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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: March 7, 2024] Daði Freyr 

I saw Daði Freyr about a year and a half ago on his first tour of the United States.  So now I’ve seen ALL of his appearances in Philadelphia (two).  I enjoyed the first one so much I grabbed a ticket for my wife and daughter as well.  Turned out that my daughter had a school thing she couldn’t miss.  And had I looked up the details, I would have seen the the show was sold out and I probably could have sold my ticket.  I never would have guessed it had sold out, but look at that poster–sold out up and down the country.

To my knowledge, Daði Freyr was only known from his Eurovision songs.  I had no idea that he made any kind of inroads into the US.  When I saw him last time there were some die hard fans at the show.  But this was crazy. There was a woman in front of us who, when he sang “Sunshine” nearly passed out saying “I can’t believe he’s real.”

Fascinating.

I went last time as a lark.  I went this time because I enjoyed his show and thought my family might too.  It was quite eye opening.

Like last time, the band was a trio–Daði is on synths, guitar and bass, Ylva Øyen on drums and keys and Pétur Karl on guitars and synth.

Center stage was a giant inflatable head of Daði and there were two giant hands on either side of the stage.  There was an announcement before the show in which Daði thanked us for coming and told us to look into the eyes and the souls of the people around us and get ready to dance with them.

They came out on stage and the crowd went nuts.  Appropriately, they started with “Thank You,” a classic synth pop song.  His voice is surprisingly deep and yet very warm at the same time.

last time, he followed this up with the rather amusing “Shut Up” but this time he jumped right into an older Icelandic language song–and the crowd went even crazier. (more…)

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[ATTENDED: March 7, 2024] Blusher

I was pretty excited to see Daði Freyr again.  I didn’t pay much attention to the opening act.  Last time it wa a local musician whom I hadn’t heard of.

This time it proved to be an up and coming megastar band from Australia called Blusher.

Of course, when they came out, my wife and I thought that they were a local group of teenage girls.  They sang well, the song was catchy, but they seemed so young!

Then they introduced themselves (Jade, Lauren, and Miranda) and Jade’s Australian accent was terrific and we agreed that we instantly liked them at least 5% more.

I’ve now looked them up and learned they are not teenagers (or maybe they are, but they’ve been making music for a pretty long time, anyhow).  They opened for Aurora last year.  Jade Alice (her solo name) has been making music since 2015.

I enjoyed their lyrics, which weren’t profound but were more than standard pop lyrics.

Dead End has a really catchy pause mid-verse that draws you in.  I really like Limelight–super catchy chorus

They announced a cover that we might know (I didn’t), and then played their new rocking single “Rave Angel.”    It was followed by another new song “About You.”

Then came their first hit “Softly Spoken.”  I hadn’t heard of it but it has had a million streams.  The worldplay is pretty clever.  At the end of the song Miranda sang into a mgeaphone.  Unfortunately, it cut out while she was yelling at the end.

“Hurricane Chaser” was a fun song with a cool metaphor.  But the new song “Accelerator” had a mad fast dance beat and was super catchy.

They ended with “Backbone,” a catchy song about your friend hating your boyfriend: “You said you’d punch him in the chest if you ever met him.”  Super catchy, but an odd place to punch someone…ouch.

For this song they did some basic self-defense move choreography, which was cute.  The whole show they did very simple choreography–the kind that teenagers come up with when they’re singing in their bedroom.  It made them somehow even more adorable.

And the crowd ate it up. I felt like the crowd might have been a bunch of rubes or a bunch of plants–massive shrieking when all three waved their arms at the same time, and massive screams of pleasure when they all turned around to reveal they were–gasp–all wearing sunglasses.  It was a little weird, but it made the band feel great and I think their first show in the States was a huge success for them.

I’ve decided to follow them online to see how big they get, so I can say that I saw their first show in the States.

  1. Dead End ¿
  2. Limelight ¿
  3. Say It Right (Nelly Furtado cover)
  4. Rave Angel §
  5. About You §
  6. Softly Spoken ¿
  7. Hurricane Chaser ¿
  8. Accelerator §
  9. Backbone ¿
§ new songs (2024)
¿ Should We Go Dance? EP (2023)

 

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[DID NOT ATTEND: March 1, 2024] Wax Jaw / Life in Vacuum / Porcelain

I have recently discovered the Philly band Wax Jaw and I am mildly obsessed with them.  They recently posted that they have existed for one whole year.  In that time I could have seen them six times, but only saw them once.  And I am looking forward to seeing them again.

