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[LISTENED TO: September 2023] Crush the King

I listened to the first and second book of this series pretty far apart.  But since I was looking for something new and I saw this I figured I’d finish the trilogy (I assume it’s a trilogy).

And perhaps listening to these books so close together made me notice a lot of Estep’s weird quirks about her writing.  Or maybe, she was obliged to write a longer book than she needed to.

I feel like Estep was once told that saying things in a series of three was really impactful.  And so she thought, if three is good, then I’ll wrote four!

If there was a Crown of Shards drinking game, it would be: every time she lists the four things people are doing.  Like: the people gave cheers, yells, claps and whistles. Or the people were drinking, dancing, singing and laughing.  Or they were yelling, cheering, clapping and whistling.  Or they were eating meats, cheeses, wines and ales.  Or she was spinning, turning, whirling and twirling.  The performers were acrobats, wire walkers, morphs and magiers.  And, finally, every time she lists her four friends (she does say “my friends” but often feels the need to group them into four: Paloma, Cho, Serilda and Ouster.  By the way, I only have the audio book so finding spellings of names is not easy.

This final book in the trilogy is set on an island for the Regalia Games, an opportunity for the seven nations to show off their warrior skills.  It’s also an opportunity for Evie to, as the title says, Crush the King.  In this case, the King is the hilarious named Maximus Mercer Morland Morricone or Morta.  I mean…

Anyhow, the arc of this series has been a little less than a year and every assassination attempt has come from Morta.  They come through the hands of the king’s bastard sister Maeven, but they come from Maximus.  And Evie has had enough.  She’s going on the offensive and will take him out at the games.  She has plans, but she hopes she doesn’t have to use her last resort [jump cut: she has to use her last resort].

Maximus is cartoonishly evil (he drinks the blood of magical animals to get their power, he’s willing to kill his young nephew to get ahead).  But the battle scenes are pretty good and I enjoyed hearing about the competition.

Despite my complaints there was a lot I liked about the book.  I enjoyed meeting Leonidas, Maeven’s son and his pet Strix, Lyra.  And I really enjoyed the flashbacks to when her family was killed and she had to escape.  The way the past tied to the present was well done.

But there are times when I just want to smack Evie (or Estep) and say, come on.  Evie is walking over a bridge and she notices a suspiciously dark boat in the water (twice).  But she doesn’t even mention it to her guards–yes, of course it comes into play later.  Evie believes that Paloma and Xenia are related.  And she’s almost 80% certain when it turns out that both of the people they were related to had the same name.  The fact that Paloma and Xenia never asked each other if they had people in common is absurd.  As is the fact that Evie finally tells Paloma and we don’t learn about the aftermath (it happens after the book, I guess).

Also, this book is a trilogy but somehow, there’s a new possible villain that has been around for the whole book but didn’t seem like a villain and might be one in the future.  The end.  No, that’s not how a trilogy ends.

I was happy that the secondary characters had more to do.  I love Cho and it’s fun to see him be gleeful about being the center of attention.  And I’m glad that Paloma got to battle.  But as several other people have pointed out (and Evie was even criticized about this on the book), she more or less does everything herself.  Paloma and Sullivan kind of help out a little once in a while, Serilda basically goes on one expedition with her.  We care about her friends but they don’t get to do much.

And on a personal level, I was really bummed that Gemma and Grimly are not even a part of this story.

And then there’s the whole Sullivan romance.  Several people have commented on how little chemistry they seem to have.  But, the biggest problem is that he doesn’t really do anything in the book.  If he wasn’t there, I’m not sure the story would have been any different, except for a (once again) remarkably graphic sex episode.

There’s a lot to enjoy in this series, but I think an editor chopping off some unnecessary bits would make the story flow a lot better.  Having said that, it’s a nifty world she has built and I enjoyed exploring it.

[DID NOT ATTEND: September 1, 2023] Strawberry Moon / Wax Jaw / Hot Seat / Wallace, Tonight

I have recently discovered the Philly band Wax Jaw and I am mildly obsessed with them.  I have yet to see them live, but I really want to.  When I saw this show at Ortlieb’s, I thought it might be a great time to see them.

