[ATTENDED: April 22, 2026] Sir Chloe [rescheduled from December 7, 2025]
This show was initially scheduled for December, but Dana had appendicitis and had to postpone the east coast shows. This worked out for me because I couldn’t get to the December show.
I was pretty pleased when I arrived that the people in front of me were (possibly) older than me. They had gray hair but she was wearing a Sir Chloe shirt. Sir Chloe is pretty much a TikTok sensation so her crowds tend to be young (my daughter introduced me to her–in fact I think I liked her shows more than she did so I went to this one without her).
I enjoyed being behind the older folks because she was very short. But she left (bathroom?) at the end of Suzy Clue and a young woman pushed her way into he spot, followed by a much taller woman. So, my view was blocked, and to make it worse, the first woman was an arm raiser–the worst affliction after loud talkers. Luckily I was able to schooch over away from them–but I missed seeing how the older woman enjoyed the show.
Sir Chloe’s band came out on stage and by the end of the set I was blown away by them. Alina Sloan was on bass. She was the furthest from me, but–especially toward the end–her bass was great–exciting and rumbly. I was in front of guitarist Soph Shreds and does she ever. It was really fun watching her rock out and play some great loud chords. She also had a few tricks up her sleeve which I enjoyed quite a bit. But mostly I was blown away by drummer Maya Sepansky. Holy shit, she was fantastic–she played all kinds of fills, played different rhythmic patterns and generally blew me away.
But as they started Squaring Up, Dana was singing from behind the curtain. She came out on stage midsong wearing a Mannequin Pussy T-shirt and cargo pants. A very different look from her red suit from the previous tour. Like last time, she was deadpan and understated. Unlike last time, she seemed to walked around a lot more, getting close to us on the edges of the stage. Her on stage persona is so fascinating because unlike say Suzy Clue, she is not doing anything on stage. No dancing, no writhing, just singing. And I love that she has the confidence in herself and her music to just sing her songs. And yet, despite not doing a lot, she is totally engaging–charismatic and weirdly engaging.
This tour was for her relatively new album Swallow the Knife. She played 8 of 11 songs from it (skipping The Hole (the opening song!), Complicated and Too Much). And the fans were just as into the new stuff–it’s super catchy, like the ahha ahha of Forgiving.
She didn’t speak very much between songs–she’s very hard to figure out. Although she did ask “who likes to Kiss” as an intro to Kiss (the woman next to me shouted “I volunteer!”) The catchy “right-ee-ight-ee-ight” is fun as is the end, “I don’t want love, I want revenge.”
She only played 4 songs from her previous album. But she chose good ones and played three in a row. I love the noisy squealing of Salivate and that she followed it with the quieter Obsession. I was really happy that she played Hooves (I don’t wanna hold hands)–one of my favorite songs that seemed well used near the end of the set to get everyone really pumped.
One of my favorite songs is Sedona, which has two catchy parts, the nicotine/amphetamine part and the Sedona/Arizona part gives you two sing alongs in one song.
She played 7 of 9 songs from her first album (Skipping Easy on You and Wrath), which still gets the biggest applause, I think. People went nuts for July. She ended the set with two songs from the album. I enjoyed the loud/quiet mix of Untie Me and Animal. And then she told us she had time for one more song and everyone got excited when the dude who wanted Michelle so badly shouted Michelle! But she messed with everyone by playing the very mellow Candy
The encore break was short and she came back out for Michelle which made everyone go crazy. It’s not my favorite of her songs to be sure, although it’s what all the kids like. I was happy that she ended the show with the ass kickng Too Close which features two great sing along moments, “I think it’s time for you to go ” and the stellar: “Don’t tell me to listen when you’ve got nothing to say.”
Sir Chloe songs feel kind of understated on record, like Passenger, but live, the band really rocks out. The guitars are loud, the drums rumble and the bass throbs. And the songs are fairly short so a 21 song set can run about 75 minutes and it feels like a much longer show. I’m so glad I went and it was even fun to get home early.
| Brooklyn Bowl 2026 | Asbury Lanes, June 2024 | The Foundry, April 2024 |
| Squaring Up ¶ | Should I Õ | Should I Õ |
| July ¶ | Salivate Õ | Salivate Õ |
| Take It ⊗ | Center Õ | Center Õ |
| Passenger ⊗ | Know Better Õ | Know Better Õ |
| Kiss ⊗ | Mercy ∇ | Mercy ∇ |
| Salivate Õ | July ¶ | July ¶ |
| Obsession Õ | Untie You ¶ | Untie You ¶ |
| I Am the Dog Õ | Animal ¶ | Animal ¶ |
| Sedona ¶ | Company ∇ | Company ∇ |
| Eyes ⊗ | Hooves Õ | Hooves Õ |
| Forgiving ⊗ | Seventeen π | Seventeen π |
| Forget It ⊗ | Obsession Õ | Obsession Õ |
| Company ∇ | Over Again π | Over Again π |
| Hooves Õ | I Am the Dog Õ | I Am the Dog Õ |
| Holy ⊗ | Sedona ¶ | Sedona ¶ |
| Mercy ∇ | Michelle ¶ | Michelle ¶ |
| Untie You ¶ | Feel Again Õ | Feel Again Õ |
| Animal ¶ | encore | encore |
| Candy ⊗ | Easy on You ¶ | Easy on You ¶ |
| encore | Forgiving ⊗ | Forgiving ⊗ |
| Michelle ¶ | Too Close ¶ | Too Close ¶ |
| Too Close ¶ |
⊗ Swallow the Knife (2025)
π Single (2024)
Õ I am the Dog (2023)
∇ Single (2022)
¶ Party Favors (2020)
I Just Read About That... 