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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: September 26, 2022] Batushka / Witching / Hideous Divinity / Hate

I had heard of Batushka [БАТЮШКА] because there was an article about how there were two bands with the same name.  And, it was a case of the band breaking up and the guy who left taking the name–but the main band keeping it as well.  So both bands sounded vaguely the same as well, I guess.

Krzysztof Drabikowski formedthe band.  But a falling out between Drabikowski and vocalist Bartłomiej Krysiuk in 2018 led to Krysiuk starting his own version of Batushka, which released its own recordings and performs separately from the original band. Drabikowski protested the move and does not consider Krysiuk’s band legitimate.

Here’s some of the quotes from the controversy

Drabikowski stated that “There were attempts to take my creation Batushka away from me” and “the upcoming album Панихида (“Requiem”) will not feature his voice”

Krysiuk then “hired musicians to produce an album that he planned to release as the new Batushka record, behind [his] back”.

On 27 May 2019, Drabikowski’s Batushka released a new full-length album called Панихида (“Panihida”) (“Requiem”) and was very well received by both critics and fans alike.

On 12 July 2019, Krysiuk’s Batushka released a full-length album called Hospodi (“God Almighty”), the album received mixed reviews from critics[20][21] and was panned by some of the band’s fans, with most of the criticism aimed at their “illegitimacy” to use the name Batushka.

In the wake of the public falling out and ensuing drama between Drabikowski and Krysiuk several parody bands using variations of the “Batushka” name emerged online as a widespread meme, each also claiming to be the “true Batushka”, the most notable being “Batyushka” an anonymous project claiming to be from Russia and being actual Orthodox priests and adhering to the Orthodox dogma.  Their music is completely instrumental and have independently released over a dozen albums on Bandcamp which were met with indifference and annoyance, as well as mockery from fans of the real band, several people also pointed out how the music uses a drum machine.

Controversy aside, they sounded interesting a Polish black metal band formed by Krzysztof Drabikowski.  Their music and lyrics, which are written exclusively in Church Slavonic language, are inspired by the Eastern Orthodox Church.  The band members wear habits and Eastern Orthodox schemas during live performances to conceal their identities.

I’m not even sure which band this was.  I think it was Krysiuk’s version (known as Fakeuska, apparently) as Drabikowski hasn’t done much.   But if they’re wearing robes and hoods, who is to know?

After seeing behemoth back in April, I wasn’t sure if wanted to see another black metal show.  This one seemed especially daunting given that it was in the tiny Underground Arts.

So I opted not to go.  Maybe if they come back another time.

Polish band Hate opened.  I’m not too keen on a band that is simply called Hate.  They are a blackened death metal band.  They wear corpse paint and have had many lineup changes over the years.  Their singer growls, but I have to admit that the lyrics are actually audible, which is quite a plus.

Witching opened our show.  They are a metal band from Philly.  Their track Lividity opens with acoustic guitars and witching female singing and after two minutes the vocals get decidedly demonic and scary as the music gets heavier and pummeling.   It also looks like most of the band is women, which is pretty cool for the genre: Jacqui, Nate, Tatiana, Samantha and Hazel.

Hideous Divinity are from Italy.  I’m guessing they couldn’t make the first two shows of the tour and they started in Georgia.  They, like the others are heavy and growly.

I actually thought this show was four bands, which would have been just too much growling and heaviness.  Even three bands seemed like a lot.  Although now that I know more about Witching, they might have been a nice change for the show.   Nevertheless, despite the visuals, I’m not sure I was ever really planning to go to this show.

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[DID NOT ATTEND: September 24, 2022] Porridge Radio [moved from August 7, 2020 Boot & Saddle]

I heard about Porridge Radio from NPR back in 2020.  They are exactly the kind of weirdo post-punk British band that I love and would never hear anywhere on the radio.

Singer Dana Margolin is more of a talker than a singer.  Her accent is thick and her intensity is palpable.  The band mixes melody and noise in an unexpected way.  And of course there’s “the growing legend of their intense live shows.”

The 2020 show was cancelled and then Boot & Saddle closed.  I’m not sure if this even counts as a rescheduled show or not.  But they did, in fact come back to Philly.

Unfortunately, I thought we were going to Frantic City (which we wound up not doing).  I probably could have gone to this show after having bailed on Frantic City, but that seemed like too much chaos for one day.

Sean Henry is from Connecticut.  Henry began his career making music under the name Boy Crush.

His stuff under the name Sean Henry is pleasant and a little twee.  Although his live recording (from Audiotree) rocks a bit harder.  He’d be a good opener for just about anyone, I suspect.

I hope Porridge Radio comes back for their next album.

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[DID NOT ATTEND: September 23, 2022] Girlpool / Cecile Believe

I first heard Girlpool back in 2015.  I loved the way the two members of the band sang, but not in harmony–it was more like in unison.  It gave them almost a childlike quality that somehow made their songs really impactful.

I had wanted to see them live since then.  When they came around in 2017, I had a ticket and then a last minute plan meant I couldn’t go.  They came back in 2019, but it was during our summer vacation.

