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Archive for the ‘Frayle’ Category

[ATTENDED: September 20, 2026] Eihwar

I hadn’t heard of Eihwar before seeing the ad for this show, but when I saw the photo and learned that the singer of the band does, indeed, wear a giant animal head on her head, I had to investigate.  So Eihwar is a French tribal electronic neo-folk musical duo who go by the pseudonyms Asrunn and Mark.  They are originally from Toulouse and have been around since 2023. The band is distinguished by a style that it calls itself “Viking War Trance”, mixing tribal percussion, evocative songs and electronic rhythms inspired by Norse mythology.

So they look Nordic but are actually French.  But who cares, because they put on a hell of a show.

When I entered the venue there was a crowd around the stage–which doesn’t always happen.  But there were two guys wearing long robes with hoods with leather belts–one with a pelt attached to his belt.  Elsewhere in the room were men in corpse paint (which may have been for Frayle–indeed, the guys in robes may have been, too).  And when I left, there was a guy with an animal skull on his head.  For a band that never toured the States before, they certainly had a devoted crowd.

It’s just the two of them, Asrunn sings and plays a hand drum (I’m assuming a Sami) while Mark, dressed like a knight of templar or something, plays all of the electronic instruments (and an occasional acoustic guitar).  I actually assumed that Asrunn wasn’t singing words–that it was just cool ethereal sounds.  But their bandcamp page shows lyrics for all of the songs (on the new album), most in Icelandic, or at least that’s what the translation apps think.  Regardless, the point is, there are words, whether made up or not.

Typically, Asrunn sings at the mic stand and then when its just an instrumental, she picks up the drum and dances around the stage.  It’s pretty intense and when she leans her head forward and you can only see the skull, it’s downright creepy. (more…)

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[ATTENDED: September 20, 2026] Frayle

I didn’t know Frayle, but I knew they had a following (and haters, of course).   They are a female fronted doom and witchrock band from Cleveland.   What does that mean?  Well, their influences are Sleep, Portishead, Björk, Kyuss, & Black Sabbath.  Which sounds impossible, but is true.  The heavy doomy Sleep and Sabbath with great witchy vocals of Portishead and Björk.  Evidently there are two permanent members of the band Gwyn Strang (vocals) and Sean Bilovecky (guitars and I assume more).

They had the stage adorned with candelabra and their logo on vertical banners (visually very satisfying).

I had just seen Angine De Poitrine, a masked band, and I was pretty excited to see Eihwar and Frayle for even more masked fun.

The band came out and the only person I could see was  their bassist who had corpsepaint makeup on and some chains across her face.  She played an intense low end which sounded great throughout the set.  Their drummer was behind her and it wasn’t until half way through the set that I realized he was wearing a black mask with a chain across the front.  Their guitarist had on a large cape with a hood and it was only when he looked up tat you could see he was wearing a similar mask to the drummer.  And then walked out.  She too had her face painted white and had a series of chains across her face as well as a black tiara atop her head.  She had blue eyes shadow on and wasn’t afraid to make eye contact with anyone.

Bright Eyes started the set with slow, heavy bass and guitar with haunting soft high pitched vocals floating over the top.  It was great.  The music was wonderfully heavy and slow but without the typical growled vocals. And the rest of their set was similarly heavy and grooving.  At some point during the set I saw that the guitarist (who was huge) had a pink camera phone and was aiming it at us in the audience.  Then I saw him hand it back to someone, so that was sweet.

I really enjoyed Heretic–a great riff and intense lyrics.  The chorus was interesting because underneath her voice was a deep male voice singing along with her (demonic possession?).  No one in the band seemed to sing along, so I assume it was pre-programmed or she had a very cool filter on her voice. (more…)

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[POSTPONED: April 2, 3026] Dogma / Frayle

I heard about Dogma a few weeks ago.  I love a weird gimmick and it doesn’t get more gimmicky than nuns in corpse paint.  I though they would be fun to see, but this show was scheduled for a night that I already had two commitments so I knew I wouldn’t be going.

And then I investigated the band a little more an I found all kinds of shenanigans going on:

After three ex-members of the nun-themed metal group called out “the person who now controls the project,” saying that he betrayed “the artists, his partners, and the fans,” in late October, the last two weeks have snowballed into meteor-size ball, barrelling down at full speed. Elaborating that the three witnessed during tours “unilateral decisions, broken promises, manipulation, mistreatment, and lies to the fans. The person who now controls the project is a threat to Dogma’s future and is not an artist or a musician. He turned a band into a brand, and people into disposable pieces. He betrayed the artists, his partners, and the fans.”

The band has put out an album and it’s surprisingly poppy metal.  But the band is pretty talented and I enjoyed what I heard.  But I gather that the people who made the album are mostly no longer in the band (they all go by pseudonyms and are, basically easily replaced, I guess).  I don’t know anybody involved so I wouldn’t have missed anyone in particular.  But that still sucks.

But it’s all moot because their visas were held up too long for them to make this tour.  They are looking to reschedule.  I hope I can go if they come back because even though the scandals and everything are awful, it would be fun to see nuns in corpse paint in the tiny Blast Furnace Room.

Frayle is a doom metal band from Cleveland.  Their bio says they draw their inspiration from bands like Sleep, Portishead, Bjork, Kyuss, & Black Sabbath which is a wild mix.  The guitar bass and drum players all wear masks and the singer has some fascinating jewelry on her face.  I really like the way she under-sings the songs and would totally see them live if they come around.

 

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