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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: February 7, 2019] Sharon Van Etten

I really loved Sharon’s Epic and Tramp albums.  After her 2014 release she kind of disappeared from the music scene, focusing on some TV work and on her family.

Then last year she came back with the single “Comeback Kid” and the album Remind me Tomorrow, which sounded very different from her guitar-based earlier work.

I had been told that she puts on a great show, so I grabbed tickets the day they were announced, assuming she’d sell out.  She did but only on t he night of the show.

I’d only listened to Remind Me Tomorrow once through before seeing this show.  In fact, I have more or less stopped listening to artists before I got to see them so that I’m not disappointed if they don’t play a song I really want to hear.  This served me very well tonight as she played the entire new album and just a few other songs.

Before she started, a guy next to me was talking to his lady friend.  In addition to spouting off about how he was the only one not looking at his phone and how he was kind of over his phone, he also said that she would never open with “Comeback Kid” because everyone would leave right after the song.

So it amused me that after the intense opening song “Jupiter 4,” (which opens with washes of synth that Sharon walked out to) she played “Comeback Kid” and the lady friend asked if they should leave now.  No one left. (more…)

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[ATTENDED: February 7, 2019] Nilüfer Yanya

I had heard a little buzz about Nilüfer Yanya (and NPR had featured her at a SXSW show).  I found her music peculiar.   Nearly everything she does has a staccato feel–guitar lines, melodies and especially her vocal delivery.  I find that her vocal style is either love or hate–sometimes even within a song itself.

Her music is sort of jazzy, but with definite rock angles.  Her guitar playing style was pretty delicate with some really excellent-looking chords (all over the neck of her guitar). She played delicately most of the time, with the loud angles handled by drums and bass.  She also had a saxophonist/keyboardist who handled a lot of the accents and sound effects.

But most of the focus has to be on her voice. (more…)

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[ATTENDED: February 1, 2019] SOAK.

I first heard about SOAK. from NPR a few years ago  I really enjoyed their songs and Bridie’s delivery was endearing and peculiar.  The songs were quiet and thoughtful and had catchy choruses.

When I saw that SOAK. was playing Boot and Saddle I looked up and found out that SOAK.’s debut came out four years ago!  And that they hadn’t been to the States on a tour for three years.  Then when I saw that this tour was only a handful of dates, I decided I had to see them.

I actually assumed that it would be Bridie solo.  So I was quite surprised to see a full band set up on stage.  I don’t know what’s happened since the last album, or if the lives shows were always like this, but this show absolutely rocked.

It opened with a pre-recorded intro (Bridie later explained that the album is kind of a concept album and this opening is on the record as well–I think it’s Bridie’s grandfather reciting it).  Then they launched into the first song on the album and it was great. (more…)

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[ATTENDED: February 1, 2019] claud

claud is a singer-songwriter who was part of the duo named Toast.  Now claud is a solo artist, although for this set they were joined by Ondine, who played synth and clapped (and sang some backing vocals).

There had been some minimal snow that day, but it seemed to really mess up the Philly streets.  So even though I left early, I couldn’t find a parking spot for about fifteen minutes.  I wound up missing two or three songs from claud’s set.

But when I arrived it wasn’t very crowded, so I was able to get close enough to see them both clearly.

I really liked claud’s voice.  It was clear and quiet but not whispered.  I also really enjoyed the delicate guitar sounds that claud got–even when a song had a loud thumping bass, like “Giving In.” (more…)

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[NOT ATTENDED: January 17, 2019] Henry Jamison/Guster [moved to March 23]

S. and I love Guster and will see them as often as we can.  They are a fantastic live band.  So when they announced a show on a very special day for us, we were especially excited–and even imagined requesting a shout out.

Then five days before the show on Jan 12 we received this disappointing email.

Your event is still on, but it’s been rescheduled.

Guster Fillmore Philadelphia Thursday, January 17th
NEW DATE: Saturday, March 23rd with the doors opening at 7PM

Please Note: On Thursday January 17th Guster will be appearing on Late Night with Seth Meyers on NBC.

Although obviously it was pretty exciting that they were going to be on late night TV!

Then January 14, Guster sent out this email

(more…)

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[ATTENDED: January 11, 2019] Guster

Guster has a new album coming out this month.  And as part of their tour, they are coming to the Philly Fillmore on S. and my wedding anniversary!  Obviously, we got tickets and plan to have a bizarre Anniversary celebration–no fancy meal, just music–and we hope we are acknowledged from the stage!

