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[POSTPONED: September 12, 2021] Andy Shauf / Faye Webster [rescheduled from May 1 and December 17, 2020; moved to March 31, 2022]

indexThis show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[ATTENDED: September 10, 2021] Almost Queen

S.’s co-workers invited her to see Almost Queen with them late in June.  She agreed, thinking it would be a fun night out.  As September approached, she realized that the friends had a slightly different plan for the evening than she did, and realized that she couldn’t ride down with them.  So she asked me to come along.

I was game, of course.  I have never intentionally paid to see a tribute band before.  But since this was a band that I would never be able to see live (Queen last played in New jersey in 1982–although the version with Adam Lambert had played here more recently), I said why not.

I was intrigued that a cover band had two opening acts, also cover bands: Philadelphia Freedom, The Elton John Tribute and The Unforgettable Fire: The U2 Tribute.

However, the combination of Friday night plans and Friday night traffic meant we got to the Stone Pony during the final two U2 songs (“One” and “Bullet the Blue Sky”–a rather odd final song I thought).  They sounded good from the street, but I have no real opinion of The Unforgettable Fire.

The place was PACKED and there was no vaccination requirement (good grief).  This is my third Summer Stage show in a few years and honestly, unless there is something really amazing playing there, I don’t think I’d go back.  The crowd is just terrible–filled with drunken Jersey dudes and dudettes.  If this was a band I really wanted to see I’d have been really annoyed by them all.  Fortunately, this was a fun tribute act and I was happy to just kick back and enjoy.  We somehow managed to find our group (amusingly, I told S. to have her friend hold up her phone and wave it.  Immediately someone did and we followed the light only to realize that it wasn’t her friends, but the person standing right next to them–weird). (more…)

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[CANCELLED: September 9, 2021] Bachelor

indexBachelor is the lockdown-inspired collaboration between Palehound’s Ellen Kempner and Jay Som’s Melina Duterte.  Their song “Stay in the Car” is one of my favorites this year.  I was excited to see both of these great women in a small venue like The Foundry.

Then on Friday August 13th, they sent out this message.

Unfortunately, the Event Organizer has had to cancel your event.

With this follow up on their Instagram

Due to unforeseen circumstances, Bachelor will no longer be hitting the road for the following shows. However, Ellen will still be supporting @lucydacus as @palehound on the first leg of her tour. Tickets for our headline shows will be refunded at point of purchase. Please get vaccinated and stay safe.

So that was a bummer.  Hope they can rebound and do more shows next year.

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[ATTENDED: September 5, 2021] Avatar

When Avatar announced they were playing TLA I knew I wanted to see them again.  When they opened for Babymetal, I was blown away by what a show they put on–for an opening act.  I imagined that when they headlined, it would be even more amazing.

It wasn’t more amazing (I was actually more impressed by their lights last time) but it was certainly a lot of fun–an even more fun since the audience was there to see them.

Their gear was set up and then a small drumkit was brought to the front of the stage (which was pretty unusual).  Then the five of them walked out and stood in a tight v formation.  After a lengthy pause with all five of them staring at us, drummer John Alfredsson began hitting out a loud snare beat.  Then the guitars started playing and singer Johannes Eckerström–dressed like a ringmaster, his face covered in white paint with (scary) clown makeup on–began singing the fantastic growling anthem “Colossus.”  The band played the entire sing in that tight V shape and from my vantage point when both guitarists played the same solo it was like a multi-armed beast on stage.

They followed that up with “Let it Burn” and then the stage went black.  The crew removed the tiny drum set and the band left the stage briefly while Alfredsson climbed up on top of his full sized kit.  When the band came back out they utilized the full stage and when they started “Silence in the Age if Apes” (the actual first song on the new album) the full synchronized headbanging extravaganza was under way.

Both guitarists take some time to show off, although never for too long.  In fact, when they started soloing, it was usually over by the time I had the camera ready.  Jonas “Kungen” Jarlsby and Tim Öhrström (“he’s single, ladies”) both took turns at the front of the stage.  Although it was Jarlsby who stood up front to play the slow pretty intro of “Bloody Angel.” (more…)

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[ATTENDED: September 5, 2021] Magic Sword

When Avatar announced they were playing TLA I knew I wanted to see them again.  When they opened for Babymetal, I was blown away by what a show they put on–especially for an opening act.  I imagined that when they headlined, it would be even more amazing.

I was pretty psyched that the opening band was going to be Magic Sword.  I had recently been getting into their brand of instrumental 80’s sci-fi/metal soundtrack kind of music (I don’t really know what else you’d call it) and I was pretty excited to see it live.

