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activitySOUNDTRACK: MY BUBBA-Tiny Desk Concert #485 (November 6, 2015).

mybubbaMy Bubba are a duo that consists of Sweden’s My Larsdotter and Iceland’s Guðbjörg Tómasdóttir (Bubba).  They sing quiet, delicate songs about Scandinavian things (including knitting).

The set begins with a clapping rhythm as both My and Bubba execute a complex rhythmic clapping (in cool synchronicity) using all parts of their bodies.  They both sing delicately with occasional harmonies.  And the sweet title of the song: “Dogs Laying Around Playing.”

For the second song, “Charm” Bubba plays guitar and My plays an old table harp.  This song is just as delicate as the first.  Somehow that table harp seems to make the song even lighter than the first.

There’s a pause after the second song where My drinks some tea and Bubba asks if there are any questions?  Bob asks them to tell a scary train story, because My is a locomotive engineer when they are not singing.  She laughs and says “My train hit a wild boar and it made a big bam and then she kept going.”  She hopes her boss isn’t listening.   Then My says she writes a lot of songs while she is driving the train to relieve boredom.  Bubba confirms that on one song on the new album you can hear the train because My recorded herself singing in the train.

“Knitting” is a capella and may have more going on than knitting, but  don’t think so.  The final song, “Ghost Sweat” is a new one. Bubba plays guitar and loops it.  My sings lead and when Bubba comes in with the harmonies, it sounds fantastic.

The music is delicate but not so precious that it will float away.

[READ: July 5, 2016] Adventures in Cartooning Activity Book

The guys from Adventures in Cartooning are back.  This time with a book that encourages the reader to fill in the blanks.  The full title of this release is The Center for Cartoon Studies Presents Adventures in Cartooning: Activity Book.

But unlike most do it yourself books, this one has two functions.  It tells a story that you get to impact and it teaches some of the basics of cartooning as well.

The story focuses on the same gang from the main book–the knight, Edward the horse and the Elf, but there’s much more going on.  As the book opens, we see the moon and sun talking.  The moon is ready to go to bed and he is content because of the bedtime story he heard.  Bu the sun never gets told a bedtime story and she begins to cry.  Poor sun. (more…)

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adventSOUNDTRACK: THE WILD REEDS-Tiny Desk Concert #489 (November 20, 2015).

wildreedsThe Wild Reeds are a five piece band who prominently feature a trio of women with beautiful voices. They had submitted a video for the 2014 Tiny Desk Contest, and they are pretty excited to be at the Tint Desk just a short time later.

The trio change instruments so it’s not easy to say who does what.  And since all three of them have gorgeous voices, you can’t even single one out!  When they sing together it’s even more impressive.

“Where I’m Going” is the great lead-off track (from their 2014 album).  Kinsey Lee sings lead and plays acoustic guitar (and harmonica).  Sharon Silva plays electric guitar and Mackenzie How plays harmonium (and harmonica).  Kinsey has a powerful kind of rocking voice while the other two offer great harmonies.  There’s some moments where all three are singing super loud and it’s really impressive.

The next two songs are new.

Sharon sings lead on “Everything Looks Better In Hindsight” and continues to play a really rocking electric guitar (she really crushes those chords). Kinsey switches to banjo, but also plays harmonium.  Mackenzie also plays electric guitar and this song rocks pretty hard.  Sharon’s voice is a bit smoother until the chorus where she wails.  And the harmonies are again outstanding.  I think it is Mackenzie’s harmonies that really elevate the song.

There are a bassist and drummer (unnamed) who add low end to the first two song (but not the final one).  The trio is the focus, but the rhythm section’s contributions are really good.

Mackenzie sings lead on  “The World We Built”  This is the most mellow of the three songs. She plays electric guitar (the only music in the song) and the other two sing harmonies.

Although their music can veer in the country direction, their voices are so good you can easily look past it.

[READ: July 5, 2016] Adventures in Cartooning

The full title of this release is The Center for Cartoon Studies Presents Adventures in Cartooning: How To Turn You Doodles into Comics.  This is an instructional cartooning book which also tells a fun story.

And I loved it.  I have recently discovered James Sturms’ books, and I love his simple but powerful style.

