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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: September 25, 2019] Derek Ted

I had never heard of Derek Ted when it was announced that he was opening for Pinegrove (along with Boyscott).

I arrived plenty early to get to Pinegrove because the show started at 7:30 and a lot of people didn’t show up until 8.  So I was right up font when Derek Ted started.  He came out and it was just him and his guitar.

He played the first song and it was fine.  I didn’t love his voice but I thought the melody and lyrics were really nice.

After that first song, the rest of the band came out–another guitar, drums and bass.  I can’t find any band member names online, but they added some amazing components to the music as you can hear in “Waves on the Lake.

The drums were minimal and yet relatively complex–unexpected time changes and a bunch of song that ended abruptly with a smacking snare drum. (more…)

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[ATTENDED: September 20, 2019] Vida Blue

I had seen two of the Phish guys’ side (or solo) projects, which meant I actually got to see them, and not just see them from a mile away.  Mike Gordon did a solo tour which I caught, and I’ve seen Trey Anastasio with his band and solo.  I assumed that would be it for small projects.  Fish has a band, Pork Tornado, but it’s been on hiatus since 2002 and Page McConnell has released a couple of solo albums, but his band Vida Blue stopped touring in 2004.

Until now.

Page announced that Vida Blue was going to reunite for THREE shows (although possibly more now).  And one of those three shows was in Philadelphia.  So of course I bought a ticket to see Page up close.

Driving into Philly has become something of a nightmare now that Girard Avenue is closed.  Especially if you want to get to the Fillmore.  Traffic and detours add at least ten minutes.  I had left early but still managed to get to the parking lot after 8 for an 8PM show with no opening band.  I was furious.  So I ran into the place and found out that they hadn’t started yet, phew.  Also, everyone seemed to be milling about, so I wended my way up near the front and got an amazing spot.  My only regret is that I didn’t keep going into that one last free spot in front of that one because it turned out the people around me were the worst people in Philadelphia. (more…)

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[ATTENDED: September 13, 2019] Babymetal

I first heard of BABYMETAL back in 2014 when they were a massive WTF in the music scene.

Here was a band that played heavy heavy music but the singers were teenage Japanese girls who were totally kawaii and who sang in a distinctly pop style.  The 17-year-old metal purist in me would have been infuriated by this abomination to metal.

But my adult self things this is an amazing amalgam of style and one that is designed to shake people out of their comfortable bubbles.   Even if you balk at the singing style (and the dancing), the music is really really heavy.  Like, impressively heavy.

But the juxtaposition doesn’t end there.  Between the heavy music comes occasional moments of synthy pop goodness.  It made my brain explode the first time I watched the video for “Gimme Chocolate.”  By the time I watched it a second time I was hooked and was determined to see them live.

Back in 2016, I somehow missed that they were playing the Electric Factory.  I was seeing Mastodon there two nights before their show but when I asked if there were any tickets left, they had sold out ages ago.  Boo!  [Looking at that setlist I see they played seven different songs last time!]

So, three and a half years later they finally came back into town and I bought a ticket right away.  Actually, I was supposed to be away for the weekend so I bought a ticket for Sunday in New York City.  This would have been so much work because I would have just come back from a camping trip, I would have had to drive into NYC to a place I’ve never been and it was a Sunday night.  So I was glad the trip was cancelled and I could go on Friday night after all!

I arrived and ran past the merch hoping to get a decent spot, but it was pretty packed.  I managed to get behind some short people and all was well for the opening band.  Then, when Avatar left, somehow 200 people pushed their way in front of all of us who felt like we were packed in pretty tight already.  I didn’t step back at all but somehow twice as many people were in front of me.  Woah. (more…)

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[ATTENDED: September 13, 2019] Avatar 

I have grown to really dislike the Fillmore (which is not how I felt almost exactly three years ago).  The sound is always excellent and it’s a nice big stage, but I feel the venue is too big and, more often than not the crowd is really unpleasant.  I’m sure this is because I’m a priss, but I don’t need rude people around more interested in the bar than the music, me pushing for no reason (a mosh pit is a good reason to push, but not much else is), and talking through a show.  It’s especially irritating with quieter bands.   Fortunately, Avatar is not quiet.

