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Archive for September, 2026

[DID NOT ATTEND: September 14, 2026] The Rasmus / Saint Agnes / Death Valley Dreams

I had not heard of The Rasmus before this show was announced.  Indeed, the only reason I paid any attention to this listing is because my friend’s son plays bass in Death Valley Dreams.  He has been playing in bands for years and I have never had a chance to see him.  I did consider going to this show, but it just wouldn’t work out for me.

People seemed kind of excited about this show.  But as I thought, I didn’t know The Rasmus.  But in fact, I do!  They are a Finnish band that had a song in Eurovision in 2022.  Their latest album, Weirdo, had SIX singles released.  Which makes them more successful, or at least more prolific than Maneskin.  They play a kind of rock with pop sensibilities and goth vibes.  They also have some high-energy, feel-good moments.  They’re pretty enjoyable (if lyrically bland), and I’ll bet they’re even more fun live .

Saint Agnes is an English industrial rock band formed by singer, songwriter, and multi-instrumentalist Kitty A. Austen and guitarist Jon James Tufnell in 2014.  They play simple, catchy industrial songs.  They look pretty theatrical and seem like they’d be fun live, too.

So I’ve not heard much by Death Valley Dreams–they went media silent before releasing new stuff.  But I love how their website describes them: “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.  They are from Wilkes-Barre/Scranton, Pennsylvania… “an area that was actually voted the least happy place to live in the continental United States…a place where writing music and being creative are the only real ways to stay sane.”  I’m led to understand that the singer is a great frontman.

Bummed I couldn’t make this show, now that I know I could have added to my Eurovision bands!

 

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[DID NOT ATTEND: September 9, 2026] Babymetal / Halestorm / Violent Vira

My wife and I went to see Babymetal last year and really enjoyed it.  So much so that when I jokingly said we could go see them again this year–and at PNC in Holmdel, she was definitely interested, but probably not enough to go.  I had a ticket to see Aldous Harding that night, so I didn’t really look into the Babymetal show.  But as the day grew closer and I realized I didn’t want to see Aldous, I did consider this show.  But I wasn’t that excited by the opening acts–mostly because I thought I knew them, but actually didn’t.

In retrospect it was probably a pretty fun show.

When I saw that I probably could have gotten decent seats for a reasonable price, it did rekindle my interest.  But this time of year is always really busy for us.  So I didn’t end up getting a ticket at all.  I rather assumed it would be the same exact show, but I see that they mixed it up quite a lot.

I’ve known about Halestorm for awhile, although I thought they were Swedish.  Turns out they are from Red Lion, Pennsylvania, named for singer Lzzy Hale.  They remind me of metal bands from the 80s.  And it’s all high, powerful vocals–not lower register here–just soaring sounds.  Not really my thing, but they have great energy

Violent Vira is a Mexican-American singer and songwriter. She began releasing music independently in 2021.  She had a lovely singing voice which can tri into. a terrific scream–not guttural or cookie monster, but just a great angry scream. Okay, hearing another song, there is a cookie monster level, too!  I’m going to keep an eye out for her. (more…)

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[DID NOT ATTEND: September 9, 2026] Aldous Harding / Sam Burton

I saw Aldous Harding at Underground Arts in 2019.  The show was very weird and pretty cool, with Harding being a presence I could not remove my eyes from.  When this show was announced (in January), I grabbed a ticket.  I didn’t actually enjoy her new album as much as her previous ones and when this show came up, I basically just stayed home.  So I’ve made a note to myself to not get a ticket next time (even though this show sold out).

Sam Burton is an American singer songwriter.   He plays a country type of music that I don’t care for.  His voice is “a high-lonesome wail that recalls Roy Orbison” playing “an old, weird Americana sound filled with echo and longing.”   Totally not my thing.

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[ATTENDED: September 6, 2026] Iron Maiden

I loved these three bands back in the 1980s.  Not in the above order (Anthrax was always near the top), but I never seen them when I was a huge fan.  I saw Iron Maiden in 2000 but I didn’t know most of the songs they played that night–until the end.

When this tour was announced I didn’t really think about going–I haven’t been enjoying heavy metal shows as much as I used to and I haven’t listened to anything new from Iron Maiden in about 30 years.  But then I saw that this show was going to be an old-school tour with songs from their first decade of music.  Iron Maiden thru Fear of the Dark (I didn’t even know FotD was one of their albums).

I was able to grab a ticket for the second night–the first sold out pretty quickly.  I don’t know if the second night did, too, but Bruce said it did.

The first two bands were great but I decided to move away from the mosh pit that kept forming in front of me, so while we waited for Iron Maiden, I moved to the middle of the GA section.  The people around me were shorter (good) and I patiently waited.  (Oof, after the long fast walk and the fact that as of yet I had not gone to the bathroom I was a but cranky.  I also didn’t want to lose my spot to get a $7 water.  I know the water price because when a dad came back with water for his son and himself, I asked how much it was and he told me.  He then let me have the last inch and a half when he was done–thank you kind stranger!  This guy was really nice and I enjoyed chatting with him until the lights went out and music started.

