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Archive for April, 2011

The Best American Comics 2006 (2006)

Posted in Africa, Alex Robinson, Alison Bechdel, All Songs Considered, Anarchy, Ander Nilson, Ben Katchor, Books about music, Books about writers, Boredom, Bust, Canadian Content, Chris Ware, Collecting, Consumerism, Corporate skewering, Culture Shock, David Heatley, David Lasky, Death, Depression, Dreams, Drinking, Drugs, Esther Pearl Watson, Excerpt, Funny (ha ha), Funny (strange), Ghosts, Gilbert Shelton, Graphic Novel, HOB, Ivan Brunetti, Jaime Hernandez, Jesse Reklaw, Joe Sacco, Joel Priddy, John Porcellino, Jonathan Bennett, Justin Hall, Kim Deitch, Kurt Wolfgang, LGBTQ, Lilli Carré, Lloyd Dangle, Lynda Barry, Military, Olivia Schanzer, R. Crumb, Rebecca Dart, Rick Geary, Seth Tobocman, Sex, Short Story, Sonic Youth, Supernatural, Tom Hart, War, World Cafe Live on April 20, 2011| 1 Comment »

SOUNDTRACK: SONIC YOUTH on World Cafe, August 21, 2006 (2006).

Travelling back even further on the NPR timeline, Sonic Youth appeared on World Cafe in 2006 to promote Rather Ripped.

This is a brief session (only three songs) but as with the interview with Thurston Moore, David Dye does another great interviewing the band here.  Although it must be said that saying the band is once again a four piece (when clearly there are five people in the picture and in the studio and when he later says two guitars, two basses and drums–which I also think is incorrect, as I’m pretty sure Kim switched to guitars at this point, although I don’t know if she did during this set) is not a great way to start the interview.

Facts aside, the interview is informative and interesting and provides a glimpse into the band’s psyche all these years into their career.

The set is also good (although Thurston’s voice sounds a little off on the opener “Incinerate”).  The surprising thing about the set is that even with the five of them, the feeling is one of restraint. True, the songs on Rather Ripped are not as noisy as previous records, but this feels like they are trying not to wake anybody up the NPR folks.  It’s a weird feeling for a Sonic Youth set, but the plus side to it is that you can really hear everything clearly.

The other two songs are sung by Kim: “Jams Run Free” and “What a Waste” (why do they never promote any of Lee’s songs??).  And there’s the very amusing comment that the first time they played “What a Waste” Thurston and Kim’s daughter said it sounded like the theme from Friends.  Ha!

[READ: April 15, 2011] The Best American Comics 2006

I just recently learned about this series from The Best American line of books.  I had known about the Best American Short Stories and Essays and even Non-Required Reading (which I have not yet read).  But once I found out about the best comics, I knew I had to check it out.

The first issue came out in 2006.  The series editor is Anne Elizabeth Moore and the Guest Editor for this volume was Harvey Pekar.  Each of them has an introductory essay in the book.  To me the amazing thing about Pekar”s essay is how aggressively defensive he sounds (a sort of, “you may not like this one, but try this one” attitude) about these comics and comics in general.  I don’t know much about Pekar’s work.  I know he’s a kind of underground icon, but I seem to have missed him.  My impression of him is that this sort of antagonistic/defensive attitude seems to go along quite well with his comics, so I guess that makes sense, but I didn’t find it very welcoming.

But that’s okay, because I really enjoyed the comics.  And quite a few were by artists that I had never read before, which is even better! (more…)

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The Simpsons Futurama Crossover Crisis (2010)

Posted in All Songs Considered, Anarchy, End of the World, Funny (ha ha), Futurama, Graphic Novel, Matt Groening, Meta, Short Story, Sonic Youth, Supernatural, Technology, The Simpsons, Threats, Thurston Moore, Time Travel, World Cafe Live on April 19, 2011| 2 Comments »

SOUNDTRACK: THURSTON MOORE-World Cafe Studio, November 16, 2007 (2007).

This World Cafe set is a nice contrast to the all-acoustic performance mentioned yesterday (even if it was recorded earlier).  Thurston has a full band with him (including Steve Shelly on drums).  Samara Lubelski from the other session is here too.  The band brings new dimensions to what are mostly the same set of songs.  Both sets included “The Shape is in a Trance,” and “Fri/End” but this one also includes “Honest James.”  The contrast is striking though.  The songs are bigger with the band (and allow for more intricacies) but they are still intimate.

