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[DID NOT ATTEND: November 5, 2022] Ty Segall & Freedom Band / Shannon Lay [rescheduled from October 2, 2020 and June 24, 2022]

I have become a fan of Ty Segall in the last few years.  He releases far too much music to keep tabs on him, but I’ve wanted to see his fuzzed out live show for a while now.

He has had a bunch of shows in Philly, both with Freedom Band and with his other band Fuzz get postponed over and over again.

Back in April the Fuzz show was finally rescheduled and I was really excited to see them.  But we wound up going on vacation that week instead.

Now came this show, which I didn’t realize would be as amazing as it is (if this KEXP live performance is any indicator).

But my son was leaving for a trip to Europe in a couple of days and I wanted to spend time with the family.  So I blew off this show.

Now, since he puts out new music all the time, I have to assume he’ll be back next year (and I hope with this kick ass band).

Shannon Lay is a former punk and now folk singer.  Her songs are quite lovely but 100% unlike Ty Segall & Freedom Band.

However, Ty Segall also plays acoustic shows–he has one coming up in Philly in November (so that’s three shows in Philly in one year).  and I wonder if she has played with him in these solo settings.

[DID NOT ATTEND: June 24, 2022] Tears for Fears / Garbage

I’ve never been a huge fan of Tears for Fears, although I like more than just their big hits (I especially like the Sowing the Seeds of Love album).  With the release of their most recent album, there’s been a lot of discussion about their music with many people point out just how prog rock they are.

This seemed like a really interesting tour, but I wound up never getting tickets.  Sometimes those PNC Bank shows are really pricey, and if it doesn’t look like there’s going to be an seats to upgrade to, you’re stuck in the lawn.  Which is no fun at all.

Although a double bill with Garbage would be the best way to see them.

Reviews of the tour are overwhelmingly positive, so I guess I missed a good one.

I have seen Garbage a few times (most recently in 2018).  They are great live, even as an opening band.

Although I’d rather see them as a headliner.

 

[DID NOT ATTEND: June 23, 2022] Vundabar / Runnner [moved from March 25, 2022, First Unitarian Church]

This show was moved forward a couple of months.  By this time I knew who Vundabar was and was interested in seeing them because of their ubiquitous (in my house) old song “Alien Blues.”

This show sold out before I really knew about it, so there was no way i was going.

I was also a little surprised to find out that their music doesn’t really sound like “Alien Blues”–that song is a bit more frenetic and weird than their most recent album anyway.  Although most live reviews I’ve read say they are terrific live.

M.A.G.S. was supposed to open for this tour, but he couldn’t accommodate the new dates.

Instead, Runnner was the opener.  Noah Weinman is the singer-songwriter behind the melancholy bedroom-folk project.  I listened to a couple of songs and yes, “melancholy bedroom-folk” sounds about right.  I wouldn’t have enjoyed them as an opener, especially if I thought Vundabar was going to be a rocking outfit.

 

SOUNDTRACK: hiatus

[READ: June 23, 2022] Yuanyuan’s Bubbles

This is the fourth of sixteen graphic novels based on Cixin’s Liu’s stories.  This story, originally called 圆圆的肥皂泡, is the most straightforward one yet.

It is full of hope and shows that play is just as important as other scholarly pursuits.

When Yuanyuan was born, the one thing that made her happy was bubbles.  Her mother was a scientist and rather serious.  While her father often chided her mother for being too straight-faced.  But her mother had serious work to do.

Their city–Silk Road City was having severe drought.  If nothing could be done about it, the whole city would have to be abandoned.  Yuanyuan’s mother’s idea was to drop ice bombs with plants in them from a plane.  The project worked–the water helped to keep the seedlings alive.

However, in a rather dramatic early moment, the plane went down and Yuanyuan’s mother was killed.  Yuanyuan’s father was affected by the death of his wife and insisted that Yuanyuan grow up to be just like her mother–serious and thoughtful.  But Yuanyuan had other ideas.  She was still obsessed with bubbles.

Even her teachers noticed her attitude.  But her grades were excellent. Indeed, one of her teachers explained to Yuanyuan’s father that “in this new era, being a  little more relaxed and carefree isn’t a weakness.”

Her father still wants her to take things more seriously, but in the meantime, Yuanyuan has discovered a formula for creating the largest bubble in the world–it’s breaks the world record!

Yuanyuan becomes very successful–her formulas for creating elasticity in bubbles is greatly in demand.  Ultimately, her father asks her for a loan to help keep part of their old city alive.  But she says she cannot.  She is using her funds for her next project–a bubble that can envelope a city.

That’s actually not what she intended, but the bubble does settle onto the city, forcing everyone to figure out how to survive with their oxygen being cut off.  Everyone is furious at Yuanyuan, but she only sees the possibilities–what is she made bubbles that could carry water from he sea to their desiccated city?

No one thinks she can do it.  People make fun of her.  Even her father is disappointed in her.  But she won’t give up.

