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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: May 27, 2022] Bit Brigade / Super Guitar Bros.

I saw Bit Brigade in 2018 and really enjoyed the show.  The premise of their live show is terrific

The band plays the soundtrack to a video game while their resident gamer plays the game.  The band is heavy and the sound is amazing.

Last time I saw them, they were playing The Legend of Zelda and it was phenomenal (The music is really good).  They came around last year playing a different game but I couldn’t go.

This time they were playing Zelda and Castlevania.  I’m sure it would have been a lot of fun.  But I just didn’t feel like going out.  They’ll be back, I’m sure.

Opening for this show was Super Guitar Bros.  They are two guys from Detroit who play acoustic guitar versions of video game theme music.  As their blurb says: “Gentle Video Game Guitar Covers For Relaxation.”

Sounds like a perfect pair.  And I’m absolutely ready to see them again.

 

 

 

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[CANCELLED: May 27, 2022] Afghan Whigs : Free at Noon

indexI love The Afghan Whigs’ album Gentlemen.  I should love more by them, but I like them just fine (never been in the cult of Dulli).  I’ve never really been interested in seeing them live.  But a Free at Noon is a great way to get a thirty or so minute show without committing to an evening out.

I grabbed a ticket for this show, but on the Wednesday before the show, a member of the band tested positive for COVID and they cancelled the appearance.

They had a show planned that night for New York (the last of the tour), so there was no point in them sticking around.

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[DID NOT ATTEND: May 24 & 25, 2022] Nine Inch Nails / 100 gecs 

I saw Nine Inch Nails open for Skinny Puppy on Halloween in 1988 at Irving Plaza in New York City.  My memory is hazy, but I recall Trent Reznor playing all of his music on a giant reel to reel player and no one else on stage.  No idea if that’s correct.  I recall not thinking much of him/them.  “Head Like a Hole” wouldn’t come out for another year and a half.

Obviously, things went pretty well for him.

I don’t really think I would have gone to this show even if it hadn’t sold out.  I have nothing against the new version of NIN, I’m just not all that interested.  Plus its fun to have my memory.

100 gecs are a crazy band who apparently put on a wild show (and sell out pretty quickly).

My son played us “Stupid Horse” a while ago and I thought it was crazy–funny, catchy, irritating–a perfectly weird pop song.  When they announced a tour, I asked him if he wanted to go and he laughed and said no.

I looked up a concert review to see what their show was like and people said they played their entire catalog, which was like 30 minutes.  And that was it.  (Turns out they played for 50 minutes at their headline show in Philly).

There were some interesting openers on this tour.  More power to Trent:

Yves Tumor, Boy Harsher and a little band called Ministry.

I just found out that someone ha a recording of that 1988 show

 

And here’s a poster for the 1988 show

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[DID NOT ATTEND: May 24, 2022] Lo Moon / Social Animals

Lo Moon is a kind of soft-rock indie rock band.  Their big influences are Talk Talk and Prefab Sprout.

There’s delicate, soft voices and pretty melodies.  I don’t really like them all that much, although I think that their single “Dream Never Dies” is outstanding.  It was the constant play of this song that made me even considering seeing them live (and hearing Matt Lowell hit those high notes).

But this show sold out before I even heard about it and I had plans already anyway.

Social Animals is a more rocking band that Lo Moon.  There’s a more propulsive feel to their songs which sounds a lot like other bands–I keep thinking they sound like someone else when I hear a song by them.  I’m not sure I’d want to see them, although maybe a short opening set would be good.

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[DID NOT ATTEND: May 24, 2022] Turnstile / Citizen / Ceremony / Ekulu / Truth Cult

The new Turnstile record is fun and wild.  And I’ve heard that a Turnstile live show was absolutely bonkers.  I wanted to go to this show, although the prospect of five bands in one night is exhausting.

Plus I had tickets to see Sondre Lerche (they couldn’t be more different options)–which we wound up not going to anyhow.

Citizen are a rocking band who embrace a lot of styles.  I hear some post punk and some shoegaze wrapped in an emo blanket.  I rather dig their stuff.

Ceremony were a hardcore band who have expanded their palette a bit.  Indeed, one of their newest songs has a female vocalist singing gently in the middle of the song.

Ekulu, are a crossover hardcore band with lots of screaming metal solos.

Truth Cult throws in a bunch of influences.  There’ a lot of 70s rock in their delivery (those backing vocals and riffs) but the lead vocals are firmly in the punk realm.  There’s a hint of Fucked Up on their overall sound, as well.

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[DID NOT ATTEND: May 24, 2022] Sondre Lerche / mmeadows

I’ve been a fan of Sondre Lerche for about eight years.

