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[DID NOT ATTEND: September 16, 2026] Jade Bird / The Carlile Family Band

I’ve like Jade Bird for a while–never enough to get really into her, although the last few years I’ve been enjoying her more and more.  She has an incredible voice and live, she is really quirky and silly.  We heard her sing while at the Newport Folk Festival (we were going to another show while she was on).  And I got to see her do a Free at Noon.  But she was a little under the weather and didn’t play the song where she really belts out the vocals.

I would very much like to see her do a full set (and Wonder Bar is so small she might not have even needed a microphone), but this was the same night as Garbage, so Jade Bird will have to wait.

The Carlile Family Band is a family band from a tiny, rural Washington town called Curlew. We perform a mix of Folk, Americana, and Indie sounds across nine instruments from box drums to banjos. We thrive on bending genre and having fun while doing it.   We also write, record and produce our own music, often from the backseat of a our motorhome while we’re on the road.  With shows filled with comedy and family harmonies, we invite you to come along! There’s always a new song or story we are just waiting to share.

They sound like a hoot and seem perfectly matched for Jade Bird’s quirkiness.

[ATTENDED: September 15, 2025] Mary in the Junkyard

Mary in the Junkyard is a trio from London. The band consists of vocalist and guitarist Clari Freeman-Taylor, viola and bass player Saya Barbaglia and drummer David Addison.

I had never heard of them and they have an EP and some singles out, so they are pretty new.

I listened to the singles today and rather liked them.  But they really didn’t come across very well at Franklin Music Hall.  It felt like everything was wrong to me.  The drums were really loud.  The guitars were sometimes loud, but Clari’s vocals were always quiet–very hard to hear.

I had pretty high hopes for their set because the songs had really interesting components–guitar lines or when Saya switched from bass to viola and added some really weird sounds to the songs.  But None of the songs had any hooks.  Which is weird because they’re there on the album.

I suspect that seeing them in a smaller venue (FMH is quite cavernous) would suit their sound much better.  I’d be interested in seeing them again, but in a small club.

At least the crowd reacted positively to them–and there was a lot to like–they just never won me over (and I love finding great opening bands).

I’m assuming this is the setlist.  It’s what they’d played at most of their shows

  1. Drains §
  2. Blood
  3. Midori
  4. Goop
  5. New Muscles
  6. Web
  7. Tuesday  ¾
  8. This is my California ¼

§ single (2025)
¼ single (2024)
¾ single (2023)
∠ This Old House ()

[DID NOT ATTEND: September 15, 2025] Wolf Alice / Willy Mason

I saw Wolf Alice play the Wonderbar in Asbury Park in 2017.  It was a teeny place and I was one of the few people there.  It was a fantastic show.  I loved every second of it.

I didn’t realize this was their first time back to the area since then.  And they have become far more popular.  They’ve been getting a lot of airplay on WXPN.  I would absolutely have gone to this show (even if I don’t like the new album as much as the first three), but we had tickets to see Wet Leg.  So, we’ll have to hope for another visit next year.

Willy Mason opened for the Lemonheads in2023, but I didn’t go to those shows.  Back then I wrote

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

So I guess I’m glad I didn’t see him.

[DID NOT ATTEND: September 15-18, 2025] Vampire Weekend / Sophisticuffs

I was so satisfied to have finally seen Vampire Weekend this year. And then they announced FOUR NIGHTS at the Wellmont.  A theater that is relatively close to me and which I would have loved to see them at.

And somehow, in four nights, we couldn’t make a single show!

The 15th we were going to Wet Leg, the 16th we were going to Garbage, the 17th I was going to Pup, and the 18th was just no workable.  Sigh.  When will that happen again? I can’t imagine.

I don’t know Sophisticuffs and then I found out that the Sophisticuffs is a collaboration of Ezra Koenig from Vampire Weekend, Wes Miles from Ra Ra Riot, Dan Millar and Andrei Padlowski. While in high school in Glen Ridge, New Jersey, the band created an album titled, “Factory,” and passed it to students around campus. Though not widely known, A Sophisticuffs track was used in the 2002 film, “Don’t Ask Don’t Tell.”

Knowing this makes it even more fun and silly and now I had really wished we had been able to go.  They hadn’t played in 23 years.

