SOUNDTRACK: LILA IKÉ-Tiny Desk (Home) Concert #67 (August 19, 2020).
Lila Iké is a Jamacian singer. Although her music has reggae foundations, her vocals transcend the basics of reggae.
The set starts with “Solitude.”
On “Solitude,” she blends avant-garde R&B with contemporary reggae in a hauntingly elegant song complemented by violinist Sean “Ziah” Roberts.
The opening guitar from Stephen Welsh is four notes that sound like “Stairway to Heaven” and for a split second I had no idea what to expect. It’s the reggae bass line from Dane Peart that grounds the song. The biggest surprise to me was the addition of a violinist Sean “Ziah” Roberts–not something I associate with reggae. Backing singers Tori-Ann Ivy and Ovasha Bartley add some gentle backing harmonies and some fun choreography.
“I Spy” starts with that standard reggae staccato guitar riff and some fun drum fills from Kristoff Morris and Stephen Forbes.
Most of the band is socially distanced, although not everyone is (it’s a fairly cramped space and there are people off camera as well).
“Forget Me” is a slower song with prominent keyboards from Wade Johnson and gorgeous backing vocals. There’s a lovely violin solo at the end.
For the final song, “Thy Will” all of the singers stand up.
The song (which borrows from the iconic reggae rhythm section Sly & Robbie) ends the set with an uptempo banger.
There’s some groovy sliding bass and a series of solos from all of the musicians at the end.
[READ: August 20, 2020] “Cicadia”
The narrative style of this story loops around a timeline. We project forward and flashback as the actual motion of the story is just three boys heading to a party.
It’s a Saturday night in 1986 in suburban Cincinnati. Max, Rodney and Ben are heading into senior year. They have been best friends forever. Rodney drives, Max sits in the backseat while Ben, shotgun, tries to roll a joint.
Earlier they sneaked into Rodney’s brother Oscar’s room to steal his weed. Rodney is convinced that Oscar will kill him when he finds out, but in one of the fascinating timeline shifts the story provides,
Oscar is going to be their savior, as he always is. Oscar the berserker bursting onto the scene with exquisite timing, creating mayhem and staring down Blaine’s cohort of pretty boys who are ready to thrash Rodney and Ben and especially Max.
They are heading to a party where Max will be winked at by a girl in a red beret. It was a definite wink. In fact, the winks seemed to keep coming all night
Then the story flashes forward to the party where Max punches Blaine and Blaine falls into the pool. To me, it’s unclear if this is a real party or if Max is remembering a movie. [Pretty in Pink] Someone falling in a pool? [Every movie ever] Everyone cheered when Blaine fell into the pool except the girl with the red beret–for she had left already.
Back in the car, they tease Ben for not being able to roll a joint . It is pudgy in the middle but it “has a joint-like presence.” (A phrase that Max really liked).
While all of this is going on Max (the philosophical one) is thinking about their past together and how he is evolving from his friends. He nearly got a perfect score on the SAT without even trying. He now kicks himself for the few questions he got wrong–he will try again to get a perfect score. He’s also planned to stop reading Stephen King and start reading the authors whom Lou Reed recommends.
As the get close to the party, they realize they are lost. They ask directions from a man walking his dog. But as the man talks to them, his dog, Cupcake, poops on a neighbor’s lawn and that neighbor yells, “Really Harold, again?”
Harold starts to tell them where to go but when the neighbor charges at Harold with an aluminum bat, Harold and Cupcake hop in the cars and they drive off. Harold seems pretty fun until he starts asking about the smell in the car. The boys aren’t sure if he’s going to narc on them or if he wants some.
Then the story has a little perspective shift and addresses… the reader?
maybe, like Max, you know where this is heading … and maybe you’re tapping the person next to you and telling him or her, I know what’s going to happen, because you;re the kind of person who can predict these things… and if you had wanted to, well, you could have been a writer yourself.
But the boys make it to the party, as the story said they would. And they debate how they should go about selling Oscar’s pot.
There’s a really fun last line.
And yet, I genuinely can’t decide if this is a story or an excerpt from a novel. There is so much detail that it feels novel-like. I feel like these three characters have a lot more life to show us.
There’s so much potential for time shifting and narrative address, that a lot more could go on here. At the same time, too much might overwhelm a novel. And it does feel complete, if confusing as a story.
I enjoyed it either way.
I’ve never heard of the Flatbush Zombies, but I really like their chill rap style. Musically the songs are groovy and complex and the live backing vocalists (l-r: Danielle Withers; Nayanna Holley; Stevvi Alexander) really flesh out the sound.
SOUNDTRACK: NORAH JONES-Tiny Desk (Home) Concert # 65 (August 17, 2020).
SOUNDTRACK: VÍKINGUR ÓLAFSSON-Tiny Desk (Home) Concert #63 (August 12, 2020).
Víkingur Ólafsson has a fantastic name. But even better is his way of talking about the music he plays. He adds so much detail and information about these songs that they really come to life. I don’t often buy classical music anymore, but I absolutely want to get his new record of Rameau and Debussy pieces).
