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Archive for October, 2025

[DID NOT ATTEND: October 16, 2025] Gigi Perez / Hannah Jadagu

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Back in May, Gigi Perez headlined TLA (capacity about 1,000) and now just five months later, she’s headlining Franklin Music Hall, one of the largest midsized venues in Philly.  That’s what kind of summer she had!

My daughter and I saw Gigi Perez open for Girl in Red and I was really interested in seeing her as a headliner.  Since this show I’ve seen her two more times (in short sets, but still).  I wouldn’t want to see her in FMH, one of my least favorite venues.

I feel like I’ve been hearing about Hannah Jadagu for a while, but when I looked her up, she released her first album in 2021.  So maybe it’s her I’m thinking of, maybe not.

Jadagu plays sweet bedroom pop music.  She’s got a really nice voice.

So, yeah, I wasn’t going to this show, but it’s cool to see Gigi’s star keep ascending.

 

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[DID NOT ATTEND: October 15, 2025] The Oh Hellos / Rabbitology

Back in 2016, I was introduced to The Oh Hellos through a Tiny Desk concert.  And I put them on my bands to see list.

The Oh Hellos are technically a duo of Tyler and Maggie Heath.  But live (and here) they play chamber pop with nine members in the band.  They have an accordion, a violin, a banjo, guitars and great harmonies.

But in the last nine years I hadn’t heard anything about them and more or less forgot about them–they have been putting out albums, but I never heard about them.  When this show was announced I was kind of surprised that it was at Union Transfer, as I didn’t know if they even had a following.  I guess they do.

I was vaguely interested but not enough to get tickets.  Plus I had a ticket to see Margaret Glaspy that night, so Margaret won.

Rabbitology is the world created by the odd-running mind of Michigan-based alternative-folk singer/songwriter Nat Timmerman.  She sings a very earthy, somewhat unsettling style of music.  It reminds me a bit of Paris Paloma–but with a different vocal style.  I really like the songs I’ve heard.  I’ll bet she’s a really compelling live performer.  Maybe she’ll come back around.

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[ATTENDED: October 15, 2025] Brooke Annibale

I was happy to see Margaret Glaspy again. And I was especially happy that she was playing in Milkboy–a venue that I really like but which has terrible parking.Last time I Was here I got a parking ticket for the end of my car jutting into a motorcycle area.  I drove around a bit tonight and wound up parking in the exact same spot!  But this time I pulled forward enough that only my bumper was in the motorcycle zone… no ticket, phew.

But between driving around and then slowly getting to the venue, I missed about half of Brooke Annibale’s set.  I also had to stand pretty far in the back–I like to get close because of the strange layout of the room–narrow and very deep.  But I was able to focus on Brooke’s gorgeous voice.

I really enjoyed the lyrics of her new song Bolder Font.

I had no idea that that Brooke Annibale had been releasing music since 2005 (!).  She talked about touring for awhile and how much she liked Margaret Glaspy.  Originally, Brooke wasn’t supposed to play at this show, but she was added last minute (which I guess is why she was on first since Daphne Gale is a much newer musician).

Her albums have more orchestration, but her it was simply her and her guitar–lovely folksinger vibes.  I wish I had seen her whole set.

It also turns out that Brooke was part of Guster’s On the Ocean festival this year.

Setlist

Hold On
Things We Don’t Believe Anymore
Patience
My Favorite Part
Bolder Font
Home Again

 

 

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[ATTENDED: October 11, 2025] My Morning Jacket

After such a great night last night, we wound up leaving a little bit later (figuring there was no Friday night traffic) and arrived a few minutes later than last night.  But when I walked up to the merch line there was literally one person in front of me–moments later when I looked again, the line was huge, going up the stairs.  Then we headed down to the pit.  It was a little more crowded than last night.  We were going to try to get in front of Jim, but that’s what everyone else wanted, too.  So we camped out more or less where we were the night before, in front of Carl.  We were two people back from where we were, which isn’t bad at all.

So yes, last night as pretty tiring and we’d had a busy day, but we were psyched for a second night of My Morning Jacket.  And I was super psyched when they opened with Highly Suspicious, a totally ripping song from Evil Urges and one that I’d forgotten about–it was also the first time I’d seen it live.  This was also when I learned that Carl Broemel can do so many great backing voices (including the deep, angry chanting of “highly suspicious”).  They followed it with Off the Record, one of the poppier songs off of Z.

Then Carl Broemel moved over to the pedal steel guitar and they played the short but fun Climbing the Ladder.   It was interesting that last night Carl played the saxophone on a few songs but didn’t play it at all tonight. And last night he didn’t play the pedal steel at all but he played it about three times tonight.

