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Archive for the ‘Cities’ Category

[ATTENDED: December 12, 2019] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I got a ticket for the third night, not really knowing what to expect.

It turned out to be a fantastic night of music and togetherness.

I missed the next year but went last year to Winter Classic IV.  Which was also great.

There was no way I was going miss Winter Classic V.  This year I went for the first night of the three.

The other two shows had opening acts announced, but there was none announced for my night.

I didn’t think we’d get an extra long show (Tim doesn’t do extra long shows).  Instead we got a cool improv by his partner for the night, Mike “Slo-Mo” Brenner. (more…)

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[ATTENDED: December 12, 2019] Mike “Slo-Mo” Brenner

I was pretty excited to go to the fifth Strand of Oaks Winter Classic (this is my third).  I chose the first night of the series because I was going out on Saturday as well. The other two shows had opening acts announced, but there was none announced for my night.

When I arrived, my friend was there up front (of course) and I managed to get up next to her.  She told me that the opening act was going to be Mike “Slo-Mo” Brenner.  It was apparently decided just before the show started.

Well, Mike “Slo-Mo” Brenner was accompanying Tim Showalter for these shows (it was just the two of them during the Strand of Oaks set).  So, I guess it was decided last minute to let Slo-Mo do a twenty minute improv before the main show. (more…)

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[ATTENDED: December 4, 2019] A Very She & Him Christmas Party

S. and I have a large Christmas album collection.  It’s fun to add a CD a year or so, especially when they are new and interesting.

We’ve enjoyed the two Christmas CDs from She & Him (Zooey Deschanel and M. Ward).  So when it was announced that they’d be coming to Philadelphia (actually starting their mini-tour here), I got tickets right away.

We went in with expectations of a sweet Christmas experience.  And that’s what we got.

They played about 30 songs and the biggest surprise for both of us was just how long the show was.  I assumed 75 minute, but it wound up being almost and hour and 45 minutes.  That’s the holiday spirit! (more…)

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[ATTENDED: December 4, 2019] Pete Lee

Exactly one year ago S. and I attended the Brian Wilson Christmas Special.  This year we were in Philly for the She and Him Christmas Party.  Clearly December 4 is the day for Christmas specials!

A few days before the show (we were the first stop on the tour) it was announced that comedian Pete Lee would be opening the East Coast dates while Patton Oswalt would be opening the West Coast dates.  (It’s not often that I wish I was on the West Coast, but this is one of those times).

I had never heard of Pete Lee. When I looked him up I saw this on his bio:

Pete Lee was the first stand-up comedian to get a standing ovation on The Tonight Show Starring Jimmy Fallon, and it resulted in him appearing on the show three times in the last year.

Interesting.

That’s all I read before the show.  But looking at the bio after the show I see that it really does sum him up pretty well:

Pete’s joyful humor comes from his Midwestern roots. Raised in Janesville, WI by divorced parents and a 19-inch television, he was destined to pursue a career in entertainment.

(more…)

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SOUNDTRACK: DAVID O’DOHERTY-“Florence Falls” (2012).

Back in 2012, Cathy Davey said she’d “been trying to figure out how to raise awareness for homeless dogs without it becoming a negative campaign.”  She says she “wondered how many songwriters would be interested in writing songs about dogs they have loved. It turns out nearly everyone I approached had a story to tell…”

So Davey and Neil Hannon of The Divine Comedy curated this album.  Proceeds from the album go to the Dublin-based Dogs In Distress.

The album features new recordings from fourteen artists, including Lisa Hannigan.  When the album came out Hannigan tweeted: “A dog is for life, this album is for Christmas” playing on the Humane Society’s “A dog is for life, not just for Christmas” which is designed to discourage giving pets as holiday gifts if they can’t be cared for.  Sharon Shannon and David Gray both contribute instrumentals).  And of course, The Divine Comedy.

I was planning  to write about The Divine Comedy song, but my favorite track turned out to be this one from David O’Doherty, an Irish comedian.  I don’t know anything about O’Doherty, but the delivery of this bittersweet song was top notch.

Musically, the song is simple, just a keyboard playing a nice melody.  The story starts somewhat sweetly as Florence’s owner returns home.

As my key went in the door I’d call your name, you’d start to growl
And move menacingly across the floor
And as you’d thundered down the stairs
Snarling angrily
I’d wonder why I liked you so much
And you always hated me

The details of how bad Florence was are really hilarious.

In the winter you’d curl up by the fire at home
I’d go off to get your chew-chew
And then you’d eat my mobile phone

Then we realize just how bad Florence was

The first time that you nipped me people said you were just young
And the second time it was the heat
And the third you were only having fun (ha ha ha ha ha)
And the fourth time I actually needed Tetanus and you got neutered at the vet
She said that it would calm you down
And then you bit me on the leg

And since Christmas is coming, there’s a Christmas verse too:

I remember one time at Christmas
When you opened all the stuff
I put you out into the garden
And you were furious
You cried so much at this great injustice
I had to let you back in
And then you were good for an hour


Then you licked the turkey

Florence was truly a terrible dog.  A terrible pet.  And yet the ending reveals the truth:

Oh, Florence, there was nothing good about you I can’t think of anything
But I wish that you were still at home … hating me again.
You were a rubbish dog
But a rubbish dog is better than no dog

And even though this song is sweet and might make you a little teary-eyed, the phrase “rubbish dog” will always make me laugh.

