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Archive for the ‘Adventure’ Category

SOUNDTRACK: JENS LEKMAN-Tiny Desk Concert #173 (November 7, 2011).

I have enjoyed Jens’ skewed take on pop folk for some time. He plays great folk music and there’s wonderful backing vocals by Addison Rogers.  What’s funny about this Tiny Desk concert is that he talks a lot about the song before singing it.  But he pretty much gives away everything in the song (especially if there is a punch line).  For the first song, “I Want A Pair Of Cowboy Boots,” the explanation is pretty good, he says that if you have the same dream for two years you may want a new one…with cowboy boots.  The song explains that the boots will help him walk back to the girl of his dreams.  Sweet.

What’s cool about the second song, “The End Of The World Is Bigger Than Love”  (in addition to the song) is that you can hear a car driving away before it starts, just showing how intimate the Tiny Desk shows are.

But it’s the final song in which Jens gives away so much about the origin of the story that the song itself is almost redundant (although it’s still great).  When you finally get to the punchline of “Waiting For Kirsten,” you’re charmed and smiling.  Jens explains that Kirsten Dunst once said that she likes his music.  So when she was filming with Lars von Trier in Scotland, he couldn’t help but stalk her day and night.

He’s a charming guy.  You can check it out here.

[READ: November 7, 2012] Revolution

Deb Olin Unferth has now published three books and I’ve read them all, even though I’m not a huge huge fan.  I enjoyed her novel Vacation, which was delightfully peculiar.  Her other book was a collection of flash fiction, a genre I’m really on the fence about, although Unferth’s is really quite good.

This book is a memoir.  And, as the subtitle indicates, it’s about the year that Unferth spent looking for a revolution in Central America.  The book proves to be about much more than Central America and revolutions–she talks about religion, family, morality, relationships, youth, idealism and reality.  Not bad for 200 pages.

It’s also about the man she fell in love with, George, who encouraged them to go to Central America and vive the revolution.  George is a Christian, Deb was an atheist Jew.  But she falls for him and his Christian ways and “converts” (much to the detriment of her younger sibling who had the family’s faux Jewishness now thrust upon her to avoid a similar thing happening.  (Poor Deb’s younger sister really is the victim in this saga).  George and Deb flee the comforts of home and all 80s capitalism and head to Central America.

As with Unferth’s short stories, these chapters are almost all very short.  And they often feel as unfinished as some of her flash fiction.  They are also mostly jumbled up in an utterly non-narrative way.  It’s entirely possible that you could shuffle some of these chapters and it wouldn’t matter at all (that’s not entirely true, as some do flow one in to the other, but many are jarringly out of sequence). (more…)

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SOUNDTRACKMATES OF STATE-Tiny Desk Concert #163 (October 5, 2011).

Mates of State is another band that I only know of because of NPR.  I hadn’t heard them at all before this set (and another concert that they recorded for download).  I like them, although they haven’t totally blown me away.

Mates of State make delightful music.  I don’t know if there’s a better word for it–it’s poppy and upbeat without being cloying or treacly and it seems so happy.   The founders of Mates of State are a husband and wife.  They sing quite loudly and often in a high register.  Indeed, the write-up that accompanied this show says that the band is quite scaled back–that they are usually much bigger and louder and that they had a hard time in this small setting.

But it’s a very good set and a nice sample of the kind of music they play.   The set features keyboards, acoustic guitar and a trumpet.  They play two songs from their album Mountaintops, “Sway” and “Desire.”  They also play “My Only Offer” from Re-Arrange Us, their previous record.  Mates of State have released a bunch of stuff on Barsuk records, a wonderful indie label, so they get respect from me.

I was also amused when Kori Gardner commented that this was “the earliest concert they’ve ever done.”

[READ: November 3, 2012] Stealth the Ghost Panther

The final book of this arc has just come out and Clark was very excited to read it.  I’m torn about what to do if Scholastic releases the next story arc.  The books seem to come out every six months, but I don’t think I want to wait six months to read book 26 after reading book 25.  But then do I want to wait three years to read the next arc all at once?  No I do not.  Not since Clark will be ten!  I hope Scholastic picks up the pace here.