It was Doctor Doctor by UFO.  I had seen that this was the music they played before the band came on.  But since they had been playing music the whole time, it was weird to have this song start, the lights dim and….nothing.  I don’t know the song and it felt endless and some people were into it and I stood there wondering when I’d have something to look at.

And then the familiar chords of Iron Maiden’s The Ides of March started and the video screen followed a series of streets with ALL KINDS of inside jokes.  I knew about 3 of them.  The image shifted to that of Eddie on the cover of Killers and the band started the quiet intro of Murders in the Rue Morgue and I was ecstatic for about a minute because as soon as the song started properly, the entire right side of the GA erupted into a mosh pit–and we were pretty far back at this point.  WTF.  Do people not know where the pit is supposed to be?  Well, I got elbowed a few times until I was able to get away.

This opening was my heaven, because I love the first two album so much and Bruce sings these songs perfectly, even if they’re not “his.” (more…)

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[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

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[ATTENDED: September 6, 2026] Megadeth

As a huge metal fan back in the 80s, I loved Megadeth.  I have their first four albums and probably played them all to deth.  I never had a Meadeth v Metallica problem because they were both great and if Dave Mustaine has stayed in Metallica we wouldn’t have Peace Sell, for instance.

I stopped listening to Megadeth in 1990 and really never went back.  Over the last 30 years or so I have enjoyed laughing at how petty and vindictive Mustaine is. About nearly everything.

I never had any interest in seeing them live.  But since they were playing I did start to look forward to it a bit.  Regardless of my thoughts on Dave, he is an icon and has made some amazing songs over the years.

Dave has had myriad health problems over the years, including throat cancer (he is now cancer free) and recently Dupuytren’s contracture which kind of cramps your hand in locked positions.  He has basically said that this will be his last tour.

I didn’t know what Megadeth was going to play.  And I assumed it would be a whole bunch of stuff that I didn’t know.  But in keeping with the tour’s theme, the songs were all from albums I knew (except for one new song, Tipping Point which I feel like I’ve heard, but how could I have?)

Megadeth has gone through a ton of lineup changes over the years and it is basically just Dave’s band (other’s have complained that there were a few people who have been in the band long enough to be considered proper members, but they are all gone).

They played the new song first and I was really impressed by the guitar playing of both Mustaine and new guitarist Teemu Mäntysaari (who is Finnish).  Dave’s voice sounded terrible.  I don’t know if he was undermic’d or if we were in a bad spot but he was almost inaudible.  I did wonder if it was because of his illnesses or if it was a technical problem.  By the end of the set he was more audible.

I was intrigued by their drummer Dirk Verbeuren (who is Belgian) because he was very flashy and I imagined he was from L.A.  Bassist James LoMenzo is the only other American player (it does make me wonder if he burned bridges with everyone else in the States).

They played the next song, Hangar 18 but I didn’t recognize it.  It’s possible that I don’t know Rust in Peace as well as I thought, but listening to it now, I do remember it pretty well.  It may have been the vocals that threw me off.  I do love that in nearly every song, Dave and Teemu switch off between little guitar solos–much shredding.

They followed it with Take No Prisoners, another song I should have known better.  I was never bored during these songs, so I imagine part of me vaguely recognized them.  Interestingly, it was Seating Bullets, from an album I don’t have, that I recognized more–airplay somewhere?   Actually I just looked at the video and it was entirely familiar.  The opening of the song, Hello me, it’s me again” spoken in Dave’s gritty voice makes me imagine him reading a bedtime story to his grandkids (he has at least one).  If he read Goodnight Moon, you’d assume the moon was going to be blown up.

He then said that they were going to play a song for all of those who were there last night.  Actually it was for all of the New Jersey, New York area.  It was a song that people have been asking them to play for ages.  It was Devil’s Island, which I didn’t recognize  the title of, but as soon as that guitar riff started and the crowd went bananas starting a massive mosh pit, I was pretty psyched to hear it.

I didn’t recognize Symphony of Destruction, but holy crap, with the bass opening of Peace Sells, my childhood came rushing back and I was super psyched to hear this one live.  Whaddya mean I ain’t kind?  I’m just not your kind.

They left the stage, which was kind of weird for an opening act.  So I guess technically this was an encore, but whatever you call it, when they started up Holy Wars, I was super psyched because I’m guessing if I didn’t know all of Rust in Peace, I sure knew this song.  The riffage was great, the soloing was great and Dave even sounded good for this one.  They even did the acoustic guitar middle-eastern riff mid song (Teemu on a propped up acoustic guitar).

First mistake? Last mistake.

I really enjoyed this set and while I don’t wish that I had seen them when they were younger, it was still a great set and scratched an itch I didn’t know I had.

The night before they played She-Wolf instead of Take No Prisoners and The Conjuring instead of Devil’s Island [I got the better deal].

