SOUNDTRACK: BAND OF HORSES-Live on KEXP , April 13, 2006 (2006).
Band of Horses played KEXP in 2006. They had been around since 2004 but their debut came out in 2006. Since they are a Seattle band, they are treated as yet another Seattle band, which is kind of funny as they would be huge not long after this release (okay technically in 2007). This show takes place about a month after the debut album came out (although the DJ says they’ve been playing them for a while).
I did not know that many of them were in a band called Carissa’s Weird (nor had I heard of that band), but thanks to the KEXP DJ for bringing that up. I also found out that “Wicked Gil” is about baseball player Gil Meche. The band sounds great–not quite as polished as on record, which is to be expected of course, but the vocals all sound great and the band is very tight. They also play “Part One,” “The Great Salt Lake” and “The Funeral.”
It’s fun to hear a band before they became famous.
[READ: September 3, 2012] “Amundsen”
I read this story a day or two before I got laid off. Unsurprisingly I didn’t feel like posting about it then. But now it’s time.
This story is about a young woman, Vivian Hyde, who is to be the new teacher at a rural santitorium. She has traveled from Toronto to work at the ward where the girls have TB. She has a B.A. and wants to work on her M.A, but she thought she’d earn some money for a time, first. The story is set during the war, and the nurses are doing their wartime duty.
The first girl she meets, Mary, is the daughter of one of the employees who lives there. She doesn’t have TB and does not participate in the studies that the TB girls do. Vivian likes her but the headmaster, Dr. Fox, scolds the girls and sends her away so that Vivian can get settled in.
Munro is wonderful with details, like when the doctor asks is he knows anything about tuberculosis:
“Well I’ve read–“
“I know, I know. You’ve read The Magic Mountain.”
[This is novel by Thomas Mann from 1924 that dealt with TB. I love how Vivian does not respond to his comment one way or the other]. Continue Reading »
[LISTENEDTO: October 2012] The Case of the Case of Mistaken Identity
I found this book because I was looking for audio books for my kids. When we take longish car trips, they absolutely love audio books (which is pretty frikkin awesome by itself). Anyhow, I was browsing the shelf and saw this title. Clark and Tabitha enjoy A to Z Mysteries, so I thought this might be a bit more stimulating (it says it’s for 8-10 year olds, but Tabitha (5) enjoyed it and I didn’t find it too harsh for her).
I had never heard of the author [that is not true…more on that later], but the back of the book had accolades from Jeff Kinney, Dave Eggers and Jon Scieszka a triumvirate of trustworthy praise.
The audio book was read by Arte Johnson (yes, that Arte Johnson). I don’t know if it was Arte’s delivery, but I enjoyed this book more than anything I have read in a long long time. I wonder if the book would have been as enjoyable had I read it–I assume so because it was really fantastic, but it was a lot of fun listening with the whole family.
So this story is about 12-year-old Steve Brixton, a regular kid who happens to love the The Brighton Brothers Mysteries, a classic series of adventures (think Hardy Boys) in which two brothers get into scrapes and situations, take out thugs using their combination of brawn and brains and solve the mystery. Steve loves them so much he has written down all of their suggestions for successful sleuthing which he keeps in his Secret Book Box. He also got the Detective License for 12 box tops and $1.95.
He and his chum (all good detectives should have a chum) Dana have plans for the weekend until their teacher assigns them an 8 page research paper due on Monday. Topics are randomly assigned and while Dana gets “detectives,” Steve gets “early American needlework.” Miss Gilfeather suggests that it might be more interesting than he fears.
SOUNDTRACK: JAMES MERCER-Live on KEXP, February 10, 2012 (2012).
James Mercer came to KEXP to play a few songs solo with his acoustic guitar (the set is billed as The Shins, but it’s only Mercer). DJ Cheryl Waters talks to him about what he’s been up to in the last five years since the previous Shins record (they don’t discuss that the rest of the band is basically gone). She asks him about working with Danger Mouse and his foray into acting. But mostly this set is about the music.
Mercer’s voice sounds great and the songs sound wonderful in this acoustic setting. He explains the origins of the title Port of Morrow (it’s a real place). He plays “Australia” from Wincing the Night Away and “September” “Simple Song” and “It’s Only Life” from Port of Morrow.