Larry Rulz 5 posted the entire Vampire Weekend set from the 17th

Eveything Concerts posted the entir Sophisticuffs set from the 17th

[ATTENDED: September 12, 2025] Car Seat Headrest

My son and I saw Car Seat Headrest three years ago (I can’t believe it was that long ago).  The show was terrific–singer Will Toledo was in a gasmask the whole night and the whole production was wild and intense.

Since that time, Will has suffered from long COVID.  Whether or not this impacted the delay in the new album (when he was other so crazily productive) it’s unclear.

But his new album was a big deal.  It was a concept album (the booklet apparently adds much depth to the album) and songs were over ten minutes long (Planet Desperation runs to almost 20!).  Before the show, I had checked and it turned out that this tour was going to be almost entirely the Scholars album.  And that proved to be the case.

The band came out, the crowd went nuts.  Before starting Will set some ground rules–be nice to each other; if someone does something you  don’t like and they ask you to stop, do it somewhere else, etc).  Incidentally before the show started there was a lengthy promo for hydrating.  A male voice who said he was with Car Seat Headrest, then went on to say he was Bradley Cooper, Tyler the Creator and Charlie XCX–all giving fact and stats about hydration.  It was pretty entertaining.

And then the lights (and the fog, oh so much fog) obscured the stage as they broke into CCF.  The band sounded amazing,  And, unlike last time, my son and I managed to get reasonably close to the stage, so that was fun (even if photos and videos were pretty much useless with the lighting).

Will spoke in between songs sometimes, introducing Deveraux which segued into Lady Gay Approximately.  There are some hugely catchy moments on this album, but there are also jamming moments–which sounds great but are hard to dance to, so the crowd was reasonably subdued during the non-singing parts. Continue Reading »

[ATTENDED: September 12, 2025] The Lemon Twigs

I really liked the first album from The Lemon Twigs.  Their second album was weird by fun, and then the pandemic came and I lost touch with their new music.  But I really wanted to see them live because I had heard they were great.

When they played around the last few times, for one reason or another I didn’t go and as it turned out, I didn’t love their two newest albums as much as I liked the older ones.  So I had kind of given up on seeing them.  But I was really excited when they were listed as the opening band for Car Sear Headrest.  This would be a great opportunity to check them out.

And holy cow were they good.  Their newer albums have a kind of soft rock vibe that I really didn’t like.  But live, they totally rocked.  They leapt in the air, they soloed, they shouted–it was a total blast.

They didn’t play anything from Go Hollywood (sigh), but that’s okay because even though I didn’t really know any of the songs, they were catchy and fun.  Brian played a big old fashioned looking guitar and Michael played an old school Rickenbacker.  The two of them sang lead and harmonies, alternating (see the setlist for who sang what–on some songs).

But it was when bassist Danny Ayala (also on a classic Rickenbacker) and drummer Reza Matin sang along with them that the harmonies were out of this world. Continue Reading »

[DID NOT ATTEND: September 13, 2025] Jenny Tian

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  And then we started watching Taskmaster Australia and Taskmaster New Zealand, and I’ve added a dozen or so more to that list.

I was pretty surprised to see that Jenny Tian was playing Philly and even more surprised that she was at Union Transfer.  I know they do seated shows, so I assume this was seated, but it just seemed so odd.

We were really busy that week so I didn’t get us a ticket and I kind of wish I had now.   I thought she was pretty funny on the show, but I hadn’t gotten the bug for seeing these comedians just yet.

So I hope she comes back–it sounds like she had a lot of fun.

[DID NOT ATTEND: September 12, 2025] Black Moth Super Rainbow / Ricky Eat Acid / Huron

I’d heard of Black Moth Super Rainbow and knew they were pretty weird (duh) but I didn’t know much about them.  I assumed I’d like them given that they are a psychedelic electronic indie rock project.  They are a solo project created by Thomas Fec.  Their visuals are startling and crazy.  But musically it’s very slow and I wasn’t that excited by it.  So I never hot tickets.

Ricky Eat Acid is the electronic project of Samuel Joseph Ray. He’s from Baltimore and is in the band Teen Suicide.  His music seems to be trippy and weird (as befits the name) and is mellow with samples and possibly no vocals.  Might be fun for a short set.

