Feeds:
Posts
Comments

Archive for April, 2023

[DID NOT ATTEND: April 23, 2023] Nickel Creek / Gaby Moreno

Nickel Creek was one of the bands on my “really wanna see but they probably won’t tour” list.  So when they announced this tour I was pretty excited to see them.

I also grabbed a ticket for my wife, thinking we could spend a nice Sunday evening near her birthday at a show and maybe a dinner.

But I think she wasn’t especially interested from the get go.  Every time I mentioned it, there was no excitement.  By the time the show came around, I pretty much knew we weren’t going to go.

She encouraged me to go by myself, but it didn’t feel right.  So I’m guessing I never will see them after all.

Ironically, just a few days later, Nickel Creek had to postpone several of their dates because Chris Thile was sick:

“Nothing upsets us more than not being able to deliver a scheduled performance (which has happened just once before in our 34 years as a band), especially because as devoted concertgoers ourselves, we know how much goes into attending,” the band wrote. “We are deeply moved (and now further saddened) to see and hear the stories of how many of you were traveling/have travelled to join us at these shows, and will be doing EVERYTHING IN OUR POWER to make it up to you over the course of this year’s touring. We are so grateful for each and every one of you, and so, so, SO sorry about the news.”

They went on to describe the circumstances behind their postponements, sharing that Thile began the tour with a sinus infection, then caught the flu and did his best to power through it, which damaged his vocal chords. They went on to write, “[Thile’s] doctor, one of the country’s top voice specialists, says that he’d be risking far more serious damage if we proceeded and has prescribed a couple of weeks of rest and rehab.” They went on to thank everyone, including their fans, their crew and their management team – who are currently doing everything to make things amended as smoothly and quickly as possible and closed the message with hopes that they’ll be performing once again in late May.

I wondered if he wasn’t especially “on” for our show, but I’ll never know.

I know of Gaby Moreno from a Tiny Desk Concert which really impressed me.  She sings in both English and Spanish and brings a lot of her home country of Guatemala to her music.

Read Full Post »

[ATTENDED: April 22, 2023] TWRP

Back in 2021, I saw an ad for TWRP playing at Underground Arts.  I didn’t know who they were, but I was immediately struck by their photo (see below).

I don’t know why I didn’t investigate them more, because when I saw that they were playing Union Transfer this time, I was all over finding out what the deal was.

TWRP were once known as Tupper Ware Remix Party (TWRP is much better).

They are from outer space (and Canada).  They are also from the 1980s (and the future).

They are a foursome. In order of the below photo they are guitarist Lord Phobos, bassist Commander Meouch, keyboardist and vocalist Doctor Sung and drummer Havve Hogan.

And yes, they look like this onstage.

They came out to rapturous applause.  The crowd was 100% into it.  Commander Meouch stood in front of us, lion hair blowing in the fan.  Lord Phobos was on the far side and Havve Hogan was in the back on the kit.

And then Doctor Sung came out and immediately got the crowd hyped.  He told us all about their high tech new stage manager, Grobb.  Grobb appeared on the side of the stage in a circle which previously said IBS (in the IBM logo style).  Grobb looked like a psychopathic Teletubby as he smiled and talked to us.

Grobb greeted us “Hello Tokyo” and then proceeded to count in the first song, the new “VHS” which had an appropriate chant along of V-H-S.

The thing about TWRP is that their music is really quite full of disco.  Some of the basslines that Meouch played were full on disco riffs (hard to play in a full costume, I’m sure).  There was lots of heavy snyth and Doctor Sung sang with a vocoder most of the time.  It was such a weird melange of music but it worked really well live.

I was concerned that my son wouldn’t like them musically, but I realized that the youth of today care not for genre, and it was all fun.  He even bought a TWRP shirt (bur not a Magic Sword shirt because they weren’t very interesting).

I didn’t know any of their songs, but they played a few from each of their releases.

Grobb told Doctor Sung that he was dehydrated and forced him to drink a brownish hydration liquid–an amusing recurring skit (HYDRATE!).

A really fun song was “Atomic Karate” in which Doctor Sung showed off his (very impressive) athletic skills and even wielded nunchaku.

Grobb apparently went a little crazy (instead of counting them in he played clips of “Enter Sandman”) and Doctor Sung had to go in and reprogram him (the 8 bit graphics were amazing).  It was dangerous work.

Lord Phobos had some serious shredding skills on the guitar as well.  And after the final song, when the band came out for an encore, Lord Phobos hijacked the show with his new band Phobos Nation!