I was delighted to have the opportunity to see him live, but when the night of the show came up, my wife and I decided to just stay home instead.  She didn’t really know him–sometimes I get tickets for a show I think she’ll like–and I’m sure that impacted her decision to stay home.

At the same time, it felt like a long drive for a seated show of mellow folk, no matter how good it was.

Here’s a review from the NYC show the night before

Lerche said that his newest album was written and recorded in Norway, where he grew up and hunkered down during lockdown. He kept busy training for marathons, started a wine company, wrote children’s books, and busted out creative new music videos during that span. He also discussed how his working methods have allowed his artistry to evolve and branch out in unique ways.

Lerche’s music has continued to evolve over the years and now encompasses an extraordinary range of styles, each amazing in their own right, from jazz and addictive instrumental ballads to pop melodies and rhythms. Approaching each song is much like examining a gallery piece: once you can overcome the rush and excitement of the melody and can focus on the lyrics, you let them sink in. His thought-provoking, introspective poetry strikes a chord and makes you love and appreciate the songs more with each listen. These elements come together with eclectic, but incredibly appealing results.

I don’t really know mmeadows, but their music is pretty interesting.  Rough Trade publishing describes them this way:

Longtime collaborators Kristin Slipp and Cole Kamen-Green come together for the first time as a duo in mmeadows. The band’s distinct sound is informed by their deep musical backgrounds: Kristin is a current member of indie royalty Dirty Projectors, while Cole has worked directly with Beyoncé on two albums, ‘Beyoncé’ and ‘Four.’ Drawing from their disparate influences, mmeadows sees two people connect in what Paste Magazine calls a sonically “singular” way.

Vocal-focused pop songwriting is the heartbeat of mmeadows, who liberally use found sounds and esoteric vintage instruments in their productions and performances. The band released their first EP, Who Do You Think You Are?, in April 2020.

Perhaps a but too poppy for me, but I’ll bet they’re fun live.

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[DID NOT ATTEND: May 21, 2022] Scott Thompson and Paul Bellini: An Evening with Mouth Congress

I love PhilaMOCA and can’t believe how many of their shows I’ve had to miss since they reopened.

Of course this one I wouldn’t have missed ina million years.  Except I didn’t even HEAR about it until it was long sold out.  [Plus, we went to Music Man on Broadway so I wasn’t around].

So what the hell was this?  And are you telling me that for an extra $15 I could have met a Kid in the Hall?

PhilaMOCA is excited to host The Kids in the Hall’s Scott Thompson and KITH writer Paul Bellini for a documentary screening and reunion performance of their 1980s gay punk band Mouth Congress! This is not a tour, this is a one-off just for Philly proudly organized in-house by PhilaMOCA!

The event will feature a screening of the pseudo-documentary MOUTH CONGRESS followed by a live performance, sketches, and a Q&A with Thompson and Bellini.

About Mouth Congress:
Mouth Congress was formed in a basement in November of 1984 when Paul Bellini rented a beatbox from an audio store. He wanted to experiment with sounds and try his hand at songwriting with his sister’s boyfriend, guitarist Rob Rowatt, and her high school buddy, bassist Gord Disley. Their cacophony immediately drew the attention of Scott Thompson, who at the time was on the cusp of joining a local comedy troupe called The Kids in the Hall. Since they only had the beatbox for a month, they recorded dozens of sketches for songs. Then, about ten months later, they made their stage debut with Brian Hiltz’s band I Want functioning as back-up. From start to finish, Bellini either tape-recorded or video-taped everything the band ever did, from jam sessions to costume fittings to lyric-writing sessions to live shows. This dragged on for about 4 years, so you can imagine how much media he accumulated. But by 1991, both Thompson and Bellini were so preoccupied with their work on The Kids in the Hall television series that they quietly put all the Mouth Congress media into a deep, dark hallway closet. They didn’t forget about it, though. For years, Bellini pondered the idea of making a film about the band. Then, in 2011, he dug all this stuff out of the closet, showed it to Thompson, and the two men set about trying to shape it all into something.

Synopsis:
It’s a cold, snowy night in Toronto. Melancholy, an 8-year old girl, is spending the night at her Uncle Kevin’s place. Uncle Kevin is Kevin McDonald of The Kids in the Hall. After a day of Josef von Sternberg cosplay (he dons an ape suit like Marlene Dietrich in Blonde Venus), Uncle Kevin sets Melancholy up in his den to watch a DVD of a movie he was in called Lilo & Stitch.