While I prefer the full album versions, this acoustic setting is quite nice and shows what great songs they are as well as how strong Mercer’s voice is (and that he was really the driving force behind The Shins all along)..
[READ: October 31, 2012] Calamity Jack
And they did. Two years later. This book is a kind of sequel to Rapunzel’s Revenge as well as Jack’s backstory before he met Rapunzel.
Jack was a petty thief. He and the pixie Pru (who loves hats) began with small scams (apples and whatnot), and slowly built up to larger ones. In their defense they initially only tried to rob people who “deserved” it, but they were caught on more than one occasion and Jack’s mother had had enough of him.
Then Jack happens upon a score that he can’t pass up. And he does it (without telling Pru about it). Jack climbs into the tower of the evil giant Blunderboar. Blunderboar is an industrial bigwig with a Jabberwock as a guard of his gigantic tower. As with Rapunzel’s Revenge, the setting is a mix of fairy tale and contemporary real world(ish). Blunderboar has a lot of money (including a media empire) and he is responsible for all of the troubles in Jack’s village of Shyport.
But the problem is that the beanstalk (there is a beanstalk, but there’s no cow, there’s magic beans and a pawn shop) destroys his mother’s bakery. And she realizes that he is responsible. Jack flees the town both because of his mother and because of the giant (who is understandably incensed). Continue Reading »
SOUNDTRACK: GRANT LEE PHILLIPS-Live on KEXP, January 21, 2010 (2010).
I really liked Grant Lee Buffalo back in the day. I think Grant Lee Philip’s voice is amazing–soulful, expressive, beautiful. He was also a troubadour on Gilmore Girls!
Since Buffalo broke up, Phillips has released a few solo albums. I have found that I don’t enjoy his solo music as much as I did the band music. His voice is still amazing, but the solo stuff is a little too slow and meandering for me.
This set comprises four songs from his album Little Moon. “Strangest Thing” is my favorite song from the set, it’s upbeat and beautiful. And “Little Moon” is correctly described by the DJ as moody an intoxicating. It’s not my favorite of his songs but the description is totally correct.
This is an enjoyable mellow set. The DJ and Grant Lee are relaxed and comfortable and the between song chats are informative and interesting. You can listen here.
[READ: October 30, 2012] Rapunzel’s Revenge
This story is a wonderful extrapolation of the Rapunzel story which has been moved to the Wild West. Yup, that’s right. Rapunzel is a cowgirl.
Well, in the beginning, the story is pretty faithful to the original. Many elements of the fairy tale are present–Rapunzel was kidnapped from her parents (or traded for some lettuce) and raised by the enchanted witch. This story fleshes out the politics of the witch somewhat–she has cursed the surrounding lands and made them barren–all of the fertile ground is within her walls and the peasants must pay tribute to her from their meager earnings. And Rapunzel is a rather rebellious and outgoing girl who wants to leave her stepmother’s walled fortress and explore the world beyond.
When Rapunzel tries to climb the wall just to see what’s out there (the wall is like 70 feet tall), she is grabbed by the witch’s guard, Brute, an over-sized man who is very grouchy. But when she learns that her real mother is still alive (and is a suffering peasant) she tries to escape for good. Brute catches her again, and the witch locks her up (the re imagined prison is a very cool twist). I loved that she escapes with no help from anyone (just her hair). And that as she’s running off she meets a prince who was coming to rescue her meets her; she sends him on a wild goose chase. This Rapunzel needs no prince. Continue Reading »
I really enjoyed a few Quasi albums back around the turn of the century, and then I kind of forgot about them. But this set is really great. The always excellent Janet Weiss on drums and harmonies and the wonderful Sam Coombs on guitar and vocals. Around the time of this album, American Gong, they added Joanna Bolme on bass which really fills out their sound. The first song, “Repulsion,” rocks harder than any of their older stuff (which was more keyboard based). Indeed this album was apparently much rockinger than any of their earlier releases–I must check it out.
This set was recorded during SXSW from the Gibson Showroom in Austin. They play five songs in about 20 minutes. “Never Coming Back Again” has a far more country feel (especially the backing vocals which have a real twang. The lengthy instrumental section of “Black Dogs and Bubbles” is great–especially check out Weiss’ drumming. “Little White Horse” is a shambolic rave of a song–fun and noisy.
The set ends with the inspiring Rise Up, a short stomper that encourages you to, yes rise up. Weiss and Coombs both have other bands that they play in, so Quasi never seems like a full-time project. But that seems to make their music all the better. Listen here.