Phobos Nation was Phobos himself with Magic Sword as his backing band.  But before they could play anything, Doctor Sung came out and they had a fight for control.

This led to them both bands playing the ripping instrumental “Terraform.”

They ended with “All Night Forever,” a song that everyone loved.

The show wasn’t that long (maybe 75 minutes) which is understandable given the costumes.  It’s funny that they played only 13 songs, but they did jam most of them out and there was a lot of entertaining banter between songs.

But honestly I was glad the show was short.  It let us wait on the long line for merch and still get home at a reasonable hour.

Long live TWRP and honestly there couldn’t have been a better opening band.

In a 2015 interview with Scope, their origin was revealed

Doctor Sung was born around the time of the Big Bang. His parents died of boredom when he was just a small child, leaving him orphaned in the first Ice Age. Billions of years later, upon earning the 69th degree of his black belt in keytar, he had an epiphany and discovered his life’s purpose: to release humanity from the clutches of boredom through epic rock music.

To achieve this purpose, Sung carefully selected his band-mates from various corners of the multiverse. He chose the name “Tupper Ware Remix Party” because he liked the sound of those noises which, at the time, held no meaning for him.

Sung discovered drummer Havve Hogan unconscious in a cave during the Mesozoic period. Sung sensed a powerful energy field around this sinister, Frankenstein-like creature with red LEDs for eyes and, after numerous botched attempts to resuscitate the brutish cyborg, he met with success when he installed an 808 drum machine where Hogan’s heart had been.

Conducting anthropological surveys in the Paleolithic period, Sung observed a troublesome tendency in Hogan – to maim and murder early Homo sapiens in the plains as they hunted antelope and buffalo. However, his ability to hold down perfect time had endeared him so profoundly to Sung that the doctor excused his murderous behaviour.

While Hogan was recruited from the past, slap-bassist Commander Meouch and shred-guitarist Lord Phobos were located in a distant and complicated future. Meouch – a space pirate with a humanoid body and the head of a lion – was born in the more provincial reaches of the galaxy and made his fortune smuggling funk (apparently a controlled quantity in the future) to star systems that had been historically square.

One such solar system was home to Lord Phobos, a philosophical rocketeer. Phobos’s people had evolved over many millennia, their culture reaching a universal high-water mark of scientific and intellectual discovery. When Meouch arrived on the scene with his smuggled funk, Phobos’s world collapsed into a flaming orgy of chaos.

Swearing revenge on Meouch, Phobos pursued his ship and was on the verge of destroying it when Sung sprang through a nearby wormhole and corralled them both. Having modified Meouch’s ship for time travel, the trio travelled backwards to retrieve Havve Hogan and then forward to Earth in the year 2007 (roughly one millennium before Meouch or Phobos were born), an era that Sung’s calculations had indicated would be ripe for TWRP to thrive.

 

  1. Birth of Grobb *
  2. VHS *
  3. Bright Blue Sky ♥
  4. Polygon ♥
  5. Only the Best
  6. Typhoon Turnpike / Hidden Potential
  7. Atomic Karate £
  8. Superior Moves ♥
  9. Summer Everyday *
  10. Have You Heard? ©
  11. Starlight Brigade
    Encore
  12. Terraform ♥ (with Magic Sword)
  13. All Night Forever


* new/unreleased.
© single (2023)
♥ New & Improved (2021)
∏ Over the Top (2020)

⇔ Return to Wherever (2019)
⊗ Together Through Time (2018)
£ Ladyworld (2017)

Read Full Post »

[CANCELLED: April 22, 2023] Dead Can Dance 

Dead Can Dance plan a U.S tour (their first in a long time) in 2020. It was postponed to 2021 an ultimately cancelled.

I was pretty happy when they announced another attempt.  And so, in June of 2022, a mere ten months before the show, I bought myself a ticket.

Then on September 6, 2022 we received notice that this concert was going to be cancelled as well.  That’s 7 months notice.

“With sadness and regret we have to cancel the upcoming live concerts in Europe and North America due to health reasons,” the band wrote in a statement. “Thank you to our loyal fans for your support. Please contact point of purchase for refunds.” No further details have been offered at this time.

The 2023 trek was set to be their first tour through North America in a decade.

There’s no word from the band since then.  I wonder if everything is okay there.

 

Read Full Post »

[ATTENDED: April 22, 2023] Magic Sword

I saw Magic Sword open for Avatar back in 2021 and I knew I’d want to see them again.

