Feeds:
Posts
Comments

[DID NOT ATTEND: April 4, 2026] Nothing / Full Body 2 / Cryogeyser / Violent Magic Orchestra

I don’t fall for a lot of hype about things.  But when Union Transfer hypes an upcoming show, I often check out the band.  They especially like to hype Philly bands (which makes sense) and I feel like I had been very lax on my Philly music knowledge.  Nothing is a band that I probably should have known but didn’t.  And it turns out I’ve had a few opportunities to see them.  They opened for Boris on the one tour  that I missed and they hosted or helmed Slide Away Philadelphia, which was an all day shoegaze event.  I would have loved every band but a whole day would have been too much.

At the time I wrote

They’ve been around for almost fifteen years. Everything I’ve listened to from them has been quite good.  They tend to veer into the more creepy and less heavy side of shoegaze.

Full Body 2 (odd name that) is also from Philly.  They sound a lot more like My Bloody Valentine than other contemporary shoegaze bands–the vocals are really buried and there’s some interesting synth sounds.

IndexYear0001.com explains the name

Full Body 2 are a band from Philadelphia, Pennsylvania made up of Cassidy Rose Hammond, Dylan Vaisey, & Jack Chaffer.

Full Body 2 is a sequel to the band Full Body, which included Hammond and Vaisey. Full Body 2 have a dense, shoegaze sound which they combine with aspects of electronic genres like breakcore and digi-core as well as rendered futuristic aesthetics.

Opener Cryogeyser says this about themselves on their bandcamp: “Three piece from Los Angeles. Cute.”

Flood Magazine writes that

 Distortion and reverb are their friends, but none of their music feels consumed or overwhelmed by such effects. A mix of dreampop, shoegaze, and grunge, the LA-based trio balance their stone-heavy rhythmic section of bassist Hunter Martinez and drummer McCoy Kirgo with the swirling melodies and heaven-reaching vocals of singer-guitarist Shawn Marom.

Their music is quite stark and spare, though for all the reverb.  There’s also a sense of 50s girl group about them.  I’d be curious to see how that translates live.

I hadn’t heard of Violent Magic Orchestra who are from Japan.

The Wire says this “Osaka based six piece fuses black metal aesthetics with the endorphin rush of peak time hard trance and gabber”

And the blurb on their bandcamp pages says

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene.
The blinding lights of DEATH RAVE point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno.

I have no idea how they wound up on this shoegaze bill and their live show sounds pretty amazing.  They are more glitchy/noisy than the other bands, but I would love to see what their love show is like.

We were in Minnesota for this show.  I hadn’t been all that excited about this show because I’d forgotten what Nothing sounded like, but as soon as I listened to them again I remembered how much I liked them and how much this whole evening would have been awesome.

[DID NOT ATTEND: April 3, 3026] Puscifer / Dave Hill

I saw Puscifer this past summer as part of a triple bill with Primus and A Perfect Circle.  I didn’t know much about Puscifer except that it was one of Maynard Keenan’s bands.  But their live show was so great that when they announced this tour, I immediately grabbed a ticket to the Bethlehem show–Bethlehem?  Amazing.

But this show also fell within our Minnesota trip dates.  So I would miss this one too.  There were really some special shows to be missed in these few days.  Alas.

I saw Dave Hill open for Kevin McDonald Superstar.  HE was really funny and was a great guitar player as well.  I was really looking forward to seeing him too.  Interestingly Dave played at a small venue in Frenchtown (a venue I have yet to go to even though it is so close).   But that show was on the same night as my Baroness show. So, no luck for me.

[DID NOT ATTEND: April 2, 2026] Madison Cunningham / Annika Bennett 

I saw Madison Cunningham and Juana Molina play together at Ardmore two years ago and I was blown away by her unique style and cool guitar playing.  She was far more of a delightful weirdo than I imagined. And I really looked forward to seeing her again.  When she announced this show at Ardmore I was torn because I really wanted to see Dirty Three.  And of course, given the rarity of a Dirty Three show, I was going to see them.