Anyhow, this six book arc ended with Stealth the Ghost Panther (the most fearsome beast yet!).  [The one thing I dislike about the series is that every next beast is “more fearsome” than the last, which somehow undermines the fearsomeness of the previous beasts, no?  Honestly, how could that be quantitatively true.  Having said that, this one is pretty scary.  The panther is scary, but worse, if it simply scratches you it turns you evil. (more…)

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[LISTENED TO: October 2012] The Case of the Case of Mistaken Identity

I found this book because I was looking for audio books for my kids.  When we take longish car trips, they absolutely love audio books (which is pretty frikkin awesome by itself).  Anyhow, I was browsing the shelf and saw this title.  Clark and Tabitha enjoy A to Z Mysteries, so I thought this might be a bit more stimulating (it says it’s for 8-10 year olds, but Tabitha (5) enjoyed it and I didn’t find it too harsh for her).

I had never heard of the author [that is not true…more on that later], but the back of the book had accolades from Jeff Kinney, Dave Eggers and Jon Scieszka a triumvirate of trustworthy praise.

The audio book was read by Arte Johnson (yes, that Arte Johnson).  I don’t know if it was Arte’s delivery, but I enjoyed this book more than anything I have read in a long long time.  I wonder if the book would have been as enjoyable had I read it–I assume so because it was really fantastic, but it was a lot of fun listening with the whole family.

So this story is about 12-year-old Steve Brixton, a regular kid who happens to love the The Brighton Brothers Mysteries, a classic series of adventures (think Hardy Boys) in which two brothers get into scrapes and situations, take out thugs using their combination of brawn and brains and solve the mystery.  Steve loves them so much he has written down all of their suggestions for successful sleuthing which he keeps in his Secret Book Box.  He also got the Detective License for 12 box tops and $1.95.

He and his chum (all good detectives should have a chum) Dana have plans for the weekend until their teacher assigns them an 8 page research paper due on Monday.  Topics are randomly assigned and while Dana gets “detectives,” Steve gets “early American needlework.”  Miss Gilfeather suggests that it might be more interesting than he fears.

And boy is she correct. (more…)

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SOUNDTRACK: JAMES MERCER-Live on KEXP, February 10, 2012 (2012).

James Mercer came to KEXP to play a few songs solo with his acoustic guitar (the set is billed as The Shins, but it’s only Mercer).  DJ Cheryl Waters talks to him about what he’s been up to in the last five years since the previous Shins record (they don’t discuss that the rest of the band is basically gone).  She asks him about working with Danger Mouse and his foray into acting.  But mostly this set is about the music.

Mercer’s voice sounds great and the songs sound wonderful in this acoustic setting.  He explains the origins of the title Port of Morrow (it’s a real place).  He plays “Australia” from Wincing the Night Away and “September” “Simple Song” and “It’s Only Life” from Port of Morrow.

While I prefer the full album versions, this acoustic setting is quite nice and shows what great songs they are as well as how strong Mercer’s voice is (and that he was really the driving force behind The Shins all along)..

[READ: October 31, 2012] Calamity Jack

And they did.  Two years later.  This book is a kind of sequel to Rapunzel’s Revenge as well as Jack’s backstory before he met Rapunzel.

Jack was a petty thief. He and the pixie Pru (who loves hats) began with small scams (apples and whatnot), and slowly built up to larger ones.  In their defense they initially only tried to rob people who “deserved” it, but they were caught on more than one occasion and Jack’s mother had had enough of him.

Then Jack happens upon a score that he can’t pass up.  And he does it (without telling Pru about it).  Jack climbs into the tower of the evil giant Blunderboar.  Blunderboar is an industrial bigwig with a Jabberwock as a guard of his gigantic tower.  As with Rapunzel’s Revenge, the setting is a mix of fairy tale and contemporary real world(ish).  Blunderboar has a lot of money (including a media empire) and he is responsible for all of the troubles in Jack’s village of Shyport.