Tipping Point ∉
Hangar 18 ⊗
Take No Prisoners (Tour debut) ⊗
Sweating Bullets √
Devil’s Island (Tour debut) $
Tornado of Souls ⊗
Symphony of Destruction √
Peace Sells $
Encore
Holy Wars… The Punishment Due ⊗


∉ Megadeth (2026)
√ Countdown to Extinction (1992)
⊗ Rust in Peace (1990)
$ Peace Sells … But Who’s Buying? (1986)

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[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

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[ATTENDED: September 4, 2026] Sincere Engineer

I’m not sure how I first heard of Sincere Engineer, but as soon as I heard them, I loved them.  I love their bouncy pop punk sound, I love the snarky lyrics and I love  Deanna Belos’ voice!  Raspy and angry which still being completely clear and easy to understand.  It’s perfect.  Especially with catchy, kiss off lyrics like

And I should’ve said ………something
But I really said …………nothing
And I should’ve said ……………..something
Before I twist my tongue
And clench my teeth
And let you get away
With saying that to me

They opened with that song and I was super psyched from the get go.

Before that song their entrance music was the theme from Star Trek the Next Generation, which was hilarious and wonderful.

After the new song, they jumped back to Cheap Grills for two songs: Anemia and California King–a simple, catchy bouncy song that is pretty irresistible.

Back to new songs with Settle Up With Your Downfall, a slower more serious song, but the follow up The Perfect Crime was super catchy, only beaten in catchiness by Fireplace, one of the catchiest, snarkiest songs in recent memory.  And everyone sang along, including the eleven year old who was celebrating her birthday at the show.  This girl was cute, standing up front wearing a birthday hat.  She’d probably talked to Deanna before, but Deanna made a big deal out of her and dedicated the next song Corn Dog Sonnet to her.

It was fast and fun, just like Cooler.  And even though my understanding is that this is Deanna’s band, the guys behind her are fantastic Adam Beck on drums, Kyle Geib on guitar, and Nick Arvanitis on bass keep the show smooth and clearly enjoying playing. (more…)

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[ATTENDED: September 6, 2026] Anthrax

I was a huge Iron Maiden fan starting with Number of the Beast.  But when Anthrax came out, I like them even more–I feel like they invented the word Mosh (probably not but hey certainly used it more than anyone else).  I liked that they were super heavy and also had a good sense of humor.

Amazingly, I had never seen them live.  Not sure how that happened.  Although in fairness, I haven’t really listened to them since the early 1990s.

But I really wanted to see them at least once.  Indeed, I probably wouldn’t have gone to this show if Anthrax weren’t opening (this was the only venue where they played).  So the fact that I almost missed them because of Newark police is insane.

They went on at 6:10 (originally 6:30) and I left my house at 4 for an hour drive.  And I walked onto the floor as the band played their first chord.  Because when I got near the Harrison bridge, the police rerouted my side of the road (if you were in the left lane, you got to cross the bridge.  If you were in the right lane, you had to go straight).  So I followed their detour and looped back around where I Was about to get on the bridge only to see that they closed off the onramp as well.  There were people crossing the bridge, but not us.  So we all had to drive past the bridge and go to one of the parking garages.  I happened to find one that was relatively close (and much cheaper) and then hoofed it back to the venue. (more…)

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[ATTENDED: September 4, 2026] Stay Inside

It took Stay Inside a little while longer than I expected to come on stage (since Smug LLC was such a short set.  But they were fantastic from the get go.  They are a four piece from Brooklyn and have been around for about ten years.  Midshow, someone noted that this was their 250th show!

Bon Z exploded with heavy guitars (I liked the way the second guitars rang out after the verse verse making the song even bigger.  There was great bass (from Bryn Nieboer) throughout the show (more prominent than on the record)

I really enjoyed the way their guitarist (Chris Johns) sang the quick but quiet Runnin’ runnin’ runnin’ runnin part and I really liked the cool quiet middle section with more tasty bass fills.

Chris Lawless was a really fun front man, jumping around, occasionally kicking a cymbal and joking with the audience and the band.

So far, the set had been pretty intense.  Monsieur Hawkwind and My Fault slowed things down a bit and it was good to know they can pull of mid-tempo as well as faster songs.

Midway through the set, Bryn told us that this was their drummer’s fourth show.  He was great.  But at some point he hit a funny sample that made everyone groan and Bryn said that this was now his last show.

There was a girl in the audience wearing a birthday hat (she was 11) and Bryn asked if it was her birthday.  Bryn asked her how old she was and she told her then Bryn said next month she was turning 40 which I genuinely can’t tell if that was a joke, but a whole bunch of people booed, which she was aghast a–why are you booing 40?)

The final song was from an earlier EP and that song rocked hard again.   I was really surprised that they only played 7 songs.  It was a tight 30 minute set and they left a great impression.  I wanted to chat with them after the show but the line for Sincere Engineer was pretty long and when I was done, the line for them was just as long and I wanted to get home.  But I’m definitely a fan and looking forward to seeing them again.

Wikipedia has just told me that Bartees Strange, yes, that Bartees Strange was in the band from 2016-2018.  That’s insane.

 

Bon Zs ≅
Runnin’ ‰
A Backyard ≅
Monsieur Hawkwind ‰
My Fault ≅
Wish It Away ‰
Ivy ∇

‰ Lunger (2026)
≅ Ferried Away (2024)
∇ Viewing (2020)

 

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