[UPDATE: This date, our anniversary show, has been postponed!  Why?  Because the band is going to be on Late Night with Seth Meyers instead.  We love Seth, so if anyone is going to ruin our anniversary plans we’re glad it’s him.  It turns out that the rescheduled date is going to be a 20th anniversary show of Lost and Gone Forever, which means two full sets of Guster.  I think we made out ahead.  Thanks Seth].

I have never been to a Free at Noon show before.  They seem so awesome–a free concert from some amazing bands?  Sign me up!  The problem is that the venue, World Cafe Live, is 75 minutes from my work.  So, an hour show, two and a half hour driving…  that’s about a four-hour lunch.  Well, I had some personal time, so I used it and got myself and S. tickets for Free at Noon.  I didn’t think she’d be able to go and she didn’t think she could either, so I went by myself.

Parking was a lot harder to find during the day and it was very cold.  I never thought if I got there at 11:45 I’d have to wait online, but they were having some kind of technical difficulties and they kept everyone outside.  I specifically took off my sweater in the car figuring the venue wold be roasting, so I was pretty chilly waiting out there.  By five to 12, someone came around and told us that we wouldn’t miss anything.  And indeed, the free at noon started at 12:15 instead of noon. (more…)

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[ATTENDED: December 7, 2018] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I had a really great time.  Then I saw him and his full band later the next year at a bigger venue.  I more or less felt that I didn’t need to go to the winter classic again this year.  But thinking of how much fun it was (and the fact that Carl Broemel was opening) was a huge incentive.  Now I’ve been to one night of his second and fourth Winter Classics.

Showalter came up on stage and Broemel came with him.   Showalter is such a warm and gregarious person and you can see that he is genuinely happy to be there.  He was smiling pretty much for the whole show.

Although I like Strand of Oaks newer album Hard Love, I really like the previous album Heal.  So it was pretty awesome that he played the majority of songs from Heal. In fact. the first three songs were from that album

For a few songs Broemel played lead guitar while Showalter played rhythm and sang.  And the two guitarists took the opportunity to do some great jamming together.  Broemel also played pedal steel (which was really cool) for a couple of songs. (more…)

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[ATTENDED: December 7, 2018] Joe Pug

I had no idea who Joe Pug was before this show. In fact, I’ve never heard of him.  So it was quite a surprise to discover that he had Strand of Oaks open for him on a show when Strand of Oaks Pope Killdragon came out.  Since Strand of Oaks has grown in popularity, he was returning the opening slot favor.

Joe Pug sings folks songs and writes string solid lyrics.  His song “Bright Beginnings” was quite lovely.

Of course, the ones I remember best are the funny ones. Like the one he introduces as an opportunity to tell his wife (here he hemmed and hawed about the right way to say this, until someone warned him to be careful).  Finally he revealed that it was a way to tell his wife that he didn’t work in a bank, so money will likely be tight.  It was a delightfully amusing song. (more…)

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[ATTENDED: December 7, 2018] Carl Broemel

In 2016, I went to see the second Strand of Oaks Winter Classic at Boot and Saddle.  It was a wonderful night  I wasn’t even that big of a Strand of Oaks fan–I liked the latest album, but that’s all I knew.  The show was terrific and the whole night had a wonderful feeling of warmth and kindness.  Timothy Showalter is a super nice guy and very grateful for his success.

I didn’t think I needed to go again this year, but then I saw that one of the opening acts was Carl Broemel, guitarist for My Morning Jacket.  MMJ have been on my “must see again” list, but they haven’t played anywhere near us for a while.  So this seemed like the next best thing.

I was running late that night and assumed that Joe Pug was the first opener (from the way it was listed).  But when I got there I discovered that Carl was up first and had started already!  Gadzooks. (more…)

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[ATTENDED: November 30, 2018] Protomartyr

Protomartyr’s second album Under Color of Official Right was one of my favorite records of 2014.  I loved the noisy music that the band made while singer Joe Casey yelled his abrasive ideas at us.

They had an interesting look too, with the band looking like, as I heard described, three kids who called up their old hard-ass teacher to jam with them.

Casey looks not unlike some random drunk guy who felt compelled to get up on stage and just yell at people.  He always had a beer in his hand and had at least one in his coat pocket.  He stared us down, but also made a couple of funny jokes.

The crowd was absolutely devoted though and the slam dancing was fast and furious (despite the sign at the entrance which said there was to be none of that). (more…)

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