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Jonathan Safran Foer–“Here We Aren’t, So Quickly” (New Yorker, June 14 & 21, 2010)

July 6, 2010 by Paul Debraski

SOUNDTRACK: JOHN PRINE-“New Train” & “Ain’t Hurtin’ Nobody” (1995).

We’re staying at a beach house for the 4th of July.  There’s John Prine on the iPod.  I’ve never heard him before, although I have of course heard of him.

We listened to several of his tracks and I enjoyed them quite a bit.  Midway through the second or third track I realized that his music is absolutely perfect for hanging around eating brunch at a beach house.  I can’t remember a single thing about these songs, and I probably couldn’t even find them again on the iPod, but they were perfect for the mood.  Okay, they were on a playlist and were easy to find, which is why they are titled now.

I can’t wait to check out Quicksilver Messenger Service!

[READ: July 3, 2010] “Here We Aren’t, So Quickly”

I enjoyed Foer’s Extremely Loud and Incredibly Close very much, although I haven’t read his first novel (or his nonfiction piece).  This short story is, not gimmicky exactly, it just feels awkward.  It is quite short (two pages), but it resolves itself quite slowly.

The opening paragraph is many sentences that start with I (“I was not good at drawing faces. I was just joking most of the time”).  The second paragraph is many sentences that start with You (You were not able to ignore furniture imperfections.  You were too light to arm the airbag”).  And the story proceeds alternating bits of data from one side to the other, back and forth.  I found it very difficult to read. Continue Reading »

Posted in 20 Under 40, Jonathan Safran Foer, Marriage (Happy), Marriage Trouble, New Yorker, Quicksilver Messenger Service, Short Story | 4 Comments »

Joshua Ferris–“The Pilot” (New Yorker, June 14 & 21, 2010)

July 5, 2010 by Paul Debraski

SOUNDTRACK: SELF-“Trunk Fulla Amps” (2000).

I bought an album by Self many years ago.  They had since released several other discs, but I hadn’t heard any of them.  Then, they came out with this fantastic and very vulgar song.  It reeks of one-hit wonder status and yet it is super catchy (and rather funny).

The lyrics, simply enough: “I got a trunk fulla amps motherfucker.”  But each verse showcases the main guy from Self’s vocal tricks.  “I gotta trunk fulla amps motherfucker, like E.L.O. (Mama!)” or “like Glenn Danzig (Mutherrr!)”.  Plus the song itself rocks like nobody’s business.

I don’t even remember of the rest of the album is any good, but this song will spruce up any mix CD (that’s not afraid of dirty words).

[READ: July 3, 2010] “The Pilot”

What a perfect time to read the New Yorker‘s 20 under 40 stories than a 4th of July holiday at Long Beach Island?

This first story, “The Pilot” is by one of my new favorite authors, Joshua Ferris.  This piece is a simple story about an invitation to a party.  But the twist in the story is that the invitation is sent by email, and the recipient of the email, a neurotic Hollywood guy, spends the bulk of the beginning of the story wondering whether he really should have received the invitation or if it was some kind of mass mailing mistake (since the invite was sent to a large group that was bcc’d).

The party is given by Kate Lovelt.  She’s celebrating the wrapping of the very successful third season of “Death in the Family,” a sitcom with an excellent premise that will no doubt be turned into a show in real life soon enough.   Really, read the story just for the description of “Death” and let’s see how quickly it comes true.  Lawrence is trying to put the wraps on his pilot, but he keeps procrastinating.  He’s also a recovering alcoholic. Continue Reading »

Posted in 20 Under 40, Drinking, Funny (ha ha), Joshua Ferris, Neurotics, New Yorker, Self, Short Story | 2 Comments »

Wells Tower–“Meltdown” (Outside Magazine, April 2008)

July 4, 2010 by Paul Debraski

SOUNDTRACK: THE GUTHRIES-“Coax Me” (2009).

I don’t know The Guthries, but I’m a huge Sloan fan.  This cover of “Coax Me” comes from a Sloan tribute album that I didn’t know existed called Take It In: A Tribute To Sloan. It turns out The Guthries released two albums in 1999/2000 and then broke up.  They reunited for this tribute.

