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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: May 12, 2026] Courtney Barnett

Before Courtney started, a woman near us was talking to someone who had not seen her before and she said to be ready because she rocks a lot harder that you may think.  And she totally does.  For a trio, her band totally ripped. And when she soloed, it never felt like a bass player playing behind one guitar.

I can’t remember what the audience was like for her last time, but this time I found them really awful.  There were some metal dudes to the side of us who were headbanging and almost moshing.  But it was only the few of them and they did not sit well with the other people around us.  There was a guy who was very chatty with everyone around him throughout the set and the poor woman in front of me really could never see well no matter how she arranged herself until she finally moved elsewhere about half way through the set.  I think once she moved I felt better too.  But my poor wife was behind a woman with very long white hair, which we initially thought would be a safe place, but she proved to be a writhing, arm waving irritant, who never moved up into the ample space in front her.  So yea, even though Courtney was great, the show was annoying.

But you can’t blame Courtney for her fans,

She came out on stage and launched right into Stay in Your Lane, the ubiquitous single from her new album.  The song is fun, but it’s even more fun when she gets to do her live guitar work around it.

I’m intrigued to see that eight years later, her second and third songs of her set were the same: City Looks Pretty and Avant Gardner (which the crowd went berserk for). (more…)

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[DID NOT ATTEND: May 13, 2026] Emo Philips

Now that I’ve discovered Helium Comedy Club I am blown away by how many famous comedians do stand up there.  I really have no sense if it’s a typical sized club for comedians–most of the ones I’d been to before were in seated concert venues which are much larger.  Can someone like Emo Philips not draw a bigger crowd?  Or is this just business as usual for a comedian (I mean Patton Oswalt was there too).

Anyhow, I saw Emo Philips open for Weird Al and he was hilarious.  I would absolutely have gone to this gig except I had two other shows already lined up that night.  And I really wanted to see The Joy Formidable again.

Maybe Emo will tour again.

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[DID NOT ATTEND: May 13, 2026] Avatar / Fleshgod Apocalypse / Frozen Soul

I’ve seen Avatar 3 times and I really love their live show–theatrical and funny and weird and really really heavy.   I’ve wanted to see them again and I’ve wanted to take my son.  He saw them open for Pierce the Veil in a weird arena and didn’t get to appreciate their live show at all.

I was pretty excited for this show–although it was at Franklin Music Hall (which is the main reason I didn’t grab a ticket right away).  But then it turned out that my Joy Formidable show was moved to this night and so I was glad I hadn’t bought one yet.

Avatar seems to always be touring so I ‘m sure they’ll be back before long.

Fleshgod Apocalypse is an Italian band who I’d never heard of and now after listening to some of their songs I absolutely must see them live.   They use full on symphonic samples with their insanely fast music (the drummer never stops). This is not metal with an orchestra, this is like an orchestra playing speed metal.  Some of their songs are lovely, almost classical pieces, and then the singer comes in singing true death metal growly vocals.  But they’ve also got someone who sings soaring operatic vocals.  I don’t know what thei live show is like, but I really hope they come back soon so I can find out.

Frozen Soul is an extreme metal band from Texas (which is so much less interesting than Italy or Sweden).  They play slow and heavy with  growled vocals that are suprisingly understandable.  I’m not really into the growly sound all that much so I’m not that impressed by this one.

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[ATTENDED: May 12, 2026] Momma

This was my third time seeing Momma.  I was super excited to see them the first time and looked forward to seeing them headline a little bit later.

I bought tickets to this show not even caring who the openers were.  But I was pretty happy to see that Momma would be one of them.

Momma have been playing live for a while now and their set is pretty smooth.  After the last time I saw them, they posted online a complaint about 40 year old men with no kids standing in front of the young girls who can’t see.  I get the sentiment but it came across really nasty.  And it made me feel like they don’t really enjoy themselves on stage.

And I felt that way through the whole set.

Bands don’t have to be cheerful and smiling–many bands aren’t-but I get a feeling of almost disdain from the band.  Which is only weird because their songs are so warm and welcoming.  Or maybe it was the audience who gave me the weird vibe for the show.  I was kind of puzzled by the audience during Courtney’s set as well, but something just felt off to me. (more…)

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[DID NOT ATTEND: May 12, 2026] CMAT / Blond in Car

CMAT wrote one of my favorite songs of recent years, When a Good Man Cries.  The chorus/end of this song gets me every single time.  I crank it and sing along.

But I don’t really like most of the rest of her music–it’s too country for me.

Yet I dithered about going because I love that song so much and I wanted to get goose bumps from the harmonies.  And then I watched a live video and … hated it.  The harmonies were off, the power wasn’t there.  Now, this wasn’t a concert video, exactly.  But it was a live recording from somewhere.  Maybe that’s not how her live shows go.  Maybe she and her band kill it live.

But that excuse led me to not feel bad about missing her show.

Of course, we later wound up getting tickets to see Courtney Barnett that night, so it really didn’t matter.

Blond in Car is the project of Robin Schorr.  Before making music, Schorr was a successful film producer whose filmography includes How to Build a Better Boy (Disney Channel). At the beginning of the 2020s after a long film career, she decided to start making indie pop music under the name Blond in Car and it would unexpectedly become a second career for her when her song my high gummy girl became a viral hit on TikTok.

I liked her song Bad Dad (with Mannequin Pussy!) but didn’t really like her first album so much.

It’s cute and probably delightful live.  Maybe someday.