As it opens “Once upon a time, a princess tried to make a comic.”  The girl says she can’t draw well enough to make a comic But the Magic Cartooning Elf comes to help her.  He says that if she can draw simple stuff, then there is nothing stopping her. (more…)

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beraSOUNDTRACK: ANDRA DAY-Tiny Desk Concert #478 (October 13, 2015).

andra Andra Day looks…unusual.  Her hair is put up in a yellow scarf, she has a day-glo green clip in the front of her hair. She has dramatic eye liner on and bright red lips.  It’s quite a look.  And when she contorts her face in voice–the makeup really accentuates everything–as if she was made up for the stage rather than a close up.

But she earns the look with her powerful voice and delivery.

“Forever Mine” is an R&B song that her band assist with nice backing vocals. I love that the pianist is playing what sound lie a toy piano on top of the real piano.

“Rise Up” has a descending vocal melody that’s not unlike Prince.  It is a simple ballad played on keys and acoustic guitar.  The end has a kind of gospel tinge (and of course she does the vocal gymnastics of the genre that I really hate).  This could easily be in a movie or on some TV singing show.

Before “Gold” she asks “am I allowed to say that?” but I can’t figure out what she’s asking about as there’s nothing bad in the song that I can hear.  Of the three songs this is my favorite, particularly her unusual deliver of some of the verses and the neat keyboard sound they use.  Of course it drives me a little nuts that she sings “slipping true my hands” (her backing singers do actually sing “through” thankfully), but this is a good dramatic set ender.

[READ: October 12, 2016] Bera The One-Headed Troll

This is an unusual book.  It’s kind of cute, but in a dark and creepy way.  The whole book is done in tones of brown, making it unique in its appearance.

It took me a few dozen pages to get into this book (which is 126 pages–pretty long for a children’s graphic novel), but once the flow started happening, I thought it was quite good.

The slowness in the beginning was largely because of exposition–some of which wasn’t really necessary, I don’t think.

I also felt some confusion about Bera herself. Bera is a one-headed troll.  The fact that this is important enough to be the title seems like it should be addressed in some way in the story. But it isn’t.  We meet some other trolls with more than one head, but it’s unclear if they get more heads as they get older or if they are born that way.  Her one-headedness is never actually addressed. (more…)

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ogresSOUNDTRACK: NEKO CASE-Tiny Desk Concert #316 (October 31, 2013).

nekoI was pretty excited when this show happened, because NPR streamed it live.  But I gather they have since edited it down and there’s no finding that full version.

But that’s all fine because I don’t know that all that much has been cut out.  And we still have evidence of Neko Case singing in a gorilla suit and Kelly Hogan (of the gorgeous pipes) sings with her eyeball in a bird’s mouth.

Her band plays three songs from her then new album, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You.

It’s funny that the tone when she arrives is spooky (with a heart beat and whispered comments), but when they begin “Night Still Comes,” it sounds as beautiful as ever.  The music is spare–just keys and drums, but between Neko and Kelly’s vocals, the sound is amazing.

For “Calling Cards” the keyboardist switches to guitar and, delightfully, Kelly Hogan uses the blades from a Garden Weasel as beautiful chimes.  We have the same tiller and they really do sound clear and pretty like that.  It’s also delightful to hear Kelly’s voice coming out of a creepy skeleton creature.

The final song is “the spookiest number”… “it could get stabby.”  Neko says she tried to get a sexy gorilla costume, but they were out.  “Local Girl” features one of the best Kelly Hogan vocal lines: “you know you do all of you shame on you all of you lie.”  I can’t help but think that Neko brings the best out in Kelly.  And of course, Neko’s voice sounds great all the way through the set.

The show is just way too short for how good it is!

Happy Halloween!neko2

[READ: September 8, 2016] Ogres Awake!

I’ve really enjoyed the books in The Adventures in Cartooning series, and that includes the Adventures in Cartooning Jr. Books, like this one.

These books are all short (which makes it hard to write about them without spoiling everything), but they’re a lot of fun and they work hard at helping young kids learn to draw.

The Knight is playing fetch with Edward, his horse.  They hear a rumble and plan to go inside before it rains, but then the Knight notices that Ogres are all around the castle, sleeping.  He knows how much trouble the ogres can cause so he runs to tel the king. (more…)

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mustcahe SOUNDTRACK: SUN RA ARKESTRA-Tiny Desk Concert #402 (October 31, 2014).

sunraSun Ra was a big band innovator who claimed to be from Saturn.  He died 20 years ago, but he would have turned 100 in 2014. And the Arkestra that bears his name keeps his spaced out spirit alive.