And it was pretty clear that if last night’s show was all about jamming, tonight show was shorter, more rocking songs.  And the guys in the front who were headbanging last night had much more cause to do so tonight.

Speaking of the pit.  Tonight’s crowd was fascinating.  There was a guy who kept walking around the pit area hugging and fist bumping people.  He switched places with people and let other be on the barrier.  In fact, one of the long-haired headbangers let some of the shorter folks switch places with him for a song or two.  It was an incredibly generous and, dare I say it, loving thing to do.  Appropriate for the next song Love Love Love, the only song they played from their previous self-titled album.  The lighting at the shows was fairly simply but effective.  They had five panels mounted behind them.  All of the panels had lights that moved and spun and changed colors. But during Love Love Love, they spelled out Love! which was pretty nice.

Up next was Wordless Chorus, one of the great MMJ songs.  The crowd went nuts and we all sang the wordless chorus over and over as Jim walked around the stage, coming over by us at last. (more…)

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[CANCELLED: October 13, 2025] Goat Girl / Maria BC

I saw Goat Girl open for Parquet Courts back in 2018 and I really enjoyed their set.  I liked how they played a variety of styles, sometimes playing very loudly, but other times having a kind of drunken country feel.  THey were fun and I was interested in seeing them again.

But then in August they announced that they had to cancel the whole tour:

Hello everyone We’re really sad to share that, due to personal reasons, we won’t be able to go ahead with our North American tour next month. This was not an easy decision, and we’re truly sorry to everyone who was looking forward to seeing us. We were so excited to come back to the US and Canada – it’s been a while, and it means so much to know you’ve been waiting to see us play. This isn’t goodbye, we fully intend to be back as soon as we can. Thank you for your understanding, and for all the love and support you continue to give us.

Maria BC is an American ambient musician.  She sings over quiet, slightly creepy music–catchy melodies with unusual instrumentation.  Interesting and pretty different from Goat Girl.

I assume they’ll be back again.

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[DID NOT ATTEND: October 12, 2025] Destroyer / Jennifer Castle

I had tickets to see Destroyer here in 2022, but other things got in the way.  After seeing Destroyer open for Father John Misty, I was curious to see how he would tour for this new album (a huge band or a small band?)

Well, we had tickets for My Morning Jacket the two nights before this show and even though I wanted to go to this one, there was just know way I could do it.  So I missed out on Dan and his band again,  But I’m sure he’ll be back again.

Incidentally, here’s a review of his show (well, actually, more of him than of the show) in San Francisco

He’s a notoriously shy performer—Early reviews of Destroyer all recall him coming on stage already drunk, if not drink-in-hand prepared for it.  English major dropout, lover of French New Wave films and 40s era jazz. The Vancouver-based artist stands aloof on stage, staring at seemingly nobody in particular, in what seems like an attempt to pretend the crowd isn’t there. He sips his beer in between songs and crouches down, closing his eyes while his bandmates do the rest. Something tells me that this is his most comfortable and preferred way of performing.

And it answered my question about his live band

Joined by the two guitarists, the bassist and drummer were feverish and impossible to take your eyes off of. The keys player and trumpeter (with his own pedal board, mind you!) took the edges of the stage, with Bejar in the center.

So I know what I missed.  And I’d like to see it again.

Jennifer Castle is a Toronto based singer songwriter.  She released two albums under the name Castlemusic.  She has played with everyone from U.S. Girls to Fucked Up.  Her 2014 album has chamber folk and psychedelic components an her previous album had psychedelic folk elements.

She sounds interesting, although the few songs I’ve listened to are far more folk than psychedelic.  And she’s a little too slow for my tastes.

 

 

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[DID NOT ATTEND: October 12, 2025] Hotline TNT /Dusk 

Hotline TNT have played Philly a few times in the last year.  I was a little bit obsessed with them since I missed them back in January 2024 (and then fell in love with their record).  When they played a show in June that I missed, I wrote

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.

I would have loved to go to this show–reviews say they killed it. But it was the night after two long standing nights with My Morning Jacket, and that was just too much.

I can’t figure out who Dusk is.  There’s a number of bands called Dusk.  The most likely one here seems to be the band from Wisconsin, although they are kind of country, which doesn’t quite fit.  There’s an industrial black metal band called Dusk, but I assume it’s not them.  And there’s a band from Austria called Dusk.  It’s as confusing as the fact that I couldn’t find a poster for this mini tour or this show and the only thing I could find was this ad for LPR.

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[ATTENDED: October 10, 2025] Balthvs

We saw Balthvs last night and really enjoyed them.  So much so that my wife and I were both looking forward to seeing them again.  I wouldn’t have minded hearing the same set again because it was so enjoyable.  But, I assume since they knew that MMJ would be playing a different set tonight, Balthvs played an entirely new set tonight as well.