And then I found out that her new album Ace, was if not entirely, then at least mostly, performed on the piano.  And that’s cool and all, but I wanted to see her on guitar.  And yes, it’s very cool that she mixes things up, but since I never got to see her do Hospital the normal way, I would have been slightly disappointed in the new arrangement (even though the video below shows that it’s really cool).  I guess the point is that Madison Cunningham is going to put o a cool show no matter what she does.  So next time she comes around, it’s worth going.

Annika Bennett is a New York/Nashville singer. Her bio is interesting and I guess she’s been playing music for a long time in divergent styles.  Sadly, she has settled on a style that fueses pop concision, country clarity and indie introspection.  So a folksinger, basically.

 

[POSTPONED: April 2, 3026] Dogma / Frayle

I heard about Dogma a few weeks ago.  I love a weird gimmick and it doesn’t get more gimmicky than nuns in corpse paint.  I though they would be fun to see, but this show was scheduled for a night that I already had two commitments so I knew I wouldn’t be going.

And then I investigated the band a little more an I found all kinds of shenanigans going on:

After three ex-members of the nun-themed metal group called out “the person who now controls the project,” saying that he betrayed “the artists, his partners, and the fans,” in late October, the last two weeks have snowballed into meteor-size ball, barrelling down at full speed. Elaborating that the three witnessed during tours “unilateral decisions, broken promises, manipulation, mistreatment, and lies to the fans. The person who now controls the project is a threat to Dogma’s future and is not an artist or a musician. He turned a band into a brand, and people into disposable pieces. He betrayed the artists, his partners, and the fans.”

The band has put out an album and it’s surprisingly poppy metal.  But the band is pretty talented and I enjoyed what I heard.  But I gather that the people who made the album are mostly no longer in the band (they all go by pseudonyms and are, basically easily replaced, I guess).  I don’t know anybody involved so I wouldn’t have missed anyone in particular.  But that still sucks.

But it’s all moot because their visas were held up too long for them to make this tour.  They are looking to reschedule.  I hope I can go if they come back because even though the scandals and everything are awful, it would be fun to see nuns in corpse paint in the tiny Blast Furnace Room.

Frayle is a doom metal band from Cleveland.  Their bio says they draw their inspiration from bands like Sleep, Portishead, Bjork, Kyuss, & Black Sabbath which is a wild mix.  The guitar bass and drum players all wear masks and the singer has some fascinating jewelry on her face.  I really like the way she under-sings the songs and would totally see them live if they come around.

 

[DID NOT ATTEND: April 2, 2026] Nish Kumar

I missed a lot of shows when we went to Minnesota.  No one should have that many shows lined up, but this one hurt doubly.

Tonight I had a ticket for Dirty Three, a band I desperately wanted to see.  But when Nish Kumar (whom my wife and I had seen last year) announced a stop in Princeton!   Well, I wanted to check it out.  It conflicted with Dirty Three, but then my son said he really wanted to see him.  So I got us tickets for that show.  But we couldn’t make either.  Gah.

Nish is hilarious and I would definitely see him any time he came back to the area.  I hope Princeton treated him well and he wants to come baclk

[DID NOT ATTEND: April 2, 2026] Dirty 3

I have a list of bands that I want to see.  The list is pretty long, but I do have them ranked roughly by how much I want to see them.  I also have a category of bands that I assume will never tour again but that I want to see if they ever do.  And Dirty Three was on top of that list.  I couldn’t believe when they announced that they were playing Underground Arts.  I bought my ticket instantly and couldn’t wait to see them.

And then about a week before this show, my daughter told me that she wanted to go to Minnesota for a college visit.  And it had to be the first days of April.

I was obviously bummed but was really happy that the trip was fun and helped her decide on a school.

I assume that Dirty Three will never come back to the States (their previous visit was in 2003).   Huh, I didn’t realize that they had put out a new album in 2024 (first since 2012), so maybe if they make another album before ten years pass, they may come back again).

The show sounds like it was wild (of course) and they played for two and a half hours!  I wonder if anyone filmed it.