It’s tough when a band that you’ve never heard of releases a cover of a song you particularly like.  Now, I love cover versions of songs, but I like a band to add something interesting to the cover.  I haven’t listened to any other Guthries songs, but this cover sounds enough like the original that I wouldn’t have really known it was a cover but for a few slight differences   Browsing through The Guthries CBC Radio 3 playlist, lets me know that they are a very country band.  It’s surprising how untwangy their cover is, then.  Even though I don’t like real country, I might have enjoyed the cover more if it had some more twang to it (just to make it interesting).

After listening to samples of other songs, I won’t bother with anything else by The Guthries.  The tribute album is made up of a bunch of up and coming bands so I don’t think I’ll bother with that one either.

[READ: June 25, 2010] “Meltdown”

Before I even begin this review, I have to say that Outdoor Magazine has one of the worst websites for reading articles.  Each “page” is a few inches long, which is fine. However, there is no “view all” page, so you can’t see the whole thing in one long swoop.  Okay that’s not the end of the world, but when you click their printer friendly version, not only does it not print the entire article, it prints the one page–the text is very small and the page includes all the other website ephemera with it.  Then when you click the next page, it opens up the previous main window, where you then have to reclick the Print icon to get it to print just that page.  If you return to the same print window that you already have open, even if it says it has moved to page three, you’re still printing page two. Dreadful!

Hot on the heels of “Own Goal” someone had recommended this Wells Tower piece as a better nonfiction essay.  And I have to agree.  I assume it is because the subject is a) personal to him and b) interesting to me. Continue Reading »

Posted in Adventure, CBC Radio 3, Essays, Sloan, The Guthries, Travel, Wells Tower | Leave a Comment »

Wells Tower–“Own Goal” (Harper’s, June 2010)

July 3, 2010 by Paul Debraski

SOUNDTRACK: THE WARPED 45’s-“It Takes a Toll” (2010)

The Warped 45’s were being interviewed when I turned on CBC Radio 3.  I couldn’t tell much about them from the interview, so when the DJ played the song, I was somewhat surprised to hear the banjo and alt-country sound.  When coupled with the vocals, they bore an unmistakable resemblance to Cracker.

I’m not a big fan of the alt-country genre.  I like some bands but overall it’s not my preference.  This song was absolutely representative of the genre (as far as I’m concerned).  It did pretty much exactly what I thought it would do.  And for all of  that, it was a good song.  I can’t imagine I’d ever listen to it again, however.

This song comes from the album 10 Day Poem for Saskatchewan, which I mention because I like writing Saskatchewan.

[READ: June 22, 2010] “Own Goal”

The fine folks at the David Foster Wallace listserv were chatting about this piece.  I had started to read it (because I like Wells Tower’s fiction) but I gave up after a paragraph or two.  It just didn’t seem that interesting as a nonfiction story.

And yet, after the discussion, I decided to give it a try.  It is a fascinating story about the Homeless World Cup (in soccer).   The strange thing about the story is that all of the players are homeless and, by their own admissions, pretty much desperate characters. In other words there’s not really any likable characters in this piece.

Even the one guy who makes it to the finals in Melbourne Australia (!) is pretty much of a jerk.  (He, who has gotten kicked out of his house, has the temerity to dis Melbourne as “not being Sydney”). Continue Reading »

Posted in CBC Radio 3, David Foster Wallace, Essays, Harper's, Soccer, The Warped 45's, Wells Tower | Leave a Comment »

Fredy Perlman–[Week 4] Letters of Insurgents (1976)

July 2, 2010 by Paul Debraski

SOUNDTRACK: BILLY BRAGG-Talking to the Taxman About Poetry (1986).

I’ve liked Billy for ages now.  I’ve seen him live a few times, and I’ve always loved that his accent is so prominent when he sings.  Over the years he has become somewhat less overtly political, but he is still a man of issues and causes.

This is Billy Bragg’s second full length.  He was still primarily a man with a voice and a guitar at this stage.  His melodies are strong, and since there’s no other instrumentation, all that’s left to talk about is the lyrics.

“Greetings to the New Brunette” is an adorable love song, followed closely by the anti-marriage “The Marriage”: “If I share my bed with you Must I also share my life Love is just a moment of giving And marriage is when we admit our parents were right.” (which doesn’t quite jibe with Sophia, but it’s close.

