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Archive for the ‘Cities’ Category

2020_03_16 (1)SOUNDTRACK: MOUNT EERIE-Tiny Desk Concert #945 (February 12, 2020).

maxresdefaultI’ve heard of Mount Eerie, but I didn’t really know that much about them. And when I say them, I really mean him, Phil Elverum.

Phil Elverum’s songs come full circle, swooping down like vultures and floating up like ashes from flames. Throughout his work in Mount Eerie and The Microphones, idealism comes up against realism, existence entangles with impermanence and love discovers new forms. So when he sings, “Let’s get out the romance,” in close harmony with Julie Doiron at the Tiny Desk, there’s a history going back nearly two decades to an isolated cabin in Norway where he first wrote the phrase.

I have never really enjoyed quiet, sad music.  It’s just not my thing.  So this Tiny Desk is definitely not my favorite.  Although I can appreciate the intensity of his lyrics and the beautiful way his and Julie’s voices combine.

They recorded an album, Lost Wisdom Pt. 2, last year.

the sparsely decorated, deeply felt album meditates on a heart still breaking and mutating, but also gently reckons with a younger version of himself. That refrain on “Belief” is performed here with only an electric guitar and a nylon-string acoustic bought in Stockholm during that Scandinavian trip many years ago.

“Belief” opens with quiet acoustic guitar and then the two of them singing together.  And it’s pretty intense:

Elverum remembers himself as a young man who begged “the sky for some calamity to challenge my foundation.” We then become the Greek chorus, witness to the unfolding tragedy: first, the death of his wife and mother to their child, the musician and illustrator Geneviève Castrée, in 2016; then the marriage to actor Michelle Williams in 2018 and their divorce less than a year later. “‘The world always goes on,'” Doiron sings in answer, quoting a Joanne Kyger poem, “‘Breaking us with its changes / Until our form, exhausted, runs true.'”

Doiron’s guitar contributions are so minimal, she doesn’t play for most of the song.   The song runs almost seven minutes and does seem to end mid-sentence.

When “Belief” suddenly ends, seemingly in the middle of a thought, Elverum’s eyes search the room. The audience responds with applause, but a version of this dynamic plays out everywhere he’s performed for the last three years — long silences broken up by tentative claps, nervous laughs struck by grief and absurdity.

The second song, “Enduring The Waves” is only three minutes long.  He begins it by speak/singing “Reading about Buddhism” and I wasn’t sure if it was a lyric or an introduction.  It’s a lyric.  This song features Julie and Phil singing seemingly disparate lines over each other until their final lines match up perfectly  The construction of this song is really wonderful even if it is still a pretty slow sad song,

“Love Without Possession” Julie sings the first verse and after her verse, Phil starts strumming his guitar in what can only be described as a really catchy sort of way.  They harmonize together and Doiron includes minimal electric guitar notes.  This is my favorite song of the bunch.

[READ: March 13, 2020] “My High-School Commute”

Colin Jost is one of the presenters on Saturday Night Live‘s Weekend Update.  I think he’s very funny and has a great sarcastic tone.  Although, I have to agree with the title of his new memoir: A Very Punchable Face.

This is an amusing essay about his daily commute to high school, in which he took “a journey by land, sea and underground rocket toilet.”

His grandfather always told him about the value of an education–protect your brain! was his constant refrain.

It was his brain that got him out of Staten Island.  It got him into a Catholic high school called Regis* *Regis Philbin was named after my high school but went to Cardinal Hayes High School which was full of kids who beat the shit out of kids who went to Regis.

Regis is one of the best schools in the country and it is free–tens of thousands of kids apply for 120 spots. (more…)

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[POSTPONED: CANCELLED March 16, 2020] Billie Eilish / Denzel Curry

indexUPDATE: On December 3, this show was officially cancelled.  What a bummer.  I hope her future tour is as good as this one was supposed to be.

March was going to be a very busy concert month for me.  This was to be the third of four shows in five nights.  This show was going to be for me and my daughter–her opportunity  to see the biggest pop star in the world–Billie Eilish.

