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Mathilda Zeller–“Kushtuka” (published 2023) [Ghost Box IV] (2025)

October 22, 2025 by Paul Debraski

SOUNDTRACK:

[READ: October 22, 2025] “Kushtuka”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in Alaska.  The main character is not yet twenty but is old enough to want to get married to her boyfriend (actually, he wants to get married and she doesn’t care).  But her mama would like her to get married to a rich white man from Kansas named Ferryman.  This man is terrible, acting like he owns the place and taking what he wants.  He has some “treasures” in his house that she is certain belonged to her grandfather.

Her mama tells her that she (the daughter) is going to work for Ferryman’s party that night.  She bristles but it’s a done deal and she will make some money out of it. Continue Reading »

Posted in Alaska, Hingston & Olsen, Horror, Mathilda Zeller, Patton Oswalt, Supernatural, The Ghost Box | 2 Comments »

Bob Leman–“Window” (published 1980) [Ghost Box IV] (2025)

October 21, 2025 by Paul Debraski

SOUNDTRACK:

[READ: October 21, 2025] “Window”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in the middle of nowhere.  A government facility that has been shut down since World War II was recently reoccupied for research purposes.  The man in charge was experimenting with supernatural concerns.

And then one day his prefab house was gone and in its place was an invisible box–perfectly straight lines in all directions.  And inside of that box was an old house–like a Victorian postcard.  There was a family in the house and the government men could see in, but it was clear the family could not see out.

It had been a few days since this happened and the man in charge–who just came on the scene–is furious that no one said anything sooner.  But the men on the ground had been busy doing experiments and they knew (correctly) that if they went to Washington with this, they would be removed from site.  The men had discovered two important things.  Anything inserted into the clear wall would disappear.  So a stick pushed half way into the box would come back with that half missing.  And two, every fifteen hours or so, the window let its barrier down and things could go through it.  They had been practicing with ice cubes.  Most cubes simply disappeared, but every once in a while, a few would get through and plop on the lawn.

The next time that the opening happens, one of the men spontaneously jumps through and the family clearly sees him.

That’s when the trouble starts.

The story was a little slow at first but it really ramped up at the end.

Posted in Bob Leman, Hingston & Olsen, Patton Oswalt, The Ghost Box, Time Travel | Leave a Comment »

Kathleen Edwards (Musikfest Cafe, Bethlehem, PA, October 19, 2025)

October 19, 2025 by Paul Debraski

[ATTENDED: October 19, 2025] Kathleen Edwards

When I saw Kathleen Edwards in 2021, I traveled to NYC to see her because I thought that this was a one and done kind of thing.  That she had basically retired from music but was going to do this show and I’d finally get to see her.

Who would have guessed that four years later I would have seen her six times.

After seeing her at the XPN Fest it wasn’t really necessary to see her a few weeks later, but heck, seeing her in an intimate setting like the Musikfest Cafe from just a few feet away (when I already had tickets) was hard to pass up.  I had a ticket for my wife as well but she didn’t feel the need to come to the show.

I must have left a little later than I meant to because by the time I parked (and there are NO ADA spots near the venue–the best they can do is spots on the closest side of the closest parking lot which is like two blocks away) I was running seriously late.  In fact, I think I walked in at exactly 8.  Luckily, this is one of those loose setups and there was no opening act, so she came on around 8:15, which gave me enough time to order my (obligatory at this place) food (a flight of pierogis–pretty good).  I was seated at a table not too far from the stage (but I knew better than to get right up against the stage–it’s too close!)

It’s funny that the first few times I saw her, she had a different backing band each time, but for the last three shows it has been the same–they are a well seasoned band by this point and they sound great. Continue Reading »

Posted in Bethlehem, PA, Kathleen Edwards, Musikfest | Leave a Comment »

Margaret Glaspy (Milkboy, Philadelphia, PA, October 15, 2025)

October 17, 2025 by Paul Debraski

[ATTENDED: October 15, 2025] Margaret Glaspy

I have seen Margaret Glaspy three times.  She announced an acoustic show last year but I was unable to go.  I don’t know what she played that night, but a show around that time shows that the set was similar but not exactly the same.

Margaret’s tour manager setup the stage very nicely–a cool old fashioned microphone which was closer to her guitar than her mouth but which picked up everything perfectly–a rug, two guitars and a stool with capo and harmonica.  After a few minutes Margaret came up and took the stage.