But really what you come to Billy Bragg for is the politics.  LIke in “Ideology”:  The voices of the people Are falling on deaf ears Our politicians all become careerists They must declare their interests  But not their company cars  Is there more to a seat in parliament  Then sitting on your arse.”

He also covers a public domain song which I wondered how well it would fit here.  “There is Power in a Union” seems like it’s saying the right thing, but some of the characters here would disagree about the end: There is power in a factory, power in the land Power in the hands of a worker But it all amounts to nothing if together we don’t stand There is power in a Union.”

This album also features the great track, “Help Save the Youth of America.”

Over the years Billy would expand his sound (he even worked with Wilco on two discs), but he always sings for the people.

[READ: Week of July 2, 2010] Letters of Insurgents [Fourth Letters]

As I’ve been going along in the story, I began to wonder if the two letter writers were going to be rehashing the same arguments in each letter.  I had confidence in Perlman that the story would be interesting (it sure had been so far), but I couldn’t imagine how he would keep it original, especially since Yarostan was in jail for so long–he has no information except secondhand.

This week’s reading gave two examples of how he’d do it:  Jasna comes to visit Yarostan and she updates everyone about what had happened to all of their fellow workers, and Sophia reveals a horrible situation in which she hits rock bottom–a real physical bottom, not a philosophical one. Continue Reading »

Posted in Anarchy, Big Books, Billy Bragg, Communists, Culture Shock, Death, Drinking, Fears, Fredy Perlman, Free Speech, Insurgent Summer, Language, Military, Newspapers, Politicians, Unreliable narrator, Wilco, Work | 3 Comments »

[Week 4] Letters of Insurgents Placeholder

July 2, 2010 by Paul Debraski

Hello Insurgents,

I’m on vacation this week and have yet to finalize my post.  But I fully intend to get it here shortly.  Thanks

Posted in Insurgent Summer | Leave a Comment »

Party Down cancelled

July 1, 2010 by Paul Debraski

I have personally caused the demise of many awesome shows.  But never has the turnover been so immediate.  I learned about and watched on TiVo the first two seasons of Party Down approximately 17 days ago.  And today I learned that the show’s third season (which just finished and which I have not yet seen) is to be its last. My powers have increased manifold!

Here’s the (more or less) official link. Continue Reading »

Posted in Party Down | Leave a Comment »

Miguel Syjuco–”Stet” (The Walrus, July/August 2010)

June 30, 2010 by Paul Debraski

SOUNDTRACK: ROB SZABO-“If I Could Do It All Again” (2003).

Rob Szabo is a singer-songwriter.  And this song is a pretty traditional singer-songwriter song.  It’s got some humor, it’s got some cliches.  In some ways he reminds me of Jill Sobule (lyrically, not vocally, obviously) or maybe Loudon Wainwright III.

Szabo has a number of albums out already.  I listened to a few others songs on his radio station and I enjoyed them.  He strikes me as the kind of musician that the more you listen, and the more carefully you listen, the more rewarding his music is.

I wasn’t all that impressed by “If I Could Do It All Again,” but the other tracks were certainly good.  And I could easily enjoy listening to his stuff when the mood was right.

[READ: June 15, 2010] “Stet”

This was probably my favorite story of the bunch.  It’s funny, it’s dark and its very Canadian.  I suppose that if you want to write a “Canadian story” it’s easy to set it where he does (so you can mention a LOT of Canadiana) but this story works beyond the surface.

And the surface is that this story is set in a Canadian newspaper.  Mansour, Fabien and Matt are trying to meet a deadline.  They bemoan their late hours, their hard work, their horrible bosses and the inevitable decline of newspapers. Continue Reading »

Posted in Canadian Content, Canadian Music, CBC Radio 3, Funny (ha ha), Jill Sobule, Loudon Wainwright III, Miguel Syjuco, Newspapers, Rob Szabo, The Walrus | Leave a Comment »

Madeleine Thien–”Su Na, Bird” (The Walrus, July/Aug 2010)

June 29, 2010 by Paul Debraski

SOUNDTRACK: HURON-“Corktown” (2010).

Huron‘s “Corktown” opens with a guitar riff that sounds like classic 70s rock (hello Thin Lizzy!).  But when the song kicks in for good, the verses are a light, jangly pop.  It makes for a really interesting mix of styles and it works really well.