I actually managed to get us decent seats and I was pretty excited to see what this show would be like as well.

I have to assume that this show will get rescheduled.  It’s one of the few shows I go to where I actually have a seat and not just GA, so when it gets rescheduled I assume they’ll give us the same seats?  I also hope it’s not on a school night.

Opening for this show was a rapper named Denzel Curry who I don’t know.  I don’t really have an opinion about whether he opens next time or not.

This turned out to be the third of dozens of shows cancelled or postponed by the coronavirus.

Obviously, my main concern is for everyone’s safety, including the bands!

My selfish concern though is that once the shows are rescheduled that all of these shows will be scheduled on the same day!

Let’s hope the rescheduled dates also do some social distancing.

eilish

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[CANCELLED: March 15, 2020] Kenny O’Brien & The O’Douls / Ramoms

indexMarch was going to be a very busy concert month for me.  This was to be the second of four shows in five nights.  This show was going to be just for me–a night of Kevin Devine performing his Saint Patrick’s Day special with his “Irish” band Kenny O’Brien & The O’Douls.  It promised to be a night of hilarious nonsense and excellent music.  I’m not sure if this show will get rescheduled as it was topical.  But if we can have Christmas in July, why not St. Patrick’s Day in September, when we’ll all need some light-heartedness?

Opening for this show was a band called Ramoms, an all mom parody/tribute band to the Ramones.  It sounds fantastic and I really hope they get paired up with the Kenny O’Brien rescheudled date whether this year or next year on St Patrick’s weekend.

This turned out to be the second of dozens of shows cancelled or postponed by the coronavirus.

Obviously, my main concern is for everyone’s safety, including the bands!

My selfish concern though is that once the shows are rescheduled that all of these shows will be scheduled on the same day!

Let’s hope the rescheduled dates also do some social distancing.

kenny

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[DID NOT ATTEND: March 14, 2022] Crash Test Dummies / Elizabeth Moen [rescheduled from May 2, 2020]

This tour was going to be a full band anniversary tour and I was really interested in seeing them all, especially after the postponement in 2020.

However, this show was far more expensive than the show in Bethlehem.  Plus, I bought tickets for us to see them in Bethlehem [which we wound up not going to, rats].

And, we had tickets to see Glen Hansard and Marketa Irglova, which took precedence.

Mo Kenney is a Canadian singer/songwriter based in Dartmouth, Nova Scotia. Catching the ear of noted Canadian rocker Joel Plaskett while still in school, Kenney released their first album in 2012, which Plaskett produced. Kenney is known for their lyrical prowess and engaging stage presence

They have a lovely voice.

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[POSTPONED: March 13, 2020] They Might Be Giants [moved to September 8]

indexMarch was going to be a very busy concert month for me.  This was to be the first of four shows in five nights.  This show was going to be for me and S.–a night of They Might Be Giants performing Flood!

It turned out to be the first of dozens of shows cancelled or postponed by the coronavirus.

Obviously, my main concern is for everyone’s safety, including the bands!

My selfish concern though is that once the shows are rescheduled that all of these shows will be scheduled on the same day!

Let’s hope the rescheduled dates also do some social distancing.

tmbg

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[NOT POSTPONED: March 13, 2020] Sudan Archives / Cartel Madras / yungkamaji

phrasesnotattend

Sudan Archives at Johnny Brenda’s was a show I had really wanted to see.  When I realized she was playing there the show was already sold out.  So I gave up (I don’t do resale).

Then Coronavirus came in and shows were starting to get cancelled.  The Districts had still gone on last night, but They Might Be Giants had already been postponed.

A friend of mine went to this show (she had gotten tickets early) and said that so few people had actually shown up that they were letting people buy ticket sta the door.

I didn’t think I could get tickets.  I’m not sure if I would have gone had I known there were tickets available.  The virus hadn’t hit Philly really at that time, but i think I’d have played it safe anyhow.

The Key gave a short (kind of sad) write up about the show.

