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Archive for March, 2022

[ATTENDED: March 9, 2022] Animal Collective

We had seen Animal Collective open for Fleet Foxes back in 2017.  Their set was fin and weird and I came away thinking that they’re probably even more fun and weird when they are headlining.

This show made me realize how little I know about Animal Collective.  I couldn’t even have told you many song names before the show.  So I guess I didn’t really know what to expect.  Which is apparently good because I gather that every show is different, so no expectations are preferred.

For instance, I thought that each member of the band sang lead.  And while that is sort of true the majority of the songs were sung by Avey Tare, who stood up front and played guitar and bass and occasional keys.  But it was drummer Panda Bear who lead of the night with the vocals.  And to my left, behind a tie-dyed tapestry was Deakin, the keyboardist and occasional guitarist who sang back up and an occasional lead.  The only one who didn’t sing (I don’t think) was Geologist, who stood in front of his array of gear (including a hurdy gurdy) creating the foundation of most of the songs while the other three noodled.

Animal Collective songs tend to be weird… maybe or maybe not in a bad way.  At the same time, their live show tends to be a little weird too.  But it is  firmly controlled chaos.  You may not know what they are going to do next, but they certainly do.

As the one review (from The Key) notes:

Most of Animal Collective’s set was a will they or won’t they play “the hits” — namely “My Girls”, or even “Leaf House.” Several times in the set and the encore it felt like there were about to just fall into those songs but pulled back at the last second.

I knew in the back of my head that Animal Collective had “hits,” but I had no idea what they were.  So I was just there to kick back and enjoy the show.

Every song had a video projection behind it–each video was different and seemed to have something to do with each song.

They played five songs from their new album.  It was interesting to judge the popularity of each song by the reaction of the people around me.  There was one woman who sang along to every song (even the unreleased ones).  Some parts were super catchy, but just about all of the parts were danceable in someway.  I was especially intrigued by the songs that featured multiple backing vocals–often Panda Bear singing or almost yodeling.

The crowd reacted very positively to “In  the Flowers” (the only song from Merriweather), and as the song built to its super catchy midle section everyone, including the band, was bouncing around to the track.

I really enjoyed the visuals in back of Passer-By as well.

There was a big reaction for “Chores” a rather weird song from Sung Tongs that was a lot of fun.  Deakin came out from behind his keys to dance around with his guitar and even Geologist, who always seems too busy to dance was bopping his head around.

I really enjoyed their lengthy song “Defeat (Not a Suite)” which I gather is the new thing they are working on (or something).  It’s not available anywhere,   It started with Geologist playing the hurdy gurdy and Panda Bear playing drums with his hands rather than sticks.  It was slow and warbly as it built over fifteen minutes (!) and Panda Bear sang somewhat operatic lines behind Avey’s lead.   The middle had a church like feel to it from Deakin pipe organ effects, and towards the end, there was a part with just Avey and Panda singing wordless melodies while Geologist was making all kinds of cool spacey effects.  I wasn’t sure if it was one song or a bunch of songs (sometimes it’s hard to tell with this band). but it did feel like a cohesive piece and it was pretty wonderful.

They ended the set with “Applesauce” one of their more popular songs.  And then they took a break.

They came back and played two more unreleased songs and then the crowd went absolutely berserk for “The Purple Bottle.”  I didn’t know the song but I quickly caught on why this song was so much fun and such a great show ender. Any song that has a section that features a section like

Then I go and take some pills
Cause I can’t do all of my do’s and still feel ill
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!

In which the audience gets to “woo!” is going to be a huge hit and boy was it a fun rollicking song.  What a fun night of music.

I happened to check the show they played in Sayreville–the other place I could have seen them and the setlist was almost entirely different.  I guess you never know what you;re going to get at an Animal Collective show.

 

2022 2017
Screens Lying in the Grass
Cherokee © Kinda Bonkers
Broke Zodiac ¢ Sweet Road ¥
Dragon Slayer © Bees ƒ
Genie’s Open ¢ 

(interpolation of Trains Across The Sea by SilverJews)
Daily Routine π
In the Flowers π Guys Eyes π
Passer-By © Water Curses ϖ
Chores § Summertime Clothes π
Strung With Everything ©
Car Keys ©
Defeat (A Not Suite) ¢
Applesauce
encore
King’s Walk ¢
Stride Rite ¢
The Purple Bottle ƒ

 

© Time Skiffs (2022)
‰ The Painters EP (2017)
¶ Painting With (2016)
≅ Centipede Hz (2012)
⊗ ODDSAC (video album) (2010)
π Merriweather Post Pavilion (2009)
ϖ Water Curses (2008)
§ Strawberry Jam (2007)
ƒ Feels (2005)
¥ Sung Tongs (2004)
¢ unreleased

 

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[ATTENDED: March 9, 2022] L’Rain

Up until the day of the show, I had mistakenly thought that the opening act for Animal Collective was L’Orange, a hip hop producer from North Carolina.  I listened to his stuff and really liked it.

