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[ATTENDED: June 18, 2025] Sarah Millican

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

After Matt Kirshen finished his set, Sarah came out and began her own.  I knew that Sarah Millican told adult jokes, and boy does she ever.  I love how demure she looks and yet how unafraid she is to talk about everything.

She had a whole book cataloging what a Late Bloomer is compared to an Eager Beaver.  Each one funnier than the next.  And on the way out she had free buttons an Eager Beaver and a Late Bloomer one.  Continue Reading »

[ATTENDED: June 18, 2025] Matt Kirshen

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

Her opening act was Matt Kirshen.  Kirshen is a British comedian who has recently become an American citizen.  We all had a good laugh at his terrible timing of becoming an citizen.  He said that he liked being part of something in its final act.

His routine was really funny–it must be quite challenging to be a less well-known comedian.  But he was great and had us laughing quite hard.

He had his own show at Helium the following month and I’m sure it was really good.

I’m writing this three months after the show and can’t remember his jokes, but I know he had us laughing quite a bit.

If I think of any jokes or see any videos, I’ll add them here.  But I would 100% see him again.  He was great.

 

[ATTENDED: June 16, 2025] Lip Critic

I had not heard of Lip Critic and never imagined that they would be headlining this show.  But when they started I realized why they were better suited as the headliners–because they are crazy and would be very hard to follow.

I actually wondered if they were even playing songs or just improvising loudly on stage (they are playing songs and do have records out, so settle down).  It’s not just that it was loud (it was), it’s that it was chaotic in the extreme.

There were two drummers (yay), a guy who made all the sounds but who faced away from the audience the whole time (but did a lot of dancing)  and then the singer/screamer, who was fun and funny and brought a good time to all the chaos. Continue Reading »

[ATTENDED: June 16, 2025] Hello Mary

Iwas supposed to see Hello Mary about a half dozen times and it kept falling through for one reason or another.

So when they announced this show at Warehouse on Watts, where I had never been before, I grabbed a ticket quickly, having no idea how quickly it would sell out.  I loved that the venue was so small, and I had great access for seeing them for the first time.

They had a newish album out for this tour and I was ready for it.  I was closest to bassist Mikaela Oppenheimer who plays some awesome basslines.  On the far side was singer guitarist Helena Straight (who makes some gorgeous noise/feedback while not playing cool melodies), and and then at the kit was drummer Stella Wave.   Float started with washes of keys (from Mikaela) and guitar while Stella and Helena ooh’d the intro.  By the end, the song was a wall of noise and screamed vocals.  It was a great opening.

They followed it with a classic 90s-sounding rocker Stinge from their debut album–a great guitar riff and intermittent quiet parts.  Even their quieter songs like Courtesy have a good grunge tone. Continue Reading »

[ATTENDED: June 16, 2025] Halloween

I first heard about Warehouse on Watts back in 2021, when some kind of Yves Tumor Halloween show was being presented there.  I didn’t understand what was happening that night and really had no idea what to think of this venue.  I’ve only been interested in the venue one other time since then, but I didn’t go to it.  But here at last was someone (Hello Mary) that I really wanted to see and they were playing there.

Imagine my surprise to find out it’s a block away from The Met Philly.  It’s a cool, small club with a short stage and walls that you can lean against if need be.  I really liked it and would happily go back.

So I arrived really early and was able to check out the place a but before Halloween started.  I can’t believe that in 2025 a band can call themselves Halloween and there’s no real conflict.  Has no one ever called their band Halloween before?

Halloween is a Philly based band and they play an interesting mix of sounds.  They are probably based around shoegaze, with fuzzy swirling guitars.  The vocals are quiet ( I often couldn’t hear them, but I could tell there was singing).  Guitarist Sia Dokos (who also sang lead sometimes) played really cool interesting chords and noises and I wished that I was on their side of the stage to really see what was going on). Continue Reading »

[ATTENDED: May 31, 2025] Vampire Weekend

Vampire Weekend’s first two albums are perfect.  They are two of my favorite albums and any time I listen to them, it makes me smile.  I had wanted to see them for a while, but I wasn’t sure if they would be as good as the records live.  And then suddenly they were selling out bigger venues than I wanted go.  I had tickets to see them in 2019 but couldn’t make it.  Somehow I missed when they played The Mann in 2024 (I was too buys that weekend anyhow) and finally I was able to snag tickets for one of the two nights at The Met.

I saw after that they played a different set for each night, so it’s a bummer I couldn’t go to both.  But having finally gotten so see them I can yell at my younger self because they were fantastic live.

After Geese left the stage, a giant Vampire Weekend banner dropped in front of the dark curtain.  A whole bunch of folks in dayglo yellow set up the stage area–bringing out a piano and drums as well as a mic stand.

Having never seen them I honestly wasn’t sure if this was the show–just a trio in front of the band’s name.  And I was fine with it because they sounded great.

