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[POSTPONED: October 4, 2022] Ibeyi / Madison McFerrin [moved to March 25, 2023 at World Cafe Live]

I first heard of Ibeyi quite some time ago. They are sisters Lisa-Kaindé and Naomi Diaz.  They were born in Cuba but moved to France as small kids.  Both of their parents are musicians, and the sisters have a great musical connection.

I had heard that their live show was amazing and I put them high on my list of bands to see.   I was pretty excited to see that they’d be playing Union Transfer.

Then on September 7, I got this email:

Ibeyi have moved their US tour, including their Philadelphia date to Spring 2023. A note from the band can be read below.

“To our fans in North America, we’re sorry to announce that due to logistical complications, we have to move our originally scheduled North America September/October dates to the spring of 2023. For those who have been following Ibeyi from the beginning, you know how touring and performing is special to us, we can’t wait to come and play our songs for you, but it’s only a matter of time.

Please note the new date and venue for our show – original tickets will be honored, please contact your point of purchase for more information.”The Philadelphia show will now be taking place at a new venue, World Cafe Live on March 25, 2023.

The opening act, Madison McFerrin is Bobby McFerrin’s daughter.

She sings in a kind of classic soulful way.  Her voice is rather timeless.  I’m not sure how much I would have enjoyed seeing her live, but I’ll probably never know.

[ATTENDED: October 2, 2022] Otoboke Beaver [rescheduled from from April 9, 2022]

I wanted to get to this show early because it was sold out and I knew it would be crazy.   But between one thing and another I wound up arriving at 8:25.  Only to find out that the opening band (opening bands at Johnny Brenda’s tend to go on a little later than advertised) was DONE.  Apparently Soft Torture, a Philly hardcore band, did a super-fast set (their debut EP has nine songs in about 13 minutes).  Listening to it, they sound really tight with a great vocalist.  Shame I missed them.

But I was there for Otoboke Beaver.  And so was the rest of the riotous crowd.

About their new album, SUPER CHAMPON (ス​ー​パ​ー​チ​ャ​ン​ポ​ン) the band says:

CHAMPON is a Japanese noun meaning a mixture or jumble of things of different type.

Our new album is a mixture of songs from love to food, life and JASRAC. Our music is genreless and has various elements. We hope that it will be our masterpiece of chaos music!

Otoboke Beaver are a four-piece from Japan.  There’s Accorinrin on vocals, Yoyoyoshie on lead guitar (and crowd surfing), Hiro-chan on bass and Kahokiss on drums.  The band plays primarily hardcore, but with a comical and fairly wild edge.  But even that is an extremely limited view of their set.  The songs shift without warning, from frenetic punk to … well, anything else.  It’s amazing how tight the band is that they can keep up with these twists and turns.

Accorinrin is up front.  She stomped around the stage, sometimes pointing finger pistols at the audience, enagaging really well with everyone.   Stage right was Yoyoyoshie who is as ferocious on guitar as her howls of “Otoboke Beaver!” between songs.  On the left was Hiro-Chan standing bare-footed (the band has pleaded that people not put any drinks or throw anything on the stage to protect her feet).  She seems remarkably chill given the frenzy around her, and her growls are awesome.  Kahokiss on drums somehow sounds fantastic while all of this is going on.  How on earth can she keep all of this straight?  It’s really amazing. Continue Reading »

[DID NOT ATTEND: October 1, 2022] Tinariwen / Garcia Peoples

Tinariwen is a pretty legendary band.  They play a guitar driven “desert blues” in which the guitar is played pretty much non-stop.   It’s unique and original to American ears but is apparently part of a Mali musical sound that combines traditional Tuareg and African music with Western rock.

Like last time, their show happened to be booked at a time when I had a lot of other things going on.

I would very much like to see them so I hope they come back again before too long.

Having Garcia Peoples open was a stroke of genius booking and honestly only made me want to go to this show even more.  It happened to be on the same night that I had a ticket to see Indigo de Souza.  Which wound up getting cancelled anyhow.  But then I had another show the next night.

I hope they both come back together–what a great double bill.

[POSTPONED: October 1, 2022] Indigo De Souza / Horse Jumper Of Love / Friendship [rescheduled from January 30, and May 2, 2022 moved to May 23, 2023]

Third time was not the charm.  Indigo de Souza has postponed this show twice before because of COVID–valid enough reasons.  But it was pretty strange that she has chosen to postpone this time for very different reasons:

We just received word that Indigo De Souza will begin working on their new record in the coming weeks. So the previously re-scheduled show for October 1st will now take place at our venue on May 23, 2023.

That’s a little weird.  At least they sent this message on August 12, so there was plenty of time to be made aware of the change.