  The interview is also interesting.  David Dye is a fantastic interviewer and he gets some great (and funny) answers out of Thurston. The whole description of how the lyrics to “Fri/End” came about is really cool (if unlikely).

Thurston and NPR: perfect together.

[READ: April 15, 2011] The Simpsons Futurama Crossover Crisis.

This was a wonderful Christmas surprise from Sarah this year.  It is a beautifully packaged (slipcase with a cut-away opening) hardcover edition of the 2002 & 2005 Simpson/Futurama crossover comics issues.

Despite all of my fondness for The Simpsons and Futurama, I never really got into the comics (gotta draw a line somewhere).  But they have Matt Groening’s seal of approval, and they play jokes with things that the show never really touches (not to mention, the shows never tries a crossover event–I can’t even imagine how that would work). (more…)

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Jonathan Franzen–“Farther Away” (New Yorker, April 18, 2011)

Posted in All Songs Considered, Birds, Books about writers, Daniel Defoe, David Foster Wallace, Death, Essays, Fears, Guitar Player, Harper's, Jonathan Franzen, KEXP 90.3 FM--Seattle, WA, Memoirs, Nature, New Yorker, Orson Scott Card, Sarah Vowell, Smarty Pants, Sonic Youth, Suicide, Thurston Moore, Travel on April 18, 2011| 4 Comments »

SOUNDTRACK: THURSTON MOORE-in studio at KEXP, March 11, 2008 (2008).

This interview was headlined ‘Thurston Moore: Not a “Real Guitar Player”?’ which is pretty funny.  The Sonic Youth guys have been defying conventional guitar playing for years.  And then in 2008 Thurston put out a solo album called Trees Outside the Academy, a beautiful delicate album of acoustic guitar songs.

The interview covers this very subject and concludes that maybe back when they started he wasn’t a guitar player, but now, 25 years later, he certainly is.  Moore is charming and funny and relates a very amusing story about being on the cover of Guitar Player and then embarrassing himself in front of one of his idols.

But this download is all about the songs.  Thurston (and violinist Samara Lubelski–who plays great accompaniment, but doesn’t really get any on air time to speak) play four songs from Trees: “Sliver>Blue,” “The Shape is in a Trance,” “Frozen Gtr” and “Fri/End.”  He sounds great in this setting, especially under close scrutiny.  I’d always assumed that there was a lot of improv in the SY guitar world, so to hear him play these (admittedly not difficult) songs flawlessly is pretty cool.  I actually wondered if he’d be hesitant (he admits the acoustic guitar is a fairly new thing for him), but not at all (although he says he screwed up on a chorus, but I never heard it.

It’s a great set and its fun to hear Thurston so casual.

[READ: April 14, 2011] “Farther Away”

The subtitle of this essay is “‘Robinson Crusoe,’ David Foster Wallace, and the island of solitude.”  As with Franzen’s other recent essays, this one is also about birding.

Franzen explains that he is hot off the work of a book tour (for Freedom) and is looking for some solitude.  He decides to travel by himself to the island of Alejandro Selkirk, a volcanic mass off the coast of Chile.  The island is named after Alexander Selkirk, the Scottish explorer who is considered the basis for Robinson Crusoe.  As such, Franzen decides to travel to the remote island, decompress and read Robinson Crusoe while he’s at it.  The locals call the island Masafuera.

I haven’t read Robinson Crusoe as an adult, so I don’t know the ins and outs of the story.  Franzen has a personal resonance with the story because it was the only novel that meant anything to his father (which must say something about Franzen’s father, no?).  The upshot of what it meant to Franzen’s father was that his father took him and his brother camping a lot as a way to get away from everything.

However, for Franzen, on his first experience of being away from home for a few days (at 16 with a camping group), he had terrible homesickness.  He was only able to deal with the homesickness by writing letters.

When he arrives on Masafuera, Franzen’s writing really takes off.  He has some wonderful prose about this treacherous space.  Although he comes off as something of a yutz for relying on a Google map to learn about the terrain and for bringing an old GPS which has more or less run out of battery. (more…)

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Harry Stephen Keeler–The Riddle of the Traveling Skull (1934) [THE COLLINS LIBRARY No. 4 (2005)]

Posted in Agatha Christie, All Songs Considered, Best Coast, Black Flag, Death, Funny (strange), Harry Stephen Keeler, McSweeney's, Mystery, Poetry, Punks, The Collins Library, Wavves on April 17, 2011| Leave a Comment »

SOUNDTRACK: WAVVES-Live at the 9:30 Club (2010).