Getting this out of the way: there was a guy there who immediately showed YEAH MARGARET!  Totally not reading the room which was quiet and respectful.  That would have been bad enough, but he shouted it before just about every song.  Everyone else was clapping politely and sometimes loudly, but this guy–holy cow.  He also whooped occasionally during the songs.  It was really weird and I feel like maybe Margaret was annoyed by it too.  It startled everyone in the room.

She grabbed her guitar and started playing.  Somehow I missed that she released an EP in 2024 called The Sun Doesn’t Think (she was selling shirts for this release and I wasn’t sure what they were talking about).  The first song Would You Be My Man? was from that EP.  It features great lyrics:

There’s a few numbers in my book, that you don’t know about
But you don’t need to know about them
And a few photos that I took, that you don’t know about
But I’ll let you know if you need to know about it
Yeah I had a life, that you don’t know about
And you don’t need to know about it
But would you be my, would you be my
Would you be my man?

I believe that Margaret is happily married, but boy she has amazing kiss off songs. Up next was her first cover of the night.  Earlier this year she released a covers EP and all three songs that she played come from it.  The first one was The Book of Love.  I’m so used to Stephen Merrit’s deep voice that it was weird hearing Margaret’s delicate voice singing it. Continue Reading »

Posted in Brooke Annibale, Daphne Gale, Margaret Glaspy, Milkboy, Philadelphia, PA | Leave a Comment »

Daphne Gale (Milkboy, Philadelphia, PA, October 15, 2025) [MARGARET GLASPY]

October 16, 2025 by Paul Debraski

[ATTENDED: October 15, 2025] Daphne Gale

Daphne Gale is a singer, songwriter, composer from Brooklyn (she joked about almost being from Philly because her mom almost got a job “across the street” (not sure where that meant).  Her web page says she also lives in Berlin.

I had assumed that she was a new performer.  However, her stage confidence and ability to not feel rushed really showed what a professional she is.  And indeed, she’s been making music for a few years.

She had a guitar player with her (whom she named several times and whose name I have forgotten).  For  the first few songs she played electric guitar (a guitar that her friend found i the trash and fixed up for her) and then she switched to acoustic for the last few.

She told a little story about each song, with fun personal details.  The song Benjamin is about a doorman.  One of the songs (Melodrama, I think) referenced a bakery that was near her ex’s flat.  She used to pass by it every day marveling at the people who were there to buy $8 croissants. Continue Reading »

Posted in Brooke Annibale, Daphne Gale, Margaret Glaspy, Milkboy, Philadelphia, PA | Leave a Comment »

Brooke Annibale (Milkboy, Philadelphia, PA, October 15, 2025) [MARGARET GLASPY]

October 15, 2025 by Paul Debraski

[ATTENDED: October 15, 2025] Brooke Annibale

I was happy to see Margaret Glaspy again. And I was especially happy that she was playing in Milkboy–a venue that I really like but which has terrible parking.Last time I Was here I got a parking ticket for the end of my car jutting into a motorcycle area.  I drove around a bit tonight and wound up parking in the exact same spot!  But this time I pulled forward enough that only my bumper was in the motorcycle zone… no ticket, phew.

But between driving around and then slowly getting to the venue, I missed about half of Brooke Annibale’s set.  I also had to stand pretty far in the back–I like to get close because of the strange layout of the room–narrow and very deep.  But I was able to focus on Brooke’s gorgeous voice.

I really enjoyed the lyrics of her new song Bolder Font.

I had no idea that that Brooke Annibale had been releasing music since 2005 (!).  She talked about touring for awhile and how much she liked Margaret Glaspy.  Originally, Brooke wasn’t supposed to play at this show, but she was added last minute (which I guess is why she was on first since Daphne Gale is a much newer musician).

Her albums have more orchestration, but her it was simply her and her guitar–lovely folksinger vibes.  I wish I had seen her whole set.

It also turns out that Brooke was part of Guster’s On the Ocean festival this year.