[READ: November 1, 2011] Under Wildwood
I enjoyed Wildwood, but I wasn’t blown away by it. So I admit I wasn’t totally excited to read this one (especially since I had some other books lined up). But Sarah managed to get it from the library (I guess it was not as a big a deal as I assumed it would be?) and I decided to give it a go.
I found it a little slow at first, but after about 40 pages, the book totally took off and I was fully engrossed. Whether it was because there was less exposition since this was a sequel or because the story itself was more exciting, I couldn’t put the book down. And, more importantly, the book did not feel like its 550 pages were excessive. He really filled up every page with story.
But I was a little concerned because part of the story is set in an orphanage–a setting rife for cliché. But Meloy has some great ideas and although he does use the orphanage as a scary setting (and employs some clichés from all orphanages) he transcends the conceit with some great characters and some evil owners who use demerits to completely move the story along outside of the orphanage–a great plot idea.
Back in the late 80s, I loved Helloween–they played speed metal, they had intricate solos, and they were German–what’s not to love? Oh, and also, they were quite funny, with their little pumpkin mascot.
In 1987, they released The Keeper of the Seven Keys Part 1, a concept album (hooray), with this song as the 13 minute centerpiece. They also released a “radio friendly” version that’s about 3 minutes long. How do you eliminate ten minutes of a song? Take out some verses, some riffs, a whole middle section of vocals, a cool section that sounds like Queensrÿche, a little spoken word section and a whole lotta solos. Surprisingly you do get the essence of the song, just none of the theatricality.
So Helloween are still around, although I gave up on them after the sequel to this album (Part Two) which really didn’t live up to the majesty of Part One.
But this song is fun and whether you choose the 13 minute or the 3 minute version, Happy Halloween.
[READ: November 7, 2012] The Simpsons Treehouse of Horror #18
Yes, that’s right, I read this after Halloween! Hurricane Sandy means I can throw convention to the wind until I catch up. Sarah bought this for me before Halloween, but I didn’t really feel like reading it on Halloween, so here it is.
Unlike in the TV show, this Treehouse of Horror has four stories! The first thing you have to get used to in Simpsons comics is that the characters don’t look like the ones on TV. This is deliberate–they get different artists to draw the pages, so the artist’s own style comes in. The characters are obviously The Simpsons; it’s amazing how many liberties can be taken with icons and have them still be recognizable.
The first story is a parody of Evil Dead. Homer takes the family to a cabin in the woods where Henry K. Duff created the secret recipe for Duff beer. But when the recipe is read aloud…the spirit of the beer possesses the family. This story is actually kind of gruesome, although my five-year old enjoyed flipping through the pages. The twist at the end is completely unexpected and wonderful. Continue Reading »
Does anyone remember this band? Their gimmick was that the lead singer performed a chainsaw solo. As I cut down trees that fell in my yard I kept thinking about this band, although I couldn’t remember any of their songs (which is just as well). I had to Google this one.
It’s a stupid gimmick, but a hard one to forget. My favorite coincidence to this song was when my friend Garry and I went to a party on a New Year’s Eve in like 1999 or so and the party house had a framed gold album of the debut album on the wall. I never found out why.
Oh, and holy cow, they are STILL putting albums out!
Here’s the song in all of its nonsensicality:
Incidentally, if you don’t wear ear coverings when using a chainsaw, your ears will ring for about an hour after cutting down trees.
[EXPERIENCED: October 29, 2012] Hurricane Sandy
I considered live blogging the hurricane. It would have gone like this:
October 29: 1-7PM: Wind picking up, not too much rain.
October 29: 8:15PM: Lights flickered and went out.
SOUNDTRACK: YEASAYER–Live at KEXP, October 18, 2007 (2007).
This concert from Gibson’s is great. It took place in 2007 and showcased songs from Yeasayer’s first album. I don’t know this album but their description of the music as tribal gospel is apt. The music is noisy and almost chaotic, but the melodies and harmonies are wonderful. There’s a comment that they used to be in a barbershop quartet (ironically). And you can hear that they really know their harmonies well.
I have their two later albums which like very much and which are slightly different from the sound of this one–but this set is really great, and it’s a good introduction to their earlier sound.