DJ/Visual artist yungkamaji (whom I have never heard of) opened the show with a short set before being joined by the sisters of Canadian hip hop duo, Cartel Madras.

Cartel madras was supposed to open for clipping. a few months from now but that show was postponed as well.

Visuals from their eclectic music video shone over head as the duo traded verse on their short, mixtape length tracks. Self-classified as “Goonda Rap” (meaning thug), “Conta” and “Eboshi” bring a South Asian aesthetic to Western trap and hip-hop.

It was the last show I could have gone to for a long time.

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[NOT POSTPONED: March 12, 2020] The Districts / And the Kids / Sixteen Jackies

phrasesnotattendMarch was going to be a very busy concert month for me.

I thought that I would be starting a bunch of shows in a row with this one. Then it turned out that an event for my son that I thought was scheduled for March 19 was actually on March 12.  So that meant I would not be going to this show.

I had seen The Districts back in 2017 and enjoyed the show, but I clearly didn’t enjoy it as much as everyone else in the room who knew every word to every song.  I was much more prepared for this show, even if there was a new album about to come out for this show as well.

I was also really excited to see And the Kids, a band I have really enjoyed twice and who I can’t wait to see again.  But they had a personal tragedy affect them and they had to cancel their opening slot of the tour.  That was a major bummer.

I didn’t know Sixteen Jackies, but I had read good things about them.

Once the coronavirus started shutting down shows, I wasn’t sure if this show would get shut down.  It didn’t and it turns out it would have been my last show for quite a while if I had gone.

Sounds like it was great, but I had more important things to do.

However, I hope that when they reschedule the tour that they tack on an extra Philly day so that we can enjoy them again without the fear of contagion hanging over our heads.

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[ATTENDED: March 8, 2020] Destroyer

I really enjoy Dan Bejar’s work with New Pornographers.  I haven’t loved all of his Destroyer albums, but Destroyer’s Rubies is fantastic and Kaputt is a lot of fun.

When New Pornographers toured recently, Bejar was not a part of the group.  So when I saw that Destroyer was touring a few months afterward, I thought it would be a good way to complete the set.

I had read that the Destroyer live show was pretty terrific, but I had also read that Bejar felt the best shows were when he faced the band rather than the audience.  So who knew what might happen.

The crowd around me was pretty excited to be sure.  A guy behind me was practically vibrating and he yelled “I love you Dan” at several points.  It may have been the only time that a singer has not acknowledged such a declaration, even in a cursory way.

This show was also the first time I went out while we were under the looming threat of the Coronavirus.  Things had not gotten serious yet, but it was coming.  I even brought a tube of hand sanitizer (this was before they were all sold out).  I was very aware of the fact that I was not touching anyone or anything and I’ve never seen the line for the bathroom be so long because people were washing their hands!

I also never would have guessed that this would be my last concert for … who knows how long (at least two months, by my estimate).

So Dan and the band came out.  There were six musicians with him. (more…)

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[ATTENDED: March 8, 2020] Nap Eyes

I saw Nap Eyes open for Alvvays nearly three years ago.  I was mesmerized by their mix of deadpan, melody and noise.  Since then I’ve really enjoyed their first two albums.  I missed their third one entirely somehow, but I was really looking forward to seeing them again.

I was especially looking forward to watching guitarist Brad Loughead because he managed to play really pretty melodies and then fill them awash with all kinds of distortion.  It had been three years since I’d seen them, but when they came out on stage I looked at Loughead and though, wow, he looks an awful lot like Ryley Walker.

Well, sure enough, it WAS Ryley Walker, whom I had just seen him on New Year’s Eve doing some wild improvisational guitar playing. (more…)

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SOUNDTRACK: BLACK UHURU-Tiny Desk Concert #917 (November 29, 2019).

I don’t have a very good overall feeling about reggae.  As a person who listens to a lot of music that people have said “all sounds the same,” I can’t help but admit that to me all reggae sounds the same.

Or, perhaps all of Bob Marley’s reggae sounds the same and that’s the only reggae I’ve really been exposed to.

