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Archive for April, 2022

Built to Spill / Prism Bitch / Itchy Kitty (Union Transfer, Philadelphia, PA, April 28, 2023) [DID NOT ATTEND]

Posted in Blood Lemon, Built to Spill, Itchy Kitty, Philadelphia, PA, Prism Bitch, Union Transfer on April 28, 2022| Leave a Comment »

[DID NOT ATTEND: April 28, 2023] Built to Spill / Prism Bitch / Itchy Kitty

I saw Built to Spill twice last year.  I was surprised to see that they were touring again so soon, but it had been all of seven months.

This was supposed to have been a very busy concert week for me.  But after doing so much tree cutting and hauling this week, I was too tired to go even to see Doug and his band.

For the previous shows, the opening band was Blood Lemon which featured BTS bass player Melanie Radford. This time, one of the opening bands was Prism Bitch which BTS featured drummer Teresa Esguerra.

Prism Bitch was fantastic back in 2019.  They’d have been great to see live again.

The second opening band was Itchy Kitty.  Itchy Kitty are a band from Spokane, Wa. They specialize in a hyperkinetic blend of punk traditionalism and a sort of mangled glam rock pageantry. Their music careens from whiplash inducing riffage to flash delirium freak outs.  Originally, they were a cat-centered band with songs about cats and (if photos are correct) the drummer wearing a cat mask.  But now they just rock and scream and rawk.

I’m a little bummed about missing this, but I’m sure I’ll see them again.

 

 

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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Trupa Trupa / Haldol (PhilaMOCA, Philadelphia, PA, April 28, 2022) [DID NOT ATTEND]

Posted in Haldol, Philadelphia, PA, PhilaMOCA, Trupa Trupa on April 28, 2022| Leave a Comment »

[DID NOT ATTEND: April 28, 2022] Trupa Trupa / Haldol

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

Trupa Trupa is a band from Poland who I found out about through NPR music.  Their music is dynamic and exciting and I understand they are amazing live.

By the time this show was announced I already had tickets for both Son Lux and Stick Men.  But I was so intrigued by this one that it quickly became my number two choice (sorry Stick Men).  I just wasn’t sure which one I was going to go to.  I honestly don’t know how often Trupa Trupa will be able to come to the U.S.  But I so very much wanted to see Son Lux, that they won out.

Haldol is a post punk band from Philly who I haven’t heard of.  But this review, especially about the 4AD/120 Minutes connection is pretty spot on.

While I was lukewarm on their previous record, The Totalitarianism of Everyday Life, Negation recaptures the fire of that self-titled record by pushing past its sound rather than returning to it. While Negation still has death rock-isms like chorus on the guitar and tom-heavy drumming, the guitars are janglier, the singing more expressive, and the songwriting more pop. Once again, Haldol is ahead of the trend; while everyone else is going Christian Death, they’ve gone full 4AD, sounding more like something you’d see on 120 Minutes in the late 80s than a band on a flyer for a Madame Wong’s gig. That seems to imply a softening of Haldol’s sound, but that’s not the case at all… they play with the revved-up energy of bands like the Cult and the Jesus and Mary Chain… it’s pop music as much as it is art project, and listening to it provides all the immediate pleasure that pop music is meant to.”

This would have been a good show.

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Emily Wells (The Foundry, Philadelphia, PA, April 28, 2022) [SON LUX]

Posted in Emily Wells, Philadelphia, PA, Son Lux, The Foundry on April 28, 2022| Leave a Comment »

[ATTENDED: April 28, 2022] Emily Wells

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

I didn’t realize that I knew Emily Wells, but I had recalled her albums getting reviewed on NPR music.  I particularly remembered them talking about her album This World Is Too _____ For You.  And then just recently they had reviewed her new album Regards to the End and the song “All Burn No Bridge.”

Emily is a classically trained violinist, but she has morphed into a kind of electro-classical-pop singer.  The songs are full of rage but are also quite delicate.  She seems to thrive on tension.

Live, she was entertaining, but I was unprepared for how powerful her voice would be and how well it would play off the loops of synths and violins (and occasional percussion).

When I an Chang came out to play with her, he was quite restrained, but his additions lifted the song up even higher.

  1. I’m Numbers
  2. Come On Kiki
  3. Love Saves the Day
  4. All Burn, No Bridge
  5. Two Dogs Tethered Inside (with Ian Chang on drums)

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Stinking Lizaveta / Microwaves / Faking (Kung Fu Necktie, Philadelphia, PA, April 28, 2022) [DID NOT ATTEND]

Posted in Faking, Kung Fu Necktie, Microwaves, Philadelphia, PA, Stinking Lizaveta on April 28, 2022| Leave a Comment »

[DID NOT ATTEND: April 28, 2022] Stinking Lizaveta / Microwaves / Faking

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

Of the four shows this night, this was the lowest.  I would like to see Stinking Lizaveta, but I’d much rather see the others.

