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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: October 6, 2017] Alvvays

Sarah and I were really excited to see Alvvays.

But holy cow were we surprised that they sold out!  (And good for them).

I had no idea that people even knew that much about them.  But the sold out crowd were huge fans as people were singing along left and right.

I joked with Sarah that between their two albums, they had a total of 60 minutes of music, so their set couldn’t be all that long.   I had imagined that they would play all nineteen of their released songs, but that was not to be (they left out one slow song from the new album and three songs from their debut).

I was also pretty excited that Nap Eyes fans seemed to be quite short.  But by the time Alvvays came on, some of the taller fans pushed forward.  This didn’t hinder us too much, but it was still a little disappointing to have to weave around them. (more…)

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[ATTENDED: October 6, 2017] Nap Eyes

Sarah and I were excited to see Alvvays again.  We saw them open for The Decemberists and it is always great to see a band as a headliner–especially when you can get up nice and close.

We hadn’t heard of Nap Eyes but we wanted to make sure we arrived early to get a good spot.  And I’m so glad we did.  Nap Eyes is a four piece from Halifax, Nova Scotia consisting of vocalist Nigel Chapman, guitarist Brad Loughead, bassist Josh Salter and drummer Seamus Dalton.

Between the tone of the band and Chapman’s vocal delivery, there was a distinct Velvet Underground vibe.   But II joked it was like they had given up the heroin.  Because the songs had a faster tempo, a number of time changes, and some rocking guitar solos. (more…)

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[ATTENDED: October 5, 2017] Tash Sultana

WXPN starting playing Tash Sultana’s “Jungle” gosh… over a year ago.  I liked the song fine, but it was as I learned more about her–that she plays the entire song–every single sound–herself and she does it live using looping pedals that I became really interested in her.

I was totally blown away when I saw her Tiny Desk Concert and realized that she was an amazing guitarist and so much more.

I decided then that it would be very cool to see her live.  So when I ordered my ticket for her show back in June, I had no idea that anyone else had ever heard of her.  Much less that she would sell out the venue within a week.  Realize at this point she has only released one official EP (and has released dozens of YouTube videos–which is where her fanbase is).

Tash came out and started playing guitar.  She played two songs that she built step by step.  First playing some chords that she looped and then adding some solos which may or may not get looped in.  Then a riff or drums or various other percussive sounds (including beatboxing) and within a couple of minutes she had a complete backing track (usually very danceable) to sing over. (more…)

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[ATTENDED: October 5, 2017] Pierce Brothers

This new construction on the way to Philly is really cramping my style.

I got to Union Transfer about 15 minutes late (unavoidable this time).  And that delay meant I missed some of the best supporting act that I’d never heard of before.

Pierce Brothers are Australian twins Jack and Patrick Pierce (that’s Jack on the left).  I saw three or four songs–walking in during a rollicking “Genevieve” that had the crowd going utterly nuts.

I don’t know what the crowd (which was quite large when I arrived) was like when the guys first started, but we were eating out of their hands by the time of this song.

During “Genevieve,” Jack was on electric guitar while Patrick played acoustic and sang lead.  Jack was jumping around and inciting us all to sing along and have a great time. (more…)

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[ATTENDED: September 28, 2017] Torres

I saw Torres play Union Transfer about four months ago.  She opened for Frightened Rabbit and I really enjoyed her set.  So I was pretty excited to see her at Boot & Saddle, where she was headlining.

I didn’t realize it was the first night of the tour for her new album Three Futures–she claimed to be very nervous.

It was quite a different show and Torres herself, Mackenzie Scott, was quite different.  At Union Transfer, she seemed kind of distant and aloof.  And it was a really effective persona–she really wowed the crowd who may not have been there to see her.  But at this show some of that veneer dropped away–there were some jokes and some smiles.

Torres’ previous album, Sprinter has some great noisy guitar stuff.  The new one has more synth and a much more spare, but interesting, guitar. (more…)

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[ATTENDED: September 28, 2017] Aphra

Up until about a week before this show, there was no support act listed for Torres.  And then a few days before the show, it was announced that The Dove & The Wolf, a Philadelphia band, would be the support.  I’ve heard rumblings about this band, and I was looking forward to seeing them for myself.

Then I saw that they were starting the tour on her second night, not our night.  A day or so later it was revealed that our opening act was another Philly musician named Aphra.

My night was surprisingly hectic getting to the show, so I walked in a few songs into Aphra’s set.