Huron is an electronic musician from Pennsylvania.  He is very hard to find online mostly because of Lord Huron but also because Huron is a very popular word in the United States.  He has a bandcamp site.  He makes very slow trippy music that I would hate to stand around listening to, but which I would definitely enjoy falling asleep to.

 

[ATTENDED: September 9, 2025] Pulp

Back I was a big fan of the Britpop scene.  I liked Blur, but I also liked a lot of the lesser bands.  Pulp’s Common People was a favorite song for me.  I also liked their This is Hardcore album.  And then I lost interest.  But it turns out they put out one more album and then hiatused.

Then this year they announced a new song and album.  Spike Island is the most infectious song they have released and I haven’t gotten tired of it at all.

So when this (rather short) tour was announced, I was intrigued, but wasn’t sure if I really wanted to go.  Tickets were fairly pricey and there weren’t any floor seats left.  But because of their “dynamic pricing” bullshit there were a few seats available near the front and I saw that the price was going down as it got closer.  When I felt the price was okay, I bought a ticket.

When I got to the venue, they asked me if I wanted to sit i the ADA section, which I hadn’t in this venue.  The guard there said it would be nicer to sit in the comfy chair than to stand the whole time.  And it was.  True, I couldn’t see the whole stage (I never saw the guy in the back on the left side.  And I couldn’t see all of the screen.  But most of the action was up front and I could see all of that fine.

The tickets were irritating because it was unclear if the show was going on at 7:30 or 8:30.  Did doors open at 6:30?  Who could tell.  I arrived at 7:30 and there was a massive line to get scanned.  I was escorted to the front of the line, which was nice, and I got into the venue quickly with no merch line (the merch wasn’t that exciting).  And then I sat and chatted with the people next to me.  They were from Maryland and had seen the show a few days ago in D.C. They had driven to Atlantic City and decided to see the show again on the way home.  He told me they bought tickets while waiting outside in their car (and paid less than I did!). He and his wife go to tons of shows and seem to often get comp tickets or really good prices last minute.

When the lights went down I moved to the other side of them to get a better angle (very comfy) and the massive band (eight piece, I think) started playing Sorted for E’s & Wizz.  I hadn’t listened to much Pulp before the show so I didn’t really recognize some of these bigger songs.

But I was so psyched that they played Disco 2000 and followed it with Spike Island.

Jarvis Cocker is a fantastic frontman (duh).  He engages the audience, he dances, he jumped on these platforms in the front of the stage and he told some amusing anecdotes.

The setlist has been mostly the same, but they did play two unique songs for us.  The new song Slow Jam is great and I’m glad we got to hear it.  Before Farmer’s Market, he asked if there was a farmer’s market in Philly (yes, and it is good, people said).  He asked if they sold grapes. And then proceeded to pull a handful of grapes from his suit jacket pocket and tossed them to audience members (don’t catch it in your mouth, you may choke).  He then threw some chocolates to the crowd (he’s not a great thrower, tbh).  But he did attempt to catch a grape in his own mouth (he missed).

For Something Changed, the original band members came to the front of the stage Jarvis Cocker played guitar and sang and he said that the four of them gathered together a few years ago to see if they wanted to play together again.  He said Candida Doyle sat at the old piano (she played keys); Nick Banks had a box drum then and tonight;  and Mark Webber sat on the settee and played guitar.

For the rest of the set the band was fleshed out by Andrew McKinney – bass (he also played on Something Changed); Emma Smith on fantastic violin, backing vocals and guitar; Adam Betts played a to of percussion and some guitar and keyboards and Richard Jones who I did not see the whole show until the end, played keys and viola.

The four (okay five, bassist) played this delightful mellow song and then shifted gears.  We sang along for many songs and then for O.U. (a very old song) he split the audience in half and one side sang O and our side sang U.  Which was quite a lot of fun.

Continue Reading »

[DID NOT ATTEND: May 5, 2025] Mondo Cozmo / The Cobbs

Two years ago my wife and I saw Mondo Cozmo and it was great.  A ton of fun and lots of singing along.  This year he was playing Johnny Brenda’s but I’d already had two possible shows lined up for this night.  So, he didn’t really stand a chance.

Interestingly, the night before we saw them, they played Ardmore Music Hall with the same lineup as this show.  Here’s what I wrote two years ago.

We got tickets for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had. Continue Reading »