Wavves opened for Best Coast (what a great double bill).  Wavves play a raucous, rowdy set of bratty punk.  Unlike Best Coast, the lead singer seems like he might be something of a jerk.  But it played pretty well into the personality of the music (sloppy, abrasive).  And I wonder just how many times he said he was drunk?

Personalities aside, the was a really fun set.  I have the newest Wavves album, but I think their live show was more engaging.  For all of their sloppiness, the band was always together, with no missed notes (except when the drummer was apparently not paying attention).

They play 16 songs, including a cover of Black Flag’s “Nervous Breakdown” (which the play very well).  And even if you’re not won over by the singer’s personality (which is kind of funny), you’ll be won over by the simple, punky music.  You can listen here.

[READ: March 29, 2011] The Riddle of the Traveling Skull

This is the 4th book in McSweeney’s Collins Library Series.  It’s the final book in the series that I’ve read and I have to say that once again, Paul Collins has blown me away with this selection.  Collins apparently stopped his library after 6 volumes.  I wondered if there were more coming, but the Collins Library website is rather confusing.  There’s an almanac with updates as recent as March 1st, and yet the Biography of Paul Collins says: Paul Collins is currently on tour in support of his memoir, Sixpence House, which recounts his time spent living in the Welsh town of Hay-on-Wye, known as the “Town of Books.”  But Sixpence House came out in 2003 (and it sounds awesome!).

Anyhow, back to this book, which was my favorite of the bunch.  It is a genuine mystery from 1939.  Indeed, Harry Stephen Keeler was even more prolific than Agatha Christie (they were born in the same year).  The thing about Keeler though is that his stories are, well, crazy.  Many of his stories were just his attempts to meld disparate ideas into one story.  He includes crazy dialect.  He seems to have no concern for conventional storytelling.  Indeed, he has little concern for conventional mystery storytelling (in one of his stories, he introduced the murderer on the last page).

And this story has similar improbable elements.

In sum: Clay Calthorpe, a salesman returning from the Philipines picks up the wrong bag on the trolley.  When he gets home he finds a skull inside it.  The skull has a name plate affixed to it, a bullet inside it and, in the wads of paper that are keeping the bullet from rattling around, he finds the carbon copy of a poem. (more…)

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Randy Boyagoda–“Water Spider” (The Walrus, March 2006)

Posted in Africa, Canadian Content, Canadian Music, Culture Shock, Death, Demons, Fears, Jane Siberry, Ozzy Osbourne, Randy Boyagoda, Rheostatics, Short Story, Squarepusher, The Walrus, Violence, War on April 16, 2011| Leave a Comment »

SOUNDTRACK: RHEOSTATICS-2067 (2004).

This was the Rheostatics’ final release.  I’m not sure if they knew this would be their last disc, but it kind of feels like they are throwing everything they can into it.

It opens with a delicate song from Martin which reminds me of Jane Siberry (the “row upon row” section).  Although at about 4 minutes it starts rocking out.  It’s a kind of meandering song, which is odd to open an album with.

It’s followed by “Little Bird Little Bird” a great folky song form Bidini.  But the disc really come alive with “Marginalized” a song that reminds me in some ways of “Horses,” as it is rocking and a little twisted (it seems surprising that it came from Tim Vesely).  It’s got some great guitar and an impressive keyboard solo (!) from new member Michael Phillip Wojewoda.

“The Tarleks” follows (with some fun frog noises). It opens slowly (as Martin songs tend to do) but once it really takes off, its got a great riff with his wonderful dramatic pauses and really funky sound from the bass/keyboards.  Then we get the wonderfully odd “Power Ballad for Ozzy Osbourne.”  It’s a kind of joke (but not really) about rock performers aging gracefully.  Bidini gets a bunch of songs on this disc, and here he gets two in a row, with the bizarrely wonderful “I Dig Music.”  The subtitle is “The Jazz Animal” and it tells you a lot about the song…it is indeed a kind of high-octane jazz.  But it has many different segments (and a lyric that references Squarepusher).

“Here Comes the Image” is a 6 minute track from Vesely which sounds very much like his more mellow tracks.  I’m not sure his tracks belong in the middle o f a disc because they tend to really bring the momentum to a halt.  Although it is a pretty song, it’s quite mellow (the organ solo at the end is pretty sweetly retro).  It’s followed by the five-minute slow instrumental “Who is This Man and Why is He Laughing?”  It really feels like an album ender.