As with most of these graphic novels, I feel like the story suffers a but from being truncated (I assume it was truncated a lot).  And yet the general tone and tenets of the story come through clearly.  And it’s very cool.  It was translated by Nicholas Blackburn Smith and then written for this book by Valérie Mangin.

The story was illustrated by Steven Dupré and he does a great job creating the images of the bubbles.

[DID NOT ATTEND: June 22, 2022] Midnight Oil / Liz Stringer

When I was in college I was a DJ for a few years.  My freshman year, I loved “Beds Are Burning” and played the song on my show all the time.

I enjoyed the rest of the album, but really don’t know much else by them.

When this tour–their final tour–was announced, I dithered about whether to get tickets.  I assumed it wouldn’t sell out (it didn’t).  I don’t love Franklin Music Hall, so that was a strike against it.  A friend of mine said they were great live (she went to the NYC show and said it was great)./

But ultimately, I decided not to go (or buy a ticket).

And I’m okay with that.

Liz Stringer is an Australian singer who is beloved by many Australian musicians.  She has a devoted cult following.  but it never translates into mega sales.  I’m a little surprised by this because her music is pretty straightforward with an alt-country feel that could appeal pretty broadly here.

I guess I’m not that upset that I missed her though.

SOUNDTRACK:

[READ: June 2022] Sea of Tranquility

S. brought this book home and said she thought I’d enjoy it.  She knows what she’s talking about, and I did enjoy it.

This is a time-travel/pandemic/end of the world novel.  And for all of the time jumps, it’s still pretty short (just over 250 pages).

The book opens in 1912.  We follow the story of Edwin St. John St. Andrew, and eighteen year old aristocrat who has been sent away from him home in England to the wilds of Canada.  I found his story to be quite interesting.  Being the youngest son, he stood to inherit nothing, so he had to make he way abroad anyhow.  But he also hated the way England had taken over India and colonialism in general.  But his parents were born in India raised by Indian nannies and had nothing but fond memories of the place.  So when he publicly stated his disgust with the system, he was told in no uncertain terms that it was time for him to go.

Edward eventually makes it to Victoria, BC.  He is miserable there, too and really doesn’t know what to do with himself.  He wanders into the forest.  He sees, inexplicably, a priest.  And then when he turns to a giant maple, he is struck by darkness, loud noises, music and chaos.  All for about one second.

The next section jumps to 2020 and follows Mirella and Vincent.

We open on Paul, a composer, who is showing off his latest work–a work that uses video footage that his sister filmed.  The footage looks a lot like what Edward saw in the forest.

Paul’s sister was named Vincent.  Mirella had been a friend of Vincent’s and hadn’t know she was dead.  In fact, she had come to Paul’s performance to try to get in touch with Vincent.  Their friendship ended when Vincent’s husband was involved in a Ponzi scheme that brought down a lot of people.

While she is trying to talk to Paul after the show, they are joined by another man, named Gaspery.  He winds up talking to her and she thinks she recognizes him.  But it’s impossible because she recognizes him as a man who was involved in a shooting in an alley when she was a little girl.

The next section is set in 2203 and is called The Last Book Tour in Earth.  Olive Llewellyn was born on the moon and has written a number of novels–novels that sold well on Earth as well.  She was happy to be on Earth because she could also visit her parents.  Her parents moved back to Earth after she had left for college.

This book, Marienbad, was being made into a film.  So even though it was a few years old, publicity was called for.  She enjoys the trip although she misses her family back on the moon.  Soon though, there is word of a pandemic stretching out across the Earth.  It had been a long time since the Earth had dealt with such a thing, and people didn’t know how to prepare for it anymore.  Emily had written a previous novel about a pandemic and knew, from her research, what she should be doing.  But no one else seemed to be paying any attention.

The last interview she has is with a man who prepares to ask her if she had experienced something strange at the Oklahoma City Airship Terminal.

The story jumps one more time to 2401.  A man named Gaspery.  Gaspery tells us about the first moon colony which was built in the Sea of Tranquility.  There was much interest in immigration and Soon they had moved on from Colony 1 to Colony 2.  The Colonies were meant to replicate Earth as much as possible–including artificial lights that mimicked the Earth cycle.  But when the lights failed and were deemed too expensive to repair, that set in motion the gradual abandonment of Colony 2.

Gaspery grew up living near the house where Olive Llewelyn lived.  It was now occupied by a family with a girl, Talia, who was about his age.  Talia seemed to always want to gaze out of the dome toward Colony 1.  Gaspery’s sister, Zoey, on the other hand, did not ever go near the dome (their mother didn’t like them going there).

When they grew up, Gaspery wound up getting a job at the Grand Luna Hotel in Colony One.  Coincidentally, that’s where Talia has moved and gotten a job (as head of HR).  Zoey, meanwhile had become a super smart scientist working at the Time Institute.  One night in a state of panic, she tells Gaspery that their work has uncovered something. It involves time travel.  It is dangerous.  Gaspery, hating his job and his life, volunteers.  Zoey won’t hear of it, but her coworker, Ephrem, agrees to let Gaspery try out for the job.