[READ: November 30, 2019] “The Curfew”

I have loved Roddy Doyle’s stories for years.  His early stuff was very funny, but it has been a pretty long time since he has written anything genuinely funny.  But no matter, because what he writes is always good and very real.

The curfew in this story is in place because ex-Hurricane Ophelia is heading towards Dublin.

The protagonist is heading home, with a half hour to spare before the curfew.  His wife is dismissive of the curfew–“Do they think it’s a civil war?  It’s only a bit of weather,” but he likes the drama of it.  He felt like he was helping to stave of a catastrophe–it was doing him good.  It almost kept his mind off the medical news.

A couple of wees ago he’d had a checkup.  All he could remember was the prostate exam.  He smiled to himself thinking he could now address his daughter’s lectures about gender: “I know what you’re talking about, he’d be tempted to say.  A woman doctor had her finger up my arse and she was thoroughly professional.” (more…)

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[ATTENDED: November 25, 2019] Ice Nine Kills

I was unfamiliar with Ice Nine Kills until my son started talking about them.  Then his friend invited him to see a show at the Starland Ballroom on May 3 (Ice Nine Kills was not headlining–the lineup was Falling In Reverse, Ice Nine Kills, From Ashes to New and New Years Day).  So I was a little bummed that he didn’t go to his first club show with me, but it’s much cooler that he went with his friend.  He loved the show.

So when they announced that they were playing at TLA and headlining the Octane Accelerator Tour (a Sirius XM thing), I made sure we got tickets (even though it was a Monday night).

The show was (I’m exhausted just thinking about it) FIVE bands and started at 6PM (!).

The lineup was Ice Nine Kills, Fit For A King, Light The Torch, Make Them Suffer, & Awake At Last.

Since it was a Monday night, I knew it would be really hard to get there for the first band, so we decided we would assume we’d miss Awake at Last.  Then on November 5th, Make Them Suffer (who are Australian) announced:

Unfortunately we have had some serious setbacks with immigration, and were unable to secure the visas we needed in time for these shows.

TLA said the show would go on at the same time which was great for us since it meant we would get home about 30 minutes earlier.  I also figured I’d take my son for some good ol’ Philly cheese steaks before the show since Jim’s is just a few doors down.

We enjoyed out cheese steaks quite a lot and as we walked past the theater I asked the guy at the door which band was on.  He said the second band was on and since we had plenty of time, we decided to go to Atomic City Comics (which is a wonderful store).

We headed back to TLA figuring we’d be in the middle of Fit for a King.  But as we walked in, they were between bands.  The woman at the merch table said that ice Nine Kills was up in ten minutes!  We’d missed all of the opening bands! (more…)

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[ATTENDED: November 18, 2019] Ringo Deathstarr

Ringo Deathstarr is the kind of bandname that makes people either smile or groan.  Obviously it makes me smile.  It does not really tell you what they’ll sound like though.  I first heard of them back in 2011 on NPR when they played the fantastic “Swirly.”  I was immediately hooked by the woozy guitars and the juxtaposition of heaviness.

I never forget the band name, but I never really thought too much more about them.  Until I saw that they were coming to Boot & Saddle.  I’m not sure if they have played Philly before (I assume so), but the crowd was really into it and excited from them.

Ringo Deathstarr is the project of Elliott Frazier (on guitar and vocals), Alex Gehring on bass and vocals and Daniel Coborn on drums.  For this show I was parked right in front of Frazier and got to watch him do all kinds of wonderful and weird things to create fantastic sounds from his guitar.

When the band walked up on stage, the lighting was decent and it was nice to get a good look at the band before the stage people turned the lights blue.  After a couple of songs, they begged for the lights to be changed and were told that there was no one there who could fix them.  What?  What kind of crappy way to treat a band!  I really like Boot & Saddle as a venue but lately their lights have been terrible.  So they were bathed in deep blue all night long with never a change.  (It’s better than magenta, but just barely). (more…)

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[ATTENDED: November 18, 2019] Lovelorn

Just after the Blushing set ended, a woman squeezed past me and put some stuff on the stage.  Turns out she was Anna Troxell, bassist and vocalist for Lovelorn.  A few moments later a guy with an enormous table full of gear climbed up on stage.  That was Patrick Troxell, knob twiddler and drummer for Loverlorn.

And yes, this was the second band of the night where the band members were married.

Lovelorn formed out of the dissolution of Creepoid, a Philly punk band with a legendary history.  When Lovelorn first assembled, it was with three of the members of Creepoid (singer guitarist Sean Miller did not join them).  I was unfamiliar with Creepoid, but when I listened to them recently I rather liked them–shame they broke up.

they were a trio with guitarist Pete Joe Urban joining them.  They played slow dreamy noisy pop like latter Jesus and Mary Chain.  Somewhere between early 2018 and late 2019. Lovelorn became a duo and switched their emphasis to darkwave music.