Some of the other tracks include the screaming rock of “Big Dig” (which has chord progressions of Neil Young but sounds nothing like Neil Young).  It also features some wonderfully stupid fat bass sounds as the song nears its conclusion.  “Bloodfire” has another great guitar solo.  And the vocalist sounds an awful lot like one of the guys from Sloan (who knew Sloan could be so influential?)

Thanks CBC Radio 3 for introducing me to this great band.

[READ: June 15, 2010] “Sun Na, Bird”

This final piece is at the same time the bleakest and yet most hopeful story of the group.

It is the near future and in this suburban Canadian town, all the humans have fled, with no intention of returning (the TV is still on in the house where the story takes place). Continue Reading »

Posted in Canadian Content, Canadian Music, CBC Radio 3, End of the World, Huron, Madeleine Thien, Nature, Neil Young, Short Story, Sloan, The Walrus, Thin Lizzy | Leave a Comment »

Herman Melville–Moby-Dick [Week 6 (End)] (1851)

June 28, 2010 by Paul Debraski

SOUNDTRACK: MASTODON-Leviathan (2004).

This is the CD that started it all.  Well, for me and Moby Dick- related music, anyhow. My friend Andrew asked if I would be reviewing it along with Moby Dick.  And, yes I am.

Leviathan is sort of a concept album about Moby Dick. I say sort of because it’s not entirely about Moby Dick.  The opener, “Blood and Thunder” features the chorus: “White Whale.  Holy Grail.  And it also features lyrics that seem to come straight from the book: “break your backs and crack your oars, men.”  There’s also the tracks “I am Ahab” and “Seabeast,” the latter features the lyrics: “Dear Mr Queequeg you have been informed your life’s been saved”

And yet, not everything is about Melville’s saga: “Island” bears no resemblance that I can see and the final track, a slow instrumental is called Joseph Merrick (who was the elephant man).

Musically the disc runs from bludgeoning metal (“Island”) to complex and intricate bludgeoning metal (“Iron Tusk,” which features a stereophonic drum solo opening).  “Blood and Thunder” has some great catchy riffs with some vocals that demand a lyric sheet for clarity.  “I am Ahab” features some extended vocal notes!  But there’s more to it than that.  “Seabeast” has a great slow intro guitar solo and features a two different vocalists to very good effect.

And the whole disc is chock full of time changes, crazy drum fills (how can he play so many different drums so quickly?).  “Megalodon” has a great odd guitar riff in the middle break section (and has nothing to do with Moby Dick at all).

As you near the middle of the album you get a couple of amazingly complex tracks.  “Naked Burn” features a great melodic middle section (coupled with really catchy vocals, too).  And the highlight is the thirteen plus minute “Hearts Alive.”  It begins as a very pretty acoustic guitar piece.  After about two minutes the heavy guitars kick in and there’s several different middle sections with varying degrees of melody.  By the midway point we’ve heard a few more very beautiful picked guitar sections, until it ends with some strong heavy guitar chords that slowly fade away.

So it’s a super heavy progressive rock/speed metal concept album for people who don’t like real concept albums (but who like their metal literate).  Who would have guessed it would have made so many best of the year lists?

[READ: Week of June 28, 2010] Moby-Dick [Chapters 111-End]

The end is here and BOY did I not see that coming.  I honestly had no idea how the book ended (how is it I knew the basics of the story but didn’t know the ending?  Talk about everyone agreeing to the spoiler alert!).  The other thing that surprised me was how damned exciting those last 70 pages were.  Now it could be a simple build up from the slowly paced early chapters–we were all lulled by the waves and the diversions–but man, when Melville wanted to, he produced the goods.  If you want young people to read this book, just assign them the last 70 pages.  I realize that all the art and such will be lost, but if they read just the end parts, they’ll come away with a much better perception of the book, and maybe they’ll want to read the rest later.  [I’m not a fan of abridged things of course, so I’d want them to read the original full text, just the end of it].

And I absolutely cannot believe [spoiler alert–okay the whole post is a spoiler, even if I didn’t know, the book is over 150 years old, so chances are you may have heard…] Continue Reading »

Posted in 19th Century, Adventure, Big Books, Concept Albums, Death, Herman Melville, Infinite Zombies, Mastodon, Supernatural, Whales, Wikipedia, Word usage | 2 Comments »

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