But there were a couple of problems.

The big one is that my son was moving to college the next day.  Yea, there was no way I was not going to be home to help him (and we were up until almost midnight getting everything together).  The second, obviously minor thing is that Wax Jaw was not the headliner.

Strawberry Moon was the headliner.  I hadn’t heard of them, but imagined they would be kind of a psychedelic band.  And nothing could be further from the truth.  Their bandcamp summary says:

rock and roll with big ole vocals and dancey riffs

And that’s pretty spot on.  There’s some great rocking riffs and lead singer Katie Bowles has a powerful voice that never turns into screaming.  The rest of the band is Liam McElroy – guitar ; Gray Stephenson – bass ; TJ Meade – drums.  The poster says “Introducing Christian” which I assume means another member of the band, but who knows.

They are  a classic sounding band who probably put on a killer live show.

Wax Jaw I only know from a show I didn’t see (which had video online afterward).  There’s something wonderfully primal about them–kinda surfy but with a real punk rock feel.  Or as, this review in Before Tomorrow says

With a blend of surf rock, new wave, and popost-punk influences; Wax Jaw can only be described as something akin to the love child of The Cure, Siouxsie and The Banshees, and The Dictators all wrapped up into one package of sound that you may have expected to hear leaking from the doors of The Hot Club in the late 1970s. In the seemingly brief time they have been together, Wax Jaw has already garnered an extensive roster of sold out shows across the Philadelphia area and after our experience, it is undeniable that this streak will continue.

The review also goes on to say that it sounds like they stole the show. Continue Reading »

[DID NOT ATTEND: August 31, 2023] Dysrhythmia / Stinking Lizaveta / Countdown from Ten

For reasons I don’t entirely remember, I’ve added Stinking Lizaveta to the list of bands that I’d like to see.

I think what inspired me to check them out is that they are an instrumental band who play complex music.  Indeed, it appears that not a word would be sung this entire evening.

After reading about and then listening to all of these bands, I decided that I would go to this show after all.  So I grabbed a ticket.  And then it turned out that there were so many  things going o this weekend that spending Thursday night jamming to metal math rock just didn’t fit into the plans

Bummer. Continue Reading »

[CANCELLED: August 29, 2023] Bad Cop/Bad Cop / The Homeless Gospel Choir

I didn’t actually find out about this show until it was cancelled. And there’s no word that I can see as to why it was cancelled.

Oh well.

I saw Bad Cop/ Bad Cop open for Anti-Flag and they were great.  I enjoyed their whole intense set.

The Homeless Gospel Choir opened for My Chemical Romance when we saw them.  But we didn’t get to our seats until after their set was over.  They are a folk/punk band from Pittsburgh who I’m still interested in checking out.

[ATTENDED: August 25, 2023] Ghost

My son and I have now seen Ghost 4 times in about 4 years.  Interestingly, these previous three times have all been based around their last album, last year’s Impera.  My son is rather tickled that he has a short from the Pre-Imperatour, the Imperatour and the Re-Imperatour.

It’s fairly ballsy to tour the same album three times in a year and a half. But in this time their fan base seems to have grown quite a lot.

The Freedom Mortgage Pavilion seats around 25,000 people.  I know it didn’t sell out, but I have to assume there were at least 10,000 people there.   Which is pretty awesome, and makes Papa Emeritus IV very happy.

The set is largely the same as it has been for each part of the tour, with the stained glass windows in the back and the tiered risers.  The Nameless Ghouls were out in force.  And it felt like there might be a few more of them than usual.

LIke thre previous two shows, the opening music was classical.  Klara stjärnor (Jan Johansson song) and Miserere Mei, Deus (Gregorio Allegri song) before the strains of “Imperium” wafted from behind the giant curtain at the front of the stage.

The curtain came down and Papa strolled out as “Kaisarion” played.  And like each show before, it was followed immediately by “Rats.”

Even though I have seen this particular opening, I never get tired of it.  The crowd is nuts, the band is on fire, there’s lights and explosions and everyone is singing “RATS!” at the top of their lungs.