So, the fourth time will be almost a year later from the second time.

~~~~~

Indigo De Souza had to postpone her previous show here because of general COVID anxiety.  Now, just a few days before this show was supposed to happen, she had to postponed because of an actual COVID outbreak:

Thank you for purchasing tickets to see Indigo De Souza at Union Transfer on May 2. Unfortunately, due to a postive Covid test in the touring party, this show has been postponed to a date to be determined in the future.

From the band: “Unfortunately, our bass player and Horse Jumper of Love’s drummer have tested positive for covid so we have decided to postpone Monday’s show in Philadelphia ,PA :/ Please hold on to your tickets as we will be announcing new dates asap. We are sad to miss this show. It’s a sensitive time to be playing music. Thank you for bearing with us as we learn how to navigate it all. Sending love in all directions.

Perhaps third time’s the charm

~~~~~~~

Indigo De Souza is a new (to me) musician who I heard about on NPR music.  Her song “Kill Me” is outstanding.  A great dynamic of sounds, very funny lyrics and memorable hooks.  I loved it immediately.  She announced a tour soon after I’d heard it and I grabbed a ticket to see her headline tour (!).

She’s ben making music since she was like 9 with a few EPs and a previous album.  I imagine she’ll be a fun and wild performer.

On January 13, Union Transfer announced:

Indigo has decided it’s best for all involved to move their tour to a few weeks later in the year. The Philly show will now take place at Union Transfer on May 2nd

That’s not too far off.

I hadn’t heard of either of the opening acts (such is the case when the headliner is fairy new herself).  Continue Reading »

[DID NOT ATTEND: September 30, 2022] Stella Donnelly / Maria BC

I know of Stella Donnelly from NPR Music–both All Songs Considered and her Tiny Desk Concert.  She is an Australian singer with delightfully pointed lyrics and a wicked charm.

I was quite keen on her for a while, but y the time this show was posted I had kind of forgotten what it was I liked so much about her.   If I didn’t have two other shows to go to in the next few days, I probably would have gone, but as it was, I had to save up my nights out.

Maria BC is an Ohio-born classically trained singer who sings over ethereal guitars and organs.  Her music is quiet (deliberately so).  And I think in a live setting she would be transportive.  However, I didn’t listen very carefully to her bandcamp release so it sounded just okay to me.

[ATTENDED: September 29, 2022] Death Cab for Cutie

This was our third time seeing Death Cab for Cutie.  They put on a remarkably good show every time.  I was telling S. I feel al little bad for saying that I don’t feel like there’s anything extraordinary about them–nothing that blows me away.  However, I like just about everything they do.  They fall into a perfect, sweet spot for me.  I love Ben Gibbard’s voice.  They write excellent melodies.  And, as it turns out, their live shows are fantastic.

The whole evening was marked by weirdness though.  As we arrive, while waiting at the corner, we saw a car hit a guy on a bike.  They were both moving very slowly–the car was turning the corner and the bike was slowing to the parking area right after the corner, and I guess technically, the bike drove right into the car. The rider was uninjured, the car was unscratched.  It was clear that everyone just wanted to move on with their lives and so off they both went.  All before the light turned green for us.

Then, in the venue, we avoided the tall dudes (so many really tall dudes!) and wound up standing by this foursome.  After a minute it became very clear that the one guy was really, really drunk.  And I predicted he was going to down sooner rather than later.  The two women in their group wound up supporting this guy physically for the entire show.   Rubbing his back, patting his shoulders.  And sure enough within two songs he was on the ground.  Although he got up before security could get him and them out of there.  Instead, they wound up with the (in my opinion) worst show imaginable for these two women who were trying to support this idiot instead of sitting him down or just going home.

Ah well.  The good news was that he never caused enough crisis for the band to stop and they were blissfully unaware of that minor drama. Continue Reading »

[DID NOT ATTEND: September 29, 2022] Finom / Mmeadows / Grocer

In August 2022 Sima Cunningham and Macie Stewart announced that they had changed their name from OHMME to Finom, for legal reasons (I wonder what those were).

I don’t care for the new name. I didn’t really love the first name either.

But I saw them open for Jeff Tweedy a few years ago and they were incredible.  Their new album (as Finom) came out a little while ago and I never really got into it–maybe I didn’t give it a chance.  But for whatever reason I wasn;t as interested in this show as I thought I’d be, given how much I loved their set last time.

This is actually the second show that I didn’t go to in which mmeadows was supposed to open.  Their music is pretty interesting.  Rough Trade publishing describes them this way:

Longtime collaborators Kristin Slipp and Cole Kamen-Green come together for the first time as a duo in mmeadows. The band’s distinct sound is informed by their deep musical backgrounds: Kristin is a current member of indie royalty Dirty Projectors, while Cole has worked directly with Beyoncé on two albums, ‘Beyoncé’ and ‘Four.’ Drawing from their disparate influences, mmeadows sees two people connect in what Paste Magazine calls a sonically “singular” way.

