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Archive for January, 2025

[DID NOT ATTEND: January 29, 2025] An evening with Neko Case

I’ve been wanting to see Neko Case’s solo show for a while and when this show was announced–in Princeton!–I was psyched to grab a ticket.

Then I saw that it was for her book tour, and  that there would be no music, but rather an hour of conversation with Princeton University’s A.M. Homes, Author and Professor of the Practice in the Lewis Center for the Arts’ Program in Creative Writing.

I love A.M. Homes’ work and would 100% love to hear her talk to someone I was really interested in.

But to be honest, I wasn’t interested in her memoir.  I don’t really like musician memoirs all that much (most of the time) and while this one might be interesting, the description

a memoir that traces her evolution from an invisible girl “raised by two dogs and a space heater” in rural Washington state to her improbable emergence as an internationally-acclaimed talent.

just doesn’t appeal to me.

I follow her on Instagram and feel like I know a bunch about her and I don’t know that I need to know more about her.

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[DID NOT ATTEND: January 28, 2025] Jessica Lea Mayfield / MARGAUX / lowercase roses

I saw Jessica Lea Mayfield in 2018 and really enjoyed her set.   Since then, I have been following her on Instagram and I enjoy her social media presence.  I genuinely have no idea if she has released any new music since 2018 (when I loved her song Sorry is Gone).  Huh, in fact she has not put out any new music since then, although she does have an EP coming out soon.

Looking at her setlist, she played almost the same set as when I saw her in 2018.  With songs mostly from Sorry is Gone and few more songs from her album Make My Head Sing.  I’m sure I would have enjoyed this show, but I wasn’t all that interested in going.

Margaux is yet another new singer going by a mononym.  Margaux Bouchegnies is a singer-songwriter based in Brooklyn, NY.  She is inspired by Motown, Pixies, and Dirty Projectors. (more…)

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[ATTENDED: January 25, 2025] Soccer Mommy

I saw Soccer Mommy back in 2021 and was surprised that it sold out.  And this show, four years later, also sold out.

After seeing her last time I knew what was to expect.  The only bad part was that I didn’t know her new album that well.

Sophie Allison (who is Soccer Mommy) plays guitar and sings.  She has a standard four piece behind her–Rollum Haas: drums, Nick Widener: bass, Julian Powell: guitar and Rodrigo Avendano: guitar/keys.

As I said last time, the band is really good and they bring these songs to life live in a more powerful way than on the album.

The thing that most surprised me last time and surprised me this time is that she played her big hits pretty early in the set.  Last time, Circle the Drain was her big single and she played it second!  Well, she played it second this time as well.

And her song Driver, which is one of my favorite songs of 2024 she played third!  It sounded amazing–her voice is fantastic live.

Then after playing one more new song she played the other big song that she had out recently, Shotgun.  So that was the three biggest songs I know by her all done within the first five songs.

After that she played a bunch of songs from the new album. I didn’t know them very well, but they sounded great.  However, the show slowed down quite a bit during these songs as each one was more chill than the previous.

At some point Eagles fans started a chant (there are Eagles fans at Soccer Mommy shows?)  Sophie asked what that was all about and then said I don’t really care about football, which led to a huge cheer.  (more…)

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[DID NOT ATTEND: January 25, 2025] Control Top / Dark Thoughts / Mopar Stars / Money Nicca / Nina Ryser / Noun / Pinkwash

I bought a ticket to this show primarily for Control Top.  And I added an extra donation because I felt the cause was really important.  And then I grabbed tickets to Soccer Mommy which was a show that was easier for me to get to.

Ground Control Touring’s 3rd Annual Abortion Access Benefit Series takes place in NYC, LA, Chicago, Atlanta, Philadelphia, DC, Austin, and Raleigh on January 25, 2025! Visit their website to see the variety of bands at each show and specific event details! 100% of proceeds from all shows are donated directly to NOISE FOR NOW who will allocate the funds raised to local abortion funds in need. You can also text GCT to 53-555 if you can’t make it out but would still like to donate.

Proceeds support: Abortion Liberation Fund of PA, Access Reproductive Care – Southeast, ACCESS Reproductive Justice, The Afiya Center’s SYS Fund, Baby2Baby’s Disaster Relief and Emergency Response, Carolina Abortion Fund, DC Abortion Fund, Feminist Women’s Health Center, Lilith Fund, Midwest Access Coalition, New York Abortion Access Fund, Northwest Abortion Access Fund, and independent abortion clinics in California, DC, Illinois, New York, North Carolina, the Pacific Northwest and Pennsylvania via Keep Our Clinics.

