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Archive for November, 2012

SOUNDTRACK: SPARE THE ROCK, SPOIL THE CHILD PODCAST (2005-present).

Spare the Rock, Spoil the Child started as a small radio show in Massachusetts and is now syndicated to whomever wants it.

In browsing their playlists, I see a wonderful selection of tunes for kids (and adults).  There is a definite They Might Be Giants connection (I gather they did the theme song).  But in between bands like Deedle Deedle Dees, Trout Fishing in America and Wee Hairy Beasties, they also play Superchunk (“Hyper Enough”), NoMeansNo (“Joy”) The Beastie Boys (“Intergalactic”) and Firewater (!) (“Ponzi’s Revenge).  These are songs that any kid would love and the fit in very well with some of the more energetic music featured in the rest of the show.

You can see their blog site here.  You can listen to the archives (and subscribe) here.

[READ: November 5, 2012] The Flying Beaver Brothers and The Evil Penguin Plan 

I stumbled upon this book at the library.  I’m always looking for books for the kids, and this graphic novel seemed great for Clark to read before bed.  It turned out that Sarah really liked it and so did Tabitha and now so did I.

Maxwell Eaton III has written several different children’s books, like The Adventures of Max and Pinky which we loved, and Two Dumb Ducks, which was okay.  But we loved The Flying Beaver Brothers.  The brothers are Ace and Bub.  Ace loves adventure!  (The opening sequence is awesome!).  You can see his surfboard by the door and everything.  Bub, on the other hand, would much rather simply nap.  But it is time for the annual island surfing contest and Ace stands a good chance of winning, that is, if the huge beaver, Bruce, doesn’t get in their way (he wouldn’t be plotting something nefarious would he?). (more…)

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SOUNDTRACK: BELLE AND SEBASTIAN-Live at KEXP, April 13, 2006 (2006).

This four song set samples a broad swath of Belle & Sebastian’s career.  It takes place after The Life Pursuit‘s release, but they only play one song from it “To Be Myself Completely” (with Stevie on vocals).

It’s amazing how quiet and shy the band seems i the interviews (or is that bored and petulant) especially after being through the mad swings of success.  Indeed, the interviews are almost embarrassing how unresponsive the band is (but not rude unresponsive, just unresponsive).  Like “where did the soul influence on this album come from?”  “Probably black America.”  “Did the new producer have any influence on the soulfulness?”  “Not really.”

But they do let the music speak for them.  And they don’t just do the horn songs or the strings songs.  They play “She’s Losing It” from Tigermilk (with lots of horns–it sounds great), they play “A Century of Fakers” with strings (although the female vocals seem a little too subdued on this track).  They also play a rollicking cover of Badfinger’s “No Matter What.”  It’s a delightfully poppy song which I didn’t know but which Sarah did (and I thought was the Beatles, and the DJ guessed Paul McCartney wrote it–he didn’t).  It’s when discussing this song that the band finally gets animated, perhaps they just don’t want to talk about themselves.

[READ: October 15, 2012] Five Dials #25

The issue is all about the short story.  Five stories from Lydia Davis, a short story contest from Zsuzsi Gardner, and a couple longer stories as well.   But there’s also some poetry and an essay.  And I fear I have to say I didn’t enjoy this issue as much as some of the other ones.  I love short stories, but I didn’t really love these very much.  And, the essay at the end was a lot of fury about very little.  I have to assume Part Two will simply kick ass.

CRAIG TAYLOR-A Letter from the Editors: On Orphans and Cork
Taylor name-checks the Cork International Short-Story Festival and mentions how this issue is a sort of tie in to the festival (and just how many writers wanted to be in this Cork issue).  Taylor says that many readers wanted more short stories in the Five Dials issues, and that Noel O’Regan, short story editor says that the short story is always alive–witness the great success of the Cork Festival.  Writers flock to it (and a hefty prize is given).  This issue is only Part I of the fiction issue because they simply had to break it into two parts. (more…)

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SOUNDTRACK: BRITISH SEA POWER-Live on KEXP,  March 4, 2008 (2008).

The four songs from this set come from Do You Like Rock Music?  It’s the only album I have from British Sea Power, so I found the set enjoyable.  The band seems to specialize in a kind of chanted heavy rock.  This is especially noticeable in “No Lucifer” which has a big chanted chorus (the DJ observes that British fans chant a lot better than America fans–which is very true).

The singer’s voice reminds me a bit of Catherine Wheel (deep and kind of smooth, as opposed to high-pitched and/or screamy) and the music has a kind of Blur feel–very English-sounding.  And yet the band is a bit heavier than Blur and much darker as well.

