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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: February 18, 2022] Pinegrove

This is my fourth time seeing Pinegrove.  I have a sweet fondness for this band.  They were my first (and only) show at the First Unitarian Church–a show that was so vibrant and alive that I remember it very well even five years later.

Their shows don’t have a lot “going on,” just a lot of good music and a band that sounds better and better.

This new tour is in support of their new album 11:11.  I didn’t like this album as much as their previous collections–the songs were a little too slow for my liking (although there are some terrific songs on it).  They played the entire album (not in order) which might seem like a bummer given how I wasn’t crazy about the album

But instead, the band sounded so good, so dynamic, that it made me like the new songs far more than I did.  Perhaps it was the way they were spaced out.  Or maybe it was mixing older songs with the new ones.  Whatever the case, it made the new songs sound fantastic.

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[ATTENDED: February 18, 2022] Lily Konigsberg

I have seen Lily Konigsberg play with Palberta–she and her bandmates switched instruments throughout the set.  For this set Lily played guitar and sang.  Her Lily K. Band was a four piece.

Nate was on guitar, Charlie on bass and Charlotte Kahn on drums.  I am 90% sure I have seen Kahn play drums with someone else, but I can’t remember who that was.

Lily is a prolific songwriter.  Some are catchy.  Some are downright weird. I was actually surprised at how conventional some of these songs were.  Especially after she started out with the decidedly odd and wonderful “Alone” with its jumpy bass line and wicked guitars.

I loved the title of the next song “At Best a #3.”  Then she told is that “Proud Home” was about Stacy’s perspective from “Stacy’s Mom.”  It was good but not as catchy as he original. (more…)

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[POSTPONED: February 19, 2022] Avalanches [moved to October 10, 2022]

Avalanches debut album, the sample abundant Since I Left You, a fun, left-field rocker that was full of so many samples it was impossible to keep track of them.

It took them something like 16 years to make a second album and I didn’t listen to it.  Or the one they made more recently.  That’s probably not the best attitude for going into a show.  Especially since, as with a lot of electronic based music I wasn’t sure if I necessarily wanted to see them live, but this seemed like a rare and fun opportunity to experience their sampling and beats in a big setting.

But then on December 15, the group announced that it’s postponing the tour to September and October “due to ongoing personal health issues.”

“We want to thank each and every one of you who bought tickets and who have supported We Will Always Love You,” the Avalanches wrote on Instagram. “We thank you so much for your understanding and apologise for the inconvenience. We can’t wait to see you in the US in September and October.”

This date was a little hinky for me, so I was glad it was postponed.  See them in the fall.

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[ATTENDED: February 18, 2022] Poise

Poise is the creation of Lucie Murphy.  She has released an EP and an LP and the songs on them are quite varied.  She’s a got a few short rockers with great riffs and a few mellow, more brooding pieces.

They were a four piece for this show with Marguax on bass, Theo Munger on drums and Sam Skinner (from Pinegrove) on lead guitar.

They cam out with a short rocker.  Murphy’s voice is pretty great–she can hit some really high notes, but mostly she’s got a lot of power.  I really enjoyed the second song “Nothing You Can Say” with a super catchy riff.

She mellowed things out for a song and then allowed Skinner to make some really cool feedbacking squalls during the song with the otherwise quiet chorus of “Let me break your heart.” (more…)

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[POSTPONED: February 15, 2022] Yola / Jac Ross [moved to September 23]

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I has seen Yola on TV and her live presence was incredible. I don’t know a ton of her songs, but the ones I knew I liked a lot.

I really thought it would be fun to see her live

Then the second waved of COVID came through and the show was postponed until the fall.

Jac Ross is an R&B singer who I just listened to and did not like at all.  Sometimes, although not always, it’s worth seeing who the headliner chooses as an opening act to see if you’ll actually enjoy the show.

 

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[ATTENDED: February 12, 2022] CHAI

I heard about CHAI from NPR. Bob Boilen had found them charming and said their live show was not to be missed.  But since they were from Japan I had to wonder how likely it would be to see them.  When they announced a tour, I grabbed pre-sale tickets even though I was sure it wouldn’t sell out.

It didn’t, of course, and it was scheduled opposite Joe Russo’s Almost Dead, so the two crowds couldn’t have been more different.

So here’s a brief histoy of CHAI

Chai was formed in 2012 in Nagoya, by twin sisters Mana and Kana.  Mana, Kana, and Yuna were in the same class at high school.  Yuna introduced the other band members to Japanese music that did not easily fit into the traditional definition of “J-Pop”, such as the band Cero or Kimyō Reitaro. After the members went to university, Mana became friends with Yuuki (originally from Gifu Prefecture, who had moved to Nagoya), and asked the four friends to form a band.  The band’s name comes from Russian tea (known as chai). Kana drank the tea with jam with her Russian literature professor at a Russian restaurant, which she thought was cute.

Cute is the key.  They wanted to make something that was neo-Kawaii.  Not as limiting as what people thought of as kawaii.

The band came out in brightly reflective rain jackets with hoods.  Underneath these were pink toile…outerwear.  Underneath those were a kind of jumpsuit that had short sleeves and pants.  In short, they were matching and they were a sight to behold.

Three of the women came to the front of the stage and faced away from the audience.  The fourth, Yuni, sat at the drum set.  She played a beat while electronic sounds swirled (I assume she was triggering, them, too, but who knows).

The other three women proceeded to do synchronized and, at times, wildly freeform “dances.” as they sang their hilarious song “No More Cake.”