A few years later, Gaspery is ready and he is told about the video footage that Paul the composer showed in 2020.  Zoey fears that the glitch in the video, the glitch that Vincent film, the same glitch that Edward saw in 1912, the same glitch that Olive wrote about in Marienbad (which is why the reporter asked her about the airport).  If these glitches are connected…does that mean our world is a simulation (like the Matrix?).

Gaspery is to be dispatched to the above timelines to see what he can learn about this glitch.  The one caveat–the big thing that the Time Institute cares about, is that you don’t mess up the timeline.  Gaspery can’t imagine why anyone would do that.  Then he learns that Olive Llewelyn died on Earth on that book tour.  Because of the new pandemic she was not allowed to go back home to the Moon.  It wouldn’t hurt just to hint that she should end her tour early, would it?

The story unfurls quickly from there with Gaspery leaning a bit more with each time he jumps into.

I enjoyed this story a lot.

S. tells me that Emily St. John Mandel wrote a previous book about a pandemic (Station Eleven).  Interesting, no?

 

SOUNDTRACK:

[READ: March 24, 2021] This is Not the Real World

I really enjoyed the first book in this duology.

That book was about a girl who was forced to work on the set of the retro TV show Stuck in the ’90s (which reveled in 1990’s pop culture).

When I was reading it, I had no idea that Carey was planning to write a sequel.  The end of the book show sequel possibilities (and it sounds like there will be no part 3).

As the book opens, Jess and her fellow cast member Kipps have been free from their show for a few months.  But they are never really free.  Because the production company owns them until they turn 18, they have  to lay low.  Jess has turned 8 recently, but Kipps still has six months to go until he is an adult. Continue Reading »

[ATTENDED: June 20, 2022] Frank Turner / Kayleigh Goldsworthy

On September 15, Frank Turner announced that he would be playing Underground Arts on October 3.  At 2PM!

This year, after announcing his show in Philadelphia, he announced that the next night he would be playing Crossroads the following night–a solo show–AFTER playing a show in Queens earlier in the day.  Frank is a lunatic.

I wanted to see him, but the show started at 11 PM.  Which, let’s face it, is too late, even for me.  Plus, he was solo, and I want to see the band this time.

His opening act was announced as a special guest.  The guest turned out to be Philly singer-songwriter Kayleigh Goldsworthy.

I saw her open for Frank at that 2PM show and really enjoyed her.

Kayleigh commanded the afternoon crowd right off the bat. She sang slow ballads that were full of angst.  Her voice was really strong and she had the amazing confidence to have long (relatively) stretches of her song where very little happened.  And we were rapt by her.  Her voice sounded very familiar to me–like someone who I can’t place.

There are some videos available of the show 9which sounds like the audience was full of drunken men, perhaps no surprise there).

 

[DID NOT ATTEND: June 19, 2022] Frank Turner and the Sleeping Souls / Avail / The Bronx / Pet Needs

I had been wanting to see him for a long time because I’d heard his live shows were amazing.  I saw him last year in a solo (more or less) performance.  And it was great.  So next, I wanted to see him with his band because I’ve heard the band version is even wilder with a more punk aesthetic and I do love a fun punk show.

I grabbed a ticket to this immediately, not realizing that it was Father’s Day.  It’s not a very Fatherly way to spend the day by being away from your family for hours.  So I didn’t go.  I probably wouldn’t  have gone to all the bands (four is so many!), but still, it’s nice to be home with the family.

Avail is a melodic hardcore band that has been around since 1987.  There would be a LOT of slam dancing for this set.

The Bronx is a punk band from (amusingly) Los Angeles.  They’ve been around since 2022, but I’d never heard of them (clearly I’m not up on my punk bands).  Slam dancing here as well, although their newer stuff is less punk and a bit more metal.  Interestingly, the band also released several mariachi albums under the name Mariachi El Bronx.  I wonder if they play any of that in these shows.  Probably not.

Pet Needs is a punk band from England formed by brothers Johnny and George Marriott. Their debut album: ‘Fractured Party Music‘, was mixed and mastered by Frank Turner.  They have a good punk sound but they mix it up with slower parts in their songs, too.

 

[DID NOT ATTEND: June 18, 2022] tUnE-yArDs / Anjimile

I saw tUnE-yArDs in 2018 and enjoyed the show. There’s questions about her appropriation of African culture into her music which makes me think, rather than enjoy, her music.

So I wasn’t likely to go to this show even if it hadn’t been right up against Kraftwerk, which there was no way I was missing.

Anjimile Chithambo is a folk singer from Boston, Massachusetts.  Her music is pretty, but I don’t care for her singing style at all, which is kind of slow and deliberate and, to me, a little tedious.