I was pleased that the setlist wasn’t exactly the same as the previous tour, as it mixed in with the Pre-Imperatour as well. Continue Reading »

[DID NOT ATTEND: September 26, 2023] Alex G / Alvvays

Just like last year’s Make the World Better Benefit, everything about this show was geared for me to enjoy.

Actually, that’s not entirely true.  I don;t really like Alex G.  In fact, the last single that got overplayed by him I did not like at all.

But I love Alvvays and would love to see them again.

Plus, this is a benefit show for Make the World Better.

Their motto is “A park should be a place where you see joy every single day. That’s what we’re trying to do.” — Connor Barwin

We believe community-based redevelopment projects have a unique ability to strengthen neighborhoods by creating a sense of ownership over public spaces. We engage residents in all phases of a project, from concept to construction to ongoing programming and upkeep. We design with and for the community—pushing beyond typical play space design: we’ve built community garden plots and a media lab; we have painted murals and all of our projects have included green stormwater infrastructure.

I’ve never been to the Dell Music Center.  It’s an outdoor venue near The Mann Center which probably means parking sucks.  Although I see that it is mostly seated with just a little bit of lawn available.

However, this weekend was already busy enough.  So, we had to give it a miss.  It’s not sold out, but it’s pretty close.  So good for them.

[DID NOT ATTEND: August 25 & 26, 2023] Lotus Land 

This is the third or fourth time I could have seen Lotus Land.  And this time they are playing two nights in a row!

Really, I have no interest in seeing tribute bands.  If I can’t get the real thing, then I won’t get it at all.

However, this Rush tribute band intrigues me because in the pictures they both use doubleneck instruments and their ads say they play mostly late 70 and early 80s Rush.  This is a period I’ve never seen live and I think it might be fun.  Plus they are very highly praised in their reviews.

Turns out Friday night we had plans and I’m really trying to not go out on Saturdays as much, so I’ll just have to hope they come back around when I’m not doing much else.

 

[ATTENDED: August 25, 2023] Amon Amarth

I saw Amon Amarth open for Slayer back in 2019.  At that time I didn’t know them, but I really enjoyed their show–they were melodic and the singer was kind of growly, but he was understandable, and that makes a big difference.

I didn’t realize it had been so long since I had seen them and I kind of expected the same basic show.  But since 2019, they have put out a new album (and have a brand new single out as well).

So while they did play six of the same songs as last time, the order was different and their stage show was HUGE!

Last time they had a ship on stage that they climbed all over.  This time, there was a giant mask on stage and two massive statues of warriors on either side of the stage.

The band sounded huge.  I have now seen them twice in the same venue and would like to see them with a better sound system. Continue Reading »

[DID NOT ATTEND: August 24, 2023] Together Pangea / Thick / Reckling

I have wanted to see Thick for about five years now.  It seems whenever they play a show I can’t get to it for one reason or another.  This show was announced and I thought they were headlining.  But they are not.

Together Pangea is a band whose name I like a lot.  But I do not like their music.  It’s not that different from bands that I do like, it just didn’t do anything for me. So I decided I didn’t want to go to this show.

Thick is a fun rocking band from New York.  As I’ve said every time I keep missing them, I hope they come back soon.

I’d never heard of Reckling.  They are a pretty standard fast, catchy punk band.  Fun stuff, but not especially memorable.

 

 

 

[ATTENDED: August 24, 2023] Paradox Museum

I had gotten an ad on Instagram for something called Otherworld.  I bought tickets ahead of time and we had a blast when it opened.

Naturally I’d get an ad for the Paradox Museum as well.  There were photos of the weirdness inside and I thought it would be fun to check out as well.

Like Otherworld, the Paradox Museum is a series of rooms  that you walk through and you have your mind blown.  Unlike Otherworld, everything in Paradox is familiar.  There’s no weird rooms or art or crazy things to explore, exactly.

Each room deals with a visual paradox.  And the rooms are designed for you to physically see (and more often take pictures of) things that kind of blow your mind.

So it was the left brain side of Otherworld’s right brain. Continue Reading »