The band plays jazz, but most often that jazz is noisy and abrasive and seems to make no sense at all.  Sometimes it seems like it would just hurt to listen to it.  But when they gel, the music is trippy and cool.

The first song, “Along Came Ra”/”Zoom” opens with the group singing “When the world was in darkness and darkness was ignorance, along came Ra.”  And after a few times through this the chaos begins (that would be “Zoom.”  All of the horn players just start wailing on whatever.  The violin plays something, the keyboard is all over the place.  It is noise and chaos and probably hurt people’s ears there.

And then it stops and a proper jazzy song “Queer Notion” begins.   It has a catchy piano melody.  When the horns come back in, they feel slightly off somehow, as if deliberately not quite playing what you’d expect–but very close.  There’s even an electronic keyboard solo (set to a nice spacey sound).  The band leader (Marshall Allen, who is 91 and has been with the Arkestra since the early 1950s) play a “melodica” that has some kind of spacey processor on it.  And yet for all the craziness there is some real fundamental jazz beneath it.

“Angels and Demons at Play” has a trippy underlying riff with horns over the top.  The biggest surprise comes after a few minutes when the violinist sings the title slowly and dramatically.  The song builds and repeats over and over and then ends with chaos and drama.

The set ends and there is much applause and the band wishes everyone a Happy Halloween–the band came dressed complete with costumes inspired by Egyptian symbolism and science fiction.  And just when it seems like it’s over (and this surprises Bob) they start another song.

“Interplanetary Music” is a big fun sing along  with lots of clapping and it seems like the kind of thing they might end every show with.  So even though some of the music is crazy, there’s good fun at the heart of it all.

[READ: June 1, 2016] The Glorkian Warrior and the Mustache of Destiny

This Glorkian Warrior story was probably my least favorite of the three.  It felt really long, possibly because many of the jokes were repeated a lot.  I did get a kick out of how the mustache appears in the very first pages and then almost never makes a return appearance.

The best part of the story is that the Glorkian Warrior continues to be incredibly stupid.  When he says good morning to his coffee, super backpack says “good morning” and warrior thinks it is the coffee that talks back.  So he thinks, “I just invented talking coffee.”  He and the backpack argue for a few pages (my favorite parts are their fights because the backpack is smart and the Warrior…isn’t).

And then in cones a bunch of little kids (crazy Kochalkan characters, of course).  There’s Crazy Face, Doonky and Bronk (who only says Bronk).  The kids want to go on a mission with him but he says no. (more…)

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dino SOUNDTRACK: NATHAN SALSBURG-Tiny Desk Concert #213 (May 3, 2012).

nathanI had never heard of Nathan Salsburg until the Joan Shelley Tiny Desk Concert (posted about yesterday).  Salsburg in a fingerpicking guitarist and his accents and trills sounded wonderful in Shelley’s folk songs.  Well, this show from three years earlier has Salsburg playing two gorgeous instrumentals (which maybe explains why he didn’t sing backup with Shelley).  The blurb notes that “he’s been playing guitar for 22 years, yet he’s only played out publicly for a few months.”

Were it not for the blurb, I never would have guessed that the first song, “Affirmed” celebrates the Triple Crown-winning horse Affirmed. It has a slow easy pace (not racehorse-like at all) but it is full of lovely riffs and lines and sweet melodies.

The blurb continues, “when Salsburg picks up the guitar, what comes out is a mix of blues and ragtime, but these are 21st-century rags from an old soul with new energy.”  And that’s quite apt.

The second, song “Eight Belles Dreamt the Devil Was Dead,” tells the tragic story of Eight Belles, who in 2008’s Kentucky Derby tripped across the finish line, coming in second place, and tragically broke both her front ankles. The horse had to be euthanized on the field.”  Despite this horribly sad tale, this song is not sad, it is also pretty, measured and upbeat–a celebration rather than a dirge.

I feel like there aren’t many people making music like this anymore–delicate acoustic guitar instrumentals with complex phrasings and lengthy passages.  It’s quite beautiful, all of it.

[READ: June 1, 2016] Science Comics: Dinosaurs

The first Second non-fiction comics are some of my favorite books that they have put out.  And this new series called Science Comics proves to be just as outstanding as I could have hoped.