Microwaves is a noisy band from Pittsburgh

Faking is a noise rock band from Philly.  I assume I’ll be seeing both of them on bills going forward.

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Stick Men / Tim Motzer (Sellersville Theatre, Sellersville, PA, April 28, 2022) [DID NOT ATTEND]

Posted in Pat Mastelotto, Sellersville Theater, Sellersville, PA, Stick Men, Tim Motzer, Tony Levin on April 28, 2022| Leave a Comment »

[DID NOT ATTEND: April 28, 2022] Stick Men / Tim Motzer [rescheduled from August 5, 2020 and April 1, 2021]

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

The rescheduled show was Stick Men, the trio comprised of Tony Levin and Pat Mastellotto from King Crimson and Markus Reuter, one of the foremost players of the Chapman Stick guitar thing.  Bernier and Levin both play them during the set (hence the name).  I’ve wanted to see them every since I heard about them (A chance to se Tony Levin right up close!).  But Stick Men seems to tour quite a lot, and now that King Crimson is more or less dissolved for good, I assume they’ll be touring a bit more.  So when Son Lux, a band I’ve tried and failed to see twice before) was scheduled for the same night, I had to see them while I had the chance.

Tim Motzer is an experimental guitarist.  Apparently you never know what you’re going to get with him.

Both Motzer and the Stick Men show were streamed for a couple of days afterward, so I was able to see them both, which is nice.

An excerpt from Motzer is here.  I don’t see Stick Men available anymore.

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Orchestral Manoeuvers in the Dark / In the Valley Below (Keswick Theatre, Glenside, PA, April 27, 2022) [DID NOT ATTEND]

Posted in Glenside, PA, In the Valley Below, Keswick Theatre, OMD, Orchestral Manoeuvres in the Dark on April 27, 2022| Leave a Comment »

[DID NOT ATTEND: April 27, 2022] OMD / In the Valley Below

Really I was never going to attend this show.  I don’t really like going to the Keswick.  And OMD is probably my third favorite British 80s synth duo.

I did see them open for Barenaked Ladies in 2016 and that’s probably good enough.  I did enjoy them though and it’s nice that they are still touring.

In the Valley Below is a band I’ve never heard of although they’ve been around a decade or so and apparently had an indie hit with “Peaches” (not the “Millions of peaches, peaches for me” song) back in 2014.  They are described as indie rock and dream pop and would probably work very well with OMD.

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Biffy Clyro (Union Transfer, Philadelphia, PA, April 25, 2022)

Posted in Biffy Clyro, Philadelphia, PA, Union Transfer on April 26, 2022| Leave a Comment »

[ATTENDED: April 25, 2022] Biffy Clyro

I’m not exactly sure when I got into Biffy Clyro.  Probably just hearing about them all the time in the British music press.

Biffy Clyro is absolutely massive at home in Scotland and they typically headline festivals of thousands of people.  They recently had a film made about the: Biffy Clyro: Cultural Sons of Scotland in which they played a concert for some 50,000 people.

Then they did an American tour and I got to see them at Union Transfer, a venue of 1,200 which did not sell out.

And yet as far as I could tell, they played as if there were 50,000 people there.

The three shirtless lads came out on stage to much applause (those in the States who like them like them a lot) and they proceeded to kick arse playing huge anthems to a small crowd who responded with energy and excitement.

The band last played Philaelphia in 2017 and they had two new albums to showcase.  They played six from 2020’s A Celebration of Endings and four from the newer The Myth of the Happily Ever After.

The good thing is that I knew they’d be featuring these two albums so I listened to them a lot and the live versions were even better–with so much energy comes from singer Simon Neil and remarkable drumming from Ben Johnston.  His twin brother James Johnston plays bass and somehow, the three of them sound like a wall of sound.  It was intense high energy sing along stadium rock up close and personal.

The only real slowdown came when Simon sang a solo acoustic version of “Machines”

Despite featuring the new albums highly, they also dipped into some older records. I actually don’t know what their hits are, so I didn’t really know what they’d play along with the new records.  They didn’t go very deep (ignoring their first three records entirely).

They hit four songs from Only Revolutions (their best selling album), but the crowd greatly appreciated them.

I’m clearly not as big a fan as most of the people there, but I really enjoyed a night of Biffy Fucking Clyro.  I don’t see arena rock all that much, but seeing it in an intimate setting like this was awesome.