There are three members: The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums).  Oh yes, they are all masked (and not COVID masked, but like a fencing mask with a glowing light (in the above color) for the eyes).  All of their songs are pretty heavy with a main riff (and bass) coming from the keys (and sometimes guitar) and really heavy drums.  And then The Seer plays some extended impressive and super catchy guitar solos.

Every song feels like the exultant triumph of a cheesy 80s sci fi movie.  Which is not to say that their music is cheesy (it really rocks) but that it would be placed in a cheesy movie–and would sound great. (more…)

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[ATTENDED: September 4, 2021] King Crimson

This show was originally scheduled at the State Theatre in New Brunswick, which would have been an amazing place to see King Crimson.  The sound would have been incredible, and it’s only 30 minutes from my house.  When this was first rescheduled, it appeared that they’d be playing at the Count Basie in Red Bank, which would have been fine–great sound, but a further drive.  Then it wound up at PNC Bank Center, which has less great sound, but is a nice venue and is very easy to get to.

A few days before the show I heard an ad on the radio that said this was King Crimson’s final tour. I hadn’t heard that before.  And maybe if they had originally played in 2020, they might have done another stretch into 2021…who knows.  Anyhow, an article recently said that yes, this was probably the final tour, but they didn’t want to make a big deal about it.  So it’s possible that this will be my final King Crimson show (five times in eight years is pretty good–especially for King Crimson).

The last few times King Crimson has played two 90 minute sets.  But this time they had the Zappa Band opening for them.  Which meant that they’d do only one set.  Sadly, for the same amount of money.  But oh well.  What this meant was that they did a 90 minute set that almost felt like a greatest hits (of the last few tours) package.

I decided to splurge somewhat for this show–not paying for a VIP, sorry Robert–but I was reasonably close and more or less in the middle.

The back row has remained consistent throughout these tours: Tony Levin (bass, Stick, keyboards this time, too); Mel Collins (saxes, flutes); Jakko Jakszyk (guitar, vocals), and of course, Robert Fripp (guitar and more).  From this vantage point I could see everyone very clearly, which was ideal.  A very obnoxious couple sat down next to me but there were, thankfully, two empty seats on the other side of me so I slid over and was able to sit between the heads of the two people in front of me for an unobstructed view.  The obnoxious couple left mid set…huh. (more…)

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[ATTENDED: September 4, 2021] The Zappa Band

When this tour was announced, I was pretty pleased to see that The Zappa Band was opening for King Crimson.  I’ve been a fan of Frank Zappa’s music for years, but I never saw him while he was a live and I’ve never seen any of the various posthumuous offerings that have come around.

I’ve often thought about going to see Dweezil play his dad’s music but I haven’t (looking at the setlist, there’s quite a lot of good stuff there).

But this was an “official” Zappa project, and better yet they were going to be playing where I was planning to be.  Although this lineup isn’t exactly chock full of great Zappa names, everyone in the group has a connection of some merit.

The Zappa Band’s lineup features Zappa alumni Ray White (lead vocals, guitar), Mike Keneally (guitar, keys, vocals), Scott Thunes (bassist) and Robert Martin (keyboards, sax, vocals), and ZPZ alums Jamie Kime (guitar) and ZAPPA archivist Joe “Vaultmeister” Travers (drums, vocals).

I recognized Ray White’s voice immediately (he’s been on 20 plus records).  The other voices were actually quite close approximations to the original.  But really the most amazing thing was hearing  these really complicated and fast pieces done live (and perfectly).

I was pretty delighted to hear “Zomby Woof” a nonsensical song that I’ve always liked.  And I would have been thoroughly disappointed if they hadn’t played “Peaches en Regalia.”  It was somewhere during this song t hat I realized that none of the people on stage was Dweezil Zappa.  I was fairly certain this was his band, but it clearly was not.

I have listened to most of Zappa’s albums many times, (but he has about 1,000 releases).  So I was surprised when I didn’t recognize some songs.  I was even more surprised to find that “I Ain’t Got No Heart” was on Freak Out, and album I particularly like. (more…)

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[POSTPONED: September 3, 2021] The Residents [rescheduled from May 1, 2020 and May 14, 2021; moved to March 31, 2023]

index

I didn’t hear about this cancellation, but it appears that The Residents basically decided to stay in nd around California rather than making any big touring plans.  And it looks like they are laying low for 2022 as well, with concerts in San Francisco and Glendale only.