I started with this dinosaurs book first.  It opens with a testimonial from Leonard Finkelman a professor of philosophy at Linfield College.  He talks about how he used to draw dinosaurs as a kid and he thought he was being so outrageous because he gave them stripes!  No one knew any better back then, but now we think that many dinosaurs had all kinds of marking and some even had feathers!

Okay so my son is 11 and when he was 5 or so he went through a dinosaur phase. I thought I knew everything there was to know about them back then.  I learned the ones he liked but never really went any further in my knowledge (despite all of the books in the house).  Well, this book showed me just how dumb and ignorant I was about dinosaurs (in a really fun way). (more…)

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1985SOUNDTRACK: JOAN SHELLEY-Tiny Desk Concert #473 (September 25, 2015).

joan When I first started listening to this Tiny Desk Concert, I thought Shelley was going to be singing more of a country music style.  But more careful listening revealed an early British Folk songwriting style.  Because I’d heard Richard Thompson talking about Sandy Denny recently, I  thought of her.  So I was pleased to see that the blurb (and Shelley herself) references Sandy Denny as well.

The Concert is Joan on acoustic guitar and Nathan Salsburg (she describes him: “my band, we are Joan Shelley”) on the second guitar.  They play beautifully together.

The songs, like “Easy Now,” are really pretty with a delicate finger-picking style from Shelley and fairly complex finger-picking soloing/accents from Salsburg.  But the best thing is her voice.  Clear and powerful–no warbling or hesitation, just clear beautiful singing.

I didn’t think I knew Joan Shelley, but “Stay on These Shores” sounds incredibly familiar to me.  She says that she is from Louisville Kentucky so it doesn’t make sense to her that she would write songs about the ocean.  She attributes it to the Sandy Denny lineage.  The way she sings the first line of this song is just hauntingly beautiful.  I really love this song a lot.

In “Not Over By Half” it is almost uncanny how much she sounds like a 1960s British folksinger.  Her delivery and phrasings are just amazing.  This is another beautiful song, all three of which came from her album Over and Even.

Shelley is an amazing force in folk music.

[READ: August 31, 2016] The Complete Peanuts 1985-1986

Schulz had been writing Peanuts for about 35 years when these strips came out.  Wow. It’s interesting to see how many themes have stuck around and how many have gone away or come back and been updated. I also love seeing the few pop culture references that he deigns to throw into his strips–things that he assumed would be eternal, I guess, or maybe things so ubiquitous he had to mention them?

Snoopy’s brother Spike is on the cover of this book.  I am somewhat surprised at how much attention he gets (especially since I don’t remember him at all).  The problem is that almost all of his jokes are about cactus.  I feel like Schulz was going for a loneliness angle, but it all seems to involved cactus “arms” or thorns.

The year starts off great for Patty because she won an essay contest on what she did during her Christmas vacation (she got a D- on the paper in school, however).  She even gets to read it out loud (where things don’t go so well).  Of course, she continues to get D miuses and in July 1986 she even get a tutor. He is quite snarky with her and she calls him Joe Sarcasm.  (There have been dozens of Joe ____ characters, although almost all of them have been aliases of Snoopy, this is one of the few for someone else).  Then she calls him Captain Tutor.  He shouts that his name is Maynard.  So Patty calls up Marcie to say she should meet him–he’s just her type…weird.  It turns out that Maynard is Marcie’s cousin (ha). Eventually Patty just throws him out.

For Valentine’s Day in 1985, Charlie has Snoopy pretend to be the little red-haired girl and Snoopy puts on a curly wig–is that the first insight into the girl’s appearance?  That week people are all hit by lost love.  It seems like an unusual and very specific emotion for Schulz to deal with–something he never really talked about before.  He’s certainly talked about lost loves, but never so directly.

Marcie continues to be one of my favorite characters.  Especially the way she picks on Patty.  Patty is still falling asleep in school all the time.  In Feb 1985, Marcie puts a binder on the back of her head, walks her up in front of the class and then shows off a “full-scale model of the human head” to the class.  Genius.  Patty doesn’t even wake up.

Linus decides that building a rock wall is good therapy.  It is suggested that he can do this instead of needing his blanket.  But let’s not go crazy.  Later, Linus tries to do his own laundry and Lucy catches him trying to stuff his shirt into the laundry detergent bottom

Every once in a while there’s a really wordy strip that I find very funny.  In March of 1985, Charlie is telling Sally a story from his grandpa about WII: “all the enlisted men were issued two pairs of shoes, but a lot of them men wore only one pairs so they could keep the other pair shined and looking nice under their bunks.  Battalion headquarters decided that the men should alternate shoes each day and to make to sure they did, the men had to lace their shoes on a certain way.  One day they had to wear the shoes which had the laces crossed and the next day they to wear the shoes which had the laces going straight across.”  Sally sensibly asks,. “How did they ever win the war?”

