was such a weird melange of music but it worked really well live.

I was concerned that my son wouldn’t like them musically, but I realized that the youth of today care not for genre, and it was all fun.  He even bought a TWRP shirt (bur not a Magic Sword shirt because they weren’t very interesting).

I didn’t know any of their songs, but they played a few from each of their releases.

Grobb told Doctor Sung that he was dehydrated and forced him to drink a brownish hydration liquid–an amusing recurring skit (HYDRATE!).

A really fun song was “Atomic Karate” in which Doctor Sung showed off his (very impressive) athletic skills and even wielded nunchaku.

Grobb apparently went a little crazy (instead of counting them in he played clips of “Enter Sandman”) and Doctor Sung had to go in and reprogram him (the 8 bit graphics were amazing).  It was dangerous work.

Lord Phobos had some serious shredding skills on the guitar as well.  And after the final song, when the band came out for an encore, Lord Phobos hijacked the show with his new band Phobos Nation!

Phobos Nation was Phobos himself with Magic Sword as his backing band.  But before they could play anything, Doctor Sung came out and they had a fight for control.

This led to them both bands playing the ripping instrumental “Terraform.”

They ended with “All Night Forever,” a song that everyone loved.

The show wasn’t that long (maybe 75 minutes) which is understandable given the costumes.  It’s funny that they played only 13 songs, but they did jam most of them out and there was a lot of entertaining banter between songs.

But honestly I was glad the show was short.  It let us wait on the long line for merch and still get home at a reasonable hour.

Long live TWRP and honestly there couldn’t have been a better opening band.

In a 2015 interview with Scope, their origin was revealed

Doctor Sung was born around the time of the Big Bang. His parents died of boredom when he was just a small child, leaving him orphaned in the first Ice Age. Billions of years later, upon earning the 69th degree of his black belt in keytar, he had an epiphany and discovered his life’s purpose: to release humanity from the clutches of boredom through epic rock music.

To achieve this purpose, Sung carefully selected his band-mates from various corners of the multiverse. He chose the name “Tupper Ware Remix Party” because he liked the sound of those noises which, at the time, held no meaning for him.

Sung discovered drummer Havve Hogan unconscious in a cave during the Mesozoic period. Sung sensed a powerful energy field around this sinister, Frankenstein-like creature with red LEDs for eyes and, after numerous botched attempts to resuscitate the brutish cyborg, he met with success when he installed an 808 drum machine where Hogan’s heart had been.

Conducting anthropological surveys in the Paleolithic period, Sung observed a troublesome tendency in Hogan – to maim and murder early Homo sapiens in the plains as they hunted antelope and buffalo. However, his ability to hold down perfect time had endeared him so profoundly to Sung that the doctor excused his murderous behaviour.

While Hogan was recruited from the past, slap-bassist Commander Meouch and shred-guitarist Lord Phobos were located in a distant and complicated future. Meouch – a space pirate with a humanoid body and the head of a lion – was born in the more provincial reaches of the galaxy and made his fortune smuggling funk (apparently a controlled quantity in the future) to star systems that had been historically square.

One such solar system was home to Lord Phobos, a philosophical rocketeer. Phobos’s people had evolved over many millennia, their culture reaching a universal high-water mark of scientific and intellectual discovery. When Meouch arrived on the scene with his smuggled funk, Phobos’s world collapsed into a flaming orgy of chaos.

Swearing revenge on Meouch, Phobos pursued his ship and was on the verge of destroying it when Sung sprang through a nearby wormhole and corralled them both. Having modified Meouch’s ship for time travel, the trio travelled backwards to retrieve Havve Hogan and then forward to Earth in the year 2007 (roughly one millennium before Meouch or Phobos were born), an era that Sung’s calculations had indicated would be ripe for TWRP to thrive.

 

  1. Birth of Grobb *
  2. VHS *
  3. Bright Blue Sky ♥
  4. Polygon ♥
  5. Only the Best
  6. Typhoon Turnpike / Hidden Potential
  7. Atomic Karate £
  8. Superior Moves ♥
  9. Summer Everyday *
  10. Have You Heard? ©
  11. Starlight Brigade
    Encore
  12. Terraform ♥ (with Magic Sword)
  13. All Night Forever


* new/unreleased.
© single (2023)
♥ New & Improved (2021)
∏ Over the Top (2020)

⇔ Return to Wherever (2019)
⊗ Together Through Time (2018)
£ Ladyworld (2017)

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[CANCELLED: April 22, 2023] Dead Can Dance 

Dead Can Dance plan a U.S tour (their first in a long time) in 2020. It was postponed to 2021 an ultimately cancelled.

I was pretty happy when they announced another attempt.  And so, in June of 2022, a mere ten months before the show, I bought myself a ticket.

Then on September 6, 2022 we received notice that this concert was going to be cancelled as well.  That’s 7 months notice.

“With sadness and regret we have to cancel the upcoming live concerts in Europe and North America due to health reasons,” the band wrote in a statement. “Thank you to our loyal fans for your support. Please contact point of purchase for refunds.” No further details have been offered at this time.

The 2023 trek was set to be their first tour through North America in a decade.

There’s no word from the band since then.  I wonder if everything is okay there.

 

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