But the problem is that the beanstalk (there is a beanstalk, but there’s no cow, there’s magic beans and a pawn shop) destroys his mother’s bakery.  And she realizes that he is responsible.  Jack flees the town both because of his mother and because of the giant (who is understandably incensed). (more…)

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SOUNDTRACK: GRANT LEE PHILLIPS-Live on KEXP, January 21, 2010 (2010).

I really liked Grant Lee Buffalo back in the day.  I think Grant Lee Philip’s voice is amazing–soulful, expressive, beautiful.  He was also a troubadour on Gilmore Girls!

Since Buffalo broke up, Phillips has released a few solo albums.  I have found that I don’t enjoy his solo music as much as I did the band music.  His voice is still amazing, but the solo stuff is a little too slow and meandering for me.

This set comprises four songs from his album Little Moon.  “Strangest Thing” is my favorite song from the set, it’s upbeat and beautiful.  And “Little Moon” is correctly described by the DJ as moody an intoxicating.  It’s not my favorite of his songs but the description is totally correct.

This is an enjoyable mellow set.  The DJ and Grant Lee are relaxed and comfortable and the between song chats are informative and interesting.  You can listen here.

[READ: October 30, 2012] Rapunzel’s Revenge

This story is a wonderful extrapolation of the Rapunzel story which has been moved to the Wild West.  Yup, that’s right.  Rapunzel is a cowgirl.

Well, in the beginning, the story is pretty faithful to the original.  Many elements of the fairy tale are present–Rapunzel was kidnapped from her parents (or traded for some lettuce) and raised by the enchanted witch.  This story fleshes out the politics of the witch somewhat–she has cursed the surrounding lands and made them barren–all of the fertile ground is within her walls and the peasants must pay tribute to her from their meager earnings.  And Rapunzel is a rather rebellious and outgoing girl who wants to leave her stepmother’s walled fortress and explore the world beyond.

When Rapunzel tries to climb the wall just to see what’s out there (the wall is like 70 feet tall), she is grabbed by the witch’s guard, Brute, an over-sized man who is very grouchy.  But when she learns that her real mother is still alive (and is a suffering peasant) she tries to escape for good.  Brute catches her again, and the witch locks her up (the re imagined prison is a very cool twist).  I loved that she escapes with no help from anyone (just her hair).  And that as she’s running off she meets a prince who was coming to rescue her meets her; she sends him on a wild goose chase.  This Rapunzel needs no prince. (more…)

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SOUNDTRACKQUASI Live at SXSW, March 8, 2010

I really enjoyed a few Quasi albums back around the turn of the century, and then I kind of forgot about them.  But this set is really great.  The always excellent Janet Weiss on drums and harmonies and the wonderful Sam Coombs on guitar and vocals. Around the time of this album, American Gong, they added Joanna Bolme on bass which really fills out their sound.  The first song, “Repulsion,” rocks harder than any of their older stuff (which was more keyboard based).  Indeed this album was apparently much rockinger than any of their earlier releases–I must check it out.

This set was recorded during SXSW  from the Gibson Showroom in Austin.  They play five songs in about 20 minutes.  “Never Coming Back Again” has a far more country feel (especially the backing vocals which have a real twang.  The lengthy instrumental section of “Black Dogs and Bubbles” is great–especially check out Weiss’ drumming.  “Little White Horse” is a shambolic rave of a song–fun and noisy.

The set ends with the inspiring Rise Up, a short stomper that encourages you to, yes rise up.  Weiss and Coombs both have other bands that they play in, so Quasi never seems like a full-time project.  But that seems to make their music all the better.  Listen here.

[READ: November 1, 2011] Under Wildwood

I enjoyed Wildwood, but I wasn’t blown away by it.  So I admit I wasn’t totally excited to read this one (especially since I had some other books lined up).  But Sarah managed to get it from the library (I guess it was not as a big a deal as I assumed it would be?) and I decided to give it a go.