Because this Black Uhuru concert is clearly reggae, but it sounds new and exciting to me (even if the band has been around for 40 years).

I’ve been aware of Black Uhuru forever–they always seemed to be in the Columbia House 20 albums for a penny ads back in the day (along with Boz Scaggs, another artist I’ve heard of since I was a kid but have never actually heard a note from).

Considering the state of global politics, there’s never been a better time to get reacquainted with the righteousness of Black Uhuru. The iconic reggae band, whose name means “Black Freedom” in Swahili, is still going strong after more than 40 years, and they brought their much-needed songs of solidarity to the Tiny Desk. Fittingly, the set begins with “Here Comes Black Uhuru,” a telling and literal re-introduction to the group’s legacy for audiences that may be unfamiliar with their extensive catalogue.

This song is clearly one that I needed, as I didn’t know anything about their music.

While most-known for their late-’70s and early-’80s classics — years defined by a game of musical chairs within the group as played by founding members and/or collaborators Michael Rose, Garth Dennis, Don Carlos, Sandra “Puma” Jones, Sly Dunbar, Robbie Shakespeare and even Junior Reid — this incarnation of Black Uhuru, with frontman and co-lead Andrew Bees, has been touring and recording since about 1997 or so, longer than any of the configurations that precede it.

“Here Comes Black Uhuru” has some groovy bass from Daniel “Axemon” Thomson (who plays a white five-string Steinberger).  The verses feature some cool synth sounds from Horace “King Hopeton” Campbell and the drums are chock full of fun percussion from Rolando “Phanso” Wilson.  The biggest surprise to me was the ripping guitar sound from Frank Stepanek.

The vocals are shared between Derrick “Duckie” Simpson and Andrew Bees, with additional backing vocals from Elsa Marie Green.

This song has simple but catchy riff and it ends with a big powerful rocking sound.

“As The World Turns” comes from their new album of the same name.  “As The World Turns, is an album that was mired in issues around its master recordings, was finally released in 2018 — six years after it was recorded — and earned a Grammy nomination for best reggae album.” The song opens with the stereotypical Egyptian riff while Duckie and Elsa Marie Green sing the main verses.   I love that there’s spacey effects from the keys and Stepanek plays a blistering solo (twice).

“I See You,” is a love song “led by Derrick “Duckie” Simpson, a co-founder and the only steady member of the group since its beginnings in the early ’70s.”  It has the most conventional reggae sound and I like the way Andrew Bees works as a kind of hype man in this song,

“What Is Life” is their most well-known song.  It

explores the hopelessness endemic to those who are economically and socially disadvantaged, and explores the complexities of the human experience — what life could be, versus what it is. Despite being written and recorded in 1984, you can probably recognize the endurance of its themes.

Andrew Bees sings lead which adds a very different tone to the song.

While I really liked the first two songs, the second two weren’t quite as exciting to me.  Maybe I don’t need more reggae in my life, but I’m glad that there are different style out there.

[READ: February 1, 2020] DPR Korea Tour

I was really surprised to see this book at work.  I didn’t realize that North Korea sent propaganda to English-speaking countries  I assume this isn’t meant for American eyes specifically, more likely to European eyes, but who knows.

The book is written in English, Chinese and Cyrillic, but the writing is all just captions for the photos.

And I have to say that the landscape of North Korea is absolutely gorgeous.  I had no idea their land was so lovely.

Mt Paektu shrouded in clouds is striking.  And Lake Chon underneath the mountain is crystal clear and beautiful.  Taehwa Peak on Masikryong Pass has chair lifts that look like they are thousands of feet in the air (no people on them in the picture though).  It is a large skiing mountain–I didn’t know they skied there.

There are also wondrous waterfalls like the Hyongje Falls at Mt Paektu and the Rimyongsu Falls with a mansion atop them. Isonnam Falls is peaceful and serene while the Saja Falls are roaring (its hard to get a sense of scale though).  I’m also very impressed by Kuryong Pool and Eight Pools Under It. (more…)

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