There’s no guitar.  Patrick makes all of the sounds on his table of gear.  He also had a cymbal and possibly a snare drum–I couldn’t tell.  Anna played bass on most of the songs, putting it down for one or two tracks.  They both sang lead. (more…)

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[ATTENDED: November 18, 2019] Blushing

I hadn’t heard of Blushing before this show, but as soon as I found out they were a shoegazey type of band, their name made perfect sense.  Then I read a little bit more about them and was even more fascinated.

Here’s a little bio from For the Rabbits

Blushing are a band formed of two husband and wife pairs, although it didn’t start out that way. Back in 2015, singer and guitarist Michelle Soto plucked up the courage to share some songs she had been working on with friend Christina Carmona. From that friendship, a creative partnership was born, Christina adding her classically trained vocals and bass-playing to the mix, shifting Michelle’s rough sketches into fully formed compositions. Recruiting their spouses, they set about recording the songs that would become their debut EP, Tether.

Since that EP, the band has released another EP, Weak, and a full lengthg album, Blushing.  They played 7 songs during our show.  All of them were from the album except “Hidden Places” which came from Weak.

The band has a great classic shoegaze sound.  Waves of guitars with Christina Carmona’s beautiful voice often sounding more like an instrument than a voice.  But there was also some heaviness involved–some crashing guitars, big riffs and loud drums.

It was also evident right from the start was how much fun this band was having.  They told us they were excited to be in Philly for the first time.  Michele Soto on guitar was wearing a Dead Milkmen shirt (Big Lizard in My Backyard) just for the occasion. (more…)

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SOUNDTRACK: WÜRST NÜRSE-Hot Hot Hot (2018).

I wanted to find a soundtrack that would go with a book about wurst.  I found this fantastic Australian band with a hilariously appropriate name who also happen to be a band that rails against sexism.

In fact, one of the members of the band is in the fantastic feminist band Camp Cope!

Their story:

In 2016, five nurses with a sick-of-your-shit attitude put down their scalpels to pick up their instruments and Würst Nürse was born!  Würst Nürse are ripping out the stitches of the patriarchy with their dominating & satirical lyrics.  The band consists of Georgia McDonald (Camp Cope) as singing nurse, Anna Stein & Stephanie Butigan as guitar nurses, Morgan Sterley as bass nurse & Abbie Laderman as drummer nurse. Since Würst Nürse’s Fürst Rehürsal they have been administrating sludgey fever-inducing riffs & a power pop energy hot enough to send you into heart block.

This EP has four songs and is 13 minutes long.

It is musically brash with catchy melodies and sing-along choruses.  But its the biting lyrics that are so much fun

Like on “Hot Doctor” which is three chords and a sing along chorus of:
Hot Doctor
Hot Doctor
He’s gonna pay my bills
He’s gonna pay my rent
Hot Doctor
Hot Doctor
Gonna quit my job
Never have to work again

Although the verses are a bit more subversive

I give the wrong meds to get your attention
I want your hot beef injection
Hot Doctor
So, it turns out I didn’t even need that bachelor’s degree anyway
When I saw you walking down the hallway
Oh, Hot Doctor are you coming back to my place?
Your blue scrubs they rub up the right way

“Hot Surgeon” is very different from “Hot Doctor.”  There’s no big chanting chorus, but the lyrics are very different:

I wanna drill into your head
You’re such a hot surgeon
I bet you give great head
I know you’ve got your doctorate
Hot Surgeon
Know your way around a woman
I could help you out in theatre
You could help me put in a catheter
You, me and the Hot Doctor could get it on after hours

Okay maybe not that different.  But it turns out that they are connected:

I wanna get with the hot surgeon
Nobody tell the hot doctor
I don’t wanna ruin my chances

“Hot Brown Rain” is very different from the other “hot” songs because it is a hilariously revolting song about, well, being “number 8 on the Bristol stool chart” [The chart only goes up to 7, ew].  “from your underwear, how did it get in my hair?”  The chorus is surprisingly catching or catchy.

“Dedication Doesn’t Pay The Rent” has big stomping verses and much more pointed lyrics:

Knowledge learnt
Is money spent
And I still owe
The government
And they cut
My pay again
Those suit wearing white men

The chorus is very satisfying too:

No dedication don’t pay the rent
If you cut my pay
I’ll cut your oxygen

Of course I don’t want to see Camp Cope end, but I sure hope Würst Nürse releases more music.

[READ: Summer 2019] The Wurst of Lucky Peach

I really enjoyed Lucky Peach magazine.  It was often exhausting to read them since they were so packed with content (not unlike a sausage).  I was bummed when the magazine folded.  But in addition to several great issues, they also left behind some of these really fun and interesting cookbook-type collections.

This book is more than a series of recipes that I will likely never make or eat.  It is a fun history of the sausage that travels from Europe to the Americas to Australia and beyond.

Chris Ying says he loves sausage.  He says he might be in the world’s best lobster restaurant, but if there’s sausage on the menu that’s what he’s getting.  This book is fill of sausage history, sausage based humor (they tried to limit the number of dirty jokes, but failed often and with gusto). (more…)

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