 

[DID NOT ATTEND: April 1, 2026] Thursday / Chris Conly

I have seen Thursday twice.  Both times they opened for My Chemical Romance.  The first time was in the Prudential Center.  The second time was in Giants Stadium.  Both times the sound wasn’t great and while i knew them a little better the second time, I felt like I couldn’t really appreciate them at all.

So while I don’t know their music well, and don’t know the album Full City Devolution any more than any of their other albums, I thought it would be a great opportunity to actually see the band properly.

But then my daughter was going to Minnesota and so I missed all for the shows this week.  Luckily I was able to resell this show, so no loss for me.  And maybe Thursday will headline again soon–I mean they sold out this time, so they know there’s interest.

Chris Conly is a Brooklyn musician,  I listened to two of his songs and hated them both.  He reminds me of George Thoroughgood, and the last thing we need is another George Thoroughgood.

[DID NOT ATTEND: April 1, 2026] Joseph / The Man, The Myth, The Meatslab

My wife and I saw Joseph back in 2018.  She didn’t really know them but I was fond of their tight harmonies.  They were great and they played everything I wanted to hear.  I didn’t feel like I needed to see them again.  A few years ago one of the sisters, Allie, left the band and they are now a duo (with backing musicians).  That was one more reason I didn’t need to see them.  I’m sure they’re still really good, but it’s not the band I liked and the memory of that show is enough for me.

The Man, The Myth, The Meatslab is a new project from Jamie Clarke (I don’t know what his old project was).  He gets credit for a bizarre name, but boy I did not care for his lo-fi downer folk.  He reminded me of Hayden but less compelling.

Not sad about missing this one.

[ATTENDED: March 28, 2026] The Teeth 

Two years ago, I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?  The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis on bass.  I was intrigued by them and was even more intrigued when I saw that they were going to open for Dr. Dog on their tour last year.  From their images and the few songs I’d heard, I assumed that they’d be a weirdo band.  And I wanted to see them.

So I was pretty happy to have grabbed a ticket for this show.  While the show was starting, I met a guy who was born in Norway but who moved to California when he was three.  He had found The Teeth a few years ago (via Dr. Dog who always praised The Teeth) and fell in love with them.  He was very excited to be seeing them for the first time.  When he asked me how I knew them, I told him the above story.

I was very amused by their stage backdrop which was a bunch of hand drawn and cut out images stuck to the Johnny Brenda’s curtain.

After the comedian, it took some time before the band came out.  And what was so much fun is that they came out of the door upstairs!  They walked through the crowd, all while Herb Alpert’s Behind the Rain played, came down the stairs and climbed onto the stage.  And that’s when I realized how normal these guys were (except for Brian Ashby’s amazing mustache). Continue Reading »

[ATTENDED: March 28, 2026] John Miller Giltner

I was delighted when I saw that The Teeth has comedians open for them on the last time they played Johnny Brenda’s.  They did the same this time.  Although last night’s show opened with a magician (which sounds awesome), I got a kick out of John Miller Giltner.

They are a young comedian (meaning he uses a bunch of young person slang) and they used a powerpoint presentation (which was really funny).  It opened with a slide that said Comedy set for The Teeth.  Which is pretty spot on.

The main point of their comedy was about how they had a bed with no frame (it’s amazing how much material you can get out of that).  This included a phot of said bed and a lengthy story about the person he was dating’s reaction to the lack of bed frame.

But it started off funny when John said that in order to get through this set they were going to need to borrow someone’s vape.  A woman nicely obliged.  If they didn’t have the vape it would induce a panic attack for sure (the panic attack graphics on the powerpoint were hilarious).

An unintentionally funny part came when they clicked the wrong button and reset the whole PowerPoint.

There was a funny part about being nonbinary and the way his dad was supported but said the worst things.

The end of the set featured a long call with Amazon help.  He called up to say that he had given his then girlfriend a video game controller and she broke up with him and he wondered if he could get some kind of rebate since she broke up with him.  The woman on the other end of the call was confused but polite and ultimately sweet.  It was a funny bit of reality in a wild set.

I do rather like the idea of a comedian opening for a rock band and think more bands should consider it.

Here’s an article about another of Giltener’s performances.  I think our night was maybe a variant of this but cut much shorter.