Sally is always asking her big brother for homework help, which he tends to refuse.  In March she says if he helps, he’ll get her everlasting gratitude.  When he doubts she knows what that mean she says “’til I ask you again.”

Sally has also been doing a lot of handwriting practice over the last few years.  Mostly it’s different pieces of punctuation (with funny comments about them).  In May 1985 she works on commas and possessives and quotation marks.  After telling Charlie all about it she says “stay tuned for the inside story of what goes on in the glamorous world of punctuation.”

And in some wonderful Sally mistakes that make me laugh: “behind the barn the farmer had a pastor” or “the walls were covered with naughty pine.”  For this one, she looks at Charlie and says “You looked like you were going to say something” and he wisely says, “not for anything in the world.”

In the realm of deliberate puns, Snoopy tells Woodstock to get a  job in a tree “you could be a branch manager.”  Sigh.

Pop culture: in May 1985 it is revealed that Woodstock has a satellite dish.  In August 1985 Patty reveals that she and Marcie are “mallies” :  They go to the mall to hang out.  But Patty is distraught that Marcie actually buys something there.  They even meet “a punker” which is snoopy with a kind of mohawk.  In October 1985, Sally does a presentation on Halley’s Comet saying that the next time it comes by will be in 2062–we’ll all be 80 years old when that happens.  [It passed by us in Feb 1986].  In May of 1986, Lucy starts a “swimsuit issue” campaign for the school paper.  She gets all the boys to wear swimsuits.  And in June 1986 Charlie’s desk comes equipped with an airbag.

In August of 1986, Linus asks Snoopy (the attorney) is he thinks cameras should be allowed in the courtroom.

August 1986 has Sally saying “I’ve decided to embark on a program of serious discipline. I’m going to eat properly, sleep properly and exercise properly.”  Charlie asks, “Then what?”  She replies, “You’re right, forget it.”

April 1985 sees an Easter Beagle strip (not as many of these as you might think).

There’s always baseball, and in April 1985 Charles mentions the new commissioner of baseball Peter Uberrroth (he took over in 1984).

There’s a lot fewer hockey references these days although Rerun is riding on his mother’s bike with a helmet and says people confuse him with Wayne Gretzky.  A few months later in March 1986 he has a Baby on Bike sticker on his helmet (That was a huge fad in 1985).

There’s not that much about football this year, although Sally wants to know why the guy is always holding up John 3:16 and then says she assumed it had something to do with John Madden.

There’s some tennis but not as much.  In March 1986 Molly Volley returns for a brief run with Snoopy.

Schulz must have been displeased about technological advances: Charlie tells Sally “if we watch TV all the time, we won’t have to learn to read.  if we use word processors and calculators we wont have to learn to write or do math.  Pretty soon we wont have to know anything.”  Sally replies “That’s when I’ll fit in.”

On the environmental front, in November Sally does a paper that she ends with “This report was written on recycled paper… no trees were destroyed to make this report.”

Summer camp in June of 1985 is all rain all the time. The only thing worse than all the rain is the prospect of a sing-along.  Ha  In 1986, the kids go to a survival camp which is pretty funny: “there are people out there who want to destroy our way of life.”

In August of 1985 Charlie and Sally are told that they are going to start taking the bus to school.  I love the way the joke plays out that they decide to walk instead, but the computer says they are on the bus, so they get in trouble.

Last book, Patty an Marcie went to a lot of Tiny Tots concert (Patty hates being called that). They always see Peter and the Wolf.  I wish that my kids went to Tiny Tots concerts.  But anyhow, in June 1985, Patty saves her ticket stub in hopes they will have raffle at the end–maybe she’ll win a violin.  Later in August 1986, Patty shows off her musical knowledge by asking why it is called Mostly Mozart, why not “Regularly Rachmaninoff, Principally Prokofiev, Frequently Franck, Largely Lehar, Chiefly Tchaikovsky [my favorite joke],  Mainly Mussorgsky, Essentially Elgar, Supremely Schubert or Generally Gershwin”.