Tonight, with the audience more familiar with them, they received a huge response when they came out and the guys in the front row were 100% in–jumping and headbandging and clapping.  It had to be a great reception for them.  And they continued to impress with a whole bunch of new (to us) songs.

The opening Sun Colored Eyes was a bit more mellow and groovy, but still sounded great.  All is One continued in the mellower vein with vocals from Vanessa.  She sang in a dreamy voice that made this song even more psychedelic.  There were a few transitions where the song had a five note beat that grounded the song nicely.

As soon as Balthazar played the opening riff to Bird Song, the crowd went nuts.  I didn’t know the song but I have since learned that it’s a Jerry Garcia/Grateful Dead song, so that checks.

Apparently in the middle of the song they segued into a 2 minute original, Famagusta Port and then cycled back to finish up Bird Song.

Balthazar said that they had recently been to Turkey and took some of the scene their with them, which resulted in Turkish Coffee, a song that was perfectly in keeping with their sound, but had definite Turkish influences.  Then he joked that Philadelphia wasn’t too far from the ocean and they launched into what they call Surf Medley, a three part song of surf guitar instrumentals, starting with The Chantays “Pipeline,” segueing into Dick Dale’s “Misirlou” and finally Reverend Horton Heat’s “Marijuana.”  It was fantastic–Balthazar is an incredible guitarist and they captured the surf vibe perfectly.

Up next was an older song Siente which had a little bass solo section for Vanessa to show off her chops.  (more…)

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[ATTENDED: October 10, 2025] My Morning Jacket

A couple of years ago we saw My Morning Jacket at the Met.  They played two nights in a row but we only went to one.  I’m not going to say the second night was better, but they played a lot of great songs that second night as well.  So when they announced two nights again, I grabbed GA tickets (to finally get up close to the band) for both nights.

We greatly enjoyed Balthvs and the fact that we were one person away from the barrier for most of the show.

The lights dimmed and the band came out and they were off, playing Steam Engine.  The song is 7 minutes on record and they stretched that thing out with some lengthy soloing and jamming.  It went over 15 minutes and the band sounded in great form.

I had thought that they might play all of Z (since they have been touring the album), but they didn’t (which is fine).  For this show they played three songs off of it.  One of them was It Beats 4U which, amazingly, I had not seen live before.

When we saw them last time, they didn’t play anything from The Waterfall.  Tonight they played two songs, the delightful In Its Infancy and, later on, Spring (Among the Living).

My two favorite MMJ albums are Evil Urges and Circuital, so I’m always excited to hear songs from them.  They played Circuital, which made me quite happy.  I don’t really know their first few records all that well–they’re a little too slow and not very catchy.  But the crowd seems to love when they play a deep cut like X-Mas Curtain (this is one of their older songs that I really do like, so I enjoyed hearing it).

Speaking of the crowd… we were in the pit and most of the people around us were VIP purchasers and other die-hards.  The guys in the front on the barrier all had long hair and proceeded to headbang through the whole show.  It was pretty funny and they made the front of MMJ’s Instagram page the following day.

And we were right in from of Carl Broemel and it was amazing watching him do…everything.  He played amazing solos, he played saxophone, he even sang fantastic backing vocals.  But it was so cool when he stepped up to the edge of the stage, about 6 feet from us and just wailed on that guitar.  (more…)

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[DID NOT ATTEND: October 11 & 12, 2025] Alex G / Nilüfer Yanya

I saw Alex G when about ten years ago when he opened for Built to Spill. There was a bunch of buzz around him but I didn’t really know why.  I thought he was a guitar shredding type, but he’s not.  I wrote

At first I was a little unimpressed.  The songs are pretty simple and short–lo-fi recordings, which I do enjoy, but were not what I was expecting.  But by the middle, he had won me over.  The last five or six songs in particular were really good.  The band was pretty no-nonsense–not a lot of banter.  Just song after song, some really short and few with some good extended jamming.

Since then he’s released a lot more music and has seen a lot of success.  I like the songs I’ve heard by him and my daughter is a fan.  He played at All Things Go two years ago, but he was on the other stage and we could only see a video of him.

Because he’s a Philly guy (more or less) he added a second show to the Fillmore.  The first night I had tickets to see My Morning Jacket.  And since we had seen MMJ the night before that as well, there was no energy left for Alex G.

I saw Nilüfer Yanya open for Sharon Van Etten in 2019.  I enjoyed her set quite a lot and have wanted to see her again.  Although I haven’t enjoyed her newer stuff as much as what she put out back then.  She had a headline show last year but I couldn’t make it.

I would have enjoyed this double bill, but not as much as I enjoyed MMJ.

 

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