And here’s the blurb from Johnny Brenda’s

Ground Control Touring is thrilled to announce they’re teaming up for the third year with NOISE FOR NOW, a non-profit specializing in reproductive justice, to take action and bring awareness with its third annual Abortion Access Benefit Series. The series has expanded to take over EIGHT cities, coinciding on Saturday, January 25th, 2025 – Los Angeles at Lodge Room, New York City at Bowery Ballroom, Chicago at Sleeping Village, Atlanta at The Masquerade (Purgatory), Philadelphia at Johnny Brenda’s, Austin at Hotel Vegas, DC at Songbyrd, and Raleigh at Kings. Since its inception in 2023, the Abortion Access Benefit Series has raised over $110,000 via eight completely sold out nationwide events, with performances by nearly 100 artists and silent auction bundles provided by dozens of community sponsors and local businesses.
Each benefit show will feature a special night of music and festivities in support of abortion funds, community, and bodily autonomy. 100% of proceeds will go to NOISE FOR NOW who will then allocate the funds raised to local independent abortion clinics and abortion funds in each region.
More about NOISE FOR NOW: NOISE FOR NOW is a national initiative that enables artists and entertainers to connect with and financially support grassroots organizations that work in the field of Reproductive Justice, including abortion access. Reproductive health care services, including access to legal abortion, are under attack. By organizing benefit events and campaigns, NOISE FOR NOW provides opportunities for artists and entertainers to use their talent to raise money and send a clear message that Reproductive Rights are human rights. Since their inaugural benefit concert in 2017, NOISE FOR NOW has worked with over 450 artists and entertainers to raise $1.36M for 54 partner organizations. In 2023, NOISE FOR NOW established a record label and has released 3 benefit compilations, 2 of which are streaming on all digital platforms.

(more…)

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[DID NOT ATTEND: January 25, 2025] Wunderhorse / Deux Visages

Wunderhorse was the Artist to Watch on WXPN and they were playing two of their songs a lot.  I didn’t respond well to the first one but the second one was pretty catchy.

I might have considered this show, but I had tickets to Soccer Mommy AND a Control Top show this evening, so this was low on my list. (more…)

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[ATTENDED: January 25, 2025] L’Rain

I saw L’Rain open for Animal Collective without knowing anything about them.  I was blown away.. I really liked the

extended jams that were full of everything–wild, weird guitars, drums that went from simple and gentle to thrash-worthy, and a saxophone that didn’t sound anything like a saxophone.   And Cheek’s voice.  Which she sampled in various ways, pitch shifting it, looping it on top of itself and creating an astonishing array of sounds.

But this show was a littkle different.

She started out with her first song (that comes from a soundtrack) and it was pretty quiet.  Cheek manipulated her voice and much, but it was mostly atmospheric.

The second song featured her on guitar playing an interesting rotating melody.  But it was also pretty quiet.  The keyboardist played some swirling saxophone solos.  I feel like both songs pushed the 6 minute mark.

The band took up about half of the stage and I was right in front of the drummer (no names were given).  During some of the songs, he went crazy, playing loud and fast while the rest of the band jammed and improvised.  He was my favorite player tonight.

The previous time, I was mesmerized by their guitarist because he was doing all kinds of interesting things [strange chords, or non-chords, making squeaking feedbacking sounds] but I didn’t really feel like he did that tonight.

Knead Bee and Uncertainty Principle showed that L’Rain largely plays an R&B base to her songs.  The songs were pretty chill and I was really missing the excitement of the previous show, although, again, I really like the way she manipulates sounds live.

And then she played a melody that was really familiar.  And once I realized that it was Portishead’s The Rip, I was ecstatic.  I’ve never seen Portishead live and although Beth Gibbons is coming to Philly, her solo stuff doesn’t interest me all that much.  But this version of The Rip was fantastic!  The guitar was perfect, the electronics kicked in exactly the right way and Cheek sang in the best Beth Gibbons style.  Hoy cow it was awesome.

So I was still in a good mood for the final song Two Face, a song she played last time that featured a little more of the chaos that I appreciated last time.

I actually had to wonder if L’Rain was crazier last time because they were opening for Animal Collective and contained themselves more for a less experimental headliner like Soccer Mommy.

 

2025 2022
Green Π Which Fork £
5 to 8 Hours a Day (WWwaG) A Toes (Shelf Inside Your Head) £
Knead Bee Find It
Uncertainty Principle Round Sun
The Rip [Portishead cover] Kill Self
Two Face Blame Me
Two Face
Take Two

£ L’Rain (2017)
€ Fatigue (2021)
⊗ I Killed Your Dog (2023)
Π I Saw the TV Glow soundtrack (2024)

 

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[DID NOT ATTEND: January 24, 2025] Wax Jaw / Teen Idle / Loveseat Pete

Wax Jaw continues to play really close to me but always on nights that I’m already busy.