The confusing thing about this show is that I have seen two posters for it.  The one on the right implies that Porcelain arethe headliners.  The one below implies  that Wax jaw are the headliners.  What to believe?

I already had plans for this night and I didn’t want to give them up for a 20 minute Wax Jaw set.  Although it does sound like Wax Jaw is headlining.

Well, I already had plans.  Plus, Wax Jaw is playing in Bethlehem in a few weeks anyhow.

Porcelain is from Austin.  Post-Trash says

The quartet of Ryan Fitzgibbon (US Weekly), Eli Deitz (Dregs, Votive), Steve Pike (Exhalants, CSSS), and Jordan Emmert (Super Thief, Pleasure Venom) bring a great deal of experience together from different pockets of the city’s noise rock and punk scene, the pieces coming together to create something better than the sum of it’s parts.

I’ve never heard of any of those bands.  I like the sound of their music but I don’t really like the singer.  I bet they crush it live though, their drummer sounds like a maniac.

Life in Vacuum is from Toronto. Although Stereogum adds more details

Life In Vacuum are a band based in Toronto, formed in Ukraine, playing an aggressive form of indie rock that pulls from a few different subgenres. I hear some Fugazi-style post-hardcore and some Metz-esque noise-rock in the mix.

They play an abrasive thumping hardcore that’s lurching and unsettling. Probably amazing to see live.

Born Loser is a record label that Life in Vacuum is on.  I gather someone from the label will be spinning songs from the label between bands?

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[DID NOT ATTEND: February 29, 2024] Mary Timony /Birthday Girl DC

Mary Timony is one of indie rock’s great guitar players.  I really enjoyed her band Helium, although I haven’t really listened to them in quite some time.

I have seen her play solo (with a band) twice and I recall not really enjoying her set all that much.   She (as you can judge by the photo below) indulges in fantasy and I thought that would make me like her solo records even more.

But honestly, nothing she’s done since Helium has intrigued me all that much,

So I wasn’t planning on going to this show anyway. (more…)

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[DID NOT ATTEND: February 27, 2024] Twin Temple / Vowws

I saw Twin Temple two years ago when they opened for Ghost.  I said

I don’t really like the music as I don’t like doo-wop, but I was all in for the spectacle.  And wow, what a spectacle.

The band came out of stage: drums, bass, keys and a big old tenor sax.  After riffing for a bit, the two main persons in the band came out on stage in their full satanic regalia.

and concluded

It was an amazing visual experience and it was an a jam packed 25 minutes.  I even enjoyed the music by the end.

I was minorly intrigued to see what they would do as headliners, but not enough to actually go to the show.

I had heard of VOWWS but I guess I didn’t know them.  This review from Revolver says they

usually perform in near darkness, with the only light coming from a movie projector aimed at the stage. The Australian duo — singer-guitarist Matt James and singer-keyboardist Rizz — mostly play bent over their instruments in dark glasses and long black coats, crafting their brooding, deeply melodic “death pop” from the shadows.

Their music is nowhere near as dark as this makes it sound.  They remind me a lot of Black Celebration Depeche Mode.  Kind of cool and spooky synthy.

I guess maybe this would be a fun show.

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[DID NOT ATTEND: February 23, 2024] This is the Kit / Sam Amidon

This is the Kit played Johnny Brenda’s back in October.  They are a band I know from NPR Music and I haven’t thought of them in a while.  I recall liking their music but that there was something unusual about it.

I enjoyed this blurb about them from bandcamp:

This Is The Kit is the musical project of Kate Stables and whoever joins her. You thought you didn’t like the banjo but you were wrong pal. Listen as Kate rips forward with her hypnotic twang pattern and a voice of rare, unaffected beauty.

Kate has a very British delivery.  Reading my review of their Tiny Desk Concert, I really liked them more than I remembered.

I’m happy for them that they have moved from Johnny Brenda’s to World Cafe Live and maybe this will get them some airplay on WXPN. (more…)

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[DID NOT ATTEND: February 22, 2024] Grace Vonderkuhn / Puppy Angst / Babyfang

This show was announced not too long ago.  A free show–an opportunity to see Grace Vonderkuhn again.  In a venue I’d never been to.  It was compelling,

But I had tickets to see Indigo de Souza, who I’ve been trying to see for a couple of years now.

While I was waiting for Truth Club to go on, I saw this update from the Grace camp

UPDATE: Due to sickness in the ranks, I (Grace) will be ~opening~ the free show at @fringebarphilly tonight with an intimate *solo* performance followed by @webabyfang and @puppyangst . Hope to see you there!