Setlist

Hold On
Things We Don’t Believe Anymore
Patience
My Favorite Part
Bolder Font
Home Again

 

 

Posted in Brooke Annibale, Daphne Gale, Margaret Glaspy, Milkboy, Philadelphia, PA | Leave a Comment »

My Morning Jacket (The Met Philadelphia, Philadelphia, PA, October 11, 2025, Night 2 of 2)

October 13, 2025 by Paul Debraski

[ATTENDED: October 11, 2025] My Morning Jacket

After such a great night last night, we wound up leaving a little bit later (figuring there was no Friday night traffic) and arrived a few minutes later than last night.  But when I walked up to the merch line there was literally one person in front of me–moments later when I looked again, the line was huge, going up the stairs.  Then we headed down to the pit.  It was a little more crowded than last night.  We were going to try to get in front of Jim, but that’s what everyone else wanted, too.  So we camped out more or less where we were the night before, in front of Carl.  We were two people back from where we were, which isn’t bad at all.

So yes, last night as pretty tiring and we’d had a busy day, but we were psyched for a second night of My Morning Jacket.  And I was super psyched when they opened with Highly Suspicious, a totally ripping song from Evil Urges and one that I’d forgotten about–it was also the first time I’d seen it live.  This was also when I learned that Carl Broemel can do so many great backing voices (including the deep, angry chanting of “highly suspicious”).  They followed it with Off the Record, one of the poppier songs off of Z.

Then Carl Broemel moved over to the pedal steel guitar and they played the short but fun Climbing the Ladder.   It was interesting that last night Carl played the saxophone on a few songs but didn’t play it at all tonight. And last night he didn’t play the pedal steel at all but he played it about three times tonight.

And it was pretty clear that if last night’s show was all about jamming, tonight show was shorter, more rocking songs.  And the guys in the front who were headbanging last night had much more cause to do so tonight.

Speaking of the pit.  Tonight’s crowd was fascinating.  There was a guy who kept walking around the pit area hugging and fist bumping people.  He switched places with people and let other be on the barrier.  In fact, one of the long-haired headbangers let some of the shorter folks switch places with him for a song or two.  It was an incredibly generous and, dare I say it, loving thing to do.  Appropriate for the next song Love Love Love, the only song they played from their previous self-titled album.  The lighting at the shows was fairly simply but effective.  They had five panels mounted behind them.  All of the panels had lights that moved and spun and changed colors. But during Love Love Love, they spelled out Love! which was pretty nice.

Up next was Wordless Chorus, one of the great MMJ songs.  The crowd went nuts and we all sang the wordless chorus over and over as Jim walked around the stage, coming over by us at last. Continue Reading »

Posted in Balthvs, My Morning Jacket, Philadelphia, PA, The Met Philadelphia | Leave a Comment »

Destroyer / Jennifer Castle (Underground Arts, Philadelphia, PA, October 12, 2025) [DID NOT ATTEND]

October 12, 2025 by Paul Debraski

[DID NOT ATTEND: October 12, 2025] Destroyer / Jennifer Castle

I had tickets to see Destroyer here in 2022, but other things got in the way.  After seeing Destroyer open for Father John Misty, I was curious to see how he would tour for this new album (a huge band or a small band?)

Well, we had tickets for My Morning Jacket the two nights before this show and even though I wanted to go to this one, there was just know way I could do it.  So I missed out on Dan and his band again,  But I’m sure he’ll be back again.

Incidentally, here’s a review of his show (well, actually, more of him than of the show) in San Francisco

He’s a notoriously shy performer—Early reviews of Destroyer all recall him coming on stage already drunk, if not drink-in-hand prepared for it.  English major dropout, lover of French New Wave films and 40s era jazz. The Vancouver-based artist stands aloof on stage, staring at seemingly nobody in particular, in what seems like an attempt to pretend the crowd isn’t there. He sips his beer in between songs and crouches down, closing his eyes while his bandmates do the rest. Something tells me that this is his most comfortable and preferred way of performing.

And it answered my question about his live band

Joined by the two guitarists, the bassist and drummer were feverish and impossible to take your eyes off of. The keys player and trumpeter (with his own pedal board, mind you!) took the edges of the stage, with Bejar in the center.

So I know what I missed.  And I’d like to see it again.

Jennifer Castle is a Toronto based singer songwriter.  She released two albums under the name Castlemusic.  She has played with everyone from U.S. Girls to Fucked Up.  Her 2014 album has chamber folk and psychedelic components an her previous album had psychedelic folk elements.

She sounds interesting, although the few songs I’ve listened to are far more folk than psychedelic.  And she’s a little too slow for my tastes.

