Archive for the ‘Becca Mancari’ Category

[ATTENDED: April 27, 2018] Joseph

I saw Joseph on a video from the Newport Folk Festival a few years back and I loved the way the three sisters of the band sounded singing together.  The power of their voices and the harmonies they sang were just stunning.

Natalie, Meegan and Allison Closner are Joseph.  The band name, Joseph, is a real problem, at least if you are trying to find them on the internet.  (They are apparently named for their grandfather or their father or the town they are from or something).

I had put them on my list of bands I wanted to see, so I was pretty excited to see that they would be playing in Sellersville Theater.  But I had a weird experience by the tickets.  I first saw a notice about the show listing in January.  I immediately grabbed tickets up close.  And then all notice of the show seemed to vanish.  It wasn’t on the band’s website.  It wasn’t on the Sellersville theater website.  It wasn’t listed anywhere.  I kept checking to see if the show was cancelled, but there was no word at all.

And then about a month and a half later the show was officially announced again and my ticket was good. (more…)

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Becca Mancari plays a pretty acosutic guitar melody while Blake’s effects-laden pedal steel guitar soars and echoes around her.

I don’t know the original, but according to the blurb, “Mancari removes the clicking pulse of the studio version to underline the song’s lonely atmospherics.”

The song is simple–one that speaks to a relationship: “‘I can’t face myself,’ Mancari repeats the line like a broken admission spoken through a pinhole camera, a whispered truth so potent it can’t be looked right in the eye. “

At 2:41, the guitarist hits a great effect that turns the soaring pedal steel guitar into a buzzy rocking guitar solo while Becca strums on.  It’s a great interlude that really sells this song.

I also love that the final 30 seconds is just the sound of the guitar(s) fading out.

There are moments in this video where the Nashville-based singer-songwriter turns away from the many faces of the Life Underground installation by Hervé Cohen, which is part of the SXSW Art Program and supported by the Cultural Services of the French Embassy in the United States. What’s being projected onto the screens in the room are interviews with subway passengers from around the world who share their stories and dreams. The installation’s notion is that empathy often comes by just asking a few questions, which, maybe for “Dirty Dishes,” is just too damn hard right now.

[READ: April 12, 2016] “The Tiger’s Wife”

Téa Obreht took the literary world by storm with her debut novel The Tiger’s Wife.  I’ve had a copy of it on my bedside I guess now for 8 years.  I’ve been meaning to read it but other things always jump in first.

So finally I got around to reading this excerpt from the novel.

The excerpt is, I assume, the first few sections of the novel since they are numbered and begin with 1.

The first part is called The Tiger and it talks all about the titular tiger.  The tiger was in a zoo (or a circus) in 1941 when the Germans began bombing the city for three straight days.

The tiger should have died in the concussion and rubble, but he managed to escape and wandered to the village. (more…)

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