I had not heard of Avatar when it was announced that they’d be opening for Babymetal.  I didn’t really know who would pair up with Babymetal’s brand of JPopMetal.  Rather than going for another Japanese metal band (of which there are dozens of great ones to choose) they went with a more theatrical outfit.  And if Babymetal’s stage show weren’t as spectacular as it was, Avatar would have blown them away.

Avatar is a metal band from Sweden.  They formed in 2001. They started out as a “melodic death metal” band.  I’ve never quite understood this phrase, but Wikipedia tells me

The genre combines aspects of traditional heavy metal [like] fast riffing and harmonic guitar lines, with the heavily distorted guitars, fast double-bass drum patterns and occasional blast beats of death metal. The vocal style typically combines harsh screaming and growling with melodic singing.

On their first two albums, singer Johannes Eckerström emphasized the growling vocal style.  They became more melodic (with some growling and some singing) and then for their fourth album, Black Waltz, Eckerström added a “Clown” persona.

Since then, the Avatar show has become a, quite frankly, amazing spectacle. (more…)

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[ATTENDED: September 10, 2019] Of Monsters and Men

Back at Christmas 2011, S. bought me the debut albums by Of Monsters and Men and The Head and the Heart.  I instantly fell in love with both bands (and sometimes can’t tell who is who when I hear one of their songs).  This concert might help me distinguish but we’re also seeing The Head and the Heart in the same venue in a month.

But maybe the spectacle of this show will help me distinguish them.

Because it was a wonderful spectacle.

I love thinking about how this band of six or seven musicians from Iceland somehow conquered the world with their singalong anthems.  It’s also fascinating to me that they only released their third album this year.

I really like the new album.  It sounds a bit different (more synthy, poppy) but it remains very OMAM.

They played a lot from the new album which was fine. In fact, they played 19 songs in total, spanning all of their records, but focusing mainly on their first and third releases. (more…)

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[ATTENDED: September 10, 2019] Lower Dens

Back in 2010, Lower Dens did a Tiny Desk Concert.  I watched it in 2015 and really liked them.  Everything that I liked about them involved the interplay of singer Jana Hunter’s guitar with either the vocals or the bass.   So I was pretty happy to see that they were going to open for Of Monsters and Men.

A few days ago I listened to the new Lower Dens album and really didn’t like it all that much.  It’s more synthy, but that’s not why I didn’t like it.  I certainly liked the lyrics, but I just didn’t like the whole delivery.

I didn’t really know what to expect when the band came on stage.

Front and center was Jana Hunter.  Hunter looked very masculine (I loved the shirt Hunter was wearing), but that was rather puzzling because I thought the singer was a woman.  Plus the whole set was very synthy and didn’t sound like those early songs at all.  I genuinely wondered if I had the wrong band in my head.

I have since read that Hunter is gender fluid, so that’s cool.  Hunter’s voice really does run the gamut from low to high, so Hunter’s gender doesn’t make any difference to the voice.

But that still doesn’t change the fact that I was really bored by the set. (more…)

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[ATTENDED: September 7, 2019] Fontaines D.C.

I had heard of Fontaines D.C. from NPR.  They raved about the band’s live show.   I was pretty exited to get to see them in a small place like Johnny Brenda’s.  Then I was really quite surprised that they sold out.  I feel like a lot of times bands that I think have a lot of buzz either don’t or don’t have it in Philly.

But it was sold out and the crowd knew the band really well (much better than I did).

When Pottery went off stage, the floor cleared out a bit and I got a great spot right up front.

