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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: September 13, 2025] Jenny Tian

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  And then we started watching Taskmaster Australia and Taskmaster New Zealand, and I’ve added a dozen or so more to that list.

I was pretty surprised to see that Jenny Tian was playing Philly and even more surprised that she was at Union Transfer.  I know they do seated shows, so I assume this was seated, but it just seemed so odd.

We were really busy that week so I didn’t get us a ticket and I kind of wish I had now.   I thought she was pretty funny on the show, but I hadn’t gotten the bug for seeing these comedians just yet.

So I hope she comes back–it sounds like she had a lot of fun.

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[DID NOT ATTEND: September 12, 2025] Black Moth Super Rainbow / Ricky Eat Acid / Huron

I’d heard of Black Moth Super Rainbow and knew they were pretty weird (duh) but I didn’t know much about them.  I assumed I’d like them given that they are a psychedelic electronic indie rock project.  They are a solo project created by Thomas Fec.  Their visuals are startling and crazy.  But musically it’s very slow and I wasn’t that excited by it.  So I never hot tickets.

Ricky Eat Acid is the electronic project of Samuel Joseph Ray. He’s from Baltimore and is in the band Teen Suicide.  His music seems to be trippy and weird (as befits the name) and is mellow with samples and possibly no vocals.  Might be fun for a short set.

Huron is an electronic musician from Pennsylvania.  He is very hard to find online mostly because of Lord Huron but also because Huron is a very popular word in the United States.  He has a bandcamp site.  He makes very slow trippy music that I would hate to stand around listening to, but which I would definitely enjoy falling asleep to.

 

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[ATTENDED: September 9, 2025] Pulp

Back I was a big fan of the Britpop scene.  I liked Blur, but I also liked a lot of the lesser bands.  Pulp’s Common People was a favorite song for me.  I also liked their This is Hardcore album.  And then I lost interest.  But it turns out they put out one more album and then hiatused.

Then this year they announced a new song and album.  Spike Island is the most infectious song they have released and I haven’t gotten tired of it at all.

So when this (rather short) tour was announced, I was intrigued, but wasn’t sure if I really wanted to go.  Tickets were fairly pricey and there weren’t any floor seats left.  But because of their “dynamic pricing” bullshit there were a few seats available near the front and I saw that the price was going down as it got closer.  When I felt the price was okay, I bought a ticket.

When I got to the venue, they asked me if I wanted to sit i the ADA section, which I hadn’t in this venue.  The guard there said it would be nicer to sit in the comfy chair than to stand the whole time.  And it was.  True, I couldn’t see the whole stage (I never saw the guy in the back on the left side.  And I couldn’t see all of the screen.  But most of the action was up front and I could see all of that fine.

The tickets were irritating because it was unclear if the show was going on at 7:30 or 8:30.  Did doors open at 6:30?  Who could tell.  I arrived at 7:30 and there was a massive line to get scanned.  I was escorted to the front of the line, which was nice, and I got into the venue quickly with no merch line (the merch wasn’t that exciting).  And then I sat and chatted with the people next to me.  They were from Maryland and had seen the show a few days ago in D.C. They had driven to Atlantic City and decided to see the show again on the way home.  He told me they bought tickets while waiting outside in their car (and paid less than I did!). He and his wife go to tons of shows and seem to often get comp tickets or really good prices last minute.

When the lights went down I moved to the other side of them to get a better angle (very comfy) and the massive band (eight piece, I think) started playing Sorted for E’s & Wizz.  I hadn’t listened to much Pulp before the show so I didn’t really recognize some of these bigger songs.

But I was so psyched that they played Disco 2000 and followed it with Spike Island.

Jarvis Cocker is a fantastic frontman (duh).  He engages the audience, he dances, he jumped on these platforms in the front of the stage and he told some amusing anecdotes.

The setlist has been mostly the same, but they did play two unique songs for us.  The new song Slow Jam is great and I’m glad we got to hear it.  Before Farmer’s Market, he asked if there was a farmer’s market in Philly (yes, and it is good, people said).  He asked if they sold grapes. And then proceeded to pull a handful of grapes from his suit jacket pocket and tossed them to audience members (don’t catch it in your mouth, you may choke).  He then threw some chocolates to the crowd (he’s not a great thrower, tbh).  But he did attempt to catch a grape in his own mouth (he missed).