Every once in a while Charlie gets a small victory.  Like when Linus tells him that he knows Charlie would like to cry but that he’s too macho.   Charlie gets excited “I am?!”

There’s few jokes of Woodstock getting attacked by a can of worms.  And even though i like Woodstock as a character a lot, for some reason, it’s always funny seeing him getting beaten up.

The World War I flying Ace continues to appear.  In a new twist he often speaks to Marcie in French.  Although in 1985, instead of the ace, he pretends to be Charles Lindbergh, the “Lone Beagle.”

Lucy continues to be a voice for women’s rights.  When Snoopy is flying over No Mans Land she asks what about No Woman’s Land.  So he changes it to “No Person’s Land.”

In February of 1986 Sally believes that the LL on the elevator button in the library stands for Louis L’Amour “that’s pretty neat having your initials on an elevator button.”

Schulz also taught me something new.  A ganglion cyst is also called a bible bump.  It is a cyst that forms on your wrists and they say you should hit it with a bible.  I’d never heard of this, but apparently it is a thing and quite common.  Of course Schulz uses it as an excuse to make a joke about the different translations of the Bible.

In another funny sequence, Snoopy and his scouts get a cannon.  And they fire it!  But it destroys not only his dog house but also Lucy’s doctor booth and even Schroeder’s piano (over the course of several strips).

In May of 1986 they elect a May Queen.  In Charlie’s school, Lucy is elected (which makes Patty say that the school has low standards).  In Patty’s school… Patty is elected!

Sally gets a great joke in.  A speed limit sign says 25 When Children are Present.  She says, “I never realized we had so much influence.”

And the best one liner of all: Sally has to go to the dentist “I have to go have my teeth criticized.”

Two new characters arrive in 1986.  One is a girl who is unnamed.  The joke with her is that Linus is two months older than her but she keeps referring to him as if he is an old man.

And in September 1986 we meet Tapioca Pudding.  Her dad is in licensing and she always talks about how her face is going to be everywhere.  Every time she talks to someone she introduces herself by her full name and everyone says “I know.”  Linus asks her out on a date (which makes Sally really jealous), but all she can talk about it herself and her licensing.  She asks Linus if she is boring him “No I always like to rest my face in a marshmallow sundae.”  Finally Snoopy the agent gets her a gig appearing at the Opening Ceremonies in the Olympic Game in L.A. (which were two years earlier).

In October 1986, Sally develops a new philosophy “Who Cares.”  From now on nothing bothers me.

When Patty wants to organize a football team, Marcie says the costumes aren’t feminine enough.  Then she wraps the football in a bow.  Patty gets mad and says she won’t kick a ball that’s wrapped in a bow, but Marcie says “The Icebox would”  Patty: “Refrigerator” Marcie: “Whatever.”

Lucy didn’t pull the ball away in 1985 (there was no mention of it).  But she does in 1986 with the excuse that it is a special moment to look forward to every year.  Then she pulls it away and sighs “it’s over before you know it.”  There’ also a Great Pumpkin joke in 1986.  Patty says she believes him about the Great Pumpkin.  And then jokes that “On Secretary’s Day the Great Secretary rises from her desk and rides through the city in a taxicab with notepads for all the secretaries everywhere.  And on Grandparents Day the Great Grandmother rises out of her condominium with cookies for all the grandchildren in the world.”

As 1986 draws to a close, Charlie gets up the nerve to wink at the red-haired girl. There is no reaction because she wasn’t in school that day.

And the musical jokes continue in December 19896 with Patty saying the enjoyed the concert because Marcie spent the whole time “Flauting with the flirtist.”

Patton Oswalt wrote the introduction.

He mentions how he bought the third Calvin and Hobbes treasury in 1988 and Schulz wrote the introduction to that.  Schulz’ introduction was full of praise for Watterson’s technical skill and all the wonderful details he put s into his strips.

Oswalt talks about how over the 35 years the strip went from kids writing with desktop inkwells and now he’s talking about answering machines.   Oswalt is dismayed that Schulz had to include an attorney as an imaginary Snoopy character–a sad reflection on our world

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olymmp SOUNDTRACK: WATKINS FAMILY HOUR-Tiny Desk Concert #471 (September 18, 2015).

wfhThe Watkins Family Hour began a dozen or so years ago as a way for a group of friends to get together and play old and new tunes. For Sean and Sara Watkins, it served as a monthly bit of magic: a musical variety show filled with extraordinary talent in the world of folk, bluegrass and beyond at L.A.’s famous Largo.