Then they turned on these awful blue lights.  Was that the band’s decision?  Why were they like that for the whole show?  Who thought that wa sa good look for anyone?  But I didn’t really care because I was ready to hear this legendary (already) band.

They are an interesting band to be sure.  Many (but not all) of their songs are fast.  But all of their songs feature lead vocalist Grian Chatten speak-singing ala Art Brut but with a Dublin accent.  On stage Chatten is something of a caged tiger, walking around grabbing the mic stand, lurching, looking distracted or pissed off.  And then he bursts out his vocals.  (more…)

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[ATTENDED: September 7, 2019] Pottery

After cutting it so close last night for the Joanna Newsom show, I made sure to leave plenty early for this sold out show.

A few months ago, Route 95 was closed at Girard Avenue.  For TWO YEARS.

So the ease of getting to Johnny Brenda’s has been removed.  They are also doing a lot of other road constructions in the neighborhood.  Which meant it was impossible to find a parking space.  I drove around for nearly 30 minutes before finding a spot in a neighborhood I’ve ever been to before. By the time I arrived for the show, Pottery had already started.  I don’t know how much I missed, but I am bummed I did because e I really enjoyed them a lot.  [Judging by other setlists, I suspect I walked in during the first song, but I’m not sure].

Nevertheless, I did get to hear a solid 30 minutes of their set. (more…)

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[ATTENDED: September 6, 2019] Joanna Newsom

This was scheduled to be a busy concert weekend for me–three days, three shows.

I was glad the first one was a seated, relaxed show of Joanna Newsom playing her harp and piano.  The traffic into Philly was light, until I got into City Center.  I had planned to park on the street (you can find it sometimes), but I wound up driving on a street under construction behind a bus and I watched as the time ticked away.  Finally I grabbed the nearest parking garage and sucked up the $22 fee and then hustled over the theater and managed to get into my seat just as the lights dimmed.  Holy cow.

I had never seen Newsom before, and I suspect that I was quite lucky to see her on this limited run tour because I understand it’s her first solo tour in about 15 years–she’s usually accompanied by… someone else, I guess.  It was also her first tour at all in four years.  She said she was very nervous.  And she did make a few mistakes.  But she was always gracious and self-deprecating about them.  And considering she played about 200,000 notes that night, missing one or two isn’t the end of the world.

She came out to much applause.  I gather that her fan base is pretty intense (the kind who laugh and squeal at any comment the musician makes).  However, unlike other similar fans, these were relatively restrained (it was a rather formal setting after all).  But it was nice to be enveloped in so much mutual love.

The strange thing for me is that I didn’t really know any of her songs before this show.  I knew what she sounded like and I’m sure I’ve heard a song or two somewhere, but I was a Newsom novice.  I just knew it would be an excellent evening.  And so it was.

She came out on stage to thunderous applause.  She had on a beautiful floor-length dress, which–when someone asked her–she said was by California designers Rodarte.  And that they had made four dresses, one for each of her albums. (more…)

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[ATTENDED: August 30, 2019] King Gizzard and the Lizard Wizard

I’ve already stated that I’m really happy for King Gizzard and the Lizard Wizard that they are finding so much success here.  I mean in Philly, they jumped from a 1,500 to a 2,500 capacity venue.  Plus, they got to headline a concert in Central Park.

One of the guys in line next to me had been to Central Park the night before as well.

But I couldn’t believe the line to get in the place when I arrived 30 minutes before the opening band was supposed to go on.

Turns out most people are there for the merch.  The merch line was insanely long.  And, when the show was over–I have never seen this before–they had a hand written sign that said “all King Gizzard shirts and posters are sold, why not try our vinyl?”

Not band for a bunch of guys from Australia with a goofy name and a completely unpinnable style.  Indeed, they have released two albums this year and one was a full-on blues boogie type pf album and their most recent release was a blistering heavy metal album in the spirit of early 80s thrash.  And they played songs from both of those albums (as well as ballads and just about everything else). (more…)

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