I recalled that when this tour was announced, there was serious buzz about the opening act.  I could see how L’Orange worked with Animal Collective and was curious how he would do his show.

Then I read that it was L’Rain, and it changed everything.  L’Rain is the project of Taja Cheek.  She creates most of the music herself, playing (at least) guitar and bass and looping her voice.   After reading a few reviews, I was really intrigued to hear her. (more…)

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[POSTPONED: July 18, 2020] Tigers Jaw

Back in 2020, Tigers Jaw was scheduled to play a show in Garwood at a place called Crossroads.  I had never heard of Crossroads, but there was a flyer in the local Jersey Mike’s.  I was intrigued because I knew a little about Tigers Jaw and I liked what I’d heard.

Then those shows were cancelled and eventually, they came touring around and I saw them at Union Transfer–a sold out show.

They were supposed to open for Circa Survive in February and March, but that tour was cancelled at the last minute, so Tigers Jaw decided to do a small tour of their own called The Last Minute Magic Tour.  And so they finally made it to Crossroads.

The venue was great–excellent sound, great sight lines.  It holds about 200 people.  I assume it sold out–but what a difference from Union Transfer.

The crowd was 100% fans of the band and it started out fun and chill.  But there was one guy who was insistent on starting a pit.  At first people kind of ignored him, but by the end there was some serious moshing around in an uncontrolled way–I got almost knocked down once. (more…)

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[ATTENDED: March 8, 2022] Cave People

Cave People is the project of Dave Tomaine.  I don’t know much about them–except that he is friends with Tigers Jaw from a long time ago.

I listened to one of their songs before the show and found it to be kinda folky and okay.  So I thought the set might be solo.  But instead, five people filled the stage.  Tomaine gave a quick introduction of everyone, but I don’t remember what he said.

There were three guitars onstage  In front of me was the lead guitarist.  On the far side was a rhythm guitarist who played a few leads.  In the middle was Tomaine.

I realized about half way through the set that Tomaine’s amp was either louder than everyone else’s or was facing right at me while the other pointed away.  So while one of the guitarists was playing lead, all I could hear was the rhythm.

Which was a shame since when Tomaine was playing quietly, the full band sounded great together.

The bassist and drummer were also good (and loud enough).  I also loved the drummer’s hair. (more…)

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[ATTENDED: March 6, 2022] Deafheaven

I’m not a huge fan of Deafheaven, but the more I kept seeing this show advertised (and postponed and rescheduled) the more I thought I might really like to see them live.

I like their blend of shoegaze and screaming metal.  I couldn’t listen to a lot of it, but I figured a show would be just right.

The band’s newest album, however, is very different from past efforts.  There is almost no screaming at all.  Lead singer George Clarke who pretty much only screamed a largely incoherent rasp on previous records actually sang on this one.  The music wasn’t vastly different although it tended to be a bit less intense.

When I looked to see what their setlist was like, the show in late 2021 had them play the entire new album and then a couple old ones.  I wasn’t that excited by that prospect, but figured I’d still enjoy it.  And after Holy Fawn, I was ready.

They opened with “Shellstar” which is quite a pretty song.  I think I would have really liked it if it weren’t Deafheaven.  Plus, I had never seen any footage of them before.  Clarke was a wildly intense figure, but he was dancing and moving and shuffling.  Dressed all in black in a button long sleeve shirt, he moved about the stage and fully engaged with the audience. (more…)

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[ATTENDED: March 6, 2022] Holy Fawn

Holy Fawn was supposed to open a show I was going to go to a while ago.  I didn’t go for whatever reason, but here they are again.

“Candy” started out kind of slow and atmospheric.  There were quiet guitars and whisper/sung vocals by Ryan Osterman.  It had a powerful shoegaze vibe.  After a minute or so drummer Austin Reinholz started hitting a martial beat that felt like it was heading to a burst of noise.  But that never came.  It wasn’t until almost four minutes into the song that it burst forth.  And at nearly five minutes started screaming in an intense growl–but just for the end of the song.