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[ATTENDED: May 12, 2026] Truman Sinclair

My wife does not care for opening acts.  I always make her sit through them (and sometimes she admits she likes them).  But this show happened to be on a night that she had something to do right up until we were about to leave.  So, I said I didn’t care if we missed this first opener Truman Sinclair, but I did want to see Momma.

So we left probably 30 minutes later than I normally like to leave.  And we hit ZERO traffic.  And parking was easy and there was no line yet so we wound up seeing all of Truman Sinclair’s set.

I’d never heard of the guy, but he had a youthful charm (he’s 23) and a really good sense of melody.  He’s from Chicago but lives in L.A

His second song sounded a lot like a Neil Young song (the chords and harmonica are similar to Heart of Gold).  Although his voice sounds nothing like Neil’s

His songs were mostly slower (Sit By the Fire–I’m not very fond of lines like “I’ve got you you you you you,” but whatever. (more…)

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[DID NOT ATTEND: May 11, 2026] Iron and Wine / Improvement Movement

I have liked Iron and Wine for a while.  never quite enough to see him live, but I’ve thought about it a few times.  Then he did a (solo) Free at Noon in February and I went.  I enjoyed it a lot–his songs are wonderful and he is a great performer.

I was quite interested in going to this show, which was a full band show.  I dithered about it quite a bit and when it finally came around, I had two other shows that week so I gave this one a miss.  I’m sure he’ll be back though and I’ll try to make a point of seeing him.

Improvement Movement is an “acoustic grunge band” and “the social betterment campaign/prog-rock quartet/non-denominational cult from Atlanta, GA,”

Their first album is weird and cool–progressive and psychedelic.  Their second album is acoustic and very soft rock.  They’re probably fun live, but I’m not as interested in the music as I want to be.

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[ATTENDED: May 7, 2026] Biffy Clyro

Four years ago I saw Biffy Clyro at Union Transfer.  They were great.  And I couldn’t get over how back home in Scotland they typically headline festivals of thousands of people.  They recently had a film made about the: Biffy Clyro: Cultural Sons of Scotland in which they played a concert for some 50,000 people.  And yet here they were playing 1,000 person clubs.  But they put on a show as if they were playing for 50,000.  It was awesome.

They had initially announced the tour for December 2025 and there was no Philly date.  But they had visa issues:

“Some [expletive] genius put the wrong start date into our work visa, so when we received our visas in the last couple of days, we realised it doesn’t begin until after our tour is meant to finish,” he said in an Instagram video, adding: “We are so angry about this.”

But their problem is my luck because the newly scheduled dates now included a Philly show.  Whoo hoo!

Last time, they were the trio that they have always been.  But for this tour, bassist James Johnston was seeking treatment for addiction issues and wasn’t able to tour.  In his place was  Naomi Macleod, who has plays bass with Empire State Bastard, Simon Neil’s side project with Dave Lombardo–wish I had gotten to see that!  They also brought out touring guitarist Mike Vennart (who is also in ESB).

As always, the other two guys were shirtless from the get go.  I was in front of singer/guitarist Simon Neil, who puts everything he has into a live show.   His vocal cords must be totally shredded by the end of the night.  Naomi was in  the middle and her bass was excellent.  I couldn’t really see Mike that well, but it was clear when he was adding extra parts to the song (especially when one of them had an acoustic and the other had the electric). (more…)

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[DID NOT ATTEND: May 7, 2026] The Lemon Twigs / Josephine Network

I wrote this two years ago:

I discovered The Lemon Twigs a few years ago and really enjoyed their glam rock sound and I imagined that they would be a ton of fun live.  The band is technically a duo, although they have more people on stage with them.  I keep managing to not see them though.

I believe that this is the fifth or sixth time that I haven’t seen them.  I did finally get to see them open for Car Seat Headrest but I’d really like to see them headline.  Maybe one of these days.

Josephine Network  is the project of NY singer/songwriter and musician Josephine. Her music has a very retro feel–glammy and poppy.  A very 70s vibe with soft vocals and harmonies.  I don’t really like them, but they sound like they’d be a perfect opener for the retro Lemon Twigs.

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[ATTENDED: May 7, 2026] Raue 

I had never heard of Raue and assumed they were a young band from Scotland that Biffy Clyro were bringing along with them.  Well, it turns out that Raue (pronounced Roo-aye [German for Rough] is a duo from California.

When they two came out on stage, literally everyone in the room had the same thought: “how old are these two?”  I mean, they couldn’t be more than 16, right?  (Paige Kalenian (guitar vocals is 21, Jax Huckle drums, is 20).  And the thing was that while we were wondering how old they were, they were blowing everybody away.

They are a duo and Paige plays some serious guitar.  The songs are simple, but it never sounds like one guitar.  Somehow she make a full sound even when fingerpicking.  But that’s nothing compared to the wild drumming that Jax does.  I was right in front of him and holy cow he blew me away.  He has incredible speed, he throws in terrific fills and he;s really creative–it’s possible they sound so huge because of all the drums that Jax is playing.

Paige is just full of energy–she jumps all around the stage when she’s not singing.  They set the two of them pretty far apart, and Paige was all over the stage, bouncing from the drums back to the mic.  And their look was amusing too–Paige with dyed purple hair and sleeveless concert T while Jax was wearing an open Oxford shirt over a white Tshirt.

I liked Paige’s voice, but the only negative about the show is that she sang similarly on all of the songs–it’s a good sound for the grungy music they play, but I think it would be better if she had more range.  Having said that, it was kind of hard to hear her in the mix, so maybe she has more diversity than I realized. (more…)

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