Vocal-focused pop songwriting is the heartbeat of mmeadows, who liberally use found sounds and esoteric vintage instruments in their productions and performances. The band released their first EP, Who Do You Think You Are?, in April 2020.

Perhaps a but too poppy for me, but I’ll bet they’re fun live.

I thought I knew Grocer from a Tiny Desk Concert, but I was wrong.  Grocer is a Philly based band that I keep seeing around–so they must be opening for a lot of bands.  Their bandcamp says

Grocer is a band from Philadelphia. Lead by three distinct vocalists, they pendulate between moments of brash atonality, saccharine pop sensibility, and rhythmic acrobatics.

Their compositions are both meticulous and volatile, while their live performances are lauded for explosive chemistry with cheeky curiosity. On their most recent full length, Numbers Game, the band rearranged the puzzle pieces of 90s-influenced rock and dissonant pop into something utterly their own.

I love their chaotic sound as it works with their melodies.  And this blurb makes me realize I need to see them live

Grocer is a multi-vocal guitar band from South Philly that demands context and attention: listen to just one song or wander away mid-set to smoke a cigarette, and you’ll completely miss what they’re about. Featuring three distinct vocalists/lyricists, Grocer is a band that grooves, but never quite settles; a group that loves a good melody, yet remains moments away from chaos. Recently described as “if The Pixies wrote a musical”, their on-stage chemistry is undeniable whether ripping through an Audiotree session or playing in their home city of Philadelphia.

[ATTENDED: September 29, 2022] Thao

Initially the band Low was supposed to open for Death Cab for Cutie on this leg of the tour.  They had cancelled for health reasons (drummer, singer Mimi Parker is battling cancer).  I haven’t liked a lot of Low stuff (they’re a bit too slow for me), although their newer stuff is a bit noisier and more fun.  And obviously I hope Mimi is okay.

But I was pleased to see that Low was being replaced by Thao.

I have known about Thao Nguyen for years.  She was primarily known as the leader of Thao and the Get Down Stay Down.  She dissolved the band earlier this year (no idea why) but has been playing shows with new band members.

She just goes by Thao now and she knows how to control an audience!

We missed the very beginning of her set (we were a little late getting there and then we forgot that the GA area has to go through the far door, so we had to go in and back out before we could really enjoy her set).

Thao was up front in a cool white suit and she sang with the intensity I knew she had.   She also played a wicked guitar, which I did not know she did.  During one of the songs (I don’t know titles), she played a spectacular, noisy guitar solo while the rest of the band jammed around her.

Her band includes Micayla Grace who played an amazing bass guitar (she was all over the fretboard creating wondrous sounds).  Lilah Larson played guitar and keys and seemed to be making sounds out of nowhere.  And her drummer Jon Sortland (who also plays with The Shins) was amazing.  He created rhythms and stacked them on top of rhythms and they all worked perfectly.  Considering he just got off of tour with the Shins a few days earlier, the fact that he could do such amazing stuff with Thao is really impressive.

And then there was Thao herself.  She dedicated a song for a woman’s right to choose.  She played a great song (called “Oh No” I believe) which not only had great audience participation (this side sings Oh No!; this side sings “But I loved you the most,” but which also seemed to have two parts–a really rocking section and then a slower part that built and built.

She also serenaded us with a song that she wrote for her wife, which I believe was “Marrow.”

She ended with a song I knew, “Temple,” a catchy song that looks back at the fall of Saigon.

She played a great set and I would think she’s be amazing as the headliner.

[DID NOT ATTEND: September 29, 2022] The Get Up Kids / Sparta

My friend Al got me into The Get Up Kids back in the early 2000s.  “Mass Pike” is a frequently played song on road trips.  My Get Up Kids album is Something to Write Home About.  I never really got that into Four Minute Mile.  So, even though this show could have been fun, it wouldn’t quite have been for me.

Although I certainly wouldn’t have disliked it.

I had plans to see Sparta back in 2020 but the shows were cancelled.  Back then I wrote

When At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

UPDATE: Sparta are headlining a tour in August 2023.  So I’ll get to see them.

[DID NOT ATTEND: September 28, 2022] Pet Shop Boys / New Order / Paul Oakenfield: The Unity Tour [rescheduled from September 12, 2020 and September 22, 2021]

This concert was postponed twice.  And now it was finally happening.

I had seen Pet Shop Boys a few years ago and definitely wanted to see them again.  I had never seen New Order but new it would be a fun show.  I had no real opinion of Paul Oakenfield.

And yet… Continue Reading »