So when “The Latest Attempt on Your Life” comes in, it revitalizes the sleepiness that those two songs imbue.  This track has the wonderful repeated chant “Everyone hates you, you sing like a woman”).  “Polar Bears and Trees” follows and it’s another kind of crazy song from Bidini.  It has such simple verses but the chanted “hey hey ho ho” rocks hard and is wonderfully fun.  (The lyrics are clever too).

Vesely returns with the beautiful, wonderfully catchy “Making Progress” which has another great retro keyboard solo at the end. The final track “Praise This Mutilated World” is one of the most beautiful songs in their output.  It starts as a fairly simple acoustic track (Bidini knows a good melody).  At about two minutes in, the band joins in with amazing harmonies.  The quiet parts keep coming back only to be overwhelmed by the harmonies once again.  The last two minutes are a spoken section.  It goes on a bit long, but is redeemed by another gorgeous chorus.

There’s a bonus track which is a very electronic version of  “Record Body Count.”  So this disc is definitely overly long in some places.  There are some great parts to the disc, but it feels like it could have used a good editor.  Nevertheless, since it’s the band’s final release, respect is due.

[READ: March 15, 2011] “Water Spider”

This very short (three-pages) story turned very dark rather quickly.

It opens with an African man, Bokarie, settling into his life as a convenience store clerk in Ottawa.  We learn that he was granted asylum, and that he has the scars to prove it.  He was quite nervous about leaving his country, and he still puts cinder blocks behind his door, to discourage uninvited guests.

At the same time, the action of the story concerns the accidental drowning of Caitlin, a young girl who presumably got too close to the creek when it overflowed.  The town is obviously distraught that one of their youngest and most innocent kids was killed, and they are planning a memorial service.  They are encouraging everyone to wear pink to the service and are even hoping to get a wreath put on the town’s crest.

Bokarie looks on this entire scene with a kind of bemusement.  His life in Africa was full of death.  Most of it horrifying.  So he seems somewhat unsure of what to make of the town’s outpouring for one lost child.  And then the story slowly reveals a shocking truth.

The truth is NOT that he killed Caitlin.  That’d not how the story is going (I didn’t really think it would go there, but it was a possibility).  Rather, the truth comes out about Bokarie himself, and his life back in Africa.  And it’s frankly horrible.

As the story draws to a close, Bokarie makes a decision that is going to impact the community.  It’s a little unclear what his motivation is, but it opens so many possibilities, that it really brings out a whole new realm to the story,

In some ways this story reminded me of Damon Galgut’s “An African Sermon (from The Walrus July/Aug 2004)  which also had an African character whose past has a hidden element and which turns out to be much darker than originally laid out.

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David Foster Wallace–The Pale King’s release date is here

Posted in David Foster Wallace on April 15, 2011| Leave a Comment »

I wrote this post several weeks ago.  In fact, I had scheduled several posts as a lead up to the fateful day when this book would get released.  I had even considered finding 4 things to quickly write about so that I could have an entire week of posts about DFW for the lead in to the release of his final, posthumous novel.

And then the book was released on March 30 anyway.  As I write this update, I’m about half way done.  I’m not saying anything about it until I’m done, though.  So, in the meantime, you can read my original post:

Today (tax day–although this year Tax Day is extended until the 18th) is the scheduled release date for The Pale King. Obviously I haven’t read the book yet.  As I write this I, haven’t even received my copy yet.

I was planning on writing a special post for today, but after the last few weeks of build up, I think I’ll just let the book’s release speak for itself. (more…)

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Jude Watson–Beyond the Grave [The 39 Clues, Book Four] (2009)

Posted in "Weird Al" Yankovic, Adventure, Children's Books, Egyptology, Fears, Jude Watson, Kids Corner, Mystery, Technology, The Amoeba People, Threats, Travel, Trout Fishing in America, WXPN 88.5 FM--Philadelphia, PA on April 14, 2011| Leave a Comment »

SOUNDTRACK: Kids Corner on WXPN (2011).

Kids Corner is a great radio show on WXPN (88.5 Philadelphia).  It airs Sunday through Thursday night at 7PM.  It’s also available online (you can listen live at 7PM!).  In addition to some smart radio for kids (Science Thursday!), there’s quizzes and call in stuff and lots of music.

Most of the music is funny/novelty stuff.  From standard bearers like “Weird Al” Yankovic, to great bands like Trout Fishing in America, to the ancient novelty song “Star Trekkin” and my new favorite kids’ band The Amoeba People.