“Dark Stone” worked the other way.  After some slow swirling intro sounds, the band played a heavy chord and then silence.  And it worked that way as the full band kicked in–loud crashing chords followed my ambient noise.  vocals were quiet and clean as the band played a picked guitar melody and interesting sounds from the second guitarist Evan Phelps.  The song just built and built on a wall of noise with crashing guitars, lots of cymbals and screams from bassist Alexander Rieth (who was into the music bodily–bouncing and headbanging like crazy). (more…)

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[ATTENDED: March 6, 2022] Midwife

I was intrigued by the setup on the stage.  On the microphone stand there was a old-school telephone receiver.

Then Madeline Johnston came onstage with her guitar.  She spoke into the telephone and her voice sounded distant and far away.  It was pretty neat.

She then triggered a drum beat and started playing guitar over it.  She sang into it and her voice was spooky and sounded like it was coming from outer space.

Midwife plays was she calls Heaven Metal and falls into the “Slowcore” and “Sadcore” genre. (more…)

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SOUNDTRACK: THE PRETTY BOYS-“Midnight to Six Man,” “Don’t Bring me Down,” “Rosalyn.” (1966, 1964, 1964).

The Pretty Boys are referenced a lot in this novel and I realized I never knew them.

According to Classic Rock History, these are t he band’s top three songs.

I guess as a reference point, I can see what Kent was going for.  The lead singer sounds like a bit of a wild man, with lots of screams.  Each song is a kind of rowdy garage rock. They’ve got a lot of energy, but very mid 60’s energy which really doesn’t appeal to me.

And none of the songs have anything remotely resembling the kind of musical genius that the guitarist in the novel is supposed to have.

So I wasn’t missing anything.

[READ: February 28, 2022] The Unstable Boys

I’m usually a pretty good judge of books when I see them at work.  We get a lot of novels that I would never read, but we occasionally get a gem that I’d never see anywhere else.

I looked at The Unstable Boys and thought I had a gem.  And it started out as one.

The book is about a fictional band from the 60s called The Unstable Boys.

The opening of the book is clippings from various articles about the band.

They were a mix of personalities with two talented members, an array of drummers and a lead singer called The Boy who was a force of nature.  He was, simply, an asshole.  But he was charismatic and unpredictable and people were intrigued by him.  They had a hit, they were poised to do some big stuff and then their second guitarist died.  They were about to go on a major American tour and wanted to postpone.  But the label wouldn’t let them.  The label threw in some new members for the tour and the band imploded.

Guitarist Ral Coombs was a really talented and sensitive musician.  He and The Boy nearly came to blows.  They vowed to never reunite or even speak to each other again.

Then the story begins properly.  We meet Trevor Bourne. He is recently single and, as a freelance writer, not very successful.  He had written a story about The Unstable Boys a while back, but hasn’t had much success lately.

Enter Michael Martindale.  He is a very rich and successful fiction writer.  (more…)

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[POSTPONED: March 4, 2022] Lucy Dacus: Free at Noon [moved to July 8, 2022]

indexI have seen Lucy Dacus quite a few times and she always puts on a mesmerizing show.

I wasn’t sure if I wanted to see her perform a Free at Noon (they are fun to do but such a HUGE part of my Friday.  And then it was revealed that she would be doing her upcoming shows lying on her back.

A few weeks earlier, she had “an unexpected medical issue (not COVID related).” She wrote:  “sup, I have two herniated discs and the only way I’m not in pain is laying down SO tonight’s show I will be singing from a couch, I am both sorry and also pleased to offer this most humiliating and hilarious moment to you good people….”

A few days earlier she played a Sold-out show at the Stone Pony (I wasn’t planning on going but when I heard about the couch I was bummed it sold-out and I couldn’t go). (more…)

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SOUNDTRACK: hiatus

[READ: March 1, 2022] The Devil Made Me Do It

As South Africa entered the new millennium, things were progressing very slowly (and sometimes regressing).  And Zapiro was watching.

Homophobia was spreading throughout African nations.  There’s a banner that says Queens against Mugabe.  Zapiro ties it together nicely with a picture of Queen Elizabeth with a paper that says “Mugabe lambasts U.K.”

And an anti-rape ad (starring Charlize Theron) was banned because there was public outcry.  Which leads to a later strip in which children learn the rape message: it’s not bad to rape someone in your own family (A lenient sentence was given to a man who raped his daughter); rape is less offensive than an anti-rape ad that offends men; you can get away with rape if you are famous and hire a hotshot legal team.

Apartheid fallout was still happening.

There’s a an amusing picture of Apartheid Hell and the devil is showing all of the people there a video called No person shall be discriminated against on the basis of race, gender ethnic or social origin, culture, sexual orientation….”  Although clearly the powerful men aren’t all getting punished as we see Craig Williamson, a constant figure in these battles, telling the Amnesty Committee to sit, lie down and fetch his amnesty. (more…)

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