Thank you for reminding me your daily makeup routine
But look at you
That’s way too much
That’s way too much
You’re not a cake
Look at you
That’s way too much
Your face is made up like a cake ha?

As the song neared its end, Kana was handed a guitar.  She walked up front and proceeded to play a noisy, wonderfully wild guitar solo.  Then she handed the guitar back and they finished the song. (more…)

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[ATTENDED: February 12, 2022] Su Lee

If you’re a fairly unknown Japanese band coming to America for the first time (some cities anyway), who do you invite for an opener?

Well, apparently, you pick Su Lee, a Korean singer who had a burst of success on Reddit with her song “I’ll Just Dance” (subtitled: ‘what my mental breakdown sounds like’).  That was in May 2020.  The viral success apparently allowed her to continue as a musician.

Lee was very funny and very very nervous.  This was her first ever tour and we were he fourth or fifth show.

She came out on stage, and shouted at us.  “This thing isn’t working!”  The ear piece–a technology she had never used before wasn’t doing what it was supposed to do.  She muttered and cursed a bunch and eventually it started working. (more…)

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[POSTPONED: February 4, 2022] Courtney Barnett / Shamir [moved to …]

S. andindex I were looking forward to this show although we both groaned a bit when we saw it didn’t START until 9PM.  Good grief.

Weather forecasts for this even were treacherous.  Freezing rains and temperatures that were expected to drop below freezing did not bode well for an hour plus drive.  We were fairly certain we were going to skip it.  We love Courtney and our friend Kaylo recently saw this tour and said it was great, but we have seen her before and it just seemed too risky.

Then, just before I left work, we got the notice that the show had been postponed.  I sort of assumed at first that it was because of the weather, but concerts can’t do that.  A little while later I saw on Instagram that someone in her touring company caught COVID: (more…)

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[ATTENDED: February 1, 2022] Mother Mother

I I had never heard of Mother Mother before a few months ago.  They have been around for over fifteen years, but recently a few songs from their 2008 album blew up on TikTok.  Because I have teenagers, I found out about them second hand.

And I fell in love with the frenetic guitar and lyrics of “Hayloft,” which led me to explore more of their music.

Way back on April 29 of last year, I bought four tickets to this show for me, my kids and a friend.  It seemed like it would never get here.  Then it seemed like it might get cancelled or postponed, but it did go on, although not exactly as planned.

When I bought the tickets, the band was playing The Foundry.  The Foundry is an amazing intimate venue that hold 450 people.  I was super excited that they were there because whenever I’ve seen a band there, I’ve practically gotten to high five them.  So I was a little bummed when in December it was announced that they’d moved the show to TLA.  TLA is bigger (and I usually have a hard time getting there, but it was great tonight).  Of course, this is great for the band, as TLA holds 1,000 people.  And it sold out, so they doubled their attendance.

It also turned out that Mother Mother puts on a BIG show.  Big lights, big sound.  They used the whole stage.  And The Foundry’s stage is like the size of a dining room table, so the show would have been nowhere near as amazing. So good for everyone. (more…)

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[ATTENDED: February 1, 2022] DYLYN

I hadn’t heard of DYLYN before a few days ago.  I was trying to figure out who was the band’s opening act and it said DYLYN>  So I looked her up and I really liked the two (!) songs that were available on bandcamp.

DYLYN is a singer from Vancouver (originally Toronto).  She had a powerful voice and plays a kind of power punk/metal hybrid sound.

Although interestingly, she was once a pop singer under the name Guinevere and she had a couple of top ten hits.  Here real name is Gwendolyn Lewis, and it’s impossible to guess how old she is.  I would have thought 18 from the show, but she had these hits a few years ago, so who knows.

DYLYN is also very pretty–which a few meatheads in the crowd were all too keen to point out nonstop throughout the show.  One jackass shouted “I love you Dylyn so much that when he walked away, a woman next to me muttered, :there goes the guy who loves Dylyn.”  The other drunken guy was so loud–and kept laughing about how loud he was being “I’m so loud!”  Wow, what a dick (but what do you expect from a guy wearing a Hawaiian shirt with the pattern consisting of Playboy magazine covers.  Where does one even get such a shirt?

But Dylyn apparently only heard the good parts from the crowd an, it’s fair to say the crowd was really into her set.  She and her band (Ulysses on guitar, Parker on bass and sorry drummer I’ve forgotten your name) put on a ripping show full of bangers and ballads.  And on more than one occasion, Dylyn really belted out a song showcasing what a spectacular voice she has.

I was rather surprised that this fairly unknown musician was given a 45 minute opening set, but I saw today that Dylyn has written with Ryan from Mother Mother.  So they clearly have a bond.

She opened with the ripping Hellbound.

“Boy”

She ended the set with a solid cove of Nirvana’s “Lithium.”

It’s great that she got so much exposure during this tour.  I hope her album is huge.

SETLIST [her album isn’t out yet so bracketed songs are lyrics that I recorded]

  1. Hellbound
  2. [take me back to the original sin]
  3. Hurt
  4. [come over with my best friend.  I don’t wanna go, you can’t make me go]
  5. [little sister you’re not alone]
  6. [life is just a neverending song]
  7. [can you fee/ scream it, this is how I want it]
  8. [boy/song about her father]
  9. [take me to your darkness/wanna feel the pieces]
  10. [I want the best for you and if I tell the truth/I let you down]
  11. Lithium (Nirvana cover)
  12. Liberate Me

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