Feeds:
Posts
Comments

Archive for October, 2023

[DID NOT ATTEND: October 27, 2023] The Damned / Baby Shakes / Fucked Up

Once I started listening to The Damned after realizing I would miss this show I realized how much I do actually like them.  And here was one more opportunity to see them.

I don’t really like The Stone Pony–every time I’ve been there I’ve had a crowd I didn’t care for.

But it didn;t matter because my wife and I had tickets to see My Morning Jacket tonight and there was no way we were passing up that show.  Certainly not so I could run off to Asbury Park.

~~~

I saw the Damned in 1998 at Coney Island High (RIP).

I honestly don’t remember all that much about the show.  Although Setlist actually has the details from that show! (see below).

I was never really a fan of the band.  I like “Neat Neat Neat” but don’t know much else. When this new tour was announced I was mostly interested in seeing Fucked Up again.  (more…)

Read Full Post »

[DID NOT ATTEND: October 26, 2023] Spencer Krug / Greg Mendez

I was excited to see Sunset Rubdown last year.  I wound up talking to this guy who was a MASSIVE fan of Spencer Krug–seen him many many times.  He also insisted that I had to see Spencer solo.  That his solo shows were the best in business.

But I prefer spencer for all of his sounds and instrumental noises.  I feel like I would not enjoy the solo show all that much.  So I’m not going to this one.

As the Canadian musician behind Sunset Rubdown and Moonface, co-frontman of Wolf Parade, songwriting member of Swan Lake, and keyboardist for Frog Eyes and Fifths of Seven, Spencer Krug has been a major player on over twenty-five releases within the past two decades. He currently writes and releases music under his own name, and performs a mix of new and old material on stage.

I had not heard of Greg Mendez until two weeks ago when I could have seen him open for Tigers Jaw.  It always amazes me how certain people make the rounds as an opening act with entirely different bands.

Here’s a crazy blurb from the artist

For Greg Mendez, reflection doesn’t mean a static image in a mirror, or even a face he recognizes. It’s more a kaleidoscopic mirage, where paths taken shapeshift with the prospect of paths untread, and the subconscious merges with the intentional. On his self-titled new album, the Philadelphia-based songwriter and multi-instrumentalist investigates the shaky camera of memory, striving to carve out a collage that points to a truth. But there isn’t a regimented actuality here; instead, Mendez highlights the merit in many truths, and many lives, and how even the hardest truths can still contain some humor.

I had written Greg Mendez plays mellow folk music with a gentle voice.  According to Bandcamp Daily, he is

one of the Philly DIY scene’s best-kept-secrets, the soft-spoken songwriter with a preternatural ability to craft brief yet powerful songs is enjoying a raised profile with the release of his self-titled full-length. On the strength of a few early singles, the initial run of vinyl sold out within a month of the album’s announcement, but with releases and demos dating back to 2006, Mendez is hardly an overnight success.

Read Full Post »

[DID NOT ATTEND: October 26, 2023] The Damned / Baby Shakes / Fucked Up

I saw the Damned in 1998 at Coney Island High (RIP) with my friend Garry.

I honestly don’t remember all that much about the show.  Although Setlist actually has the details from that show! (see below).

I was never really a fan of the band.  I like “Neat Neat Neat” but don’t know much else. When this new tour was announced I was mostly interested in seeing Fucked Up again.  (more…)

Read Full Post »

[DID NOT ATTEND: October 25, 2023] L’Rain / Flanafi

I saw L’Rain open for Animal Collective and loved her whole set.  She was charismatic and her band was incredible.

I would have liked to see her headline a show, but I already had tickets to see Les Claypool.

Her blurb says

L’Rain is the musical project of multi-instrumentalist, composer, performer, and curator, Taja Cheek. Alongside Andrew Lappin and Ben Chapoteau-Katz, she has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual. At once personal and collaborative, it mirrors the journey that brought L’Rain into being to begin with.
L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. L’Rain is searching for balance in the obliteration of binary logic.

I had never heard of.  The blurb says

Flanafi is the musical nom de plume of songwriter and guitarist Simon Martinez. As a guitarist, Martinez has played with everyone from Jazmine Sullivan and Marsha Ambrosius to Derrick Hodge and Salami Rose Joe Louis. 3 years ago, Martinez debuted the Flanafi moniker with a barrage of releases that combined beautifully written indie-soul songs with intriguing electronic production.

Listening to a couple of songs, they are pleasant enough, soft and delicate.

Read Full Post »

[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

Read Full Post »

[ATTENDED: October 21, 2023] Genesis Owusu / Godly the Ruler

My wife and I joke about how we don’t really like Genesis Owusu but he is so damned catchy that it’s inevitable  to become a fan.  When his show was announced I grabbed a ticket and then forgot about it because it was months away.

I realize that he’s Australian and may not come to the States that often, but when the Wax Jaw show was announced, I was sure that I could get to the Genesis show after the Wax Jaw set.