What I wrote about them then stand up pretty well for this show:

There are three members: The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums).  Oh yes, they are all masked (and not COVID masked, but like a fencing mask with a glowing light (in the above color) for the eyes).  All of their songs are pretty heavy with a main riff (and bass) coming from the keys and really heavy drums.  And then The Seer plays some extended impressive and super catchy guitar solos.

Every song feels like the exultant triumph of a cheesy 80s sci fi movie.  Which is not to say that their music is cheesy (it really rocks) but that it would be placed in a cheesy movie–and would sound great.

In fact, the band has written epic stories (and comic books) that go along with their music.  These songs are the soundtrack to those stories. So it all makes sense.

The set opened with a proclamation in a deep voice explaining that Magic Sword was here to defend all that good in the world.  And then the trio came out.

It’s all vaguely preposterous, but they are completely into it (The Weaver is excellent at getting the fans pumped up) and the music is so good, that it all works wonders.  A handful of people in the crowd had purchased Magic Sword swords (a tiny imitation of the real Magic Sword sword) and waved their blue glow around.

I felt like they played newer songs–songs that were a little more complicated with some excellent stops and starts in them.  But, since they are all instrumentals, it’s hard to know what songs they played.

But most importantly, mid way through the set The Keeper held aloft the blue glowing Magic Sword and all was well in Philadelphia.

I really thought my son would enjoy this show and he said he enjoyed Magic Sword a lot.  So that’s cool.

When the show was over we went to the merch table and I was pretty tickled to see that if you didn’t know what you wanted, you could roll a D20 and see if luck was on your side.  The guy in front of us rolled it and was granted the right to have his picture taken holding THE Magic Sword.

Cool.

Read Full Post »

[DID NOT ATTEND: April 21, 2023] Andy Shauf / Marina Allen

After not seeing Andy Shauf a bunch of times the last few years, I also managed to not see him again this year.

There were three other shows happening this night, two of which I was really torn about.  So even though I would like to see Andy Shauf some day, the other shows were booked long before this was announced.

I am pleased to see that Andy does seem to come around quite a lot, so I’m sure he’ll be back next Spring.

Marina Allen is opening for him on this tour.  According to her label she is a

once-in-a-decade five-tool musician: She writes beautiful melodies and brilliant lyrics, expresses her ideas with an unusual voice of extraordinary depth and range, thinks in fanciful arrangements, and constantly navigates the knife-edge between too much and too little.

I don’t know if I’ve ever seen a blurb quite like that before.

I listened to her first song on Spotify “Falls on Me,” and I would have guessed that it was literally from the 1970s.  She has an absolute classic-sounding voice.  I can’t get over how much she sounds like a blast from the past. I can’t decide if I love it or hate it.

Read Full Post »

[DID NOT ATTEND: April 21, 2023] Chris Forsyth / Purling Hiss / Garcia Peoples

I had planned to attend fewer shows this year.  It turns out there haven’t been that many days that were overbooked with shows.  This was  the first one that was totally overbooked.

I had tickets to M83 and also to Acid Dad and it was a hard decision which one to go to.

So this show didn’t really stand a chance.

I love Chris Forsyth, and would love to see him again.  However, I have seen him fairly recently and at Johnny Brenda’s.  The show would be reliably great, but as I said, already booked.

I saw Purling Hiss back in 2017 about which I said

I knew that the bulk of the band’s catalog was basically Mike Polizze making music for himself.  It was pretty noisy and abstract with lots of jam moments.  They are now a band–I’m not sure who the other two guys in the band were (based on the latest album, I’m assuming Ben Hart on drums and Dan Provenzano on bass)–and they have gotten more musical since then.  But thy are still noisy.  So I expected a lot of squalling feedback and pummeling sounds.  I was quite pleased with how melodic the band’s songs were (no idea what songs they played, but I assume most of it came from their newest album).

I’d definitely see them again.

Garcia Peoples are joining this tour in Brooklyn.  If they had been in Philly, this would have been a much more difficult choice.

UPDATE: Turns out they DID play as well.

And here’s video proof from the always reliable Markit aneight

Here’s video of Purling Hiss

And here’s Chris Forsyth

Read Full Post »

[DID NOT ATTEND: April 21, 2023] Acid Dad / Wine Lips / Wax Jaw

I saw Acid Dad back in October and really liked them.  I knew I wanted to see them again, so when they announced this show on the same night that I had a ticket for M83, I was torn.

I decided to grab a ticket because they were really cheap.