“Atom” is a speedy blast of borderline punk.  “Down on the Ground” has a very catchy riff and “Canvey Island” has a building swelling sound that I really like.  They would never be my favorite band, but I really like this album.

I also enjoyed that the DJ was sort of fawning over the band since they had gotten about two hours of sleep the night before (after their show).  And I must say they sound pretty fine for having no sleep.  Check it out. 

[READ: November 1, 2012] “This Feels So Real”

Heidi Julavits is one of the founders of The Believer magazine, so naturally I’m drawn to her writing. And I have enjoyed most of her short stories (I haven’t gotten around to reading her novels yet).  But I really didn’t like this one.

It is about a contestant on a romantic reality show who has been kicked off the island (or whatever manufactured location they are supposed to be on).  He, Ryan P (for there is another Ryan on the show), really loves Ashley.  But she has given him the symbol that means she is not interested in him.  And we follow him as his love and obsession for Ashley blossoms.

Ryan says that there is a producer on the show, Chris, who is actually responsible for his departure–that he is the one who executes Ashley’s desires, but Chris seems to suggest that Ryan might want to try again (or so Ryan understands it).  The story then follows Ryan as he follows Ashley (and the other men remaining on the show–including Ryan M, whom Ryan P assumes is really gay).  He tries to avoid the cameras and tries to get closer and closer to his beloved. (more…)

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SOUNDTRACK: MUDHONEY-Live on KEXP, March 14, 2006 (2006). 

I was never a huge fan of Mudhoney.  Of all the Seattle grungy bands, Mudhoney was always near  the bottom for me.  Some of their stuff was great (“Touch Me, I’m Sick” is undeniable) but I never really got into them.

Having said them, this set taken from the Under a Billion Suns album is really good.  It’s more political than their earlier stuff, but the band still sounds heavy and loud and right on.  “Where is the Future” (“Where is the future that was promised us?  I’m sick to death of this one”) really summarizes their sound–slightly off sounding vocals, slightly off sounding verses and a great chorus.  “It is Us” (“I’ve seen the enemy and it is us”) features some of the more extreme vocals moments in the band’s sound.  And then the chorus is surprisingly catchy.

“Empty Shells” sounds like a hardcore song from the 8os, slightly awkward verse and then a gang-shouted chorus.  “Hard On for War” is kind of funny (but yet really not) about how since all the men at war it’s important to have sex with him as much as possible.  (“These lovely lonesome ladies don’t ignore me anymore.  Now I know why dirty old men are always pushing for war.”

As with every other heavy, angry band, it’s always funny to hear them being chatty and friendly with  the DJs.  They’ve been around Seattle forever and are very nice and happy to talk about their upcoming shows.  Mark Arm, incidentally has been interviewed in Metal Evolution, the 11-part series of VH1 that I have been enjoying a lot lately.  And he seems like a funny guy in that documentary as well.  Maybe it’s time to reassess those early CDs.

Hear this set here.

[READ: November 1, 2012] “Ali-Baba”

Ludmilla Petrushevskaya’s last story in Harper’s was called “Medea,” and now she has “Ali-Baba.”  In this one, Ali-Baba is a woman who has a drug and alcohol addiction.  Her mother continually tries to get her help, but this inevitably fails, especially now that the mother is in the hospital and Ali-Baba has free access to the house.

Ali-Baba has sold a few large books from her mother’s library to get some cash and is now out on the prowl at a bar.

Strangely though, this story opens with Victor, a man who has more or less given up on women.  He sees Ali-Baba dancing seductively, but he ignores her, believing that women would have no interest in him.  Eventually they wind up next to each other and they begin talking.  Seeing how unused Victor is to attention, she feels a strange tenderness towards him and even buys the last round.

But she is  especially delighted to learn that he lives alone (and not with his mother).  So she goes home with him. (more…)

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SOUNDTRACK: JENS LEKMAN-Tiny Desk Concert #173 (November 7, 2011).

I have enjoyed Jens’ skewed take on pop folk for some time. He plays great folk music and there’s wonderful backing vocals by Addison Rogers.  What’s funny about this Tiny Desk concert is that he talks a lot about the song before singing it.  But he pretty much gives away everything in the song (especially if there is a punch line).  For the first song, “I Want A Pair Of Cowboy Boots,” the explanation is pretty good, he says that if you have the same dream for two years you may want a new one…with cowboy boots.  The song explains that the boots will help him walk back to the girl of his dreams.  Sweet.

What’s cool about the second song, “The End Of The World Is Bigger Than Love”  (in addition to the song) is that you can hear a car driving away before it starts, just showing how intimate the Tiny Desk shows are.