For Something Changed, the original band members came to the front of the stage Jarvis Cocker played guitar and sang and he said that the four of them gathered together a few years ago to see if they wanted to play together again.  He said Candida Doyle sat at the old piano (she played keys); Nick Banks had a box drum then and tonight;  and Mark Webber sat on the settee and played guitar.

For the rest of the set the band was fleshed out by Andrew McKinney – bass (he also played on Something Changed); Emma Smith on fantastic violin, backing vocals and guitar; Adam Betts played a to of percussion and some guitar and keyboards and Richard Jones who I did not see the whole show until the end, played keys and viola.

The four (okay five, bassist) played this delightful mellow song and then shifted gears.  We sang along for many songs and then for O.U. (a very old song) he split the audience in half and one side sang O and our side sang U.  Which was quite a lot of fun.

(more…)

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[DID NOT ATTEND: May 5, 2025] Mondo Cozmo / The Cobbs

Two years ago my wife and I saw Mondo Cozmo and it was great.  A ton of fun and lots of singing along.  This year he was playing Johnny Brenda’s but I’d already had two possible shows lined up for this night.  So, he didn’t really stand a chance.

Interestingly, the night before we saw them, they played Ardmore Music Hall with the same lineup as this show.  Here’s what I wrote two years ago.

We got tickets for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had. (more…)

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[DID NOT ATTEND: September 7, 2025] James: Laid and Deep Cuts

Back in the day I rally liked James a lot.  I got into them through Laid and listened to most of their music over the years.  Although I stopped listening in 2001.  Turns out that broke up and reunited in 2008 and I totally missed it.  Haven’t heard anything on their reunion albums (there are 9, as many as they put out before they broke up).

A few days before the show a DJ on WXPN was listing all of the songs he hoped they’d play and I started to remember all the songs I liked by them. But it was too late to go by then.

Interestingly, James doesn’t come to the US very often.  They opened for Johnny Marr last year, and the previous tour was in 2016 (they played Kung Fu Necktie, which is so tiny it’s insane–they also played there in 2015).

Looking at the setlist, it was pretty good.  They played all of Laid, but not in order–they stretched it out through the whole show.  In addition to Laid, they played three songs from 7, 2 from Whiplash (which I really liked), 1 from Gold Mother and 1 from Pleased to Meet You.  The rest were new songs that I didn’t know.

So I’m not that bummed about missing it.

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[DID NOT ATTEND: September 6, 2025] Ethel Cain / 9million

My daughter has been a fan of Ethel Cain for a while.  We got to see her two years ago at All Things Go, but I didn’t know her at all, and I think my daughter was just getting into her.  The crowd was bananas for Ethel, and I feel like if we had tried harder, we could have gotten closer and been a real part of the show with her.

Once this tour was announced, I set out to get two tickets immediately.  And I was totally shut out.  It sold out in minutes.  I kept checking over the months to see if anything became available and there were 3 seats–each priced at over $400 so never mind.

Then I found out that a friend of ours had an extra ticket and she was trying to sell it.  So I told her I’d take it and gave my daughter a lovely surprise.

I was bummed to discover a day before the show that there were now two tickets available at a reasonable price, but I already had plans to go to the Bolero Block Party.

So, she went with them and told me that Ethel was amazing.

Even though they arrived early, they missed 9million entirely because they were on the merch line (for over 90 minutes!).  According to King’s Raleigh,

9Million is a Toronto shoegaze band helmed by the multi-instrumentalist, songwriter and producer Matthew Tomasi. Best known for his work with alt pop icons like Ethel Cain

So that explains the connection, because I find 9million to be way way heavier than Ethel (and far more my scene).  I would have been really bummed to have missed them if I was on the merch line, but what they didn’t know didn’t hurt them and they didn’t mind missing them.

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[DID NOTTTEND: September 4, 2025] Rilo Kiley / Natalie Bergman

The announcement of a Rilo Kiley tour was major news!  I was pretty excited about even though I didn’t really know the band.  But I knew and liked Jenny Lewis and assumed her old band would be similarly great.

But I listened to a few of their songs and didn’t really like them.  So, I saved some money and a night out (actually I went to Poppy instead).

Natalie Bergman is a singer from Chicago. She has an interesting, lovely voice but I didn’t really care for her music that much.  I mean, I wasn’t going to this show anyhow, but I do like to hear what the openers sound like.