This show was announced fairly recently but I already had tickets to see Guster AND there was a second show I really wanted to see this night, Porridge Radio.  So this show was never going to happen for me.

Teen Idle is the musical moniker of NJ-based songwriter, producer, and multi-instrumentalist Sara Abdelbarry.  Meshing the heartfelt nature of influences like Stevie Nicks and Lindsey Buckingham with the grittiness and abrasiveness of grunge and the lovelorn tendency of ’60s acts like The Ronettes, Teen Idle makes emotional rock music with a statement (and a cinematic tendency).

I had never heard of Teen Idle, and a quick listen reminds me a bit of The Weather Station (Sara has a great voice too).  But this vibe doesn’t really fit with Wax Jaw to me. (more…)

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[DID NOT ATTEND: January 24, 2025] Porridge Radio / Sluice

I heard about Porridge Radio from NPR back in 2020.  They are exactly the kind of weirdo post-punk British band that I love and would never hear anywhere on the radio.

Singer Dana Margolin is more of a talker than a singer.  Her accent is thick and her intensity is palpable.  The band mixes melody and noise in an unexpected way.  And of course there’s “the growing legend of their intense live shows.”

I wasn’t able to see them the last time they came to Philly.   And tonight’s show was the same night as the Guster show!  The worst part was that they were playing literally upstairs from where we were.   The same thing happened the last time we saw Guster at The Fillmore, when Dilly Dally played upstairs (but I was able to catch one song from them).

This is also apparently the last tour that Porridge Radio is going to do, so I’m especially bummed to have missed it (although Guster was awesome). (more…)

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[ATTENDED: January 24, 2025] Guster

Back in March, we saw the We All Have Eras Tour and we loved it.  It seemed weird to get tickets to the same show a few months later when they announced the second wave of the tour.  But it was almost a year later!

This made my 12th time seeing Guster and every Guster show is a good time.  Although the last time we saw Guster at the Fillmore, we didn’t love the crowd so much (we were also close to the bar…boo).  But this time we landed squarely in the middle of  the floor and had a great view (for the most part) and the crowd around us was cool (for the most part).

The show was like last time, a that there would be a narrator telling us what was going on with the band.  Dave Butler (who also plays drums with Marco Benevento and has played live with Guster since 2015) was the evening’s narrator. [This also means I’ve seen Dave Butler play 13 times].

The sets and “Acts” were the same, possibly a little smoother and, as they said on Instagram–there were laughs in different spots.

They opened the show with a chalk board showing a dorm room at Tufts.  Ryan and Adam met at Tufts.  They each played in bands in high school  (Adam from outside of Morristown, NJ!).  (Ryan’s band was called The Silents, Adam’s was Royal Flush).  They didn’t have bands in common, so they wrote their own song: “Parachute.”  Then they needed a name.  How about Gus?  Sounds good.  They were all set to be the Indigo Boys, two guys with great harmonies and acoustic guitars.  Then a goofy guy, Brian, who carried bongos showed up (his early band was called Toejamb) and soon they were a trio busking in Harvard Square.

Then came two songs that were different from last time [Happy Frappy instead of Fall in Two and X-Ray Eyes (the first time we’ve seen them play it) instead of Demons].  Although I was happy to hear songs for the first time, this was also something of a greatest hist show, so of course it was great to hear Airport Song and Barrel of a Gun (again).

Their story is more interesting than just a band progressing.  They went from acoustic guitars and bongos to a full on band with drumsticks and bass.  They were approached by Steve Lillywhite to produce an album.

Then Luke Reynolds came out with a giant head of Joe Pisapia and a name tag that said JOE.  He was a multitalented multi-instrumentalist and wrote “Jesus on the Radio” (which Luke and Ryan sang together).  Then Joe joined the band for real (played by Luke). (more…)

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[DID NOT ATTEND: June 14, 2024] English Teacher / Fernette

I’m writing this later in the year because I recently found out about English Teacher and wish that I had seen them when they came around this past summer.  It’s entirely possible that I didn’t know who they were when this show came around, AND I had a ticket to see Kim Gordon that night so I wasn’t going to make this show anyway.  But I always hate missing a band that I later discover would have been great to see in a small place.

I’m kind of surprised to discover that English Teacher was formed in 2020, as I just heard about them this year.  They released their debut album in April of this year, so that might explain why I didn’t know them.  I feel like I may have heard a song on Sirius XM, but I’m not sure.  However, I recently watches a video of them and they were terrific.

Pitchfork says the band

can’t leave a song alone: Not a track goes by without a twist or complication, whether a time-signature change, an instrumental flourish, or a sudden wall of sound.

Which is exactly what I liked about when I heard them. (more…)

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