I genuinely don’t even know what Grace Koon would sound like solo.  I’d have been bummed to discover that I wasn’t getting the whole band (if I had blown of Indigo for this show).

Babyfang is a trio based in Brooklyn  The band consists of: Oakland, California native, Théo Mode (guitarist), Houston, Texas native, Canteen Killa (drummer) and Queens, New York native, 13th Law (bassist). 

I listened to their album and I really like it.  It pulls from all directions, often within a singular song.  The vocals remind me of shoegaze, the guitars rock but there’s all kinds of interesting elements pinging around the songs.  I imagine they are really intense live.

Puppy Angst is from Philly and they describe themselves:

It’s like puppy love but a lil more sad 🐕 shoegazy/dreamy fuzz pop; kind of fun kind of a bummer [alyssa + eric + john + dan + pauli💓]

Their album scorpio season hits me in all the right places–fuzzy guitars, poppy melodies and  confessional storytelling.  Great stuff.

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[DID NOT ATTEND: February 21, 2024] Tyler Ramsey / Jeremy Lister

Tyler Ramsey was the guitarist for Band of Horses for many years.  I don’t know why he is no longer the guitarist for Band of Horses.

He has released some solo albums, including this new one called New Lost Ages.

Musically the songs are interesting.  His voice is also pretty good.  But it all sounds a lot like Band of Horses, just not as good.  Sorry.

Jeremy Lister is (from what I can see) in high demand.  He doesn’t have anything on bandcamp, but he is a featured guest on lots of songs.  His bio says

he is known for his ability to write and perform across a wide spectrum of genres, from pop to folk to crooner jazz. In November 2021, Lister released his full-length big band holiday album “Happy Holidays, Everyone.”

His voice is interesting and evocative.  He reminds me of a bunch of offbeat singer songwriters like Michael Penn or more theatrical songwriters like Rufus Wainwright.

I wasn’t planning on going to this show because I had other shows later in the week.

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[ATTENDED: February 18, 2024] The Dead Milkmen

I don’t know exactly when I first heard The Dead Milkmen.  It was obviously in college, probably when I was working on the radio station.  I think it was Instant Club Hit, which hated on all kinds of other bands that I liked.  By the time they released Beelzebubba, I was a die-hard fan.

And yet in 35 years I’d never seen them live.  True they were broken up for a chunk of that time, but still…

So, I’ve tried to see them a few times over the last few years and things always fell through.  But this time I was determined to go.  And what a great show it was.  I admit that I haven’t listened all that much to their newer records.  Although their latest album, Quaker City Quiet Pills is really good.

I thought they’d play a bunch of new stuff and a few oldies, but holy cow it was like a greatest hits night for me (although I like a lot of their songs, so I guess that would be true for any old songs, but they played songs I really like).

Opening with “Dean’s Dream,” a classic from their debut, it featured Joe Jack Talcum singing and Rodney Anonymous hiding out behind the curtain.

I had deliberately placed myself to the side of the stage as I assumed there would be a massive pit for this show.  And I was 100% wrong.  There was no pit.  Maybe some pushing, but mostly it was just everyone wanting to sing along.  But this meant that I never saw bassist Dan Stevens or drummer Dean Clean.

Oh and Kurt Vile (and his brothers) was standing right in front of me.

One of the fantastic new songs is “Grandpa’s Not a Racist (He Just Voted for One)” and that got Rodney out on the stage doing his thing.  Despite not being the young bratty punk any more, he still has a ton of charisma and knows how to get a crowd going.  And his young bratty voice hasn’t changed all that much. (more…)

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[ATTENDED: February 18, 2024] Flag of Democracy

The only thing I knew about Flag of Democracy was that The Dead Milkmen song “Nutrition” ends with Rodney saying

And Mom and Dad say if I eat all of my foodI can go to the hard core show and see F.O.D

So The Dead Milkmen and F.O.D. have been friends for a long time.  F.O.D. writes intense political hardcore songs and, impressively, they’ve had the same line up for almost their entire existence:

Jim McMonagle – vocals, guitar (1982–present)
Dave Rochon – bass guitar, vocals (1983–present)
Bob Walker – drums (1986–present)

So Bob (who payed barefoot and held the sticks like a jazz drummer) is the new guy since he’s only been in the band for 38 years.

Most of their songs are 2 minutes long (except for “Aberration” (ha!) which was 5).  Even their most recent (2018) album has the same style of short intense songs like “Let’s Build a Wall” (more…)

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