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[DID NOT ATTEND: September 4, 2025] Swans / Little Annie & Paul Wallfisch

Last year I saw Swans for the first time.  It was intense and wonderful.

This year, the band announced that they would tour once more and this would be the last time in this format:

This is to let you know that there will be zero additional shows/tours added to the 2 Swans tours listed here. This is the final tour, the last chance to experience this expansive sound and ensemble. The players: Kristof Hahn, Norman Westberg, Dana Schechter, Phil Puleo, Larry Mullins, Christopher Pravdica, Michael Gira. This marks about 15 years of this phase of Swans. It’s been wonderful to be inside such an overwhelming, total sonic experience, but it’s time to end it. Following these 2 tours Swans will continue in a much different, stripped down version. I’m not exactly sure what form the music will take, but I’m excited to find out.

I put this show on my maybe pile because I did want to go but if something better came along, I’d be okay with missing it, since I  had just seen it the year before.

And then Poppy announced a show near us and I got tickets for my daughter and I.

Swans wound up playing an entirely different set then when I saw them, but since most Swans music is of the same ilk, I pretty much know what the show was like (glorious, no doubt). (more…)

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[ATTENDED: September 3, 2025] Karina Rykman 

We didn’t really plan to go to  this show, especially since it was right at the beginning of the school year.  But, since these shows have a strict 9:30 curfew, we decided to drive the hour and get a free show with Karina Rykman!  Because who doesn’t love a night of Karina!

The amazing thing is that Karina has recently posted videos of her in front of these giant festival crowds, and here we were surrounded by a few hundred people and able to get right up next to the stage.

Karina came out and the joy and good vibes started right away.  It’s unclear whether the crowd knew her or not (although there were a lot of hippie types with jam band shirts on).  The trio absolutely fills the space with guitar wizard Adam November filling the space with his effects and soloing skills and drummer Chris Corsico keeping things together but adding some fun too.

The opening instrumental jamming of the new song Lagos > Dirty South was just fantastic.  A jamming/funky/super fun opening which got a whole lot of people off their feet and standing in front of the stage.  This blocked our view and so we took this as a chance to get up and dance (well, sway, really).  Which also meant getting right up on stage to see even better.

I always wonder what people think when they shift from the rocking instrumentals to her far more poppy and gentle song-songs.  Her voice is so soft an airy (very different from her speaking voice).  But these songs are a delightful breather before the grooviness of Plants comes on (with Adam November showcasing all of the cool sounds he can get from his gear).

Up next was another new song, Change My Flight (I guess a new album is on the way?) followed by the Ween cover Springtheme.  When she was singing the lyrics I was think they didn’t sound like her lyrics and now I see that it’s a Ween cover.  It segued perfectly into City Kids.  The crowd loved City Kids and mid-song she brought up Jeremy Kaplan of Dogs in a Pile to play a lengthy melodica solo [no wonder she didn’t have time to play everything on the setlist]. (more…)

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[ATTENDED: September 3, 2025] David Bakey

We didn’t really plan to go to  this show, especially since it was right at the beginning of the school year.  But, since these shows have a strict 9:30 curfew, we decided to drive the hour and get a free show with Karina Rykman!

It was announced that David Bakey would be opening.  Bakey is a NJ based guitarist (his father apparently works for Camden County).  I had never heard of him (and I would guess that he and Karina might not have even met as neither one acknowledged the other from the stage).

Bakey is more than a guitarist.  He plays a phenomenal style in which he uses both hands on the fretboard, but also created percussive sounds and chords with his right hand while his left is playing fairly complicated melodies.

He played six songs, all of which were pretty long and with multiple components.

For the first two songs he sat and played acoustic guitar.  For the next one he stood and played the electric guitar.  Then came the show stopper–he played his electric with his left hand and with his right, he played a guitar that was on a table.  So he was basically tapping both guitars at the same time. It was amazing to watch.

He ended the set with two more acoustic guitar songs, one of which was on the 12 string and sounded glorious.

I don’t know what the songs were called (he didn’t say much).  Heh, as I look at his album online, it seems that most of his songs are fairly short, so maybe he played many short pieces instead of a few longer ones.

It was a gorgeous night in the park and his music was suitably delightful.

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