But it’s the final song in which Jens gives away so much about the origin of the story that the song itself is almost redundant (although it’s still great).  When you finally get to the punchline of “Waiting For Kirsten,” you’re charmed and smiling.  Jens explains that Kirsten Dunst once said that she likes his music.  So when she was filming with Lars von Trier in Scotland, he couldn’t help but stalk her day and night.

He’s a charming guy.  You can check it out here.

[READ: November 7, 2012] Revolution

Deb Olin Unferth has now published three books and I’ve read them all, even though I’m not a huge huge fan.  I enjoyed her novel Vacation, which was delightfully peculiar.  Her other book was a collection of flash fiction, a genre I’m really on the fence about, although Unferth’s is really quite good.

This book is a memoir.  And, as the subtitle indicates, it’s about the year that Unferth spent looking for a revolution in Central America.  The book proves to be about much more than Central America and revolutions–she talks about religion, family, morality, relationships, youth, idealism and reality.  Not bad for 200 pages.

It’s also about the man she fell in love with, George, who encouraged them to go to Central America and vive the revolution.  George is a Christian, Deb was an atheist Jew.  But she falls for him and his Christian ways and “converts” (much to the detriment of her younger sibling who had the family’s faux Jewishness now thrust upon her to avoid a similar thing happening.  (Poor Deb’s younger sister really is the victim in this saga).  George and Deb flee the comforts of home and all 80s capitalism and head to Central America.

As with Unferth’s short stories, these chapters are almost all very short.  And they often feel as unfinished as some of her flash fiction.  They are also mostly jumbled up in an utterly non-narrative way.  It’s entirely possible that you could shuffle some of these chapters and it wouldn’t matter at all (that’s not entirely true, as some do flow one in to the other, but many are jarringly out of sequence). (more…)

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hope1Congratulations, again, President Barack Obama!

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SOUNDTRACKMATES OF STATE-Tiny Desk Concert #163 (October 5, 2011).

Mates of State is another band that I only know of because of NPR.  I hadn’t heard them at all before this set (and another concert that they recorded for download).  I like them, although they haven’t totally blown me away.

Mates of State make delightful music.  I don’t know if there’s a better word for it–it’s poppy and upbeat without being cloying or treacly and it seems so happy.   The founders of Mates of State are a husband and wife.  They sing quite loudly and often in a high register.  Indeed, the write-up that accompanied this show says that the band is quite scaled back–that they are usually much bigger and louder and that they had a hard time in this small setting.

But it’s a very good set and a nice sample of the kind of music they play.   The set features keyboards, acoustic guitar and a trumpet.  They play two songs from their album Mountaintops, “Sway” and “Desire.”  They also play “My Only Offer” from Re-Arrange Us, their previous record.  Mates of State have released a bunch of stuff on Barsuk records, a wonderful indie label, so they get respect from me.

I was also amused when Kori Gardner commented that this was “the earliest concert they’ve ever done.”

[READ: November 3, 2012] Stealth the Ghost Panther

The final book of this arc has just come out and Clark was very excited to read it.  I’m torn about what to do if Scholastic releases the next story arc.  The books seem to come out every six months, but I don’t think I want to wait six months to read book 26 after reading book 25.  But then do I want to wait three years to read the next arc all at once?  No I do not.  Not since Clark will be ten!  I hope Scholastic picks up the pace here.

Anyhow, this six book arc ended with Stealth the Ghost Panther (the most fearsome beast yet!).  [The one thing I dislike about the series is that every next beast is “more fearsome” than the last, which somehow undermines the fearsomeness of the previous beasts, no?  Honestly, how could that be quantitatively true.  Having said that, this one is pretty scary.  The panther is scary, but worse, if it simply scratches you it turns you evil. (more…)

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SOUNDTRACK: BAND OF HORSES-Live on KEXP , April 13, 2006 (2006).  

Band of Horses played KEXP in 2006.  They had been around since 2004 but their debut came out in 2006.  Since they are a Seattle band, they are treated as yet another Seattle band, which is kind of funny as they would be huge not long after this release (okay technically in 2007).  This show takes place about a month after the debut album came out (although the DJ says they’ve been playing them for a while).

I did not know that many of them were in a band called Carissa’s Weird (nor had I heard of that band), but thanks to the KEXP DJ for bringing that up.  I also found out that “Wicked Gil” is about baseball player Gil Meche.  The band sounds great–not quite as polished as on record, which is to be expected of course, but the vocals all sound great and the band is very tight.  They also play “Part One,” “The Great Salt Lake” and “The Funeral.”

It’s fun to hear a band before they became famous.

[READ: September 3, 2012] “Amundsen”

I read this story a day or two before I got laid off.  Unsurprisingly I didn’t feel like posting about it then.  But now it’s time.