Every night they have a contest for song of the day, which anyone can vote in (democracy in action!).

Check out the last six years of Ton Ten songs (Steve Martin’s “King Tut!”).  And be sure to tune in, you just might just learn something.

[READ: March 2, 2011] Beyond the Grave

This fourth book in the series excited me because it broke with the format of the kids traveling to two cities with no help.  When they land in Egypt, they are greeted by an old friend (whom they never met before).   This old friend,  Hilary Vale, is actually a friend of their grandmother, Grace.  Grace went to Egypt every year and spent her time with Hilary, traveling, seeing the sights and, of course, looking for clues (although Hilary didn’t know any details of what Grace was up to).  Hilary (and her grandson, Theo) play a helping role in the book, and I have to say that it was nice to let the kids have a little breather with some people that they can trust.

They also get to go to a super fancy hotel room (using Alasdair Oh’s frequent number card).  Of course, as is the way with cool spy stories, the super fancy hotel turns out to be the stronghold for the branch of the Cahill family that Alasitar Oh is part of (I still can’t keep those branch names straight).  They pretty easily access the super spy area of super cool hotel suite.  (Because they have Alastair’s card, they are given the fancy suite).  Of course, once they are in the secret room, Alastair’s uncle, the sinister Bae Oh, knows that they’re there (he owns the hotel).  And they are suitably trapped.

While in the stronghold, the kids learn a little bit about the items they are seeking in Egypt (there is a fake statue in the room).  But mostly they’re concerned about trying to escape.  Thanks goodness thier au pair (who getts cooler with each book) has been paying attention. (more…)

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David Foster Wallace ( Prabhakar Ragde and Jordan Ellenberg)–Mathematical Errata for “Everything and More: A Compact History of ∞” first edition

Posted in David Foster Wallace, Erase Errata, Errata, Infinity, Math on April 13, 2011| 2 Comments »

SOUNDTRACK: ERASE ERRATA-“Tax Dollars” (2006).

I admit to looking up a song by this band specifically for this post.  I’ve known of them for a long time, but never really heard them.  So I tracked down this song/video.  I have no idea if it represents the band or not.

This is an angular punk song that starts out with lots of sharp chords but is quickly taken over by a funky bass line and all kinds of percussion.  The bridge is a single guitar section (quite catchy) played over and over.  The fourth section (!) of the song is a kind of sinister spy movie soundtrack sounding riff with all kinds of horns (just how many people are in this band?)

The song is about: murder, slaughter, funded by my tax dollar. It’s sung/shouted by a woman who comes from the Poly Styrene camp of singers, and it’s all quite good.  Initially impression was of a song full of  chaos, but after repeated listens, there’s some really interesting interplay of sounds here.

I’ll have to investigate them more.  Check out the video here.

[READ: March 23, 2011] Mathematical Errata

I had toyed with the idea of making all four posts this week be DFW-related.  Then I realized that I didn’t really have anything else to write about (since I’d been doing about one a week for several weeks now).  So, I found this little, tiny, barely much of anything piece online at the howling fantods and figured I’d mention it as well.

This three page PDF is, as the heading suggests, all of the mathematical errata for the hardcover edition of Everything and More: A Compact History of ∞. Now, I read the paperback edition, so technically I didn’t need this errata.  Of course, I read it almost a year ago and I can’t say that I retained an awful lot of it when I did read it.  So, really these errata aren’t terribly useful to me.  They probably aren’t very useful to anyone unless you are really intense about math.

(more…)

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Jennifer L. Holm & Matthew Holm–Babymouse: Heartbreaker [#5] (2006)

Posted in Cats, Children's Books, Cupcakes, Funny (ha ha), Graphic Novel, Jennifer L. Holm, Matthew Holm, Mice, Short Books, Valentine's Day, WXPN 88.5 FM--Philadelphia, PA, Y Rock, Y-Not Radio.net on April 12, 2011| Leave a Comment »

SOUNDTRACK: Y-Not Radio (2011).

I received an email recently from Josh Landow.  I know, who?  Well, he went on to tell me that he and some friends had started Y-Not Radio.

I’m still trying to piece together all the details, but Landow was a DJ for WXPN’s Y-Rock radio.  His email states that he and a bunch of other DJs left (or were asked to leave?) WXPN and started Y-Not Radio as Philly’s “real alternative.”  What they have going on is strangely impressive for a station that has only an online presence.  There’s also a disclaimer that (despite lifting and modifying the Y Rock logo) they are not affiliated with The U of Pa of WXPN.