So, the official confirmed date for Philly is now March, 31, 2023, which seems like a lifetime away.  Glad to know that they’re still planning to come around.

~~~~~~~~~

It seemed like a May date would be safe, but now things are getting pushed back to the middle of the summer and the Fall.  This new date might happen.

The Residents are one of the most famous obscure bands in the world.  Many people have never heard of them.  Many people who have heard of them know that they wear giant eyeballs on their heads, but don’t know much about their music.  And some of us who own a couple of Residents records have no idea what their full output is like.

They’ve been around since the mid 1970s and have released some sixty albums covering all styles and genres, with the focus on avant garde sounds.  They are also hugely influential to all kinds of musicians.

When they play live, each band member wears a costume (usually the giant eyeball, but not always) and aside from the main composer for the band who died two years ago, no one really knows who is in the band.

I’ve heard their live shows were amazing spectacles, so I thought it might be fun to see them.I didn’t even realize they were still touring, so I was quiet surprised to see them coming to Philly in 2020.  I’ve heard their live shows were amazing spectacles, so I thought it might be fun to see them.  Because they’ve been around forever, I kind of assume they can play a larger venue, but again, no one has heard of them, so it makes sense that they were playing The Foundry.  But how big of a spectacle can you have at t The Foundry?

I suspected that cancelling their show might be the end of the tour for them (If the recently deceased member of the band was nearly 80, how old are the rest of them?  Who knows, they could all be in their 20s).  I’m glad to see the show is postponed, as I might just have to see what they are all about live.

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[CANCELLED: September 1, 2021] Alanis Morissette / Garbage / Liz Phair Cat Power [rescheduled from July 1, 2020]

UPDATE: This show was actually cancelled because of the outrageous storm that was the remnants of Hurricane Ida.  Fortunately, they cancelled it long before anyone would have been heading there (I assume), because this rain storm was one of the worst I can remember–insane flooding and even tornados.

It will not be rescheduled because of previous commitments, so that stinks.

~~~

This show had been postponed once and since then, Liz Phair has been replaced by Cat Power, which seems like a VERY different dynamic to me.

I have two shows coming up this weekend, and it seemed like real folly to go out to a show on a Wednesday night as well.   But as I said, I did want to see Garbage again.  But now with the promise of serious rain and probably thunderstorms, it just seems silly to go out at all.

This was a show I wasn’t sure about.

I have seen Alanis Morissette a few times live way back in the 90s when she toured with Tori Amos.  I was there for Tori and I don’t really remember much about Alanis (which is sad, I know).

On this tour, I was more interested in seeing Garbage again (they put on a heck of a show) and for checking out Liz Phair who I once liked and now kinda don’t but who I’m curious about what she’s like live.

This was definitely a show I was going to get lawn seats and try to upgrade.

Concerts are now being postponed earlier.

On May 9, Alanis sent out this message

“Hi everyone.  My North American tour scheduled to begin in a few weeks is being rescheduled to Summer 2021 out of an abundance of caution. Please hold on to your tickets as they will be honored for the new dates which we hope to announce very soon.

So much going on inside and outside take care of yourselves and each other.  Thank you for understanding.  Can’t wait to see you when it is safe for us all to gather.  Hand on all hearts til then.”

Garbage wrote this message:

So the @Alanis tour that @garbage and @lizphairofficial were supposed to be tagging along on this summer got postponed yesterday. We are totally gutted and apologise for any heartache caused. We assure you that we have every intention of fulfilling our obligations to Alanis and to any garbage fans who bought tickets in support of us. We appreciate you so. Please head on over to the @Alanis socials in the days ahead for further info. Please note this is not our tour so we have no answers whatsoever about what happens next.
Looking forward to the days when we all get to hangout and play for you.

No official word from Liz Phair that I have seen.

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[POSTPONED: August 28, 2021] Ben Folds [rescheduled to August 27, 2022]

indexBack in May, Ben Folds announced he was doing a new solo tour.  I grabbed tickets for myself and S.  Initially we considered going to the Mayo Center, but that show was right during the first few weeks of school and that’s chaotic enough.  So this show, which was just before school started seemed like a fun way to say goodbye to the summer.

Then on August 13, Ben sent out this message:

Update On My Fall 2021 Tour.

Here are new COVID protocols for my upcoming indoor concerts:

You will be asked for proof of vaccination, and masks will be required at all times inside venues for any indoor shows I perform in 2021.

My York, PA show on August 27 will be postponed – rescheduled to 2022.

My Bensalem, PA show on August 28 will be postponed – rescheduled to 2022.

And the venue sent us

Dear Ben Folds fans, out of concern for the health and well–being of the community, his audiences, venue staff, and his crew, Ben Folds is instituting a vaccine mandate and requiring mask wearing for his upcoming tour.

Due to this decision once most tickets had been sold for the August, 28 performance here in Bensalem, working in cooperation with Mr. Folds, the difficult decision has been made to postpone his concert in the Xcite Center until Saturday, August 27, 2022 rather than try to retroactively impose this policy after tickets had been sold.

To be honest, it has been a hectic couple of weeks and not having to go out is really not a bad thing.  So we’ll see him next year.

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