And then the day of the show, I wound up not going out at all.  We had been doing things around then house and it felt kind of weird to leave a guest at home.  So I bailed on all of the shows.

Wine Lips is a band I didn’t know.  They are a trio of Cam Hilborn on Guitar and Vocals with Aurora Evans on Drums and Charlie Weare on Bass.

Their music seemed to fit well with Acid Dad as this review says:

“Fuzzy, loud and fast, Wine Lips are a garage/ punk/ psychedelic band whose music feels like a shot of adrenaline to the heart. A no holds barred kind of rock n roll that’ll make you want to buy a motorcycle, just to crash it.” – Sled Island

Wax Jaw must have been added at the last minute because I didn’t even know they were supposed to be there.  They are a Philly five piece who describe their music as “philly dirty surf rock” which fits the bill.

But Markit Aneight has a video of their show (I assume ones of Acid Dad and Wine Lips are coming) and I really liked them.

I missed a good night.

Interestingly, Wax Jaw had their debut live show at PhilaMoCA just a couple of months earlier.  And here’s that show.

Read Full Post »

[DID NOT ATTEND: April 21, 2023] M83 / Jeremiah Chiu

Back in 2005 I bought an M83 album, Before the Dawn Heals Us.  I also got the 2008 album Saturdays = Youth.  Then I kind of forgot about them.  Ironically, it was their next album, Hurry Up We’re Dreaming, that produce the massive hit “Midnight City,” a song I have known for years since it is on the radio a lot but which I had no idea was M83.

When it was announced that M83 had a new tour coming–the first in a while–I decided to grab a ticket.  I’d heard good things about their live show.  But when I listened to the new album, Fantasy, I thought it was kind of bland.  And I didn’t really relish the thought of standing there for ninety minutes of chillout music.

When I listened to the opening act Jeremiah Chiu, his music was certainly interesting (the nineteen minute improvisational Leaving Grass Mountain–a duet with electronics and viola–was trippy), but it really didn’t change my mind about wanting to see them.

Then it turned out that Acid Dad was going to be playing across town at PhilaMoCAand I really wanted to see them again.

It also turned out that Chris Forsyth and Purling Hiss were playing at Johnny Brenda’s

And that Andy Shauf was playing at Union Transfer.

An embarrassment of riches, so I opted not to go.  I also found out this show sold out and tried to sell my ticket, but I was a little too late for it.

Sounds like the show was really good though.

 

Read Full Post »

[ATTENDED: April 18, 2023] Skinny Puppy

I saw Skinny Puppy with my friend Garry back in 1988–on Halloween.  Thirty-four and a half years later and I saw them again on their Final Tour.  It would have been great to see them with him, but he was in Florida at the time, so that made it tough.  He did see the a few weeks ago though, so it’s almost like we saw the show together (except that his setlist was so much better than ours).

Turns out lead singer Oghr had been ill the night before and had to miss the Pittsburgh show.  He was fine for our show, although I assume ours was several songs shorter because of it.

So I admit to being something of a “fake fan” as my daughter says.  I liked them a lot back in the day, but haven’t really listened to them in twenty-five years.  I haven’t listened to much of any of their newer stuff at all.  But Garry told me that this was something of a greatest hits show.

The show didn’t really go very well for me in large part because of the audience.

The guy in front of me who had been into Lead Into Gold, suddenly turned into a full-on dancing arms in the air lunatic, making it impossible to stand behind him.  About half way in, some guy decided he was going to start slam dancing and managed to smash as hard as he could into everyone (including me) around him.  I  thought a fight might break out.  There were several girls who were talking at full volume and late in the show a very drunk guy started talking to me about how Oghr had been throwing up in Pittsburgh the night before. (more…)

Read Full Post »

[DID NOT ATTEND: April 19, 2022] Fruit Bats / H.C. McEntire

Exactly one year ago to the day, Fruit Bats played Philadelphia.  My wife really liked the song that was on the radio, so when the show was announced I grabbed us tickets.   We never listened to anything else by them, and when the night of the show came up, we had other things to do, so we didn’t go.

It’s a year later.  I don’t even know if they have new music out.  Suffice to say we didn’t plan to go.

H.C. McEntire is from North Carolina.  She plays piano and sounds (at least on “Rows of Clover” remarkably like Tori Amos (with more of a southern accent).  On another song she sounds less like Tori and more Southern.  I probably would have enjoyed her as an opening act.

Read Full Post »

« Newer Posts - Older Posts »