Finally, they came back around in 2023, but it was the same night as several other shows, including one I wasn’t going to pass up.

Interestingly, over the past seven years a lot has happened to the band.  Avery Tucker transitioned and Harmony Tividad started exploring new facets of herself.  So they looked very different from when they first started out.

Their musical style changed a lot as well.  They no longer sounded anything like they did on the debut.  Primarily because Avery’s voice was no so much deeper.   I didn’t enjoy their music that much anymore.  So I wasn’t that upset about missing them.

Then on August 25, Girlpool announced that they will breakup at the end of the year, and that their remaining tour dates would serve as a farewell tour.  So I guess I’ll never see them live.

Cecile Believe (formerly known as Mozart’s Sister) is a solo project by Montreal-based Canadian musician Caila Thompson-Hannant.

Resident Advisor describers her music:

Cecile Believe’s vocal and emotional range, with its exhilarating twinkles of vulnerability, made an immediate impression on me when I first heard her performing “Ponyboy” and “Faceshopping”  .. Her new mixtape, Plucking A Cherry From The Void, a collection of restless and reflective lockdown-fermented electro-pop bangers, has those same attributes in ample supply.

Although I listened to a few songs and wasn’t that impressed.  It was all fine.

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[DID NOT ATTEND: September 23, 2022] Yola / Peter One [rescheduled from February 15]

I has seen Yola on TV and her live presence (and her voice) were incredible. I don’t know a ton of her songs, but the ones I knew I liked a lot.

I thought it would be fun to see her live.  Her February show was postponed to September.

And was rescheduled for the same date as my Saucerful of Secrets show.  Which I was not going to miss.

So I have yet to see Yola.  Or Brooklyn Bowl.

Jac Ross was supposed to open, but I didn’t like him.  I was happy that he was replaced by Peter One whose story is really interesting.

Singer-songwriter Peter One left his home in Côte D’Ivoire in 1995 amid rising political unrest in the West African country that eventually boiled over into two civil wars in the 2000s. His life in the United States began in New York and then Delaware, before landing in Nashville, where he now lives. Along the way, he found community with fellow displaced Ivorians, including a friend who inspired a song from Peter One’s first new release in more than 30 years.

Peter One plays a kind of country-folk but with a West African twist that makes it sound fresh.

 

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[ATTENDED: September 23, 2022] Nick Mason’s Saucerful of Secrets [rescheduled from January 25, 2021]

Back in 2019 I saw Nick Mason’s Saucerful of Secrets play old, obscure and unpopular Pink Floyd songs.  And it was awesome.

When he first came up with the idea:

Mason says he wished to revisit songs that were staples of early Pink Floyd shows from 1969–1972, as well as other songs that were never performed live by Pink Floyd during this era. Mason said the group was not a tribute band, but that they wanted to “capture the spirit” of the era.  And they were going to play some of “Atom Heart Mother,” my personal favorite.

The band would consist of (and still does) Dom Beken on keys, Lee Harris and Gary Kemp on guitars and vocals, and long time Pink Floyd collaborator Guy Pratt (man, he has played with EVERYBODY) on bass and vocals.

I enjoyed the Met Philly’s experience.  But this time the show was going to be at the Miller Theater, part of the Kimmel Music Center complex.  Although I was quite far back and I said

I didn’t get a close seat because I didn’t really think it would be worthwhile.  But if he tours this show again (maybe with one or two different songs?) I would see them again, but I’d be much closer.

But this time, I decided to get even further away (sort of).  I grabbed a seat in the top tier (4th balcony), but in the front row.  I had a GREAT view!  Until I realized that the metal safety bar was EXACTLY at my eye line when I sat back.  So I had to lean up or down to see the whole stage. (more…)

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[CANCELLED: September 23, 2022] Andrew W.K./Uncle Dan [moved from September 24, 2021]

Andrew W.K. had this show rescheduled pretty quickly after cancelling his 2021 tour.

But then it was also cancelled.  I don’t really keep up with his goings on, but as far as I can tell he has maintained complete media silence.  No idea what’s going on with the guy.  Hope all is well and that he and his new wife and baby are doing well.

(more…)

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[CANCELLED: September, 22, 2022] Spiritualized

I wasn’t entirely sure that I wanted to see Spiritualized live.  I really like their album Ladies and gentlemen We Are Floating in Space.  But I wasn’t sure how well they would translate live.  But I read some rave reviews of their live show, so I grabbed a ticket.

But it turned out that on that night Kathleen Edwards was playing at SOPAC.  I had seen her recently, but I had purchased two SOPAC tickets for my wife and I to see her, so Kathleen won out.

Interestingly, at 12:30 this afternoon, Union Transfer sent is this message

Hello! Thank you for purchasing a ticket to see Spiritualized this evening. We want to send this quick heads up, the band will go on right at 8pm and will finish just before 10pm. No opener this evening. One long set.

An hour before showtime, however, the show was cancelled because of a “medical emergency.”  They also cancelled the final two shows of the tour (in New Jersey and New York).