She had an electric guitar and was singing along to it.  The volume didn’t balance well for some reason and I didn’t really like the song all that much.

But after she took off the guitar she switched to a more electronic sound and for those last two or three songs, she sounded great. (more…)

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[ATTENDED: September 22, 2017] X

The very first CD I ever bought was by X (More Fun in the New World).  My college friend Anita was a big fan (I’d never heard of them).  When I got my first CD player, rather than buying music I already had on vinyl (why would anyone do that?), I bought this band that I really liked.  That was in 1987.

So, while X was celebrating their 40th Anniversary, for me it was a 30 year anniversary.

Either way, I was really excited that all four original members were playing: John Doe, Exene Cervenka, Billy Zoom, and D.J. Bonebreak.

My friend Kelli told me about this show and I was instantly intrigued about going.  And boy am I glad I did.  The band sounded great.  The crowd was really into it and I got to hear a bunch of songs that I really love.

(more…)

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[ATTENDED: September 22, 2017] Skating Polly

Skating Polly are now a trio (until recently a duo) with a great origin story.

The band was founded by multi-instrumentalist step-siblings Kelli Mayo and Peyton Bighorse who were just 9 and 14 years old when the band formed.  The band’s first setup consisted of Peyton on drums and Kelli playing a basitar (Kelli’s father made her a basitar after she complained that a traditional six-string guitar hurt her fingers.)  Shortly before their debut album Taking Over the World was released on Nice People Records in November 2010, Kelli and Peyton met Exene Cervenka after a show in Oklahoma City. Exene was surprised by the girls’ extensive knowledge of punk and began corresponding with the girls and discussing them in numerous interviews.  In 2017 the girls’ brother Kurtis Mayo joined the band.

So that’s all pretty interesting but how did they sound?

Well, after being cocky about not having any trouble getting to shows on time, I hit yet another snag on my way to Philly–a big section of 95 which is always under construction was particularly bad in one spot.  I think I missed one or two songs.

But the rest were really good.  Rocking and punky with great lead vocals from both singers and some really cool harmonies as well.   (more…)

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[ATTENDED: September 12, 2017] Public Service Broadcasting

I first saw Public Service Broadcasting on their amazing Tiny Desk Concert.  I was blown away that J. Willgoose, Esq. and Wrigglesworth could make such complex and satisfying music with just the two of them (all the while projecting visuals behind them that matched the songs perfectly.

I instantly put them near the top of the list of bands that I wanted to see live.  But I also put them very high on my list of bands that I’d be unlikely to see live since I assumed they played primarily in the UK (whether they have recently played festivals).  Plus, how likely were they to come to the US to tour their most recent album which is all about coal mining in Wales (seriously–and it’s fantastic).

Well, when I saw that they were playing The Foundry, I bought a ticket immediately.  I figured that the show would either be unattended or sold out.  Well, sadly for the band, it was barely attended, but luckily for me, that meant I got to hang out right in front of the stage (and even meet the guys afterwards).

But even if there were only 100 or so people, the band didn’t act like the crowd was puny (because everyone there was really into it).  They played an amazing show and I’m thrilled to have seen it.

In the way of bands who don’t have roadies, all three guys were there to tune up their gear for about ten minutes before they ultimately left the stage and then came back on fresh and new.  It gave them time to put up the test pattern above.

I parked myself right in front of J. Willgoose, which was awesome seeing everything he did.  I joked with my friend Marcus (who has seen the band 6 times in the States and was going to Brooklyn the following night to watch them again) that I didn’t know where to stand.  J. Willgoose overheard and said it didn’t matter because they didn’t do anything interesting.  This was utterly false, as it was great watching everything that J. Willgoose did with guitars, keys, foot pedals, and so much more.  He even played percussion.  I only wish I had been a little to the left because I was actually so close, his keyboard was blocking some of the rest of the stage (the horrors). (more…)

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[ATTENDED: September 12, 2017] Fire is Motion

A few days before the Public Service Broadcasting show, I saw that a local NJ band (based in Union), Fire is Motion, was set to open for them.  I went to their bandcamp site and really liked what I heard.  I wrote to the band to see if they were going to be bringing any merch to the show, and Adrian wrote back that they were and to thank me for listening.

I was looking forward to seeing them, but when I arrived at like 8:05, they had already started–who knows how many songs I missed.  Such punctuality in rock!

But the remaining four or five songs were really good–bigger and more complex than their recorded sound. And the band sounded really tight. (more…)

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