Wax Jaw was finishing at 9:30 and most Underground Arts shows start at 9.  So, I’d miss Godly the Ruler and be there in enough time to catch the Genesis set.

But for reasons I cannot imagine, Godly went on at 8:30! (more…)

Read Full Post »

[DID NOT ATTEND: October 24, 2023] Les Claypool’s Flying Frog Brigade

This is yet another show that I bought a ticket for in Philly only to find out later that there was a show in Montclair.  Montclair is certainly easier for me to get to, although honestly I don’t live The Wellmont–I don’t know what it is, but I seem to have an iffy time when I go there.  Especially for a metal show.

I don’t think this is going to be a metal show, but I wonder who will show up.

By the same token, the last time I saw Primus, the meathead crowd was really high.  I hope they don’t come to my show since it doesn’t say Primus.

I’ll find out tomorrow.

Read Full Post »

[CANCELLED: October 24, 2023] Thurston Moore reading Sonic Life

This summer, Thurston Moore announced that he would be touring to read his new book Sonic Life:

Thurston Moore has a new memoir on the way, Sonic Life, which he describes as telling “the story of my childhood and teenage years as I fell in love with music (for the most part unbridled rock ’n’ roll) and how it drove me to New York City, where I would co-found Sonic Youth.”

A couple of weeks ago, he cancelled the tour.  I wasn’t planning on going, but it still sucks that he feel so crappy.

To all my dear Sonic friends and family,
It utterly bereaves me to pass on the news that I have been advised by my medical team here in the UK to cancel my upcoming USA book tour. For years I have been dealing with a longstanding health condition, though it has never seriously stopped me from touring and recording. Regardless it’s always been an underlying issue and as I reach my mid-60s this year it has become rather, and consistently, debilitating. After a recent consultation, my doctors have strongly advised against me flying anywhere under any circumstance until they get it all sorted out.

(more…)

Read Full Post »

[ATTENDED: October 21, 2023] Wax Jaw 

Wax Jaw has only been around for a little over a year.  In that time, they have released a couple of singles and amassed a huge local following.

Wax Jaw was born out of the summer-time daydreams and blossoming friendship of Greg Blanc (bass) and Sean Vannata (guitar) in June 2022. They immediately shared a vision of writing lively, upbeat tunes that would make even the most reserved audience member come alive during their shows. Keeping this priority in mind, a five-person lineup was curated one member at a time until the band reached its final form in January 2023. Since then, Wax Jaw has wasted no time sinking their teeth into the bleeding hearts of Philly audiophiles through their animated stage presence, vintage visuals, and high-energy performances. They recently played back-to-back sold out shows at Silk City and PhilaMOCA – most notably sharing a stage with nationally acclaimed acts Wine Lips and Acid Dad. With a six-song EP set to release in September, Wax Jaw is the innovative, all-gas-no-breaks band to watch!

I could have seen them open for Acid Dad a little while ago, but decided to stay home that night. (more…)

Read Full Post »

[DID NOT ATTEND: October 22, 2023] Be Your Own Pet / Birthday Girl

I remember when Be Your Own Pet came out in 2006–they were endorsed and supported by members of Sonic Youth.

They played bratty teenage punk and were a ton of fun.  And then they broke up.

They have recently reunited (wikipedia says)

Following a fourteen year hiatus, they reunited in 2021 after being specifically requested by  Jack White to open up on a few dates of his Supply Chain Issues Tour.

Their own blurb says

On the heels of playing to packed rooms and enthusiastic audiences at SXSW, Nashville’s Be Your Own Pet have dropped a new single, “Hand Grenade,” via Third Man Records. The song marks their first new music since the release of their seminal Get Awkward album (XL Recordings) in 2008 and was written and recorded by the three founding members Jemina Pearl Abegg (vocals), Jonas Stein (Guitar), Nathan Vasquez (bass), and longtime drummer John Eatherly. Picking up right where they left off and clocking in at just over 3 minutes, “Hand Grenade” is an exuberant return and leaves no question they are the same band that Pitchfork called “vibrantly charismatic” and Rolling Stone labeled “charmingly raw.”

I had not heard of Birthday Girl which is surprising only because of the band’s lineage.  A Pessimist is Never Disappointed notes:

I think some folks are, rightly, going to check out Birthday Girl because Mabel Canty’s father is Brendan Canty (Rites of Spring, Fugazi, The Messthetics, etc.), or because Isabella MacKaye’s dad is Alec MacKaye (The Faith, Ignition, The Warmers, Hammered Hulls, etc.). But people are going to stay with this band because the music those two make with drummer Tess Kontarinis is sharply realized and emotive. What’s here on the band’s self-titled debut isn’t so much the sound of a new generation of harDCore, as it is that of the heyday of college rock. Less Beefeater and more Bettie Serveert is what I’m saying.

Sounds great.

Unfortunately, I am trying not to go to as many shows in quick succession.  And since I was out last night, I decided to give this one a miss.  I’d like to check out Birthday Girl some time though.

Read Full Post »

« Newer Posts - Older Posts »