So I made the right choice–I would have been really mad to find out that while I Was driving to Philly, the show was cancelled and I therefore missed both shows.

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[DID NOT ATTEND: September 18, 2022] Enter: Shikari / Trash Boat / Aviva

We’re almost entering into an area of bands that I considering seeing based on very little.

Sometimes, when a venue promotes a band pretty heavily it’s easy to get caught up in the hype.  There’s also a lot of bands that have been around for fifteen or twenty years that I completely missed when they had their popular surge.

Enter: Shikari (I think that I just like the colon in their name) has been around since 1999 and originally were kind of a screamo band that was really heavy but had lots of synth and electronic elements too.  It’s the kind of think I want to like but I tend to not, really.

It’s probably the kind of show I would go to where everyone is a diehard fan and I’d enjoy the songs but not know any of the songs.

I also didn’t realize they were British.

Trash Boat is from the same town as Enter: Shikari (St. Albans).  They are a heavy punk band with pop elements (although the vocals are more metal).  I wouldn’t have enjoyed this band as much–although I may have once.

AViVA is an Australian singer (and more–for a hilariously over the top hagiography, check out her fan wiki page).  Although this blurb is interesting:

Aviva Anastasia Payne, also known professonally as AViVA is Australian singer, songwriter, High School Teacher, and writer.

Her songs seem a little too poppy for this show, but she does include some heavier elements.  She’s probably be pretty interesting live.

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[ATTENDED: September 17, 2022] Daði Freyr

Daði Freyr has been in Eurovision twice and that’s how I know him.  He hasn’t won, but he won the hearts of many.  He was the leader of Daði & Gagnamagnið and was due to represent Iceland in Eurovision in 2020 with the song “Think About Things.”  But the event was cancelled and he was invited to represent them again in 2021 with the song “10 Years.”  They came in fourth place.

He is a goofy guy for sure–he is super tall (6 ft 9.9 in) with quite a deep voice.  In the performances his band was quite humorous dressing in identical sweaters with pixilated images of themselves.  Back then the group was his sister Sigrún Birna Pétursdóttir (backing vocalist), wife Árný Fjóla Ásmundsdóttir (dancer), and friends Hulda Kristín Kolbrúnardóttir (backing vocalist), Stefán Hannesson (dancer), and Jóhann Sigurður Jóhannsson (dancer)—known as “Gagnamagnið”. Gagnamagnið, while translated to English as “the Data”, literally means “the amount of data”, and is the Icelandic word for “data plan”.

But for this tour it was a trio–he is on synths, with percussionist Ylva Øyen and guitarist Pétur Karl rounding out the trio.

His videos are exceptional-he really has the visual side of things down perfectly.  I wasn’t sure how he would translate live, but I had to take the opportunity to see him.  He was not only a great, engaging frontman, he was very funny as well.  He told us that he has to stop moving his microphone stand so much, so if he did we should yell Hey!  But not in a mean way.

He started with “Thank You,” a classic synth pop song.  His voice is surprisingly deep and yet very warm at the same time.

He stood between two small synth rigs and sang “thank you for being fabulous, wonderful, and nice.” It was earnest and catchy.  But he immediately started joking with us since the next song was called “Shut Up” (nothing personal, he assured us).  “Shut Up” had a disco feel with the slinky guitars.  The song ended with him pointing to everyone pretty much individually and quickly singing Shut up shut up shut up shut up shut up. (more…)

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[ATTENDED: September 17, 2022] Meet the Bug

When Daði Freyr announced his U.S. tour, I grabbed a ticket right away.  i wasn’t sure if there would be an opening act.  And it wasn’t until a few days before the show that it was announced that Meet the Bug would open.  Who is Meet the Bug?  We’ll let their bio explain:

Meet the Bug is the solo endeavor of Philadelphia-based bedroom pop polymath Cariahbel Azemar. Her latest EP Beet The Mug is “a vibey meditation on keys and glimmery vocals that tackles heavy childhood trauma from the perspective of an emerging artist realizing the power of her voice.” Azemar uses her songs as a sort of diary, cataloging the highs and lows of coming into adulthood as someone who is both on the spectrum and ADHD.

Born in Port au Prince, Haiti and raised in the Georgia suburbs, Azemar began taking classical piano lessons at the age of four. … While at a performance by one of her primary inspirations, Cavetown, Azemar noticed someone she knew in the opening band – meaning, to her, that maybe she could do this, and so she shall. Thus Meet The Bug was born. Coinciding with the start of the pandemic, Meet The Bug’s early focus was her YouTube channel, where she mostly posts covers and originals. Now an active member of the Philly DIY community, Azemar can be found performing in house venues, bars, and cafe’s about town. Most recently, she played support for Daði Freyr at the Theatre of the Living Arts in Philadelphia.

Clearly this went up after I saw her.

Her set was delightful.  Lyrically the songs might have been a little dark, but they were more angsty and hopeful.  But she sang with a gentle voice and, best of all, nearly all of her songs were played on a ukulele–a fairly large ukulele (maybe a small guitar? but i think it had four strings).  This gave her songs a kind of sunny vibe. (more…)

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