But Melancholy isn’t interested in Lilo & Stitch. Instead, she finds an old VHS tape labelled Mouth Congress and her curiosity gets the best of her. As she watches the first five minutes of this bizarre rock band on stage, she is captivated. Kevin catches her in the act and admonishes her for snooping, but she is hooked. For a bedtime story, she insists on being told the history of Mouth Congress.

NOTE: There will no longer be a 10:00 PM performance (no controversy, the performers just want to put their all into a single performance).
Admission is $40, Admission + post-show Meet & Greet is $55

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[CANCELLED: May 15, 2022] Little Simz

I’ve never been to a rap show, but this week I had an opportunity to go to three that I wanted to go to: DAVE (British), SHAD (Canadian) and Little Simz (British).

I really like Little Simz’ delivery and attitude and I thought she’d be a lit of fun to see live.  Apparently a lot of other people did too, because this show was originally scheduled for The Foundry but it got moved to TLA.

However, on April 20, Little Simz cancelled her American tour.

Little Simz has cancelled her upcoming US tour, citing the financial unviability of the undertaking as an independent artist.

“I take my live shows seriously and would only want to give you guys nothing but the best of me,” the 28-year-old rapper and actor, born Simbiatu Ajikawo, tweeted.

“Being an independent artist, I pay for everything encompassing my live performances out of my own pocket and touring the US for a month would leave me in a huge deficit. As much as this pains me to not see you at this time, I’m just not able to put myself through that mental stress.”

The 11-date tour was due to commence in May. It would have been the first time that Simz had showcased her widely acclaimed 2021 album, Sometimes I Might Be Introvert, in the US. A representative for the musician could not confirm whether the cancellation would also affect her planned dates in Canada and South America.

Simz advised artists to “know your worth and stick to your guns”.

Good for her for knowing her worth.  And obviously the stress would be too much, but I still think she might have made some money on this tour.

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[DID NOT ATTEND: May 20, 2022] Jens Lekman [original show was cancelled, so technically not rescheduled from April 19, 2020]

I have really enjoyed Jens Lekman over the years. His Tiny Desk Concert is tremendous.  He was even the subject of a request in an episode of Every Little Thing, a podcast that S and I really like.  (A caller could not get a fragment of a song out of his head and it was one of Lekman’s).

I have been wanting to see him for a while and this show with a local youth orchestra sounded kind of fun.

Jens Lekman originally announced a unique North American tour where he’d perform with local youth orchestras in various cities for 2020, but the dates were put on hold because of the pandemic. He’s now announced new dates for the tour, beginning this April and running through May. He’ll be joined by violinist Leslie DeShazor for the shows. “This is a tour that I have been working on and looked forward to for almost four years,” Jens writes. “The idea originally came to me in 2015 when I was invited to Cincinnati to perform a show with a group of young string players from the organization MyCincinnati. The show ended up being one of the most memorable moments of my whole career. The energy that is present when a young person is still exploring and mastering an instrument is something I’ve always been drawn to. As someone who’s been playing music more or less professionally for over 15 years I often have to go back to this youthful source to remember and learn. To let the students become my teachers.”

It’s unclear to me whether Leslie DeShazor played a set before or was a featured part of the orchestra. (more…)

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[DID NOT ATTEND: May 20, 2022] Shad / Kuf Knotz & Christine Elise

SHAD’s 2010 album TSOL is one of my favorite rap albums.  Of all of the rappers that come around to Philly to tour, SHAD is the one I’m most interested in seeing.

SHAD is from Canada although he was born in Kenya.  He raps about real issues but also has a thread of positivity through his songs, which I appreciate.

This happened to be a really busy week of shows for me, though, so I had to blow it off.

He comes to town every couple of years, so I assume he’ll be back maybe in 2024.

When he came to town in 2018 he played Boot & Saddle (RIP) and I couldn’t make that show either.  For that show Kuf Knotz also opened.

Kuf Knotz is a Philly rapper who blends hiphop poetry with deep grooves of soul and beats sun kissed with the spirit of Lo-Fi & 90’s era vibes , Kuf’s inimitable style focuses on unsubtle spirituality, that, like his music, focus on unity, positivity and creativity.

For this tour, he was with harpist Christine Elise

Christine Gallagher, MA, MT-BC, LMT, LPC “Christine Elise” is classically trained harpist, pianist, and vocalist.  In 2018, Christine and Kuf founded a community music therapy outreach performance project called Higher Grounds Music, using the power of music, clinical training, and performance experience to foster personal growth. Working in a strength based model, the workshops/performances are designed to support participants in building skills to build confidence, increase motivation and drive and strengthen self-care skills.

If they all tour together next time, I’ll have to go for an night of positivity.

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