This story is  about a young woman, Vivian Hyde, who is to be the new teacher at a rural santitorium.  She has traveled from Toronto to work at the ward where the girls have TB.  She has a B.A. and wants to work on her M.A, but she thought she’d earn some money for a time, first.  The story is set during the war, and the nurses are doing their wartime duty.

The first girl she meets, Mary, is the daughter of one of the employees who lives there.  She doesn’t have TB and does not participate in the studies that the TB girls do.  Vivian likes her but the headmaster, Dr. Fox, scolds the girls and sends her away so that Vivian can get settled in.

Munro is wonderful with details, like when the doctor asks is he knows anything about  tuberculosis:

“Well I’ve read–“

“I know, I know. You’ve read The Magic Mountain.”

[This is novel by Thomas Mann from 1924 that dealt with TB.  I love how Vivian does not respond to his comment one  way or the other]. (more…)

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[LISTENED TO: October 2012] The Case of the Case of Mistaken Identity

I found this book because I was looking for audio books for my kids.  When we take longish car trips, they absolutely love audio books (which is pretty frikkin awesome by itself).  Anyhow, I was browsing the shelf and saw this title.  Clark and Tabitha enjoy A to Z Mysteries, so I thought this might be a bit more stimulating (it says it’s for 8-10 year olds, but Tabitha (5) enjoyed it and I didn’t find it too harsh for her).

I had never heard of the author [that is not true…more on that later], but the back of the book had accolades from Jeff Kinney, Dave Eggers and Jon Scieszka a triumvirate of trustworthy praise.

The audio book was read by Arte Johnson (yes, that Arte Johnson).  I don’t know if it was Arte’s delivery, but I enjoyed this book more than anything I have read in a long long time.  I wonder if the book would have been as enjoyable had I read it–I assume so because it was really fantastic, but it was a lot of fun listening with the whole family.

So this story is about 12-year-old Steve Brixton, a regular kid who happens to love the The Brighton Brothers Mysteries, a classic series of adventures (think Hardy Boys) in which two brothers get into scrapes and situations, take out thugs using their combination of brawn and brains and solve the mystery.  Steve loves them so much he has written down all of their suggestions for successful sleuthing which he keeps in his Secret Book Box.  He also got the Detective License for 12 box tops and $1.95.

He and his chum (all good detectives should have a chum) Dana have plans for the weekend until their teacher assigns them an 8 page research paper due on Monday.  Topics are randomly assigned and while Dana gets “detectives,” Steve gets “early American needlework.”  Miss Gilfeather suggests that it might be more interesting than he fears.

And boy is she correct. (more…)

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SOUNDTRACK: JAMES MERCER-Live on KEXP, February 10, 2012 (2012).

James Mercer came to KEXP to play a few songs solo with his acoustic guitar (the set is billed as The Shins, but it’s only Mercer).  DJ Cheryl Waters talks to him about what he’s been up to in the last five years since the previous Shins record (they don’t discuss that the rest of the band is basically gone).  She asks him about working with Danger Mouse and his foray into acting.  But mostly this set is about the music.

Mercer’s voice sounds great and the songs sound wonderful in this acoustic setting.  He explains the origins of the title Port of Morrow (it’s a real place).  He plays “Australia” from Wincing the Night Away and “September” “Simple Song” and “It’s Only Life” from Port of Morrow.

While I prefer the full album versions, this acoustic setting is quite nice and shows what great songs they are as well as how strong Mercer’s voice is (and that he was really the driving force behind The Shins all along)..

[READ: October 31, 2012] Calamity Jack

And they did.  Two years later.  This book is a kind of sequel to Rapunzel’s Revenge as well as Jack’s backstory before he met Rapunzel.

Jack was a petty thief. He and the pixie Pru (who loves hats) began with small scams (apples and whatnot), and slowly built up to larger ones.  In their defense they initially only tried to rob people who “deserved” it, but they were caught on more than one occasion and Jack’s mother had had enough of him.

Then Jack happens upon a score that he can’t pass up.  And he does it (without telling Pru about it).  Jack climbs into the tower of the evil giant Blunderboar.  Blunderboar is an industrial bigwig with a Jabberwock as a guard of his gigantic tower.  As with Rapunzel’s Revenge, the setting is a mix of fairy tale and contemporary real world(ish).  Blunderboar has a lot of money (including a media empire) and he is responsible for all of the troubles in Jack’s village of Shyport.

But the problem is that the beanstalk (there is a beanstalk, but there’s no cow, there’s magic beans and a pawn shop) destroys his mother’s bakery.  And she realizes that he is responsible.  Jack flees the town both because of his mother and because of the giant (who is understandably incensed). (more…)

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