I mentioned Up All Night the other day because Silversun Pickups were on. On this past week’s show, Yeasayer got a mention at a hipster coffee bar. Guess that means Yeasayer are a trendy band, too. Check out the show here.
[READ: October 17, 2012] “The Last Few Kilometres”
This is another very short story–two pages total. It is translated from Russian by Jamey Gambrell.
In this story, a man visits his mistress, has sex with her, eats some food (after dropping a chicken leg on the floor) and then heads home. Despite the brevity and simplicity of the story, I had to read it twice before I could really get it. The story is told in flashback as he’s on his way home (on the train).
But the story is less about the plot than the details. I loved that he normally doesn’t like to eat first because having sex when you’re full is no fun. But she made a nice dinner so they eat first. Also, he left his dentures home, so he was happy the meal was soft (quite the romantic!). Meanwhile, “She received him the way mistresses generally do in the movies,” dressed to the nines, and running around serving him. Later, the lovemaking was indifferent, and a comment that he casually threw out had offended her. Continue Reading »
!!! play a funky dance party music. It’s certainly not Top 40 dance, as it throws all kinds of elements into the mix. I have one of their early EPS but I haven’t listened to much more from them. This show is from 2007, so I don’t know how much their sound has changed these last five years, but this is a cool and interesting set.
“Myth Takes” has a great bass line while “Heart of Hearts” has a steady beat with 70’s retro keyboards and cool guitar sections. The jam at the end of the song is great. “Yadnus” has a slinky feel until the screamed chorus (and there’s one member with a great scream) makes the song rock hard.
The entire set feels like a rollicking party. I’ll bet they are a lot of fun to see live.
This band is especially hard to search for (search engines don’t know what to do with “!!!”) so the link is here.
[READ: October 26, 2012] “Ox Mountain Death Song”
This was a very brief story set in Ireland.
It was constructed as two parallel narratives: one about a policeman Sergeant Brown, and one about a criminal, Canavan. Canavan comes from a long line of criminals–thieves, sexual abusers, violent thugs, and he is no exception And as soon as the community learns that he has a deadly cancer, they prepare for the worst from him, because what has he got to lose?
Sergeant Brown has dealt with his family for years. He’s old now–fat and tired and soon to retire, but he wants this guy before he does anything worse.
Brown speaks to an older woman who was recently beaten up by him. She protects him for a while until she finally reveals his hiding place–in the Ox Mountains. Continue Reading »
[ATTENDED: October 21, 2012] Trout Fishing in America
Trout Fishing in America is (primarily) a children’s band. They are a duo comprised of Ezra Idlet (who plays the guitar and is six-foot nine inches tall) and Keith Grimwood (who plays bass and is five foot five inches tall). When I first encountered them, Ezra had very long hair–although he no longer does. They are quite a sight onstage (and they play up this height difference a lot).
Trout Fishing is, I assume, a rather successful band. They have been around since 1979! Their first big family friendly record came out in 1991. Amazingly, given their longevity, they are not opposed to playing small venues. Two years ago, they played my son’s elementary school. Which was a hoot.
They came back through the area again and this time they played RVCC. I’ve said before that RVCC gets some pretty major acts, but I’m not sure exactly what went on with this show. They played at 1PM and 3:30PM and rather than perform to the audience in the normal theater seats, they let the (much smaller) audience sit on stage with them.
They erected a small stage–big enough for the two of them and their minimal gear. The audience chairs were arranged around them in three section and my family got front row seats, approximately ten feet from the mini stage. It was wonderful. Since it was the day after T.’s birthday when Keith asked if it was anyone’s birthday T. was right up front to get singled out (they said it was okay that her birthday was yesterday).
They played about a dozen songs. And in between songs, their banter was wonderful. They told jokes (Keith juggles), they did left brain/right brain challenges (draw a square with one hand and a triangle with other) and they explained to the kids about the instruments they use (they also do musical instruction at schools). Continue Reading »
SOUNDTRACK: BAND OF HORSES-Live on KEXP , April 13, 2006 (2006). 
nd of Horses played KEXP in 2006. They had been around since 2004 but their debut came out in 2006. Since they are a Seattle band, they are treated as yet another Seattle band, which is kind of funny as they would be huge not long after this release (okay technically in 2007). This show takes place about a month after the debut album came out (although the DJ says they’ve been playing them for a while).
I Just Read About That... 