The YRock Branch of WXPN is still operational.  And, looking at the music they still play, it’s not that radically different from the music of Y-Not Radio (in other words, it’s all great current indie rock and old school alternative music).  So, basically what we have is an embarrassment of riches from alternative radio online.  Of course, I don’t really like listening to the radio online (except at work).  I only wish I could get them both in on my actual radio.

It’s all a fascinating fight about indie rock and online radio.  Let’s see how it plays out!

[READ: March 12, 2011] Babymouse: Heartbreaker

The kids at the library love Babymouse.  And since I am greatly influenced by the opinions of fourth graders, I decided to read it as well.  This is the fifth book in the series (but relax, they don’t appear to have any kind of thread that makes it hard to follow).

The basic set up of the stories is that Babymouse is a mouse in school.  Her classmates are other animals.  It’ hard to determine very much about the school or even the setting of where Babymouse lives because this whole book is about Valentine’s Day.

The most fun aspect of the book for me was the dream sequences.  I’m not even entirely sure if the targeted audience would get all of the references, but I sure liked them.  For instance, while Babymouse is wondering if anyone will invite her to the dance, she has a Cinderella dream sequence and a Snow White Dream sequence (which goes astray) and, my favorite, a Dirty Dancing sequence (“Nobody puts Babymouse in the corner,”) complete with a Swayze quiff on the male mouse. (more…)

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David Foster Wallace–three items about what didn’t make Infinite Jest

Posted in Big Books, Black Flag, David Foster Wallace, Gone, Newsweek, October Faction, Review of Contemporary Fiction, Saccharine Trust, The Review of Contemporary Fiction, Tom Troccoli's Dog on April 11, 2011| 5 Comments »

SOUNDTRACK: BLACK FLAG: The Process of Weeding Out (1985).

Fans of Black Flag were (justifiably) freaked out by this EP.  It’s a four songs that clock in at almost 30 minutes (from the band who gave us the one-minute long hit “Wasted”).

This album is all instrumental and it provided Greg Ginn yet another outlet for his experimental guitar workouts (see also: Gone, October Faction, Saccharine Trust, Tom Troccoli’s Dog etc.)

So what you get is Kira’s fantastic and unusual bass riffs (she did amazing work with Black Flag), Bill Stevenson’s intense (and cymbal fueled) drums and Greg Ginn’s what the hell? guitars.  I’ve always found Ginn’s guitar work to be somewhat off.  It always struck me that maybe he didn’t exactly know how to play the guitar.  And yet he was always right on with his riffs and chords, it’s just that his solos never conformed to any standard version of guitar solo I’d ever heard.

So this EP comes across more as fee jazz than punk.  “Your Last Affront” is 9 minutes of chaos all under-girded by an interesting if unconventional riff.  It’s followed by the two-minute “Screw the Law” a much faster song, with an intense riff repeated for much of it.  The last 30 seconds or so has some screaming solos from Ginn, but of all the tracks, this is probably the most user-friendly.

The second side has the title track starts with a lengthy solo from Ginn.  A few minutes in, Stevenson’s drums come clacking around the place and Kira is somewhat relegated to the back as her bass is steady but not that exciting.  Until about 3 and a half minutes in, when the band takes over and Kira plays a super cool riff and when Ginn joins in, the song is really solid.  “Southern Rise” ends the disc with 5 minutes of relative quiet.  Although the main instrument appears to be the drums.

The whole things sounds like they were jamming in Greg’s garage.  And I’ll bet lots of fun was had in that garage.

[READ: March 15, 2011] three items about what didn’t make it into Infinite Jest

In honor of The Pale King’s release this week, I’m doing this post on Infinite Jest-related stuff.  This is all of the stuff that we lay people have access to without going to the Wallace archives to find all of the cool DFW stuff.

After finishing IJ this summer, I found out that it was initially much much longer (I think around 300 pages longer).  I grew mildly obsessed with wondering what had gotten cut.  And I had to wonder, if you have an 1100 page book, what difference would an extra 500 pages make, really?  Initially, I thought that the things that were cut were just minor changes, but then I heard about fairly large things that were removed.  And I dreamed of a “director’s cut” of the book.  That will never happen, and that’s fine (I’m less obsessed now).  But these little glimpses into scenes that didn’t make the book are fascinating.

And all told, they confirm that most of the cuts were minor, although there were some large scenes that were left on the cutting room floor. (more…)

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