I found it a little slow at first, but after about 40 pages, the book totally took off and I was fully engrossed.  Whether it was because there was less exposition since this was a sequel or because the story itself was more exciting, I couldn’t put the book down.  And, more importantly, the book did not feel like its 550 pages were excessive.  He really filled up every page with story.

But I was a little concerned because part of the story is set in an orphanage–a setting rife for cliché.  But Meloy has some great ideas and although he does use the orphanage as a scary setting (and employs some clichés from all orphanages) he transcends the conceit with some great characters and some evil owners who use demerits to completely move the story along outside of the orphanage–a great plot idea.

But let’s back up. (more…)

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SOUNDTRACK: EARTH-All Tomorrows Parties, October 5, 2011 (2011).

Anyone who likes Black Sabbath a lot knows that they were originally called Earth.  About mid way through this concert, the lead singer/guitarist of Earth says that he grew up listening to Black Sabbath and reading HP Lovecraft, so Earth is clearly something of a tribute.   Incidentally, he grew up in Manalapan, NJ which is just down the road from us.

All of these bona fides means that I should love Earth.  But I have to say that although I didn’t dislike this show at all, it’s really not my thing.  Earth creates long droney songs.  I tried to measure a couple of BPM of songs and came out with 60 for one song and 42 for another (by contrast Judas Priest’s “Breaking the Law” is 180 BPM).

The songs are all instrumental and range from 8 to 12 minutes.  Again, nothing objectionable about that.  Indeed most of the songs are cinematic and cool sounding.  My problem with them is that there wasn’t a lot of dynamism in the songs.  The bass wasn’t crazy heavy or loud or chest rattling (as I had been led to believe Earth’s bass was).  The melodies were pretty, but it came across as soundtrack music–for a very very slow zombie chase, perhaps.

According to some basic history, Earth used to be a heavier, noisier band, but have morphed away from that, and I suspect I would have liked their earlier stuff a bit more (although the one older that they played, “Ouroboros is Broken” wasn’t that much different from the rest.

NPR broadcast most of the All Tomorrow’s Parties concerts, and I enjoyed listening to them all.  But Earth is just not my thing.  You can check it out here.

[READ: October 20, 2012] “A Farewell to Yarns”

I mentioned the other day that I read one complete piece in the three Outside magazines since I subscribed.  It was this one.  The thing that I have enjoyed about the Outside articles that I have cherry picked is that unexpected writers pop up to write an essay.  So here’s Ian Frazier, comedian and essayist, writing for Outside.  Weird.  (Or maybe not so weird, he’s an Editor).

And, unlike many of the other things I’ve read in Outside, Frazier is not, repeat not going to do anything brave or daring or stupid, he’s just going to muse about a topic.  I like it.

Basically, this whole piece is a compliant about how with everything documented and digitalized it’s impossible to tell fibs about the one that got away or as he calls it, “an outdoorsman’s sacred right to exaggerate.”  What I like is that he takes us all the way back to ye olde mapmakers who wrote Here be Monsters which leads to this wonderful idea that I have never considered “the pictures of the monsters must have been accurate; how would the mapmakers have known what to draw unless eyewitnesses had told them?”

And he moves on through those who spied the Loch Ness Monster and Bigfoot.  He even talks about one I had ever heard of, a hidden city in Siberia called Gorod Koka-Kola, built during the cold war as a reproduction of an American city, they speak English and live and behave like Americans–perfect for spymasters to practice   Genius–and how would anyone ever know if it existed in remotest Siberia?

But Fraizer’s greater point is that “Lies make the wild scary and alluring.”  He grew up in Rural Illinois afraid of the Argyle Monster who haunted Argyle State Park–and, boy, how many adventures he had or dreamed of having back then. (more…)

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After enjoying yet another article from Outside, I figured it was time to subscribe, you know, give the magazine makers some money for their work.

I decided to wait for three issues to offer a verdict because the first two were really disappointing.  Subscriptions run $2 an issue with a list price of $7.  I haven’t really talked about subscription prices of other magazines before but this one is quite high.  It’s staggeringly high for the amount of ads that are in the magazine, too.  They have a half a dozen advertorials which look like articles (which I hate) and all those personals in the back.  Plus the mag is littered with ads for gear (which I know gear people love but still  it should impact the price of the magazine.  Sheesh).