Sara and Sean Watkins took this fun on the road, with pianist Benmont Tench, drummer Don Heffington and bassist Sebastian Steinberg, and they made a stop at the Tiny Desk. They even brought along Fiona Apple to sing on “In the Pines” the old blues song.

The first song “Steal Your Heart Away” is sung by Sara (with violin melodies between verses) and Sean (on guitar).  It’s a bouncy folk song with a lovely piano added (which seems to move it out of the folk style a bit).  It’s a really catchy song with a great melody.

For “In the Pines” Fiona Apple sneaks out from behind the desk to sing.  Sean jokes that there’s some howling moments in this song and Fiona (who seems pretty nervous) jokes that she gets to be a dog.  I don’t know that I would have recognized Fiona’s voice as she puts on an accent and whoops (And Sean is a pretty good whoop-er, too).

The final song is “Hop High” another old song written by the hills–burbled up from the ground.   Sara and Sean take lead again on this slow brooding song.  Well, slow and brooding for the first verse, as the rest of the song takes off with Sara singing in her best gravelly voice the verse and Sean Sara and Fiona singing the chorus.

It’s a fun set full of great bluegrass-ish music

[READ: Summer 2015] Olympians 7-8

Last summer I read the first six book in the Olympians series. I’m not sure how many books he has planned for this series, although I see that he has another book planned for 2017.

Since I like what I wrote about the series for my previous post, I’m going to keep that here and then talk about each book.

George O’Connor is a massive geek and Greek scholar.  He has done lots of research for these books, including going to Greece and visiting sites and antiquities as well as comparing all manner of ancient stories to compile the most interesting pieces. He explains that since these stories were orally passed down, they were modified over the years.  He doesn’t change the myths, he merely picks the story lines that are most interesting to him.  And then he adds a lot of humorous modern touches (and dialogue) which keep it from being at all stuffy.

O Connor’s drawing style is also inspired by superhero comics, so his stories are presented in a way that seems much more like a super hero than a classical hero, which is also kind of fun.

Each book ends with an author’s note which is hugely informative and gives plenty of context.  It also has a bibliography, but more importantly, it has a list of notes about certain panels.  Do not skip these notes!  In addition to providing a lot of insight into the myths of the characters themselves, there are a lot of funny comments like “Greeks raced in the nude (point and laugh)” which really bring new depths to the stories. (more…)

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hippo SOUNDTRACK: RAHIM ALHAJ-Tiny Desk Concert #487 (November 13, 2015).

Rahim AlHaj plays the oud, an ancient stringed instrument alhajcommonly played throughout the Middle East, North Africa and countries like Greece and Turkey.  He was born in Baghdad  and learned to play the oud at age 9.

AlHaj wrote protest songs opposing Saddam Hussein’s repressive regime. He was imprisoned twice–once for a year and a half–and was regularly beaten by his captors. In 1991, AlHaj was forced to leave Iraq because of his political activism, and ultimately found a home in New Mexico.

Despite all of this his songs are about hope and he seems like a generally positive guy.

The first song, “Dream” is a solo performance.  It is intended to serve as a voice for millions of displaced and murdered Iraqi children whose cries will never be heard.

For the next three songs he is joined by Palestinian-American percussionist Issa Malluf.

“Warm Voice” is for his students.  He says he was very mean to them, and this song is for them to have fun.  It is actually for oud and string quartet.  Malluf plays the daf, a large circular drum with a hardwood frame, and a stretched and shaved goat skin that produces a gently melodic tonality. It looks a like an Irish bodhran but it is played with the fingers (especially the finger tips) producing a rich melodic sound.

For the next two songs Malluf plays the dumbek a goblet-shaped drum with a tight head made of goatskin.  It looks like it is lit up and that’s because it is heated by a lamp that keeps the skin taut in order to produce a consistent tone.  This instrument has a much higher pitch tap and is quiet distinctive.

“Friendship” begins as fast romp but the middle slows down with some interesting, fast-picked melodies and some big two note bom bom stops.

“Flying Bird” is a faster song with some very intense riffing going on.  There are some cool moments when the scales ascend and descend and the drums add little fast, tight triplet notes.  And then the whole song stops and there is a kind of drum solo before the speedy notes resume again.