 

 

Posted in Dan Bejar, Destroyer, Jennifer Castle, Philadelphia, PA, Underground Arts | Leave a Comment »

Balthvs (The Met Philadelphia, Philadelphia, PA, October 11, 2025, Night 2 of 2) [MY MORNING JACKET]

October 11, 2025 by Paul Debraski

[ATTENDED: October 10, 2025] Balthvs

We saw Balthvs last night and really enjoyed them.  So much so that my wife and I were both looking forward to seeing them again.  I wouldn’t have minded hearing the same set again because it was so enjoyable.  But, I assume since they knew that MMJ would be playing a different set tonight, Balthvs played an entirely new set tonight as well.

Tonight, with the audience more familiar with them, they received a huge response when they came out and the guys in the front row were 100% in–jumping and headbandging and clapping.  It had to be a great reception for them.  And they continued to impress with a whole bunch of new (to us) songs.

The opening Sun Colored Eyes was a bit more mellow and groovy, but still sounded great.  All is One continued in the mellower vein with vocals from Vanessa.  She sang in a dreamy voice that made this song even more psychedelic.  There were a few transitions where the song had a five note beat that grounded the song nicely.

As soon as Balthazar played the opening riff to Bird Song, the crowd went nuts.  I didn’t know the song but I have since learned that it’s a Jerry Garcia/Grateful Dead song, so that checks.

Apparently in the middle of the song they segued into a 2 minute original, Famagusta Port and then cycled back to finish up Bird Song.

Balthazar said that they had recently been to Turkey and took some of the scene their with them, which resulted in Turkish Coffee, a song that was perfectly in keeping with their sound, but had definite Turkish influences.  Then he joked that Philadelphia wasn’t too far from the ocean and they launched into what they call Surf Medley, a three part song of surf guitar instrumentals, starting with The Chantays “Pipeline,” segueing into Dick Dale’s “Misirlou” and finally Reverend Horton Heat’s “Marijuana.”  It was fantastic–Balthazar is an incredible guitarist and they captured the surf vibe perfectly.

Up next was an older song Siente which had a little bass solo section for Vanessa to show off her chops.  Continue Reading »

Posted in Balthvs, My Morning Jacket, Philadelphia, PA, The Met Philadelphia | Leave a Comment »

My Morning Jacket (The Met Philadelphia, Philadelphia, PA, October 10, 2025, Night 1 of 2)

October 11, 2025 by Paul Debraski

[ATTENDED: October 10, 2025] My Morning Jacket

A couple of years ago we saw My Morning Jacket at the Met.  They played two nights in a row but we only went to one.  I’m not going to say the second night was better, but they played a lot of great songs that second night as well.  So when they announced two nights again, I grabbed GA tickets (to finally get up close to the band) for both nights.

We greatly enjoyed Balthvs and the fact that we were one person away from the barrier for most of the show.

The lights dimmed and the band came out and they were off, playing Steam Engine.  The song is 7 minutes on record and they stretched that thing out with some lengthy soloing and jamming.  It went over 15 minutes and the band sounded in great form.

I had thought that they might play all of Z (since they have been touring the album), but they didn’t (which is fine).  For this show they played three songs off of it.  One of them was It Beats 4U which, amazingly, I had not seen live before.

When we saw them last time, they didn’t play anything from The Waterfall.  Tonight they played two songs, the delightful In Its Infancy and, later on, Spring (Among the Living).

My two favorite MMJ albums are Evil Urges and Circuital, so I’m always excited to hear songs from them.  They played Circuital, which made me quite happy.  I don’t really know their first few records all that well–they’re a little too slow and not very catchy.  But the crowd seems to love when they play a deep cut like X-Mas Curtain (this is one of their older songs that I really do like, so I enjoyed hearing it).

Speaking of the crowd… we were in the pit and most of the people around us were VIP purchasers and other die-hards.  The guys in the front on the barrier all had long hair and proceeded to headbang through the whole show.  It was pretty funny and they made the front of MMJ’s Instagram page the following day.

And we were right in from of Carl Broemel and it was amazing watching him do…everything.  He played amazing solos, he played saxophone, he even sang fantastic backing vocals.  But it was so cool when he stepped up to the edge of the stage, about 6 feet from us and just wailed on that guitar.  Continue Reading »

Posted in Balthvs, My Morning Jacket, Philadelphia, PA, The Met Philadelphia | Leave a Comment »

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