  1. DumDum µ
  2. A Hunger in Your Haunt µ
  3. Tiny Indoor Fireworks €
  4. Black Chandelier ⊄
  5. North of No South €
  6. That Golden Rule ©
  7. Instant History €
  8. Mountains ©
  9. Machines (Simon Neil solo acoustic)
  10. Unknown Male 01 µ
  11. End Of €
  12. Wolves of Winter ∴
  13. Space €
  14. Slurpy Slurpy Sleep Sleep µ
  15. Re-Arrange ∴
  16. Living Is a Problem Because Everything Dies
  17. Bubbles ©
    Encore:
  18. Cop Syrup €
  19. Many of Horror ©

µ The Myth of the Happily Ever After (2021)
€ A Celebration of Endings (2020)
∴ Ellipses (2016)
⊄ Opposites (2013)
© Only Revolutions (2009)
¶ Puzzle (2007)

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Dead Poet Society (Union Transfer, Philadelphia, PA, April 25, 2022) [BIFFY CLYRO]

Posted in Biffy Clyro, Dead Poet Society, Jeff Buckley, Philadelphia, PA, Union Transfer on April 25, 2022| Leave a Comment »

[ATTENDED: April 25, 2022] Dead Poet Society

I am usually pretty early for shows.  Not super early, but usually 20 minutes before the opener.  And usually that’s fine to get up close to the stage (unless the headliner has a huge fan base, then forget it).  I thought I had arrived in plenty of time for this show, but I think Dead Poet Society went on a few minutes early because I wound up walking in in the middle of their set.

Dead Poet Society are from Massachusetts and they create epic, bombastic rock.  There is the heaviness of Led Zeppelin in there with some good old indie rock noise thrown in the mix.  But the most notable thing about the is singer Jack Underkofler’s voice which sounds uncannily like Jeff Buckley most of the time.  I suppose there’s a Robert Plant component to it as well, but Buckley all over it.

Which is not a criticism at all.  Buckley’s voice was amazing and to be able to do something similar is very impressive.

Indeed, their songs rocked and they were really engaging.  The one thing that was odd to me was how much Underkofler acted like they were the headlining band.  I’m not entirely sure how much the crowd was with them just yet for him to be demanding the sing and clap along.  But by the end of the show, they had won everyone over I think.

I was near guitarist Jack Collins who made some great noises, bassist Dylan Brenner and drummer Will Goodroad, played heavy and loud and kept everything very tight.  Some have commented on their rather cryptic song title stylings on their debut album -!-, but I think it works pretty well with their overall sound.

Based on the previous night, this was their setlist

  1. Lo Air Ð
  2. .burymewhole. -!-
  3. .georgia. -!-
  4. Bacalar
  5. .SALT. -!-
  6. Touch
  7. .AmericanBlood. -!-
  8. Sound and Silence ∇
  9. .intoodeep. -!-
  10. .CoDA. -!-

-!- (2021)
∇ Axiom (2015)
Ð Depmsy (2016)

 

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Fontaines D.C. (Underground Arts, Philadelphia, PA, April 22, 2022)

Posted in Fontaines D.C., Just Mustard, Philadelphia, PA, Underground Arts on April 23, 2022| Leave a Comment »

[ATTENDED: April 22, 2022] Fontaines D.C.

I saw Fontaines D.C. in September of 2019 just as they were getting a buzz about them.  The show was sold out and crowded.  And, it turns out people knew them very very well.  And they wanted to dance.

Johnny Brenda’s does really lend itself to that and when one guy took exception, he started to get really rough.  It was not a great experience.  So I wanted to see them again, to cleanse my palette.

Fontaines have to be the most disaffected band that ever existed.  Not an expression on any of them.  They seem like they are disgusted with everyone there.  And lead singer Grian Chatten feels simultaneously like he is not there and is the only thing there.

He often seems like he’s in his own world and then he seems to focus on the audience and consumes everyone.  (more…)

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Godspeed You! Black Emperor / Myriam Gendron (White Eagle Hall, Jersey City, NJ, April 22, 2022 and Union Transfer, Philadelphia, PA, April 23, 2022) [DID NOT ATTEND]

Posted in Godspeed You Black Emperor, Jersey City, NJ, Myriam Gendron, Philadelphia, PA, Union Transfer, White Eagle Hall on April 22, 2022| Leave a Comment »

[DID NOT ATTEND: April 22 & 23, 2022] Godspeed You! Black Emperor

Back in 2000, I saw Godspeed You Black Emperor at Maxwell’s in Hoboken.  My friend Lar was in from Ireland and he went to the show with me, which was pretty awesome.

I waited 18 years to see them again, but the last time I saw them, the show was marred by the crowd.  Or perhaps I was just always in the wrong place.  I couldn’t see well from where I was so I moved–something I never do.  I tried a few spots and none felt right and a couple were near some genuinely unpleasant people to be standing near.  So I never enjoyed myself, even though the music was good.

So I thought I’d try a redo.  I was excited to see them in Jersey City, but then the Fontaines D.C. sow came up.  I figured I’d go see them the next night, but we wound up having a big birthday party that day and it seemed rather crass to go out later that night.  So, I missed them. And that’s ok.

Myriam Gendron is a Quebec musician I hadn’t heard of, but this review makes me want to check out her records.  This is for her latest album:

Delving deep into traditional music from Quebec, France, and the United States, she rewired segments of songs to emphasize evocative lyrics and tossed out others that she found abhorrent. Singing in French and English … these historic songs become universal, while her tender voice maintains the soft power to raise the hairs on the back of your neck.

Woah.

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