So the articles I’ve enjoyed in the past were personal stories (from the likes of Wells Tower, etc).  They are extended pieces by reasonably famous authors and they have a great voice.  In the issues I’ve received so far, the feature stories have been the 50 Best Jobs and Are You Tough Enough?  That Jobs one seems like a fun article and indeed the places they chose were interesting.   Although this was more of a fluff piece than a real article–no one is getting a job looking at these companies–certainly not just because they read about it here.  Also, note that none of the companies are East of the Mississippi.  There’s also later article on adventure seeking entrepreneurs.  Yawn.  I gather that the Are You Tough enough type of article is the real meat and potatoes of the magazine, with headlines like “Eat Like a Champion” and “Surfing Monster Waves,” the actual target audience for this magazine must be slim indeed.  I know it’s not me. (more…)

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SOUNDTRACK: ANIMANIACS-“Nations of the World” (1995).

I was a little too old for Animaniacs when it was first on.  And boy am I mad I missed it then, because it is hilarious.  And, astonishingly, educational.

Check out the countries of the world as sung by Yakko.

Genius lies within.

Incidentally, this isn’t the cleanest version of the video I’ve seen, but it has closed captioning so you can see all the countries!  For a clearer picture click this link.

[READ: September 2012] Spiros the Ghost Phoenix

After reading Book 12, Clark noticed on the back cover of the book that there was a cover for a book we hadn’t read yet.  So I looked it up and it was this one, a Special Edition.  There are several Beast Quest Special Edition books just like in the Droon series.  I never quite understood the purpose of the Special Editions in Droon–they were bigger, but you had to read them in sequence or the series didn’t make sense, and if you skipped them, you missed out on a huge plot development, so it was just an odd thing to do.

So I wasn’t surprised to find out that there were Special Editions in Beast Quest  but I was surprised to find out that the Special Edition has no relation to the sequence at all.  Indeed, they work fine as introductions to the series. (more…)

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SOUNDTRACK: OUT WITH THIS KIDS MUSIC MONTHLY PODCAST (2012).

I am bummed to have literally just discovered this cool podcast.  Each month Out with the Kids plays some ten songs that are kid-friendly.  They’re not all “kids songs” but they are kid friendly.  And it’s a fun way to learn about new music that kids may like.

The blog was started by Jeff Bogle, and he does proper DJ intros and outros (fortunately no “Morning Zoo zaniness”).  The songs are often connected thematically, and he plays a diverse collection of music (for his October podcast, I’d heard of none of the artists before, which is great if all of your kids music awareness comes via Dan Zanes and They Might Be Giants (nothing nothing nothing wrong with them, I love them both) or, heaven forbid Kidz Bop.

So, check him out, and subscribe via iTunes.  What have you got to lose?

[READ: August 2012] Beast Quest 7-12

I wasn’t all that excited to continue this series.  I liked some of the things in the first books, but I was on the fence about whether to continue.  But Clark enjoyed the series, so I figured I’d continue (but hopefully not do all 72 books).  Well, I was pleasantly surprised by this next series.  Although the formula is still in place, Adam Blade played around with the ideas a little bit and made them much more interesting.  Rather than having to rescue beasts who were turned evil, this time, Tom, the 12 (!) year old hero, must go in search of pieces of the golden armor.

But a step back first.  After competing the first 6 quests, Wizard Aduro shows Tom and Elenna the beautiful golden armor that resides in a special room in King Hugo’s castle.  But when they get there they discovered  that the armor has been stolen (in the prologue we see how the  armor was stolen and we know it was Malvel’s doing).  As Book 7 takes off we learn of Tom’s new quest–to find all of the stolen pieces of the armor which are now being guarded by beasts that Malvel has created.  It was kind of fun wondering what the six pieces of armor would be.  They turn out to be a helmet, chain mail, a breast plate, leg armor, boots and gloves and each one gives Tom a special power. (more…)

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