It was just the original trio singer/guitarist Ezra Koenig, drummer Chris Tomson, and bassist Chris Baio.  They opened with  the quiet Hold Me Now and then segued into a far more rollicking Oxford Comma (And I was in heaven because they’d already played on of my favorites songs).  And then they played Blake’s Got a New Face, which my wife and I had just been singing.  It was great.

It was sometime during the next song Ice Cream Piano that I realized that there were more sounds coming from the stage than these three guys could possible make.  And soon after, the pulled back the VW curtain to reveal a huge band behind them.  The revelation was quite a delightful surprise and it wasn’t until they started the next song, Classical (which I never no the name of) that I realized how great the whole huge band sounded.  There were two drummers, keys, several guitars and lots of backing singers.  During the instrumental section of the song, one of the guys in the dayglo shirt did a very sexy dance in the spotlight.  It was pretty fun.

And how to describe the backdrop?  It looked like they were in an underground tunnel, like a concrete bunker with multiple ins and outs.  It looked really convincing.

Ezra typically played guitar but for a few songs, like Connect, he put down the guitar and walked the stage while singing. Continue Reading »

[ATTENDED: May 30, 2025] Momma

Just over a year ago, I saw Momma open for Girl in Red.  I had been wanting to see them for a while and an opening set is a fine way to see them.  But I was really excited when they announced this headline tour and that they were playing Union Transfer.

I was off to t he side a bit–near Allegra Weingarten but with a great view of Etta Friedman.  Last time it wasn’t entirely clear if the band was just the tow of them (as photos showed) or all four, but the two guys are still with them so I’m guessing they are part of the band now–Aron Kobayashi Ritch on bass and Preston Fulks on drums.

The set was largely songs from their new album, which was to be expected.  Although I was really surprised that they played I Want You (Fever) (which I think is a huge hit) second!  The crowd went nuts for it of course.

In fact I feel like they stacked the front of the show with the songs I wanted to hear because they followed Fever with Medicine and Ohio All the Time. Continue Reading »

[ATTENDED: May 31, 2025] Geese

There had been some buzz around Geese when they were announced as openers for this show.  I knew their song Cowboy Nudes and found it odd but very catchy.

As this show came around, they started playing another song on the radio and I realized that Geese is pretty weird. So I was curious what their live show would be like.  We arrived pretty early, but the pit was already pretty crowded.  Turns out Geese already had a huge fanbase.  The front of the pit was full of big time Geese fans.

They opened their set with Islands of Man, and I thought that the most distinctive thing about the band (Cameron’s voice) was rather subdued. The song starts softly and fairly quietly with interesting guitar parts from Emily Green.

And the rest of the band was amazing too.  As the show went on, I couldn’t take my eyes off of drummer Max Bassin–he was doing some wild and complex parts.  And midway through the show I realized that bassist Dominic DiGesu was playing some amazing fills too.

For Jesse, Cameron continued to sing in a kind of subdued manner, until the bridge where he got a little shouty.  And it worked really well with the jamming music.  Tomorrows Crusades was super catchy with a great guitar line and Cameron singing in a kind of falsetto.  Continue Reading »

[ATTENDED: March 22, 2025] Wishy

I Was happy that Wishy opened for Momma.  I knew one or two songs by them and really liked them.

The band came out–a five piece, with the two singer/guitarists Kevin Krauter and Nina Pitchkites.  They harmonize perfectly with each other–both vocally and on guitar.  There’s something very appealing about the two singers going Ah ah ah in harmony on Planet Popstar.  There’s a few different parts in this song so I actually wasn’t sure if they were playing different songs or one long one (it’s only 4 minutes, but is pretty complicated)

Wishy released an EP this year and they played half of it.  That left five songs from last year’s Triple Seven, which is the album t hat I first heard them from.  The (very simple ) guitar riff in Persuasion is wonderful–and when the harmony guitar came in–fantastic.

Love on the Outside is mostly Kevin on guitar, but after a verse, the band kicks in and the harmonies are terrific.  The rest of the band is guitarist Dimitri Morris , bassist Mitch Collins, and drummer Conner Host.  It almost seems like overkill to have three guitarists in the band, but all three do different things to make the sound enormous. Continue Reading »

[ATTENDED: May 25, 2025] Ice Nine Kills: Night 2

Two nights of 4 band metal shows is a lot.  So I am glad that we blew off the openers in night one.  I could have probably done with blowing some of them off tonight as well, but I enjoyed being closer to the stage, and that’s all that matters.

I knew that Nights 1 and 2 were going to be different (duh), but I was impressed at how much they changed from Night 1 to 2.  They didn’t rearrange the stage, but they changed the set dressing, making it a very different show.

The bass drum head went from circus themed to a bloody IX.  Instead of the glowing eyes under the drums, there was a banner that read Welcome to Horrorwood.  And for tonight, Spencer’s skeleton mic stand was front and center.  And the backdrop was changed from the Jason mask to the Horrorwood scene.

As always, they played Nick Cave’s Red Right Hand and then the intro to Horrorwood played over the speakers.

Like with The American Nightmare, the opening song Welcome to Horrorwood is super fun and catchy. Continue Reading »