When the set ends, he comments, “Thank you very much and go to work now, please.”

[READ: September 1, 2016] Hippopotamister

First Second is known primarily for graphic novels, but they also do children’s picture books that are kind of in a graphic novel format.

I loved the title of this book.  The premise of this story is that the City Zoo is really run down. No one comes any more, and even the monkeys are lethargic.  Red Panda and Hippo live in the center of the zoo (which really does look quite gross–I assume the health inspectors would have stepped in before this happened).

Red Panda decides to take off.  And he comes back everyone once in awhile wearing a new hat and telling hippo that life outside the zoo is great and his new job is awesome!  Finally hippo says he wants out, too.  Panda tells him that if he wants to blend, he must become a hippopotamister.

And so. (more…)

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secret-2SOUNDTRACK: SANDRO PERRI-Spaced Out EP [CST101] (2013).

cst101cover_258x242Sandro Perri, plays jazzy music and sings in a gentle falsetto. I really enjoyed his album Impossible Spaces a lot.  This 10″ EP is composed  of 3 remixes from that album.  I happen to really dislike remixes that basically take one aspect of a song, add drums to it and repeat for 5 minutes.  Most dance remixes are pretty inane.  These are a step above that.

The three tracks are Love & Light (Larry Gus – Panamix), Wolfman (Le Révélateur – Sky Mix), and How Will I? (Imugem Orihasam – Outlook Mix).

The original of Love and Life is a pretty, jazzy number with some great sounding drums and synth notes.

The remix opens with some really fast clicking and some cool wild bass synth.  Then Perri’s voice is manipulated into a kind of repeating note.  Once the song starts properly there’s a cool drums beat and repeats of Perri singing “hey” along with his voice played low in the mix.  And that’s Brett much it.  It’s simple but insanely catchy/dancey.  The song pauses in the middle and then resumes with new vocal snippets The Constellation site says the remix “employs over 500 samples extracted from the song’s stems. The result is an intricate, dense, exuberantly satisfying groove-based track that chops and channels the woozy rhythmic complexity and mellifluous vocal of the original.”

“Wolfman” is a ten minute track that I love–it has so many components and different styles. But this remix strips away pretty much all of it.  It is basically 5 and a half minutes of drums with some wavering synth lines.  About 3 minutes in some ooh oohs from the original track come in, but it’s so removed from the track that I almost wonder why bother.  Well, Constellation is there to tell us: Roger Tellier-Craig (Fly Pan Am, Pas Chic Chic), reworks “Wolfman” as a beautifully building swarm of layered loops and long delays – an homage of sorts to Perri’s own Polmo Polpo sound palette.”  And if that’s what you are expecting, he does it well.

I also love the original of “How Will I.”  This version is very strange.  The music is stripped almost all away with just some occasional sprinkling of piano and rumblings of low notes in the background.  There are additions of synths and percussion but otherwise it is largely a stripped down song.  What I loved about the original was the music—the flutes and everything–and it’s all gone.  I do love at 7 minutes when the bass rumbles through the song, but otherwise its pretty samey.  Constellation tells us: “Japanese producer Imugem Orihasam (Fragil) extrapolates a sweet and loose abstract-House vibe from the original, bringing the highly detailed swing of the song’s live drum tracks to the fore, allowing Perri’s vocal to unfurl against a minimal, skittering, plunderphonic arrangement.”

So, this is not a release I would play very much.

[READ: October 3, 2016] Secret Coders: Paths and Portals

Secret Coders ended with a  pretty big cliffhanger.

Hopper and Eni are on to something big at their school, Stately Academy.  They have just discovered a robot which (through their own programming) has opened up a portal to a secret underground lab. But it is the lab of Mr Bee.  Oh, and that bully Josh has decided he wants to help them.  Hopper says no way, but Josh doesn’t give up.  However, he’s kind of a coward and a little dumb and Hopper is really quite mean to him back.

Eventually they all start working together–Josh has mad typing skills.  And the beginning of the book shows the trio learning to write a program for the Robot Turtle to run. Coding isn’t a terribly exciting thing to watch, but Yang and Holmes do it in a cool way that makes it rather enjoyable.  Even (or maybe especially) when the kids screw up.

But they do succeed.  Which leads to an even more secret room with dozens of robot turtles off all sizes  And that’s when Mr Bee reveals a bit about himself and Stately Academy. (more…)

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